Composer Elena Maro's unsettling avant-garde/jazz hybrid soundtrack for director Ferguson Sauvé-Rogan's 1950's-set drama Carriage Return powerfully surrounds the on-screen conflict between a lazy, writer's block-afflicted playwright Lane Williams (played by Jeremy Parr) and his outraged ex-writing partner Charlie Marlow (played by Carlos Sanchez), who accuses his former collaborator of stealing his creative ideas and using them for his most recent theatrical success in an angry confrontation that challenges the emotions - and the futures - of both men.
As unpredictable as the film's storyline is, Maro's score for it is even more so, and its fusion of brass section and saxophone with non-big band jazz percussion and experimental sounds - including those that mimic the typewriter itself - brilliantly and hauntingly accompanies a movie where neither its characters nor the unusual situation they're stuck in are what they seem to be.
Directed by Ferguson and written and produced by his brother Daniel - who also played bass guitar on Maro's score - Carriage Return premiered this past July at the LA Shorts International Film Festival in Los Angeles, and Maro's music from the movie is now streaming on various platforms.
(By the way, the movie is named after the “carriage return” key on a typewriter that allows you to go back to the far end of a page and begin typing new words.)
Find out more about CARRIAGE RETURN on its official web site:
https://www.carriagereturnmovie.com/
Visit Elena's official web page to find out more about her score for CARRIAGE RETURN and her other past/upcoming projects:
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Music by Audionautix.com
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