The Film Comment Podcast

It’s that time of year again! Film Comment has made a list and we’ve checked it twice: the best films of 2019, chosen through a poll of our contributing writers. And according to our new annual tradition, we announced the results live at a special Film Comment Talk. This year, Film Comment Editor-in-Chief Nicolas Rapold was joined to unveil and discuss the films by Amy Taubin, longtime contributing editor at Film Comment; Soraya Na... Read more

By any measure, the 2010s have been a confusing and turbulent and also exciting time. That goes for both movies and the world at large, and that’s saying a lot after the 2000s. At Film Comment, part of our goal is to offer a critical chronicle of the movies as they’re happening, putting things in historical perspective, pointing out the bold and the beautiful in the art and craft of film, and hopefully offering an insight or two al... Read more

Martin Scorsese’s new film The Irishman has been out in theaters since the beginning of November, which you probably know unless you’ve been hiding under a rock (or were buried under Giants Stadium). Scorsese’s story follows the life of mob fixer Frank Sheeran and his close relationship with mob boss Russell Bufalino and Jimmy Hoffa, the Teamsters leader. The movie’s release is the perfect time to talk about Scorsese and his work... Read more

It’s a busy couple of months for moviegoers as hits from festivals make their way into cinemas. That means it’s time for another New Releases episode, where talk about some highly anticipated titles. Film Comment Editor-in Chief Nicolas Rapold is joined by Devika Girish, assistant editor at FC, and Michael Gillespie, Associate Professor of Film at The City College of New York. Among the movies discussed are Atlantics, The Irishman,... Read more

Dark Waters is the new film from Todd Haynes, and it’s a change of pace from his last feature, Wonderstruck, and much of his work generally. Dark Waters is a whistleblower drama about Rob Billott, a lawyer who began investigating the chemical company DuPont, which his own firm was doing business with. To discuss the movie, contributing editor Amy Taubin sat down with Haynes for an extended interview. They cover the challenges of ma... Read more

Some of the most exciting movies being made today are tackling class tensions and the role of work in our lives. Bong Joon-ho’s Parasite, our cover story last issue, is one major example, with its twisty upstairs-downstairs thriller set-up. But many other films have been taking up the subjects of work and class in a variety of different ways: Boots Riley’s Sorry to Bother You, Stephen Soderbergh’s High Flying Bird, Mike Leigh’s Pet... Read more

This week we celebrate two different strands of Indian cinema, looking at the past and the vibrant present. First, we look at the landmark Film at Lincoln Center retrospective for Ritwik Ghatak, director of The Cloud-Capped Star, A River Called Titas, and other films. For that part of the discussion, we’ll be joined by two of the series' programmers, Moinak Biswas and former Film at Lincoln Center director of programming Richar... Read more

Horror movies are the usual choice for Halloween viewing. But we here at Film Comment got to wondering: what are the scariest movies that are not horror films? There are many ways a movie can get under your skin, and it’s not always through gore or the supernatural. To discuss this notion, FC Editor-in-Chief Nicolas Rapold got together with Film Comment regular Michael Koresky and Ashley Clark, senior repertory programmer at BAM. E... Read more

The Lighthouse is the mind-bending new movie out from Robert Eggers, a director who’s making a career out of revisiting America’s primal past in vividly imagined period films. In 2015, Eggers won the Best Directing Award at Sundance for The Witch, a chilling piece of horror set in a colonial New England settlement. In The Lighthouse, Willem Dafoe and Robert Pattinson star as two lighthouse keepers, a grizzled old-timer and his new ... Read more

At Film Comment, we love it when we get behind a movie and then see other movie-goers share the love. Parasite, the funny and fierce thriller from Bong Joon-ho, was on the cover of our September-October issue, but wasn't released in theaters until mid-October. But what a release! Audiences are packing the theaters. To talk about the movie’s appeal and Bong’s masterful filmmaking, FC Editor-in-Chief Nicolas Rapold sat down with ... Read more

Mister America is the new film starring Tim Heidecker and Gregg Turkington. It’s a documentary-style satire about an first-time political candidate named Tim Heidecker, that is, the character Heidecker has played for years now alongside Turkington as part of their movie show On Cinema at the Cinema. In case you don’t already know, Heidecker and Turkington have created an incredible comedic universe involving their two movie-guy cha... Read more

For the festival’s final week, contributing critics and editors gather together for a spirited discussion with Film Comment‘s Editor-in-Chief Nicolas Rapold about the movies they’ve seen in the NYFF57 lineup. Panelists include programmer and FC contributing editor Nellie Killian; Michael Koresky of Film Comment and Reverse Shot; Amy Taubin of Film Comment and Artforum; and critic Phoebe Chen. The panel discusses Kiyoshi Kurosawa’s ... Read more

Every year at the New York Film Festival, Film Comment brings together a group of intrepid filmmakers whose work is screening in the festival. It’s a rare chance to share stories about the art, craft, and angst of filmmaking, and to compare notes on inspirations and what makes a good collaboration. This year, Film Comment Editor-in-Chief spoke with an all-star lineup of filmmakers from across the festival: Pietro Marcello, director... Read more

The new film Bacurau centers upon the residents of a remote Brazilian village who gradually discover that they’re being hunted by a group of Western tourists. Part class-warfare satire, part thriller, the movie gripped audiences at the New York Film Festival and it marks a major achievement by its directors Kleber Mendonça Filho and Juliano Dornelles. In this episode, FC Editor-in-Chief Nicolas Rapold joins FC Assistant Editor De... Read more

Think of it as a festival within the festival: every year, the annual Projections program brings the latest and greatest of experimental film to the New York Film Festival. Projections is a crucial and consistently popular snapshot of the boundary pushing part of cinema that is embedded in the DNA of the New York Film Festival, by way of co-founder Amos Vogel. To navigate this year’s rich offerings, I brought together two leading c... Read more

Every year at the New York Film Festival, Film Comment puts on a slate of special events, including public talks and a screening presentation. Our first NYFF talk this year was titled State of the Nation, a wide-ranging conversation about the complex interplay between politics and cinema. How do filmmakers grapple with the challenge of portraying current events and recent history on screen? And how successfully are movies reflectin... Read more

The New York Film Festival is here! And there’s a lot to talk about. Film Comment will have three onstage talks during the festival, as well as special screenings of the much-anticipated Portrait of a Lady on Fire. But first we wanted to dip our toe into the lineup by talking with two recent guests at Film at Lincoln Center: Ashley Clark, Senior repertory and specialty film programmer at BAM; and filmmaker and critic Farihah Zaman... Read more

One of the highlights of the fall, and this year’s New York Film Festival, is the new film by Pedro Almodóvar, Pain and Glory. Our new September-October issue features an essay by Michael Koresky about the film and it’s fearless autobiographical story. Koresky writes, “There has been no clearer onscreen representation of the filmmaker’s essence than the main character of Pain and Glory, played with exquisite middle-aged restraint b... Read more

For our third roundup of all the on-screen goings-n at TIFF 2019, Film Comment Editor-in-Chief Nicolas Rapold sits down with critic and FC contributor Michael Koresky and Justin Chang, film critic for the Los Angeles Times, to discuss Waves, Jojo Rabbit, Africa, Two of Us, Uncut Gems, Marriage Story, Saturday Fiction, Color Out of Space,and others.