After an indefensibly long hiatus, The Freshman Fifteen returns to kick off a new volume of freshman films with Quentin Tarantino's legendary 1992 film, Reservoir Dogs. Daniel is conflicted about how to respond to directors who insist on reminding their audiences that they're watching a movie while Jeremy weighs the benefits of shifting your style of storytelling mid-film. Also, should some filmmakers get a pass when it comes to racially charged language?
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