August 5, 2025 • 7 mins
Years into their relationship, Tim and Millie find themselves at a crossroads when they move to the countryside, abandoning all that is familiar in their lives except each other. With tensions already flaring, a nightmarish encounter with a mysterious, unnatural force threatens to corrupt their lives, their love, and their flesh.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey guys, Brad Gilmour here, want to give a big
shout out to our title sponsor, Walker Texas Lawyer. If
you are a love would have been injured in an accident,
whether that be a car, truck, motorcycle accident, or some
kind of other issue, hit up Walker Texas Lawyer at
seven one three five five to two one one one
seven or Walker Texas Lawyer dot com.
Speaker 2 (00:20):
Oh Broadcasting live from Houston, Texas and around the world
and are around the world.
Speaker 3 (00:30):
TV host, best selling author and radio personality, Brad Gilmour
brings you a collection of conversations with stars from movies.
Speaker 4 (00:40):
Matthew McConaughey, Brad Gilmore, Mark wohlburg By, how are you
the legendary mister Christopher Lloyd Christopher, how are we doing?
Speaker 5 (00:48):
I'm doing good?
Speaker 4 (00:49):
Says Jessica Alba and Lizzie Matthis ladies, thank you so
much for joining me.
Speaker 5 (00:53):
Thank you.
Speaker 4 (00:53):
Kevin Coster joins us, Thank you so much.
Speaker 2 (00:55):
Thank you Television.
Speaker 3 (00:57):
Jimmy Fallon joins us this morning.
Speaker 4 (00:59):
Jimmy, how you doing, my friend?
Speaker 3 (01:00):
Good morning. Thank you so much Brad for having me.
Speaker 2 (01:02):
I appreciate this.
Speaker 6 (01:03):
Bud, Kelly Ripperd, thank you, for having me.
Speaker 4 (01:06):
Comedy Jay Leno joins us, Jay, how you doing? Hey, Brad?
Speaker 2 (01:09):
What's going on?
Speaker 1 (01:09):
Chris Tucker is in the bill and Chris Tucker, good
morning to you. Hey you.
Speaker 4 (01:14):
George Lopez joins us right now, George, how are you doing?
Speaker 3 (01:17):
Sorry?
Speaker 6 (01:17):
Good morning music.
Speaker 3 (01:19):
Lola Manro, thank you, thank you for having me.
Speaker 1 (01:22):
The legendary front man of A C d C. Brian
Johnson joins us right now, Brian, how you doing?
Speaker 2 (01:28):
Good morning? Brock?
Speaker 4 (01:29):
What looking talking me?
Speaker 5 (01:30):
Funny Live?
Speaker 4 (01:31):
Megan Trainer.
Speaker 1 (01:33):
Chloe Bailey joins us. I appreciate the time.
Speaker 2 (01:36):
Appreciate you and more and more. This is the collection now,
your host of.
Speaker 3 (01:43):
The boat, Dave Allison, thank you so much taking the time.
(02:03):
Congrats on the movie, Thanks so much.
Speaker 4 (02:06):
Yeah, I really appreciate it. You know what when you
first saw this script Michael Shanks obviously director and writer
of the movie, the first script that you got when
y'all read it, did you go okay, yeah, we can.
Speaker 3 (02:17):
Definitely do this, or did it take some time to
go okay, how can we do.
Speaker 5 (02:21):
This a little bit of both.
Speaker 2 (02:23):
We were definitely blown away by the horror set pieces,
which were so innovative and just like nothing we had
ever seen before. But it also felt very ambitious for
you know, a low budget film, and so we were like, I.
Speaker 5 (02:38):
Don't know how we're all going to pull this off.
Speaker 2 (02:41):
But then our writer, director Michael Shanks, he comes from
a VFX background, and he sent us his short film
called Rebooted And if you watch this short film, it's
one of the most beautifully crafted shorts I've ever seen,
and it really shows off his prowess in the VFX world,
and so that gave us a lot confidence.
Speaker 5 (03:00):
Well, yeah, I feel like that was the only concern.
Speaker 6 (03:02):
Like when we read the script, we were so excited
to get to do all of these weird, crazy things
that we've never gotten to do before on screen, but
it was like, can he pull it off?
Speaker 5 (03:12):
And then the short made us feel like, yeah, I
think you can.
Speaker 4 (03:16):
Yeah.
Speaker 1 (03:16):
Yeah.
Speaker 4 (03:16):
And when we talk about the effects in this movie,
I mean just I can only imagine reading it on
the page and going, Okay, how are we going to
do this? And then you're able to pull it off
in such a great way. And I guess in a
movie like this, it's a measure twice cut once kind
of scenario. Because it's such a lower budget as you
pointed out, it's an indie, you might not have the
(03:36):
ability of, you know, a whole lot of time. Do
is your preparation change in advance of this or is
it like it would be on any movie.
Speaker 2 (03:45):
No, it changes in a way in the sense that
we you know, we knew we were only going to
get one or two takes per setup, like we were
moving very fast, and because of that, you know, it
was it was beneficial that we were living together because
we could rehearse as much as we wanted, and so
we could come in every day and just hit the
ground running.
Speaker 5 (04:04):
Yeah, that was really helpful.
Speaker 4 (04:07):
Yeah, I mean, I'm sure y'all are a lot of
the times each other's seen partners anyway, when you're running
lines through, you know, for different films or what have you.
Being able to work with this on set though, Alison,
it did have to feel like y'all had a second
hand language already where you didn't have to do too
much of trying to figure each other out. Obviously.
Speaker 5 (04:23):
Oh, definitely.
Speaker 6 (04:24):
I feel like Dave and I we've been together over
thirteen years. This is our fifth project that we've worked
together on, so we've had a chance to kind of
ramp up to this and to your point exactly, our
unspoken communication, like our nonverbal cues with each other are
like really in tune.
Speaker 5 (04:43):
And it saved us a lot of time on set.
Speaker 6 (04:46):
And I think Michael Shanks, I think he kind of
loved it because he didn't know. You know, sometimes you'd
come in and we'd already be mind melding and you'd
just be like, all right, let's.
Speaker 4 (04:54):
Go, so let me take y'all back to Sundance. When
this film is screen with an audience and y'all get
to see it with an audience, I don't know how
many edits y'all got to see ahead of time, but
when you get to see it at Sundance and the
reaction is like it is do y'all turn to each
other and high five and just go we did this.
We pulled it off.
Speaker 2 (05:14):
I mean we were as much as we loved the movie,
like going into Sundance, you just never know. And what
was really amazing is like, pretty early on the audience
started engaging with the film. They started laughing, they started shrieking,
and that allowed us to kind of sit back and
(05:34):
just enjoy it and realize, like, oh, this is connecting
but yeah, it really was kind of a surreal experience
of sundance, and we know kind of how rare that
type of thing is, and so as as much as
we were just kind of in a whirlwind of it all,
we really tried to kind of be in the moment
and enjoy it too.
Speaker 6 (05:53):
It was like a dream come true. But I have
to also say that watching this movie with an audience
never gets old. We got to do it again at
south By Southwest. We just watched the movie with an
audience at our premiere in Los Angeles, and this movie
is made to be watched in a theater with an audience,
like it really is fun to have that communal experience.
(06:15):
People are screaming, people are gasping, everyone's laughing.
Speaker 5 (06:19):
It's like you really feel like you're in it together.
I didn't mean to do it. I didn't mean to
do it. It just happened.
Speaker 3 (06:27):
That was planned.
Speaker 4 (06:28):
That was planned.
Speaker 3 (06:29):
But it's okay.
Speaker 2 (06:30):
No, I liked it.
Speaker 4 (06:30):
No, you know what, one hundred percent agree with you.
These are the kind of movies that are the cinema
is made for. And I'm so glad that people get
to see this on a big screen to appreciate those effects,
appreciate the performances and appreciate really a one of a convision.
So congratulations to the two of you again. I really
appreciate the time today.
Speaker 5 (06:48):
Thank thank you so much.
Speaker 4 (06:49):
Man, don't have a great one.
Hey guys, Brad Gilmour here, want to give a big
shout out to our title sponsor, Walker Texas Lawyer. If
you are a love would have been injured in an accident,
whether that be a car, truck, motorcycle accident, or some
kind of other issue, hit up Walker Texas Lawyer at
seven one three five five to two one one one
seven or Walker Texas Lawyer dot com.
Speaker 2 (00:20):
Oh Broadcasting live from Houston, Texas and around the world
and are around the world.
Speaker 3 (00:30):
TV host, best selling author and radio personality, Brad Gilmour
brings you a collection of conversations with stars from movies.
Speaker 4 (00:40):
Matthew McConaughey, Brad Gilmore, Mark wohlburg By, how are you
the legendary mister Christopher Lloyd Christopher, how are we doing?
Speaker 5 (00:48):
I'm doing good?
Speaker 4 (00:49):
Says Jessica Alba and Lizzie Matthis ladies, thank you so
much for joining me.
Speaker 5 (00:53):
Thank you.
Speaker 4 (00:53):
Kevin Coster joins us, Thank you so much.
Speaker 2 (00:55):
Thank you Television.
Speaker 3 (00:57):
Jimmy Fallon joins us this morning.
Speaker 4 (00:59):
Jimmy, how you doing, my friend?
Speaker 3 (01:00):
Good morning. Thank you so much Brad for having me.
Speaker 2 (01:02):
I appreciate this.
Speaker 6 (01:03):
Bud, Kelly Ripperd, thank you, for having me.
Speaker 4 (01:06):
Comedy Jay Leno joins us, Jay, how you doing? Hey, Brad?
Speaker 2 (01:09):
What's going on?
Speaker 1 (01:09):
Chris Tucker is in the bill and Chris Tucker, good
morning to you. Hey you.
Speaker 4 (01:14):
George Lopez joins us right now, George, how are you doing?
Speaker 3 (01:17):
Sorry?
Speaker 6 (01:17):
Good morning music.
Speaker 3 (01:19):
Lola Manro, thank you, thank you for having me.
Speaker 1 (01:22):
The legendary front man of A C d C. Brian
Johnson joins us right now, Brian, how you doing?
Speaker 2 (01:28):
Good morning? Brock?
Speaker 4 (01:29):
What looking talking me?
Speaker 5 (01:30):
Funny Live?
Speaker 4 (01:31):
Megan Trainer.
Speaker 1 (01:33):
Chloe Bailey joins us. I appreciate the time.
Speaker 2 (01:36):
Appreciate you and more and more. This is the collection now,
your host of.
Speaker 3 (01:43):
The boat, Dave Allison, thank you so much taking the time.
(02:03):
Congrats on the movie, Thanks so much.
Speaker 4 (02:06):
Yeah, I really appreciate it. You know what when you
first saw this script Michael Shanks obviously director and writer
of the movie, the first script that you got when
y'all read it, did you go okay, yeah, we can.
Speaker 3 (02:17):
Definitely do this, or did it take some time to
go okay, how can we do.
Speaker 5 (02:21):
This a little bit of both.
Speaker 2 (02:23):
We were definitely blown away by the horror set pieces,
which were so innovative and just like nothing we had
ever seen before. But it also felt very ambitious for
you know, a low budget film, and so we were like, I.
Speaker 5 (02:38):
Don't know how we're all going to pull this off.
Speaker 2 (02:41):
But then our writer, director Michael Shanks, he comes from
a VFX background, and he sent us his short film
called Rebooted And if you watch this short film, it's
one of the most beautifully crafted shorts I've ever seen,
and it really shows off his prowess in the VFX world,
and so that gave us a lot confidence.
Speaker 5 (03:00):
Well, yeah, I feel like that was the only concern.
Speaker 6 (03:02):
Like when we read the script, we were so excited
to get to do all of these weird, crazy things
that we've never gotten to do before on screen, but
it was like, can he pull it off?
Speaker 5 (03:12):
And then the short made us feel like, yeah, I
think you can.
Speaker 4 (03:16):
Yeah.
Speaker 1 (03:16):
Yeah.
Speaker 4 (03:16):
And when we talk about the effects in this movie,
I mean just I can only imagine reading it on
the page and going, Okay, how are we going to
do this? And then you're able to pull it off
in such a great way. And I guess in a
movie like this, it's a measure twice cut once kind
of scenario. Because it's such a lower budget as you
pointed out, it's an indie, you might not have the
(03:36):
ability of, you know, a whole lot of time. Do
is your preparation change in advance of this or is
it like it would be on any movie.
Speaker 2 (03:45):
No, it changes in a way in the sense that
we you know, we knew we were only going to
get one or two takes per setup, like we were
moving very fast, and because of that, you know, it
was it was beneficial that we were living together because
we could rehearse as much as we wanted, and so
we could come in every day and just hit the
ground running.
Speaker 5 (04:04):
Yeah, that was really helpful.
Speaker 4 (04:07):
Yeah, I mean, I'm sure y'all are a lot of
the times each other's seen partners anyway, when you're running
lines through, you know, for different films or what have you.
Being able to work with this on set though, Alison,
it did have to feel like y'all had a second
hand language already where you didn't have to do too
much of trying to figure each other out. Obviously.
Speaker 5 (04:23):
Oh, definitely.
Speaker 6 (04:24):
I feel like Dave and I we've been together over
thirteen years. This is our fifth project that we've worked
together on, so we've had a chance to kind of
ramp up to this and to your point exactly, our
unspoken communication, like our nonverbal cues with each other are
like really in tune.
Speaker 5 (04:43):
And it saved us a lot of time on set.
Speaker 6 (04:46):
And I think Michael Shanks, I think he kind of
loved it because he didn't know. You know, sometimes you'd
come in and we'd already be mind melding and you'd
just be like, all right, let's.
Speaker 4 (04:54):
Go, so let me take y'all back to Sundance. When
this film is screen with an audience and y'all get
to see it with an audience, I don't know how
many edits y'all got to see ahead of time, but
when you get to see it at Sundance and the
reaction is like it is do y'all turn to each
other and high five and just go we did this.
We pulled it off.
Speaker 2 (05:14):
I mean we were as much as we loved the movie,
like going into Sundance, you just never know. And what
was really amazing is like, pretty early on the audience
started engaging with the film. They started laughing, they started shrieking,
and that allowed us to kind of sit back and
(05:34):
just enjoy it and realize, like, oh, this is connecting
but yeah, it really was kind of a surreal experience
of sundance, and we know kind of how rare that
type of thing is, and so as as much as
we were just kind of in a whirlwind of it all,
we really tried to kind of be in the moment
and enjoy it too.
Speaker 6 (05:53):
It was like a dream come true. But I have
to also say that watching this movie with an audience
never gets old. We got to do it again at
south By Southwest. We just watched the movie with an
audience at our premiere in Los Angeles, and this movie
is made to be watched in a theater with an audience,
like it really is fun to have that communal experience.
(06:15):
People are screaming, people are gasping, everyone's laughing.
Speaker 5 (06:19):
It's like you really feel like you're in it together.
I didn't mean to do it. I didn't mean to
do it. It just happened.
Speaker 3 (06:27):
That was planned.
Speaker 4 (06:28):
That was planned.
Speaker 3 (06:29):
But it's okay.
Speaker 2 (06:30):
No, I liked it.
Speaker 4 (06:30):
No, you know what, one hundred percent agree with you.
These are the kind of movies that are the cinema
is made for. And I'm so glad that people get
to see this on a big screen to appreciate those effects,
appreciate the performances and appreciate really a one of a convision.
So congratulations to the two of you again. I really
appreciate the time today.
Speaker 5 (06:48):
Thank thank you so much.
Speaker 4 (06:49):
Man, don't have a great one.
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