Blue Blood: Challenging the Rhetoric that Trans People are ‘Unnatural’

“I don’t want to make sense anymore,” Robin Gow wrote in Blue Blood, “I just want to exist.” 

"These days we only seem to talk about trans people in the news when we talk about bathroom laws. Our bodies are made political. Somedays I just want to exist. I want to crawl into the corn fields before harvest and just be alone with my skin," wrote Robin Gow.

On today’s episode, I speak with Robin Gow and showcase some of the pieces found in their new essays and poetry collection Blue Blood, published by The Nasiona.

Robin Gow is a queer and trans poet, essayist, and Young Adult author. They grew up in rural Pennsylvania and live in Allentown with their partner, best friend, and two pugs, Eddie and Gertie.

Gow is also the author of the chapbook Honeysuckle (Finishing Line Press 2019), the collection Our Lady of Perpetual Degeneracy (Tolsun Books 2020), and a YA verse-novel, A Million Quiet Revolutions (FSG 2022),

He is a managing editor at The Nasiona, Assistant Editor at Large at Doubleback Books, and a reader for the Young Adult magazine Voyage.

When I was first introduced to Robin’s work back in 2018, I immediately wanted to publish it. After reading some of their other pieces published in different magazines, I reached out to Robin to ask if they had enough for a collection. It was at that point that we decided to create what has become one of my favorite books of the year: Blue Blood.

We all begin in water and are called back to water. Blue Blood challenges the rhetoric that trans people are “unnatural” through captivating verses about metamorphosis and meditations on the concept of home. Robin Gow invites readers to celebrate identity; to question what their own body means to them.

Essayist and editor Wren Awry, for example, had the following to say about Blue Blood:

“In a world where trans people must define ourselves over and over again in order to be seen, Robin Gow’s refusal to offer neat conclusions is refreshing. Instead, these essays and poems—on everything from horse shoe crabs and bearded women to St. Francis and Georgia O’Keefe—lean into the complexities of gender, family, ecology, and mental health. If Gow’s book has a thesis, it’s that who we are and how we see the world are so fluid and shaped by so much that it’s impossible to unravel it all on paper. The best we can do is lean into the mess and pull out what we can and my, what bea