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October 22, 2013 33 mins
A musician is murdered after beginning an affair with a married woman. Original Air Date: June 15, 1951 Support the show…
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(00:28):
Welcome to the Great Detectives of OldTime Radio from Boise, Idaho. This
is your host, Adam Graham.If you have a comment, email it
to me Box thirteen at Great Detectivesdot net, Follow us on Twitter at
Radio Detectives, and become one ofour friends on Facebook, Facebook dot com
slash Radio Detectives. Today's episode isbrought to you by the financial support of

(00:53):
our listeners, and among them,I want to thank Gerald for his contribution.
Will send access to the premium side. This well be with all no
nations of seven dollars or more.Although it's time for today's episode of the
Amazing Mister Malone. Early to Bedand Early to rise, The Amazing Mister
Malone, Operator Operator kept me theoffice of John J. Malone. The

(01:32):
National Broadcasting Company presents The Amazing MisterMalone, an exciting half hour of mystery
starring George Petrie as the lawyer who'spracticed before every type of bar has become
a legend. Our locale is thecity of Chicago, the time, the
present, and the hero of theseweekly adventures, The Amazing Mister Malone.

(02:07):
Malane's her name, John Jamelone,Attorney in Constrate Law tonight and our study
of the cliche, let's examine thefamiliar Early to bed and early to rise
makes a man healthy, wealthy andwives. If that's true, Jeff Lewis
is destined for failure. Just agood looking boy coming home at four in
the morning. It's easy to understandwhy it keeps the same hour as I

(02:29):
do. He's a musician. Heplays piano with Rusty Gates Band. But
Jeff's not the only musician in thefamily. He's got a wife who can
sound off too, But of courseher solos aren't nearly as sweet that you.
Jeff thought you'd be asleep, Clare, I sleep. Do you realize
what time it is? Yes,four o'clock. Where have you been?

(02:50):
You got off the two? I'mout for coffee with Rusty. You were
out for coffee with Rusty, That'swhat I said. I suppose you two
were alone. Oh look, clan, we have to start that. I'm
tired. You're tired. Do youever think of me sitting here till all
hours of the night, worrying myselfsick, wondering what's happened to you?
Thinking maybe you gotta hit by acar. Oh, now you're being ridiculous.

(03:10):
Where am I pajamas? Oh I'mridiculous. Yes, I don't know
why you bother coming home at all. I sometimes wonder myself and why do
you? Why don't you just sayyou're tired of me? If you want
to know it? Oh, look, look coming, Please, let's let's
not fight. You know how Ifeel about you, But every night it's
the same thing, over and overagain. I'm I'm sorry, dear.

(03:38):
I don't mean to act like this. I just can't help myself. I
love you so much I can't seestraight. I love you too, honey.
I don't blame you for being angry, But every time I see all
those women hanging around the bends tothey're just a bunch of jerks. I
wouldn't give two cents for running oneof them. You're a darling to put

(03:58):
up with me. Come on,make you some coffee. Yeah, it
sounds like I'll get it right towork, and maybe you can make a
sandwich too. I thought you Atewas rusty when you came in. You
said you were out with him.I was, then, how come you're
so hungry? All I said,wasn't I read it there too? Read

(04:23):
it? Oh? Haven't you metRusty's wife. I thought you two were
old friends. After all, she'sbeen singing with the band for three years.
Look, don't think you're fooling me. I know what's going on.
You're out of your mind. Youmust have been, and I am now
not to see it before. Well, I'll say one thing for you,
mister Lewis. You were real clever, but you're not going to get away
with it. Understand I'll kill youfor it. Jeff, Jeff, where

(04:46):
are you going? I didn't meanit. Jeff, Honey, Please,
Yef, that's a second, giveme a chat. Look your why him

(05:14):
alone? What's your idea? Jeff? It was in the neighborhood, So
I thought I just dropped by Claire. Lock you out. Not that I
blame her in your condition. You'reloaded any night, though. Huh.
That's one case I'll ever get tohandle a touch of stuff. I'm celebrating.
You better sit down, don't mindif I do. What's the trouble?

(05:34):
Trouble? Who's got trouble? Obvious? So you have? Well you
know you're right, Claire? Yeah, Well, I suppose it was bound
to happen. What do you wantme to do is start suit? For
the voice. What what makes yousay it was bound to happen? You
forget I've seen her in action.Every time a dame asked her to play
a tune, she goes nuts.She she says, she's crazy about me.

(05:57):
I suppose she is. Well,why can't we make a goal there?
Because Claire's not happy unless she's tormentingherself. She's sick. Well,
I'll drop the papers first thing inthe morning. You know you know what
she said? She accused me ofhaving a mad romance with Reader Rusty's wife.
Imagine me and Reader. I supposewe did. That would teach you.

(06:24):
If you're thinking what I think youare, forget it. Rusty would
break your back and I wouldn't blamehim. You let me get you a
nice divorce the only girl I everloved, and you want to see it's
a pola jeff Ah. Claire needsis a lesson, and she asked for
it, and she's gonna get it. I tell you, you're handling this

(06:45):
the wrong way. How would youknow? You are never even married?
And this sort of thing vindicates myjudgment. You know your trouble, Milonne.
You're a cynic. And now I'mgoing to prove that you're wrong.

(07:08):
Any of you guys want to getsomething to eat? What about you,
Jeff? You're coming along an Ithought Reader and I were gonna run over
a couple of tunes. What don'tyou remember reading? You said you want
to go with that new cold porterthing. Well, that's right, I
do. Why don't your kids doit tomorrow? You know what they say?
Rusty never put off for tomorrow.Who you can do today? Aren't

(07:29):
you? The boys go to Mikefor meet you? All right? You
fellas ready? What are you waitingfor? You cat play? Well?
I must be losing my mind.I don't get you reading. I don't
remember asking you to run over anytunes with me. Oh sorry, I
thought you did. I guess Imisunderstood. No you didn't. Why did

(07:51):
you tell Rusty we were going torehearse? Because I've been working with you
for three years. This is thefirst time you ever gave me a tumble?
Wow, kid like to skip it? Are you kidding? Well?
Shall we get right down to work? You know you're cute. I was
wondering if you'd ever come around.Look, Rita, I I made a

(08:13):
mistake. I see you. Idid I ask for any exclamation enough you
wanted to be alone with No,you don't understand. I understand that we're
wasting time. We got to meetresting, but you don't. We shouldn't
have done that. But well Ididn't hurt No, but I don't think

(08:35):
anyone to darnest man for talking Lucky. I know a wonderful way to shut
you out at me a baby?Let me shoot you? Yeah? Is

(08:58):
that? J oh? Listen?I told you before. Please, you
can't hang up on me. Youdon't know what I've been going through all
this week, ever since you movedoff. I should have done it long
ago. Maybe now you've been anidea what I've been through these past four
years. Jeff, I'm sorry.I'll make it up to you if only
you'll come home. No, Jeff, please, I promise I'll never be

(09:20):
jealous again. I know you're onlyseeing Rita to teach me a lesson.
What makes you think so? Becauseyou love me? Maybe I don't anymore?
No, Jeff, you mustn't saythat you don't believe it yourself.
Look, Claire, got to getthis through your head. Comes the time
when a guy gets fed up.I've had it, baby, you're the

(09:41):
one who did the job. Rita. See this in Variety. They herd
backs working at the Riverside Hotel andReno. You're rusty. I'll tell you

(10:03):
later. I think we got company. That's a second, Claire. I'm
sorry to bother you, Rusty.Oh that's all right, honey, Come
on in. Have you seen JeffWell? What do you mean he hasn't
been home in a week. I'mgoing out of my mind. Better sit
on. You want a drink?No thanks, Rusty, you gotta help

(10:24):
me. Look, Claire, Idon't like the interfere in somebody else's but
PTIs your business. It never wouldhave happened if it hadn't been for Rita.
She turned him against me. You'renuts. Look maybe she can fool
you, but she can't fool me. I knew she was after him a
minute. I saw. If youdon't believe me, dying on there she

(10:46):
is, asked her, asked me, what don't play innocent? Rita?
It's out of care. I canall right, Claire, I think you
better go. You don't believe me? How can you be so blind?
Can't you see? She's nothing?But I'm no good. Get out of
here before I throw you out.Why don't you ask about the other boys
in the band? Why do youthink Hank's white made him leave? She

(11:09):
was running after him a list.That's why you picked on Jeff. But
he doesn't love you. He couldn'tlisten to you the day I couldn't take
go on ra the day you couldn'ttake one? Honey? What's the matter
with you? Are you gonna listento a crazy Dan? Who are you
calling? Crazy? But I don'thave to put up you? See?
All right? Claire? All right, you said your piece. Now just

(11:30):
clear out. I've heard enough.Come on, let's go, let me
go, I'll let you go onyou're outside? No, yes, stop?
Thank girl's insane, that's possible.Now what is this about you and
Jeff? You're not gonna believe her, not if you can convince me she's

(11:52):
wrong. Yeah, I swear there'snothing too. I wonder Bonnie made a
remark about you last night, aboutyour rehearsal all the time. If you
don't want me to approve, comeso suddenly you're interested? High You never
cared before, But maybe it's timewe did a little work together. Huh?
All right? Ready you start singingand you'd better make it good.

(12:20):
Oh that's yes, sir, JeffLewis, before nineteen I called for a
bellboy twenty minutes ago. What happenedto him on his way up? So
as he coming by way of sister. Oh, please see if you can
on the mind. He's here nowa second, I said, just a
second. You take a year andthen, But what are you doing here?

(12:46):
Shouldn't? Oh? I do tellit where you are? Hey,
wait a minute, counsel, idyou know it was me? I have

(13:09):
an answer in my phone this wayall week the law of average you said,
I'd be right once, mister Malone. That's what I keep telling you.
What are you doing? What elsewould I be doing at four in
the morning? Oh what I knowabout you? That'll be so funny.
I assume you have a reason fordisturbing me at this time, you assume
properly. Look how someone gonna getdown the headquarters? Why watch up?
You know, Jeff Lewis? Oh, well, what do you get himself

(13:31):
into? What are you babbling about? He was knocked up at two thirty
this morning. Well, we kindof suspicion it was his wife. But
naturally you're going to prove we're wrong, Claire asking upon me, you don't
think I'd waste a taxpayer money ona call on my own. Come on
down, Malone, your public's waiting. You are listening to the amazing Miss
Malone. It's the Silver Jubbil onNVC. For mystery adventure fans, there's

(14:03):
more first rate radio listening Sunday withthe Saint and Dimension X. Tom Conway
stars as that debonair gentleman adventure SimonTempler, better known to the underworld as
the Saint who Never eases his campaignagainst crime. Then later Dimension X brings
you the tales in the future tense. This week's feature Pebble in the Sky,

(14:26):
written for radio by Ernest Kenoy,It tells the story of time when
the civilization of the galaxy spreads acrosstwo hundred million worlds, when the black
void of space swarms with ships ofinterstellar commers. But far off the trade
routes, almost forgotten, lies thedying planet Earth, in the backwater of

(14:46):
the universe, a place of exile. A pebble in the Sky Sunday on
this station and all back to theamazing mister Malone. Well, I,

(15:09):
like the man says, that's lifefor you one minute, you got up
in the next minute. Chains JeffLewis found it out the hard way.
Half hour after I got the news, I was on my way to headquarters,
and when I walked in, Iwas great a boy, Lieutenant Brooks
with the most original line of theyear. Well, if it ain't the
amazingness to alone, you know something, Lieutenant, you could stand some new
material. Yeah, but where amI going to find a writer on my

(15:31):
side? Where's Claire Lewis? Youwant to see you now? The only
thing I came down here for.Well, I kind of hoped it wasn't
me husband that Claire Lewis? Allright? What's the matter with him?
I didn't even say hello. Hedidn't recognize you with that briefcase under yourm
What do you got to know yourlaun dream? Use me? Oh,
come on in, Claire alone?You came huh, sit down? Tell

(15:56):
you about you? Uh huh?He didn't und yep, I know.
I don't want to live anymore?Are you talking like a fool? I
don't want to live without him?Why did you send for Malone? He's
got a point there, lover.No either you want me to get you
off? I don't know what Iwant? What do you think killed him?
Rita Reader gates? She did it? Malone? Why should she?

(16:18):
Because she she knew he didn't carefor he was just using Reader to get
back at me. Did Jeff tellyou that he didn't have to? That
was the last time you saw him? I don't remember. I can tell
you it was a two thirty thismorning. He went to his hotel when
he opened it. No, no, no, no, that's not true.
I love why lay offers Sydney.Can't you see what she's gone through?

(16:40):
She killed him the shore as you'restanding. No, no, al
right, low tennant. You madea lot of accusations, but where's your
evidence? We'll producing at the trialand you haven't any yet? Huh have
you any? She didn't? No. I guess we're all on the same
boat, and it's up to meto find a paddle. All right,
Claire, take care of yourself.I'll be seeing your real soon. Hello,

(17:07):
right e? Why Malone? Icome in? Well, Rusty's not
here. It's all the better.I never believed it's so nice to have
a man around the house. Ifyou're not the one, let me take
your cough, Oh bother, it'sfine now. I should be mad at
you? What another four over theclub to hear me sing? In months?

(17:32):
Oh, I'll never forgive myself.Would you feel better if I slashed
my wrists? You're cute? Youought to see me in my confirmation suit.
I look like a doll in it? Too bad? I got to
break it in at Jeff's funeral.Oh do we have to talk about him?
Or would just sooner talk about andthen we have to come back to
Jeff. I don't like to starta campaign with my last rival still warm

(17:55):
in the morgue. That's that supposedto me? Wow, it occurred to
me. Maybe you cut it?Are you crazy? You know when you
found out he was playing here fora sucker? He played me for a
sucker. That was an idea hegot one night in my apartment. He
wanted to give Claire something really toworry about. I try to tell him,
all, what's the matter. Don'tyou think I'm cute anymore? Get
out of here, Rada. Don'tyour dad's all that? Hey, you
missed me. I confessed a girllike you couldn't miss twice. Maybe I'll

(18:19):
give you another chance later. It'sonly me, reader, rusty. I'm
so glad you're I have a miserableafternoon. The rehearsal be real bad boys.

(18:45):
They're all sick about Jeff. Thiswould be tough breaking a new piano
player. Is that all you canthink of? Oh? Now, Rusty,
I explained that I was imagining thing. Jeff didn't mean a thing to
me. What was Malone doing here? Malone the lawyer? Oh oh,
he's representing Claire. He thought maybeI could help her all What don't you

(19:06):
tell him? What could I tellhim? Maybe about you and Jeff having
a deal. Oh, you're gettingit bad as sheet. If you mean
I'm jealous, you're right, OnlyI got a good reason. Look,
Roussy, we've been all through this, sure we have, and you convinced
me Claire was nuts. Yeah,you really talk me out of it.
But since then, honey, I'mdoing a little checken. Have you got
your nerve? You know I'm crazyabout you reading You're no good? Everybody

(19:30):
knows it. Don't you talk tome like that? Who's got a better
ride? Do you know? It'sfunny? It doesn't make any difference.
I don't care what you did.I still feel the same way about you.
Oh, I'm overwhelmed. Now,I want to know what Malone said.
None of your business? Yes itis, baby, and I'm going
to find out if I have toshake it out of you. Ye,

(20:00):
it was just one of those things, just one of those crazy things,
one of those bills that now andthen flap them alone. I'll look rusty.
I can go along with a gag, but this is too much.
You know, this is the thirdweek in a row. I've walked in
here and final the joint occupied.You better get a new lot. It's
an idea. What do you want? I just finished having a little talk

(20:22):
with Reader. Now I suppose it'smy turn. What did you say to
him? Didn't read it? Tellyou? Maybe? I want to compare
notes. You don't have to worry, Rusty. This was purely business about
Jeff Lewis. Yeah, yeah,and she was telling the truth. You're
trying to frame her for his murder. I don't have to frame her alone.
If you involved Reader in this,I'll kid you. I'm meeting that.

(20:42):
I believe you do. Name isnot to be mentioned at Claire's trial.
You want to stand me. Don'tsee how we're gonna keep it up.
I want to know you bring herin, and I'll break every bone
in your bike, even my littlepinky. Don't you think I can?
You're taking in a lot of territory. According to the Encyclopedia, there are
hundreds of bones in the human frame. If you think I'm wait a minute,
you wouldn't hit a man who yellowshow you your rusty. Why can't

(21:03):
we be friends? Just to proveI've got no heart? Because away,
I just want to get this bottle. Maybe we can split it together.
Well that's opening it the hard way, But you'll have to forgive me,
friend, I forgot my cork.Screw yohos anybody home? Oh no?

(21:29):
What did I do to deserve this? Wire? Should be grateful that lieutenant.
I want to talk to you.Yeah, but the first time about
shutting off that telecop Are you addyyour mind? I'm expecting a very important
flash score the White Sox game.I'll be through any minute or if you
won't do it, you know that'swhat I like. I like to see
him man make himself at home?Where Claire? You know what time?

(21:52):
Well? Which is you gotta lether go? Oh? I suppose you
can prove she's in this Yes,I got all figure it out. I'm
telling you, Brooke, you bringher to court and I'll crucify you.
You haven't even established a motive forthe girl by you, kid. And
Claire was crazy about Jeff and shelost. No, she didn't. Jeff
was only seeing read it a needler. Look, look, Malone, I
got work to do now. No, why don't you go home? I
can't home in a fit place forme? Right now? You know who's
there? All right? Our place? Straight? Who's there, mister Malone?

(22:15):
Jeff Lewis is killer? No,I'm serious, doeutenant's Rusty Gates.
What's he doing at your place?Like? No? I imagine he's dozing.
I put him asleep with a bottle. What are you talking about?
I had a conk on why,Well, it was either him or me,
and naturally I was prejudiced. Didhe have a gun? No?
Why didn't you use your fist?You kid? And Rusty must wait two
hundred and forty pounds so we wouldhave murdered man Tennant. Quit the Chivinson.
I tell you he killed Jeff whyhe thought Jeff was breaking up his

(22:37):
happy home. You make it soundvery convincing, thanks, I said it
sounded convincing. Actually, it ain't. What are you a battling about now?
Jeff was killed at two thirty atthe Hill Crest Hotel. So at
two thirty Rusty was doing a benefiton the North Shore where he was seen
by eighty thousand citizens. Well thatdoesn't make sense, Yeah, that's right
now. How can one man bein two place is at the same time

(23:00):
unless season Nacy and she are theonly one who reads that for me.
Well, it's been Grand Maloan trutedby again. When you can't stay so
long you are listening to the amazingmister Malone. In this great year of

(23:22):
Decision, the Armed Forces of theUnited States offer a greater challenge to the
young men of America than ever before. It's a vital, exciting challenge to
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welfare of the world. Service intoday's modern Armed Forces means a career,
a career in which any man cantake pride and satisfaction. The new training

(23:44):
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men all over the country are enteringthe armed forces every day. The standards

(24:07):
are high, and not everyone canqualify. You must have the brains,
the ability and the character to becomea leader. But if you can qualify,
go here or nearest recruiting office forfull information. Here again is the
amazing mister Malone. Well, therewas no use to night, and Malone

(24:37):
had done it again. Here Ihad worked out so neatly why Rusty Gates
had to be the killer and LieutenantBrooks had to knock it out in my
head, you'd think he had agrudge against me, the way he kept
ruining my theories. Actually, Brooksis crazy for me. He just hides
it so well. He even poolshimself. You know your trouble, Malone.
You get emotionally involved with the clientsyour represent know why can't you be
like the other lawyers a time?Why should I hear there her names on

(25:00):
the radio. Look, I thoughtyou were going to talk, said,
you wouldn't understand me if I did. I listened, Sidney, are your
positive that Rusty was at that benefit? Absolute? What are you doing?
He let the band? What'd youthink? How come Jeff Lewis wasn't that
He wasn't feeling good, so theyused the sub When did the band go
on? At a quarter after two? I suppose Rusty got off the stand
for a while. Not a chance. Besides, you never could make it
to the hill crest. It wouldtake him at least forty five minutes to
cut across town. And it musthave worked it somehow. Now how could

(25:22):
one man be in two places atthe same time? Hey, I asked
you. Then you know something,Lieutenant, I got the solution. Oh
no, not again? I mean, won't you see the answer? Oh?
Well, can we get all oursuspects together? What do you mean?
Right? And Rusty? What aboutClaire? Oh of course we'll need
hurt too. We don't want toplay to a house it's only two thirds
full. We'll get on with alieutenant. I'm ready to give the down
beats, say Sergeant Gargeant. We'llmean missus gage. Yeah, howd on

(25:55):
you intend to keep it here?I get honest and rairywise for my husband's
taking medical attention, and he's gotto cut on his hand, all right,
Reader, No, you're just tryingto be brave. But beds pick
a fine time to start worrying aboutit. Out of this, Claire,
she killed my husband and you askedme to keep off. You're really crazy.
Oh you ladies? What the policethink? Let me behave I'm sorry,

(26:33):
lieutenant. Is it safe for meto come in? Oh, don't
worry cuts, Let the girls won'tjudge you. I was thinking a rusty
forget it, malone, I hadit coming. That's very charitable of you,
the idea alone. That's a verygood question, Reader. Fortunately I'm
prepared with an answer. We're tryingto solve the murder of Jeff Lewis.
She did it. That's what Ithought for a while, Claire, but
I had to discard that theory.The truth of the matter is Jeff didn't

(26:55):
mean enough to her as far asReader was concerned. He was just another
guy. I'll love her. That'sno way to talk to a man.
I just gave you a clean billof health. If she didn't kill him,
who did? You're leaving yourself wideopen there, Claire, What yeah,
you did it? No? No, that's that's true, afraid it
is tell for me too. Ijust don't understand you women here. You

(27:18):
claim you couldn't live without Jeff whenI arranged for you to join them't you
complain? Well, I guess there'sno pleasing some people. I can't get

(27:42):
over. I just can't get overthere's something bothering you, little man.
Yeah, yeah, how you canhave the colossal nerve to sit there and
eat after loss and less whole case? That's gratitude for you, after all
the work I did, after all? Awake ute? Or don't you think
qu's your case against Claire? Don'tyou know about me? You've never gotten
a convict. What do you eatthat gives you so much gone? I'm
perfectly serious. Why any decent lawyercould have gone into court and gotten an

(28:03):
acquittal. All they would have hadto do is cast a reasonable doubt on
your evidence. I ended that doubtonce and for all. And I don't
see how I taken care of allthe other suspects. I proved Rusty couldn't
have killed Jeff. You'll prove witha little assistance from the unknown factor in
the case was Rider. I knewshe wasn't. Gilly and How did you
know things? Because when I wentup to see her this afternoon, she

(28:25):
convinced me Jeff meant nothing to herby making a play for me. I
no woman who's lost to great lovewould have done that. Aren't you forgetting
your chime? I what are youso bitter about? Here? I demonstrate
to the public that their police forceis on the job day and night,
and despite all the propaganda to thecontrary, the cops are right once in
a while. Jee, thanks,I want do I get out of it?

(28:45):
Two women in a case and Iwind up in a night spot with
you? Well, don't feel toobadly cuts there. I've got a feeling
before this evening's over, you're gonnawind up with something else. Yeah,
why that chick? Good night?Lord. If you hit a story of

(29:12):
a boy who worked out a schemeto convert common metals into precious ones,
it paid off in reverse, buttwo ounces of gold he got one of
lead. I'll tell you all aboutit next week. So why not pick
me up at my office at thesame time. I'll be waiting for you.
Good night. George Petrie was starredas John J. Malone, with

(29:38):
Larry Haynes as Lieutenant Brooks. Ourprogram is written by Eugene Wang and directed
by Richard Lewis. The Amazing MisterMalone is based on a famous character created
by Craig Rice and produced by BernardL. Schubert. The events and characters
in this story were entirely fictional,and any resemblance to persons living or dead
is entirely Coincidentally, It's the SilverJubilee on NBC. Straight from the pages

(30:14):
of the Saturday Evening Post comes thatfamous Oriental detective Mister Moto created by John
P. Markuan. Mister Moto starsJames Monks. In the title roles.
Sunday on NBC, Fred Collins speaking, the Amazing Mister Malone has come to
you from New York. Stay tunedfor the man called X. Next overmost
NBC stations, Welcome back, Well, a unusually sorted episode of Mister Malone.

(30:49):
I didn't have to say that Iloved Larry Haines in this episode,
as Brooks just did a great jobup on this and another case in which
Malone didn't quite get right from thebeginning, and I guess that was somewhat
of the appeal of the show,as he wasn't always correct the police work

(31:12):
always incorrect, but that sometimes theyindeed got it right, and Haynes makes
the perfect smart policeman. Foil nowto listener comments and feedback. Gerald Rights,
thanks for continuing to provide, especiallythe Johnny Doller series. I enjoy

(31:33):
many of the old time radio shows, but this is probably this one is
probably my favorite. Your comments arealso always a pleasure to hear and fill
me in on a lot of detailsthat I've never heard before. Keep up
the good work well, Thanks somuch, Gerald, and then receive this
from I hope I'm pronouncing this namecorrectly. Fish. I have Adam.

(31:56):
I've listened to hundreds of hours ofyour shows, and I love them.
I listen at home, I listenedto the car and listen to work.
I've gone through series and series.I live in Madagascar now I travel frequently
to Rome. I used to livein Palestine and Benin and Haiti and Canada
and Egypt and France and Senegal,and I have your shows with me everywhere.

(32:16):
Sometimes I have to download dozens ata time to sustain me over long
stretches of no Internet. I don'tknow what it is. I'm in my
thirties, but I can't get enoughof that old radio. Don't ever stop.
Well, thanks so much for yoursupport and your comments. Definitely appreciate
it and glad to know that we'retraveling with you on these globe trotting journeys.

(32:40):
And sometimes I do take a lookat where a world wide downloads come
from, and it's nice to beable to put a name with the number.
All right, Well, that we'lldo it for today. Join us
back here tomorrow we'll bring you ourWestern Gun Smoke Detective special. Have to

(33:00):
listen to it, and then joinus back here Tuesday for another episode of
the Amazing Mister Malone. Send yourcomments to Box thirteen at Great Detectives dot
net, follow us on Twitter RadioDetectives, and become one of our friends
on Facebook, Facebook dot com.Slash Radio Detectives from Boise, Idaho.
This is your host, Adam Grahamsonand all
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