September 22, 2025 • 28 mins
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Episode Transcript
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Speaker 1 (00:00):
Have you got a backstage pass to the world Famous
Phil Henry Show, do you well? I still want you
to listen to this message because you may not appreciate
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(00:22):
even begin to scratch the surface. People four and wide
hailed our radio show. Now we do our daily podcast
and we get even more involved in our character work.
The world of Bobby Dooley, the world of Margaret Gray,
the world of Jay Sanos. The citizens ugs are repleased.
In fact, they will be on tonight talking about I
don't know, whatever stupid stuff they're doing. Pardon that's how
(00:44):
I muffle a laugh. I pretend like I'm coughing. So
all of that is available to you at Phil Hendryshow
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(01:04):
domain sh I almost said, you want to say shit. Oh,
I'm sorry. Anyway, we take a public domain piece of
shit and we do kind of a mystery science theater
three thousand commentary. Although it's not really quite the same
thing as General Shaw. They actually are trying to be
serious as they do commentary on these pieces of shit movies.
So put it all together, and what have you got.
(01:26):
You got the World Famous Phil Henry Show backstage pass.
Get one for a month or for a year, less
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a month averaged out of the course of the year
for a year subscription. It's the World Famous Phil Hendry
Show is the greatest value online. Other important, ladies, Joen J.
Satos of the Citizen's Auxiliary Police is on the air.
(01:51):
All right, Thanks a lot, and welcome. We are here
in New York City in sort of temporary studios. I've
traveled here to New York City with mister Henry to
be a part of the World Famous Phil Henry Show's
Initial Broadcasts podcast. If you will hear in New York City,
mister Henry's doing a play. I guess he's gonna be
(02:11):
as kind of an actor or some deal like that, right, Yes,
that's correct, Yes, Okay, Well I don't know. I thought
all I knew mister Henry as sort of a comedian.
He's also kind of a I guess you could say
he's a commentator. Yeah, I knew him as a commentator.
Don't know he was gow actor or anything like that. Well,
you know, that's whatever floats your boat is we like
to say, you know, and the citizens uxury police, what
(02:31):
we like to say is, yeah, you know, whatever floats
your boat, you want to get it on, get it
on good, you know, right, whatever floats your boat? Yeah,
whatever floats your boat? What is it? Whatever flows the boat?
I mean whatever flows, whatever flows your boat, whatever flows
my boat. No, I didn't say that. No, generally shoud
whatever floats, whatever floats the boat, not whatever floats the boat.
(02:54):
It's whatever floats a boat. I mean whatever floats a boat. No,
I think the whole on, hold on, I think what
you're trying to say is whatever floats your boat. Right,
but when you see your boat, you're pointing me, I'm saying,
whatever floats your boat? Hey, can I just interrupt you idiots.
I beg your pardon. Well you got. What you guys
(03:14):
are trying to say is I didn't mean to call
you an idiot, Margaret, Well you did. Yeah, you also
call me one too. Well, Oh that doesn't matter. God
damn man. Look, can we stop for just a minute.
I am hosting the Phil Henry Show. No I know that,
but I just want to stop here. You got to
quit taking everything so personal. Jay, I'm trying to get
(03:35):
to the point here, and you're getting your feelings hurt.
Oh wow, where do you figure I'll get my feelings hurt? Well,
your voice did cracked? You went? You know, yeah you did?
I did what the voice cracked? You went? I don't know.
I don't know how to describe it. Yeah you kind
of did. See. Can I question words? Mister Henry? My understanding.
He's learning the lines. He's learning his lines for this play,
(03:56):
learning the lines for Oh boy, some people have fallen
a long way, my in a long way. Why do
you call it falling a long way? I mean, there's Shelley. Look,
I know what my job is. You know your job,
mister Henriett. I know what his job is stead he's off.
He's off play acting every ten like he's going to
be some kind of play actor. You know, I don't
think he's pretending anything. I think what he's basically saying
(04:18):
is he needs to learn these lines for this play.
For a play is what he's going to be in
his play. Look, why are you here tonight? I'm here
tonight on account I came to New York to support boy.
All right, Look, miss Santis, don't get your feelings hurt
and start to screen, you know, start to cry. What
is it with everybody thinking I'm gonna start to cry? Okay,
I'm Jay Sanders of the citizens Auxury Police. I'm a
(04:39):
Brigadier Admiral. Okay, I bring it. I bring every day
and twice on Sunday. So in other words, you're saying
you're tough. I'm not just saying it. I'll tell you
right now that's who I am. Then why don't you
act that way and quit you know, being on the
verge of tears every time? Someone? Can I walk out
and start again? No, we're in the middle of the
show anyway, Thank you very much, General and Margaret. Can
(05:02):
we cut all this stuff out? But yeah, we can
cut it out. You're not lion. No, I'm not j
sends citizens, aug release citizens, Sorry release citizens, auxiliary release citizens,
Auxuri release, not release police citizens, auxuri police. And we're
in for Phil Henry, who is learning his lines. And
(05:23):
as I said to Margaret, it's great when someone has
a uh a career that you know, allows them to
do a lot of different things. As I said, whatever,
whatever bows your whatever, bloats your whatever, bloats your fo
whatever floats his boat, whatever floats, whatever floats his boat. No,
that's not it, you morons. And if I got to
keep interrupting you baboons, that's exactly what I'm gonna do.
(05:46):
It's it's whatever floats the boat, whatever floats the boat. Wait,
that's not right. It's whatever bloats your float. Your is
the keyword, whatever bloats your float. No, you guys are idiots.
What did you say to me? I said, you're an idiot, Margaret,
because it's whatever floats boat. It's not whatever bloats your
foat your whatever bloats your phone. Did you hear what
(06:07):
he just said? Okay, I want I'm gonna have to
call a haul to all this because it's getting to
be stupid. And mister Henry's going, oh boy, he's going
to be really pissed off. He's gonna be really pissed off.
We don't get, you know, get to where we want
to try and be. He you know. Basically what you're
trying to say, though, is whatever floats, the boat has
to be floated. Yes, okay, then whatever floats, and then
there's boat. It depends on what's Whose boat does it
(06:30):
belong to? Whose boat does it? I mean, I mean
whose boat is it? Oh? It's oh, I see what
you said. Yeah, whatever floats my boat. No, it's whatever.
I get it. It's whatever floats your boat. Are you sure? Yeah?
I'm sure? God did you see that? Gentleman? God, Jada,
you need a handkerchiefs so you can blow some of
(06:51):
that snot into it. Look at that your nose is running.
You were shooting slaver. I was not shooting, no slaver.
I was trying to get to the pot of the
what it is we're trying to do here? Whatever floats
your boat, that's the there. There you go. That's what
we wanted to say. Now I forget what it was
we were talking about. It doesn't make any difference. You've
got Rick bolona on coming on, and Rick Boloona is
coming on, and Rick Blone's coming on. Hey, Rick, come
(07:12):
on in here. I talked to a fellow officer and
talk to you about law enforcement and what's going on
in New York the New York for ten Police, the
sister agency to the Citizens of Auxili Police in southern California. Like,
how you're doing. I'm doing real good. Thank you. So
mister Henry's in town and he hasn't any problems or
any has he No, mister Henry's doing real great. He's
got a verbo in Hell's kitchen, He's got a nice apartment,
(07:35):
and he is able to uh, you know, access to
move to the theater and through the rehearsal space. So
what is have you guys been acting in security for him?
We have some of warriors you called him sub commanders,
and the Citizens of Auxili Police and the New York
for ten Police we call him warriors. We've got three
warriors that are ready to do a prince in at
(07:57):
any minute. But this is not actual bodyguard duty because
they stay behind the Prince of the Principal and the
object of the principality. I don't know how to say it,
but they stay behind the guy. What we're trying to
protect by a buck a good two to three blocks?
All right, so you don't the person who's being protected,
like mister Henry, does he know that you guys are there?
Does he know that we're there? Yeah? I mean does
(08:19):
he know that you guys are Does he know that
you guys are doing bodyguard service? No, he does not know.
He doesn't know that. No, he doesn't know that we're there.
We are following at a distance about two to three blocks.
Two to three blocks. Well, maybe that's not it. How
long is a block? Are you kidding? You guys are
from New York City, don't know how long a block is. Well,
(08:42):
what I'm saying is now it's not two to three blocks.
It feels like it's like maybe three hundred feet. Isn't
a block one hundred feet? No, a block is from
one light to the next, one link to the next,
one light, not one lie one light. Well, I'm sorry,
one light to the next, and it's whatever bloats the float. Huh. Okay,
everybody just calmed the hell down because I got that wrong,
(09:04):
because they got that wrong me. We've got to keep
lean on it. Okay, I don't want to keep lean
on it. You don't want to keep one. I don't
want to keep leeing on it. You don't want to
keep leon on it. Not Leon. He doesn't want to
keep leaning on it. Oh, ok okay. Anyway, So how
are things going doing it? Protection duty? Mister Henry? Well,
so far, so good. Mister Henry begins his day generally
(09:26):
by walking over here to the Worldwide Plaza, which is
between I think it's between fiftieth and forty ninth Street,
and he gets himself a Starbucks coffee there in the
Worldwide Plaza Starbucks. Sometimes he goes to a restaurant called
a Bucking Dog to have breakfast, and sometimes he don't,
and it just depends. And you guys are there sort
(09:46):
of to do security for him at a distance. That's correct. Yeah,
we're at a distance. We stand sort of with our
hands fold in front of us. And some people wrote
in letters they were really stupid and crude, said, what
are you protecting your You know, your ball you're not
your balls, but you your genitals. Yeah, it looks like
you guys got your hands. No, that's the way people. Okay,
(10:07):
hold on for a minute. Now, what is that? That
could be one of our squad Uh what do we
call it? A cluster? Now you guess that's right. You
don't call you you You guys don't have the citizens
auxiliary police. They have they have like units. You guys
have what Yeah, we call those clusters. And again where
(10:28):
we fade. Where we do a fade, we do a
fade out, we do a fan out, and we do
it in a spread out. Yeah, you guys do the
fan out in the spread out. We do the prance out,
the prance and the prance about. Say that again, you
do the what we do this? We do the prance out,
prance in, prance about and prance out, prance out, No, no,
I mean prance out, prance in and then prance about.
(10:51):
And you you talked about the strength of the prance about,
Well the prance about is strong because you can say
I'm here and then and then the it's about is
you go from here to across the room. Then you're
on the ceiling, then you underneath the floor. What does
that mean you're on the ceiling, Well, it means you
can literally we have the ability to just stick to
the ceiling. What are you wait, you tell me out
(11:13):
like you're Spider Man or something like that. Not Spider Man.
I mean we're talking. We can just kind of hang
from the ceiling in a very delicate way, and then
then what we call is the scadadle, and that's a
very specific term used by the New York Pretend Police.
And what is the scadadle? The cadadle is when we're
clinging to the ceiling and then we creep and crawl
(11:35):
down the side of the building. What are you talking about? Man?
You guys sound like you're talking like you're talking about
your Spider Man or something. We're not Spider Man. What
are we scaring you? Something? Can't take a lot more.
You guys are scaring me. You start scaring me. How
come your voice cracks like your bitch number one here
on the on the on the Bitch's Right Show, on
(11:55):
the Bitch's Right Show. So that's how you respect women? Huh?
I didn't mean it for you, gra I'm talking to
I'm talking to Jay Sanders here as he don't give
me no respect. I'm giving you plenty of respect. We
need the bitches right show. I'm saying to you that
you guys are cling to a ceiling. Then then you
skid and then you crawl down the side. You call
it the skidaddle. That is the New York. Look. You
(12:18):
guys have your spread out, your spread in, you got
your your move in and move out. You got your
yellow rings slickers. We get to have what's ours. See,
and what we call it is the skidaddle. And I
will go ahead and I'll put two thumbs up in
the air and I'll go scattle, scadaddle, skidaddle, scadaddle. It's
a skidaddle alert. And that's going to all of the warriors.
(12:38):
Then spread out, cling to the ceiling and then scurried
down the side of the wall like the insects, like
they just I don't know insects. I don't know. If
you ever seen the out a Limit show where the
bugs from out of space, they had like faces like people.
Oh yeah, I remember that when they were called like
they had some kind of name. Yeah, I don't know
what it was. That's we patted ourselves after them, like
(12:59):
your bugs from out us. Well no, not bugs fromout us.
But you know what I'm saying, No, I don't. We're
having a hard time with this. It's like we're it's
like we can skidattle and scurry down a wall and
go hey. It's very much based upon the uh, you know,
when trouble sees us coming, which is a citizens of
Auxiury Police concept. That's right. We you know, when we
(13:22):
see trouble, you know, trouble sees us when we see
trouble coming. I don't know how it goes. No, you're
talking about like when you know, you go to trouble,
you run a trouble. That's exactly right. Well, in the
New York Pretend police, we run at trouble too. We
scardaddle at it, you know, and so when we see trouble,
we skidaddle at it the same way you go at
trouble and we go yah, like that just the same
(13:44):
way what you guys do it. Yeah, I hope you
guys are scarier because we had a few online polls
saying are the citizens of Zury police and we go
at trouble? Is trouble afraid of us? And like fifty
percent said no, which I thought was just as it
was pretty rough. You know, the truth hurts either, truth hurts.
I think that poll was invalid because it probably was
(14:06):
our cranks. Well, We're here with Rick Blona of the
New York Pretend Police, and they have been a providing
bodyguard duty to Phil Henry here the last week, although
Phil has not been aware of that. No, we were
told that mister Henry would have gotten sort of claustrophobic
and upset if we allowed ourselves to be seen and
to be seen and to be noted as bodyguts. Well,
(14:30):
that's something I request, they say, just back off and
let mister Henry have his fun. Have you seen, as
long as mister Henry's not here, and I don't want
to embarrass him or anything, have you seen him do
anything unusual? What do you mean unusual? Well, I mean
as he visited places they're weird. I think that's invading
his privacy a little bit there, Jay, Well, no, I
don't think it is at all. I think mister Henry
is a public personality and I think we have very
(14:50):
right in the world. No, well, no, we haven't seen
him do nothing. I mean he stopped off at a restaurant,
one restaurant one day, he went to a Mexican restaurant.
Another day, he went and got caught a couple of
times at Starbucks. He's gone to the little corner market
about three four times. Okay, was he buying? As far
as we can tell, he's bought cheese, he bought bread,
he bought some gum he bought. Are you putting me
(15:14):
on or something? Sud Be quiet? See what he has
to say, Jay, He bought some gum he bought. He
bought some cokes, some diet cokes. Oh, and he bought
a bunch of apples. And he bought a bunch of all. Yeah. Right,
so that's Phil. Phil does like apples. What kind of apples?
He has this thing for green apples? He bought, like
(15:36):
I'd say it, with a course of it. I'd have
to get Warrior Milton. Warrior Milton, who was in our
third strand. We have different strands. We have Strand one,
Strand two, strand three, and Milton comes from Long Island,
Warrior Milton, and I'd have to call him. But he
said he believed that it was green. They was green apples.
And he bought three four times about twelve twelve to fifteen.
(16:00):
Holygue Jesus, twelve or fifteen green apples? Man, something's wrong
with you? J What are you all nervous about? I'm
not nervous about it. I don't like the fact that
the New York Pretend Police. Are you guys, What do
you guys think you're better than us or something like that. No,
I don't think we're better than you. But I think
we do a far better job at patrol. I think
we do a far better job at in addicting serious criminality,
(16:24):
Like the time that mister Henry you know, we you know,
we follow him to his rehearsal space and at that
time and in that place we then did stop him.
Oh see, you did have contact with him, Yes, we did.
We said, we're the New York Pretend Police and we'd
like to see some ID and he told us basically
to stick it. You're kidding, Is that what he said? Yeah?
He basically said, you know, you guys, are you like
(16:46):
Jay Sanders on the Uglier? And I said, I guess
you could say that. Yeah, he said, no, I will not, No,
I will not, No, I will not, And then he
walked on, Well did he said that because he knows
he doesn't have any I leegal obligation. You guys are
not real police Officers's gray if you do that one time?
I want to do I'm sorry, you're gonna do what nothing?
Don't go threatening people. Jay. This is the world famous
(17:06):
Pel Henry Show. We've had as our special guest, Rick
Bologna from the New York Pretend Police and Jay Sanders
of the Citizens of Auxuri Police. Rick, we'd like to
thank you very much for being well. This is providing
bodyguard service for mister Henry. My pleasure. Mister Henry is
in good hands, although he didn't know that we're following him.
And see that's the thing that's I don't know, man, Jay,
(17:29):
why don't you just you know, back it off? Yeah, Jay,
you're all done? Oh? Fuck this? Goat? What's your language? Do?
Fuck it? I don't know if we're ever gonna want
you back on. I'd like to thank you again very much,
Rick for being on the world famous Fel Henry Show.
Thank you, Rick Boloona. Oh yeah, thank you very much,
and thank you very much. Yeah. It sucks. This whole
deal is this whole deal sucks? Ass, God, it sucks ass.
(17:55):
We'll be right back here the world Famous Phil Henry Show.
Thanks again to Jay Sattis of the Citizens of Zuri
Police and Rick Bologna of the New York Pretend Police six.
I'm Jay Santas the Citizens Uxury Police, and I have
been contracted to do a commercial for mister Henry's show.
(18:15):
I think it's necessary to make sure everyone understands and
when it comes to police officers and of course law enforcement,
we the Citizens Uxury Police, are the primary shoot, primary,
the primary police agency. And these chump change why weights
(18:35):
they come flying in here and everybody wants to get
down on the ground, start licking anyway, Get a backstage
pass to the world Famous Phil Henry Show. Don't be
like Jay Sandos sitting sniveling and crying, because we happen
to give some difference and some respect to the New
York Pretend Police New York for Tea oh Man, the
world Famous Phil Henry Show. Get a backstage past today.
(18:58):
Less than ten dollars for the month, less than seven
dollars a month for the year at philindryshow dot com,
the greatest value online other than porn. Welcome back the
World Famous Phil Henry Show. It is Phil Henry and
I was, in point of fact, running some lines. Margaret.
I guess you know, being in the theater, you know
a little bit about this, right, Well, yes I do.
Phil I know what it's like to have to, you know,
(19:21):
memorize lines and the words and all of that. How
good were you at that, Margaret? I was great. I
had almost a photographic memory. I don't even know what
are we talking about here, because the theater that I'm
familiar with, I just went out on stage and sang
and went look at it. You know, what do you
mean memorized lines where you're in a play. Yes, I know, yes,
(19:45):
I had to memorize lines. But it must be different
because all I remember was going out in these wonderful
gowns and moving about and singing. And I don't know, Margaret,
were you ever really on the stage that back? Right?
I said, to take it back at this fist goes
right through your head and out that window behind your head. Margaret,
(20:06):
that was the most violent thing I've ever heard, I
swear to God. All right, I take it back God. Well,
it's a good question, Margaret. Were you how dare either
one of you suggest that I lie? Well, you're saying
you don't know what it is to memorize lines. I
was in musical theater. I don't know about plays and
drama and that kind of thing. Yes, I memorized lines,
(20:26):
but it seemed like it was something as simple as,
is miss Greystone ready yet? I you know, something like that,
is Miss Greystone ready yet? That reminds me of a song?
And then I'd break into some enchanted evening. Do do do? Do? Do?
Do you know? No? I don't. Oh look at film,
No I don't. I don't, Margaret, I don't know what
you're talking about. However, that having been said, but what
(20:48):
do you think you're, mister theater veteran? Now, no, I don't.
It's just kind of weird to say that you were
in a sort of theater where you don't know what
it is to never mind, it's it's fine. We got
our lines written on the back of a napkin. Okay,
here Margaret, you say this, then sing a song, then
say this, then sing a song. See what I'm saying.
So you're basically like the musical relief or something. I
(21:09):
don't like the word relief. It sounds like after someone
meets me, they've got to yeah, peel off like three
sheets of toilet paper. You're a real Let's wait a minute, Margaret, Wait,
well that's what that's basically what you said. I know,
I said that, I don't like it when he repeats
it back, Well, that's what you say, Yeah, bugs, what
is it? What's your name again? It's not bug. Bud's right,
(21:30):
he said, it sounds like you're a piece of two.
You know, it sounds like what Margaret, what you said was,
I know what I said. I just don't like it
when someone says to me that after someone meets me,
they've got to peel off three sheets of toilet paper.
There's Phil again. So what we should do here, Phil
(21:50):
is interview you, and Bud's here with a few questions.
I've got some Margaret, We really do want to talk
to you, Phil about how you're enjoying New York. Are
you enjoying New York very much? So? You know, what
about this dump that you're living in. I wouldn't say
it's a dump, it's a verbo, it's a what do
you mean dump? You've been complaining about it. Well, all
you've been doing is bellyaching about how small it is.
It's a studio apartment. Yes, it's a studio apartment. But
(22:14):
it has all the amenities. It has a you know,
a refrigerator, and let me guess, does it have a
flushing toilet. Yes, it does. Wow. Why that's some that's
pretty modern. You guys know what I'm talking about. Yeah,
but minster you know, you were belly aching, I should
say belly aching, but you was saying that you wish
you had a washing machine. Yeah, I wish I had
a washing machine. But it don't have a washing machine.
(22:34):
But there is a laundry service that I use. They
come and they pick up the clothes, they wash it,
and they drop it off. That's not cheap. No, it's
not cheap. But you know what, I throw my money
around anyway. So, now where do you eat? What are
the restaurants you like? There's a Peruvian joint halfway down
the block that I like. They have a sabic there.
And I didn't know anything about Peruvian food. I didn't
know that there was a special cuisine. But apparently Jackie
(22:55):
tells me Miami is crawling with Peruvian restaurants. What what
you talk about? That's what she said. She said, Miami's
got tons and tons of proving restaurants. She knew what
I was talking about. There's a couple of Mexican restaurants
that are great. There's two Italian places. I mean this
is not the best place to be living if you
want to lose weight. But you said you're doing a
(23:17):
lot of walking. I'm doing a lot of walking. You know.
We walk over to the rehearsal space, we walk over
to the theater. I had to walk up to iHeartMedia
the other day, which is about a fifteen minute walk.
I actually like it. I like walking. So what are
you gonna take the subway? The only reason why I
would take the subway is it down on fifteenth Street
is the SGI is the Buddhist center that I go to. Now, Phil,
(23:38):
let's talk about this Buddhism. I don't want to talk
about it, Okay, temistry and you ought to be you
should talk about it to convert people to Buddhism. Oh well,
you get out of here, man. Anyway, it's the what
are you looking at? I think it's very disappointing you're
talking about that way. Anyway, it's the Buddhist center down there,
and I go to and I you know, read up
on stuff, and that's about well, that's a fifteen and
(24:00):
I'm way up, you know, the opposite side of town.
So and then there is the CBS Pharmacy, which is
about the same distance. I mean, you know this place
is to walk to. Well, those sound like some really
fun scenic spots. Let's see the Buddhat Center, the pharmacy,
and iHeartMedia. Hey, I'm not exactly here man to go sightseeing.
You're not, No, Well, I would think you're in the
(24:22):
largest city. What are the largest cities in the world
and the largest city in the United States, And you
don't want to do any sightseeing. No, I don't do
want to do any sightseeing. Okay, I want to do
my thing. I want to enjoy my time off. Yeah,
with my friends. Don is my good buddy Don Older.
There's going to be in town on the twenty fifth.
My godson lives in a downtown financial district with his wife,
(24:44):
Mallory and Joe. And I'm going to have lunch with
my good friend Andy Cowboo is my producer at WIFD
in Miami for many years. Oh, Tory Ryder is coming
into town now. Tory Ryder is your friend. She's on
the air in Chicago. Yes, Terri was on the air
in Chicago and Portland, a lot of places. She's a
great radio talent. She's written a book called She Said
(25:07):
What which is kind of like her autobiography. Now you're
in that book. But she doesn't call you Phil. She
calls you something like schmuck. Right, what do you mean schmuck? Yeah,
but she calls you something Differentcy, she calls me something.
It doesn't call me schmuck. Well what does she call you?
I forget. I think maybe it's like Paul or Biff
or so. I don't know. Yeah, so it could be schmuck. No,
(25:28):
it could I don't believe it's schmuck. Anyway, Yeah, I
am in the book. That's a You should check out
Torry's book. She said, what, it's a great it's a
great chronicle and journal of the the travails and travels
of a woman in broadcasting, a high profile personality like Turian,
which she's endured and what she's enjoyed. But anyway, and
she was also in the Phil Henry documentary. Ah, there's
(25:52):
something you've been avoiding, and we'd like to talk a
little bit about that. That is the Henri documentary, which
is now streaming Ladies and Gentlemen on two. Be all right, Yeah, yeah,
yes it is. Yes, Phil hasn't mentioned that at all,
and that is available in Canada. I think it's available
in Canada. The reason why I say that my cousins
have asked me where they can see it, and I
(26:12):
think it is. Yes. Terry Ryder is featured as an
interview subject in that In that documentary, is is Bill Hayter,
Henry Rowlins. There's a lot of great, great people who
were interviewed. And I had no idea how Patrick got
these folks to sit down and talk about the Phil
Henry Shield, but I was very very grateful. Yeah, Toury's
in that as well. So and I'm gonna have lunch
(26:33):
with her dinner. No, she's gonna come to the play,
all right. And then one more than my stepdaughter Katherine,
who is a flyer. She's a flyer. She's a flight
attendant for Amigo. What is it, Yeah, it's Amigo Airlines.
What's Amigo Airlines? Oh, I'm sorry, it's Alaska. That's exactly right, Yeah,
(26:54):
Alaska Airlines. She flies. She's going to come into town
and see the play. So you know, I'm going to
be kind of nervous with all these people that I
don't watch in the play. But and how have the
rehearsal has been going very good? What. I don't know what. Yeah,
they've been going really good and we got a great
director and Mike Keller and Tom Alpers the writer, and
Christine Blackburn's our producer, and a great, great cast of people.
(27:17):
So we'll let you know when when it's October the ninth.
You know you're you're kind of tight lipped about this play. No,
I'm not, man, I just don't know what else to say.
I don't want to give too much stuff away, but
we are very very grateful if people want to come
and see it. So that's Phil Henry in the Pitch,
starting October ninth in New York off Broadway. Yeah, oh yeah, yeah, Jesus,
(27:42):
World Famous Phil Henry Show is executive produced by me
Phil Henry for Siempri Incorporated. Alrights reserved on iHeart Podcasts.
This is General Kaylin Shaw. Yes, so what he Well,
I said it before you said, this is a Bud Dickman.
All right, this is a Bud Dickman. It don't matter yet,
too late, it's not hard to relation
Have you got a backstage pass to the world Famous
Phil Henry Show, do you well? I still want you
to listen to this message because you may not appreciate
what it is you have in your hot little hands. Figurably,
what you do have are thousands of hours of our
radio show and our netcasts. We were on the air
on radio. We made it to the Radio Hall of Fame.
That's how good our radio show was. Innovative. That doesn't
(00:22):
even begin to scratch the surface. People four and wide
hailed our radio show. Now we do our daily podcast
and we get even more involved in our character work.
The world of Bobby Dooley, the world of Margaret Gray,
the world of Jay Sanos. The citizens ugs are repleased.
In fact, they will be on tonight talking about I
don't know, whatever stupid stuff they're doing. Pardon that's how
(00:44):
I muffle a laugh. I pretend like I'm coughing. So
all of that is available to you at Phil Hendryshow
dot com. Along with that, we have our home movies
and we have our video casts. There's a video component,
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Home movies from our family, videocasts from our show, and
we have the Saturday Cinema where we take a public
(01:04):
domain sh I almost said, you want to say shit. Oh,
I'm sorry. Anyway, we take a public domain piece of
shit and we do kind of a mystery science theater
three thousand commentary. Although it's not really quite the same
thing as General Shaw. They actually are trying to be
serious as they do commentary on these pieces of shit movies.
So put it all together, and what have you got.
(01:26):
You got the World Famous Phil Henry Show backstage pass.
Get one for a month or for a year, less
than ten dollars for the month, less than seven dollars
a month averaged out of the course of the year
for a year subscription. It's the World Famous Phil Hendry
Show is the greatest value online. Other important, ladies, Joen J.
Satos of the Citizen's Auxiliary Police is on the air.
(01:51):
All right, Thanks a lot, and welcome. We are here
in New York City in sort of temporary studios. I've
traveled here to New York City with mister Henry to
be a part of the World Famous Phil Henry Show's
Initial Broadcasts podcast. If you will hear in New York City,
mister Henry's doing a play. I guess he's gonna be
(02:11):
as kind of an actor or some deal like that, right, Yes,
that's correct, Yes, Okay, Well I don't know. I thought
all I knew mister Henry as sort of a comedian.
He's also kind of a I guess you could say
he's a commentator. Yeah, I knew him as a commentator.
Don't know he was gow actor or anything like that. Well,
you know, that's whatever floats your boat is we like
to say, you know, and the citizens uxury police, what
(02:31):
we like to say is, yeah, you know, whatever floats
your boat, you want to get it on, get it
on good, you know, right, whatever floats your boat? Yeah,
whatever floats your boat? What is it? Whatever flows the boat?
I mean whatever flows, whatever flows your boat, whatever flows
my boat. No, I didn't say that. No, generally shoud
whatever floats, whatever floats the boat, not whatever floats the boat.
(02:54):
It's whatever floats a boat. I mean whatever floats a boat. No,
I think the whole on, hold on, I think what
you're trying to say is whatever floats your boat. Right,
but when you see your boat, you're pointing me, I'm saying,
whatever floats your boat? Hey, can I just interrupt you idiots.
I beg your pardon. Well you got. What you guys
(03:14):
are trying to say is I didn't mean to call
you an idiot, Margaret, Well you did. Yeah, you also
call me one too. Well, Oh that doesn't matter. God
damn man. Look, can we stop for just a minute.
I am hosting the Phil Henry Show. No I know that,
but I just want to stop here. You got to
quit taking everything so personal. Jay, I'm trying to get
(03:35):
to the point here, and you're getting your feelings hurt.
Oh wow, where do you figure I'll get my feelings hurt? Well,
your voice did cracked? You went? You know, yeah you did?
I did what the voice cracked? You went? I don't know.
I don't know how to describe it. Yeah you kind
of did. See. Can I question words? Mister Henry? My understanding.
He's learning the lines. He's learning his lines for this play,
(03:56):
learning the lines for Oh boy, some people have fallen
a long way, my in a long way. Why do
you call it falling a long way? I mean, there's Shelley. Look,
I know what my job is. You know your job,
mister Henriett. I know what his job is stead he's off.
He's off play acting every ten like he's going to
be some kind of play actor. You know, I don't
think he's pretending anything. I think what he's basically saying
(04:18):
is he needs to learn these lines for this play.
For a play is what he's going to be in
his play. Look, why are you here tonight? I'm here
tonight on account I came to New York to support boy.
All right, Look, miss Santis, don't get your feelings hurt
and start to screen, you know, start to cry. What
is it with everybody thinking I'm gonna start to cry? Okay,
I'm Jay Sanders of the citizens Auxury Police. I'm a
(04:39):
Brigadier Admiral. Okay, I bring it. I bring every day
and twice on Sunday. So in other words, you're saying
you're tough. I'm not just saying it. I'll tell you
right now that's who I am. Then why don't you
act that way and quit you know, being on the
verge of tears every time? Someone? Can I walk out
and start again? No, we're in the middle of the
show anyway, Thank you very much, General and Margaret. Can
(05:02):
we cut all this stuff out? But yeah, we can
cut it out. You're not lion. No, I'm not j
sends citizens, aug release citizens, Sorry release citizens, auxiliary release citizens,
Auxuri release, not release police citizens, auxuri police. And we're
in for Phil Henry, who is learning his lines. And
(05:23):
as I said to Margaret, it's great when someone has
a uh a career that you know, allows them to
do a lot of different things. As I said, whatever,
whatever bows your whatever, bloats your whatever, bloats your fo
whatever floats his boat, whatever floats, whatever floats his boat. No,
that's not it, you morons. And if I got to
keep interrupting you baboons, that's exactly what I'm gonna do.
(05:46):
It's it's whatever floats the boat, whatever floats the boat. Wait,
that's not right. It's whatever bloats your float. Your is
the keyword, whatever bloats your float. No, you guys are idiots.
What did you say to me? I said, you're an idiot, Margaret,
because it's whatever floats boat. It's not whatever bloats your
foat your whatever bloats your phone. Did you hear what
(06:07):
he just said? Okay, I want I'm gonna have to
call a haul to all this because it's getting to
be stupid. And mister Henry's going, oh boy, he's going
to be really pissed off. He's gonna be really pissed off.
We don't get, you know, get to where we want
to try and be. He you know. Basically what you're
trying to say, though, is whatever floats, the boat has
to be floated. Yes, okay, then whatever floats, and then
there's boat. It depends on what's Whose boat does it
(06:30):
belong to? Whose boat does it? I mean, I mean
whose boat is it? Oh? It's oh, I see what
you said. Yeah, whatever floats my boat. No, it's whatever.
I get it. It's whatever floats your boat. Are you sure? Yeah?
I'm sure? God did you see that? Gentleman? God, Jada,
you need a handkerchiefs so you can blow some of
(06:51):
that snot into it. Look at that your nose is running.
You were shooting slaver. I was not shooting, no slaver.
I was trying to get to the pot of the
what it is we're trying to do here? Whatever floats
your boat, that's the there. There you go. That's what
we wanted to say. Now I forget what it was
we were talking about. It doesn't make any difference. You've
got Rick bolona on coming on, and Rick Boloona is
coming on, and Rick Blone's coming on. Hey, Rick, come
(07:12):
on in here. I talked to a fellow officer and
talk to you about law enforcement and what's going on
in New York the New York for ten Police, the
sister agency to the Citizens of Auxili Police in southern California. Like,
how you're doing. I'm doing real good. Thank you. So
mister Henry's in town and he hasn't any problems or
any has he No, mister Henry's doing real great. He's
got a verbo in Hell's kitchen, He's got a nice apartment,
(07:35):
and he is able to uh, you know, access to
move to the theater and through the rehearsal space. So
what is have you guys been acting in security for him?
We have some of warriors you called him sub commanders,
and the Citizens of Auxili Police and the New York
for ten Police we call him warriors. We've got three
warriors that are ready to do a prince in at
(07:57):
any minute. But this is not actual bodyguard duty because
they stay behind the Prince of the Principal and the
object of the principality. I don't know how to say it,
but they stay behind the guy. What we're trying to
protect by a buck a good two to three blocks?
All right, so you don't the person who's being protected,
like mister Henry, does he know that you guys are there?
Does he know that we're there? Yeah? I mean does
(08:19):
he know that you guys are Does he know that
you guys are doing bodyguard service? No, he does not know.
He doesn't know that. No, he doesn't know that we're there.
We are following at a distance about two to three blocks.
Two to three blocks. Well, maybe that's not it. How
long is a block? Are you kidding? You guys are
from New York City, don't know how long a block is. Well,
(08:42):
what I'm saying is now it's not two to three blocks.
It feels like it's like maybe three hundred feet. Isn't
a block one hundred feet? No, a block is from
one light to the next, one link to the next,
one light, not one lie one light. Well, I'm sorry,
one light to the next, and it's whatever bloats the float. Huh. Okay,
everybody just calmed the hell down because I got that wrong,
(09:04):
because they got that wrong me. We've got to keep
lean on it. Okay, I don't want to keep lean
on it. You don't want to keep one. I don't
want to keep leeing on it. You don't want to
keep leon on it. Not Leon. He doesn't want to
keep leaning on it. Oh, ok okay. Anyway, So how
are things going doing it? Protection duty? Mister Henry? Well,
so far, so good. Mister Henry begins his day generally
(09:26):
by walking over here to the Worldwide Plaza, which is
between I think it's between fiftieth and forty ninth Street,
and he gets himself a Starbucks coffee there in the
Worldwide Plaza Starbucks. Sometimes he goes to a restaurant called
a Bucking Dog to have breakfast, and sometimes he don't,
and it just depends. And you guys are there sort
(09:46):
of to do security for him at a distance. That's correct. Yeah,
we're at a distance. We stand sort of with our
hands fold in front of us. And some people wrote
in letters they were really stupid and crude, said, what
are you protecting your You know, your ball you're not
your balls, but you your genitals. Yeah, it looks like
you guys got your hands. No, that's the way people. Okay,
(10:07):
hold on for a minute. Now, what is that? That
could be one of our squad Uh what do we
call it? A cluster? Now you guess that's right. You
don't call you you You guys don't have the citizens
auxiliary police. They have they have like units. You guys
have what Yeah, we call those clusters. And again where
(10:28):
we fade. Where we do a fade, we do a
fade out, we do a fan out, and we do
it in a spread out. Yeah, you guys do the
fan out in the spread out. We do the prance out,
the prance and the prance about. Say that again, you
do the what we do this? We do the prance out,
prance in, prance about and prance out, prance out, No, no,
I mean prance out, prance in and then prance about.
(10:51):
And you you talked about the strength of the prance about,
Well the prance about is strong because you can say
I'm here and then and then the it's about is
you go from here to across the room. Then you're
on the ceiling, then you underneath the floor. What does
that mean you're on the ceiling, Well, it means you
can literally we have the ability to just stick to
the ceiling. What are you wait, you tell me out
(11:13):
like you're Spider Man or something like that. Not Spider Man.
I mean we're talking. We can just kind of hang
from the ceiling in a very delicate way, and then
then what we call is the scadadle, and that's a
very specific term used by the New York Pretend Police.
And what is the scadadle? The cadadle is when we're
clinging to the ceiling and then we creep and crawl
(11:35):
down the side of the building. What are you talking about? Man?
You guys sound like you're talking like you're talking about
your Spider Man or something. We're not Spider Man. What
are we scaring you? Something? Can't take a lot more.
You guys are scaring me. You start scaring me. How
come your voice cracks like your bitch number one here
on the on the on the Bitch's Right Show, on
(11:55):
the Bitch's Right Show. So that's how you respect women? Huh?
I didn't mean it for you, gra I'm talking to
I'm talking to Jay Sanders here as he don't give
me no respect. I'm giving you plenty of respect. We
need the bitches right show. I'm saying to you that
you guys are cling to a ceiling. Then then you
skid and then you crawl down the side. You call
it the skidaddle. That is the New York. Look. You
(12:18):
guys have your spread out, your spread in, you got
your your move in and move out. You got your
yellow rings slickers. We get to have what's ours. See,
and what we call it is the skidaddle. And I
will go ahead and I'll put two thumbs up in
the air and I'll go scattle, scadaddle, skidaddle, scadaddle. It's
a skidaddle alert. And that's going to all of the warriors.
(12:38):
Then spread out, cling to the ceiling and then scurried
down the side of the wall like the insects, like
they just I don't know insects. I don't know. If
you ever seen the out a Limit show where the
bugs from out of space, they had like faces like people.
Oh yeah, I remember that when they were called like
they had some kind of name. Yeah, I don't know
what it was. That's we patted ourselves after them, like
(12:59):
your bugs from out us. Well no, not bugs fromout us.
But you know what I'm saying, No, I don't. We're
having a hard time with this. It's like we're it's
like we can skidattle and scurry down a wall and
go hey. It's very much based upon the uh, you know,
when trouble sees us coming, which is a citizens of
Auxiury Police concept. That's right. We you know, when we
(13:22):
see trouble, you know, trouble sees us when we see
trouble coming. I don't know how it goes. No, you're
talking about like when you know, you go to trouble,
you run a trouble. That's exactly right. Well, in the
New York Pretend police, we run at trouble too. We
scardaddle at it, you know, and so when we see trouble,
we skidaddle at it the same way you go at
trouble and we go yah, like that just the same
(13:44):
way what you guys do it. Yeah, I hope you
guys are scarier because we had a few online polls
saying are the citizens of Zury police and we go
at trouble? Is trouble afraid of us? And like fifty
percent said no, which I thought was just as it
was pretty rough. You know, the truth hurts either, truth hurts.
I think that poll was invalid because it probably was
(14:06):
our cranks. Well, We're here with Rick Blona of the
New York Pretend Police, and they have been a providing
bodyguard duty to Phil Henry here the last week, although
Phil has not been aware of that. No, we were
told that mister Henry would have gotten sort of claustrophobic
and upset if we allowed ourselves to be seen and
to be seen and to be noted as bodyguts. Well,
(14:30):
that's something I request, they say, just back off and
let mister Henry have his fun. Have you seen, as
long as mister Henry's not here, and I don't want
to embarrass him or anything, have you seen him do
anything unusual? What do you mean unusual? Well, I mean
as he visited places they're weird. I think that's invading
his privacy a little bit there, Jay, Well, no, I
don't think it is at all. I think mister Henry
is a public personality and I think we have very
(14:50):
right in the world. No, well, no, we haven't seen
him do nothing. I mean he stopped off at a restaurant,
one restaurant one day, he went to a Mexican restaurant.
Another day, he went and got caught a couple of
times at Starbucks. He's gone to the little corner market
about three four times. Okay, was he buying? As far
as we can tell, he's bought cheese, he bought bread,
he bought some gum he bought. Are you putting me
(15:14):
on or something? Sud Be quiet? See what he has
to say, Jay, He bought some gum he bought. He
bought some cokes, some diet cokes. Oh, and he bought
a bunch of apples. And he bought a bunch of all. Yeah. Right,
so that's Phil. Phil does like apples. What kind of apples?
He has this thing for green apples? He bought, like
(15:36):
I'd say it, with a course of it. I'd have
to get Warrior Milton. Warrior Milton, who was in our
third strand. We have different strands. We have Strand one,
Strand two, strand three, and Milton comes from Long Island,
Warrior Milton, and I'd have to call him. But he
said he believed that it was green. They was green apples.
And he bought three four times about twelve twelve to fifteen.
(16:00):
Holygue Jesus, twelve or fifteen green apples? Man, something's wrong
with you? J What are you all nervous about? I'm
not nervous about it. I don't like the fact that
the New York Pretend Police. Are you guys, What do
you guys think you're better than us or something like that. No,
I don't think we're better than you. But I think
we do a far better job at patrol. I think
we do a far better job at in addicting serious criminality,
(16:24):
Like the time that mister Henry you know, we you know,
we follow him to his rehearsal space and at that
time and in that place we then did stop him.
Oh see, you did have contact with him, Yes, we did.
We said, we're the New York Pretend Police and we'd
like to see some ID and he told us basically
to stick it. You're kidding, Is that what he said? Yeah?
He basically said, you know, you guys, are you like
(16:46):
Jay Sanders on the Uglier? And I said, I guess
you could say that. Yeah, he said, no, I will not, No,
I will not, No, I will not, And then he
walked on, Well did he said that because he knows
he doesn't have any I leegal obligation. You guys are
not real police Officers's gray if you do that one time?
I want to do I'm sorry, you're gonna do what nothing?
Don't go threatening people. Jay. This is the world famous
(17:06):
Pel Henry Show. We've had as our special guest, Rick
Bologna from the New York Pretend Police and Jay Sanders
of the Citizens of Auxuri Police. Rick, we'd like to
thank you very much for being well. This is providing
bodyguard service for mister Henry. My pleasure. Mister Henry is
in good hands, although he didn't know that we're following him.
And see that's the thing that's I don't know, man, Jay,
(17:29):
why don't you just you know, back it off? Yeah, Jay,
you're all done? Oh? Fuck this? Goat? What's your language? Do?
Fuck it? I don't know if we're ever gonna want
you back on. I'd like to thank you again very much,
Rick for being on the world famous Fel Henry Show.
Thank you, Rick Boloona. Oh yeah, thank you very much,
and thank you very much. Yeah. It sucks. This whole
deal is this whole deal sucks? Ass, God, it sucks ass.
(17:55):
We'll be right back here the world Famous Phil Henry Show.
Thanks again to Jay Sattis of the Citizens of Zuri
Police and Rick Bologna of the New York Pretend Police six.
I'm Jay Santas the Citizens Uxury Police, and I have
been contracted to do a commercial for mister Henry's show.
(18:15):
I think it's necessary to make sure everyone understands and
when it comes to police officers and of course law enforcement,
we the Citizens Uxury Police, are the primary shoot, primary,
the primary police agency. And these chump change why weights
(18:35):
they come flying in here and everybody wants to get
down on the ground, start licking anyway, Get a backstage
pass to the world Famous Phil Henry Show. Don't be
like Jay Sandos sitting sniveling and crying, because we happen
to give some difference and some respect to the New
York Pretend Police New York for Tea oh Man, the
world Famous Phil Henry Show. Get a backstage past today.
(18:58):
Less than ten dollars for the month, less than seven
dollars a month for the year at philindryshow dot com,
the greatest value online other than porn. Welcome back the
World Famous Phil Henry Show. It is Phil Henry and
I was, in point of fact, running some lines. Margaret.
I guess you know, being in the theater, you know
a little bit about this, right, Well, yes I do.
Phil I know what it's like to have to, you know,
(19:21):
memorize lines and the words and all of that. How
good were you at that, Margaret? I was great. I
had almost a photographic memory. I don't even know what
are we talking about here, because the theater that I'm
familiar with, I just went out on stage and sang
and went look at it. You know, what do you
mean memorized lines where you're in a play. Yes, I know, yes,
(19:45):
I had to memorize lines. But it must be different
because all I remember was going out in these wonderful
gowns and moving about and singing. And I don't know, Margaret,
were you ever really on the stage that back? Right?
I said, to take it back at this fist goes
right through your head and out that window behind your head. Margaret,
(20:06):
that was the most violent thing I've ever heard, I
swear to God. All right, I take it back God. Well,
it's a good question, Margaret. Were you how dare either
one of you suggest that I lie? Well, you're saying
you don't know what it is to memorize lines. I
was in musical theater. I don't know about plays and
drama and that kind of thing. Yes, I memorized lines,
(20:26):
but it seemed like it was something as simple as,
is miss Greystone ready yet? I you know, something like that,
is Miss Greystone ready yet? That reminds me of a song?
And then I'd break into some enchanted evening. Do do do? Do? Do?
Do you know? No? I don't. Oh look at film,
No I don't. I don't, Margaret, I don't know what
you're talking about. However, that having been said, but what
(20:48):
do you think you're, mister theater veteran? Now, no, I don't.
It's just kind of weird to say that you were
in a sort of theater where you don't know what
it is to never mind, it's it's fine. We got
our lines written on the back of a napkin. Okay,
here Margaret, you say this, then sing a song, then
say this, then sing a song. See what I'm saying.
So you're basically like the musical relief or something. I
(21:09):
don't like the word relief. It sounds like after someone
meets me, they've got to yeah, peel off like three
sheets of toilet paper. You're a real Let's wait a minute, Margaret, Wait,
well that's what that's basically what you said. I know,
I said that, I don't like it when he repeats
it back, Well, that's what you say, Yeah, bugs, what
is it? What's your name again? It's not bug. Bud's right,
(21:30):
he said, it sounds like you're a piece of two.
You know, it sounds like what Margaret, what you said was,
I know what I said. I just don't like it
when someone says to me that after someone meets me,
they've got to peel off three sheets of toilet paper.
There's Phil again. So what we should do here, Phil
(21:50):
is interview you, and Bud's here with a few questions.
I've got some Margaret, We really do want to talk
to you, Phil about how you're enjoying New York. Are
you enjoying New York very much? So? You know, what
about this dump that you're living in. I wouldn't say
it's a dump, it's a verbo, it's a what do
you mean dump? You've been complaining about it. Well, all
you've been doing is bellyaching about how small it is.
It's a studio apartment. Yes, it's a studio apartment. But
(22:14):
it has all the amenities. It has a you know,
a refrigerator, and let me guess, does it have a
flushing toilet. Yes, it does. Wow. Why that's some that's
pretty modern. You guys know what I'm talking about. Yeah,
but minster you know, you were belly aching, I should
say belly aching, but you was saying that you wish
you had a washing machine. Yeah, I wish I had
a washing machine. But it don't have a washing machine.
(22:34):
But there is a laundry service that I use. They
come and they pick up the clothes, they wash it,
and they drop it off. That's not cheap. No, it's
not cheap. But you know what, I throw my money
around anyway. So, now where do you eat? What are
the restaurants you like? There's a Peruvian joint halfway down
the block that I like. They have a sabic there.
And I didn't know anything about Peruvian food. I didn't
know that there was a special cuisine. But apparently Jackie
(22:55):
tells me Miami is crawling with Peruvian restaurants. What what
you talk about? That's what she said. She said, Miami's
got tons and tons of proving restaurants. She knew what
I was talking about. There's a couple of Mexican restaurants
that are great. There's two Italian places. I mean this
is not the best place to be living if you
want to lose weight. But you said you're doing a
(23:17):
lot of walking. I'm doing a lot of walking. You know.
We walk over to the rehearsal space, we walk over
to the theater. I had to walk up to iHeartMedia
the other day, which is about a fifteen minute walk.
I actually like it. I like walking. So what are
you gonna take the subway? The only reason why I
would take the subway is it down on fifteenth Street
is the SGI is the Buddhist center that I go to. Now, Phil,
(23:38):
let's talk about this Buddhism. I don't want to talk
about it, Okay, temistry and you ought to be you
should talk about it to convert people to Buddhism. Oh well,
you get out of here, man. Anyway, it's the what
are you looking at? I think it's very disappointing you're
talking about that way. Anyway, it's the Buddhist center down there,
and I go to and I you know, read up
on stuff, and that's about well, that's a fifteen and
(24:00):
I'm way up, you know, the opposite side of town.
So and then there is the CBS Pharmacy, which is
about the same distance. I mean, you know this place
is to walk to. Well, those sound like some really
fun scenic spots. Let's see the Buddhat Center, the pharmacy,
and iHeartMedia. Hey, I'm not exactly here man to go sightseeing.
You're not, No, Well, I would think you're in the
(24:22):
largest city. What are the largest cities in the world
and the largest city in the United States, And you
don't want to do any sightseeing. No, I don't do
want to do any sightseeing. Okay, I want to do
my thing. I want to enjoy my time off. Yeah,
with my friends. Don is my good buddy Don Older.
There's going to be in town on the twenty fifth.
My godson lives in a downtown financial district with his wife,
(24:44):
Mallory and Joe. And I'm going to have lunch with
my good friend Andy Cowboo is my producer at WIFD
in Miami for many years. Oh, Tory Ryder is coming
into town now. Tory Ryder is your friend. She's on
the air in Chicago. Yes, Terri was on the air
in Chicago and Portland, a lot of places. She's a
great radio talent. She's written a book called She Said
(25:07):
What which is kind of like her autobiography. Now you're
in that book. But she doesn't call you Phil. She
calls you something like schmuck. Right, what do you mean schmuck? Yeah,
but she calls you something Differentcy, she calls me something.
It doesn't call me schmuck. Well what does she call you?
I forget. I think maybe it's like Paul or Biff
or so. I don't know. Yeah, so it could be schmuck. No,
(25:28):
it could I don't believe it's schmuck. Anyway, Yeah, I
am in the book. That's a You should check out
Torry's book. She said, what, it's a great it's a
great chronicle and journal of the the travails and travels
of a woman in broadcasting, a high profile personality like Turian,
which she's endured and what she's enjoyed. But anyway, and
she was also in the Phil Henry documentary. Ah, there's
(25:52):
something you've been avoiding, and we'd like to talk a
little bit about that. That is the Henri documentary, which
is now streaming Ladies and Gentlemen on two. Be all right, Yeah, yeah,
yes it is. Yes, Phil hasn't mentioned that at all,
and that is available in Canada. I think it's available
in Canada. The reason why I say that my cousins
have asked me where they can see it, and I
(26:12):
think it is. Yes. Terry Ryder is featured as an
interview subject in that In that documentary, is is Bill Hayter,
Henry Rowlins. There's a lot of great, great people who
were interviewed. And I had no idea how Patrick got
these folks to sit down and talk about the Phil
Henry Shield, but I was very very grateful. Yeah, Toury's
in that as well. So and I'm gonna have lunch
(26:33):
with her dinner. No, she's gonna come to the play,
all right. And then one more than my stepdaughter Katherine,
who is a flyer. She's a flyer. She's a flight
attendant for Amigo. What is it, Yeah, it's Amigo Airlines.
What's Amigo Airlines? Oh, I'm sorry, it's Alaska. That's exactly right, Yeah,
(26:54):
Alaska Airlines. She flies. She's going to come into town
and see the play. So you know, I'm going to
be kind of nervous with all these people that I
don't watch in the play. But and how have the
rehearsal has been going very good? What. I don't know what. Yeah,
they've been going really good and we got a great
director and Mike Keller and Tom Alpers the writer, and
Christine Blackburn's our producer, and a great, great cast of people.
(27:17):
So we'll let you know when when it's October the ninth.
You know you're you're kind of tight lipped about this play. No,
I'm not, man, I just don't know what else to say.
I don't want to give too much stuff away, but
we are very very grateful if people want to come
and see it. So that's Phil Henry in the Pitch,
starting October ninth in New York off Broadway. Yeah, oh yeah, yeah, Jesus,
(27:42):
World Famous Phil Henry Show is executive produced by me
Phil Henry for Siempri Incorporated. Alrights reserved on iHeart Podcasts.
This is General Kaylin Shaw. Yes, so what he Well,
I said it before you said, this is a Bud Dickman.
All right, this is a Bud Dickman. It don't matter yet,
too late, it's not hard to relation
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