October 16, 2025 • 43 mins
The show is back on the streets of New York. John Jerryman gets drunk and sings rotten show tunes. Margaret and the General get into a serious throw down. Dr Ron Tarner is in New York for an astrophysicist joke writing seminar.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…
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Episode Transcript
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Speaker 1 (00:00):
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(00:21):
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(00:43):
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The greatest value online rather than porn. Yeah, welcome everybody.
This is Bud Dickman of the world famous Phil Henry Show.
As we sit here on the streets of New York,
(02:10):
and I understand that over the last few days, and
Phil just told you Ms Gray, mister Henry said that
I should host it. Phil told you not to mention
anything about apple Crates or the fact that my knees
were under my chin. I did not mention that, Margaret.
I don't think you mentioned your knees under your chin.
Never mind, Well, now that you have no hold on Bud,
(02:33):
now that you have mentioned the fact that you were
squatting on the street market with your knees under your chin,
and so you want to just keep beating that into
the ground because now people have the metal image of
my knees up to my chin, my dress pulled up.
You can look at the said, oh yeah, you're looking
at the patties. What's wrong with that? You know, general,
if you were a good friend of many, many years,
(02:54):
I would drop you spread eagle onto a steel pipe.
Oh my god, jeez, that's right. Yeah, yeah, I want
you guys to know who and what you're dealing with.
God damn, spread eagle onto a steel pipe. I'm not
stuttering over here now, mister Henry, I thought you were,
aren't you in rehearsal. We rehearsed this afternoon, and I
(03:16):
did want to kind of let Bud take it over
because I give all you guys the opportunity. Margaret, you
hosted an entire show the other day, and all you
did talk about was squatting on a box. First of all, Phil,
I didn't you no, hold on, Yes, you're the host,
but I did not talk all day about squatting on
a squatting on a box. No, I did not talk
about squatting on a box. And then Bud brought up
(03:37):
the fact something that no one knew was that I
spent much of the show with my knees up under
my chin right and your your rear end hanging out. Well, Margaret,
you know you could have just stayed in a hotel.
I'm a trooper, Okay, I come to hold on for
a minute. I'm gonna get this said. I come from
a long line of show business people. Your father owned
(03:59):
a nut fasten efect and your mother owned a bakery.
H boy, what a jackass, dad, Missgray with that's not showiz.
I have a lot of cousins and I have extended family.
Just trust me on this. I come from a long
line of people in show business, all right, and that
makes me a trooper. I don't just get up and
leave when things get tough. So I'm on the street
(04:19):
because that's where Phil Henry put me, Margaret, No, No,
that's where Phil Henry put me. I'm on the street.
My knees are under my chin, my rear end. You
said your rear end's hanging out. People could see my underwear,
all right, mis gret, that would have been you know,
all you had to do was wear pants. No, I'm
not letting the slobs of the world have the wind. Okay,
I'm not letting the people that go into the world
dressed like slobs to have the wind. I go into
(04:41):
the world dressed in a beautiful skirt and blouse, heels
and pearl necklace. Right, and at the end of the day,
your knees are up to your chin, the skirt's hyped up,
and everyone can see your ass hanging out of your underwear.
What am I telling you about being drops spread? Eat
a lon of pipe. Thanks a lot for laughing, Phil, Sorry,
she's still staring at me. That's right, I'm looking at you, me, you, me,
(05:03):
and you that girder over there. You're gonna pick me
up and drop me spreading a lot of that girder. Yes, no,
you're not Margaret, and you know your aunt and you
know you're grunt. Did you hear that? Yeah, mister Hender,
have you been getting enough sleep? Frankly no, I have
not been getting enough sleep, if you want my honest opinion.
And I'm not blaming anybody but myself and my coffee,
and take probably and I will take this opportunity to
(05:26):
launch into descriptions of our rehearsals. Now, this is what
I got out of bed for. I want to talk
about the theater. I want to talk about your preparation.
I want to talk about the acting craft. Okay, there's
great the acting craft, Bud, just sit and listen. This
is something that Phil is learning this week, aren't you, Phil? Yes,
(05:46):
I'm learning a lot from a great many terrific actors.
And how are you doing? I hope I'm doing well.
We're gonna find out tonight. Tonight is the big first
ever premiere show like this. Last five shows we did
was for He's Got the Preview. Yeah, I believe you
caught it. The preview, miss Hearing. Yeah, it was the preview.
And what do you mean the preview that was for
(06:07):
the press? Yeah, Margaret, you want to know that? Yes,
I do know that, but I want to know if
you guys know that. Okay, moving on, let's talk about
So that's interesting and how many scenes are you in? Margaret.
I don't want to give away I understand. I don't
want to give away what I'm It's already been in
the media that I do play a character named mel
An irs agent and that's all I want to say.
(06:28):
That was in I think that was in News Inc.
Yeah I caught it, but yeah, we did see some
of the trades and they did mention you. Talker's Magazine
did and also news Inc. And a lot of different things.
Get a load of Is that the same guy that's
the cab driver right there here? Hey, hey, you look
at this? See that? Why didn't you sit on this
in rotate? Sit on it? Yeah, my name's Margaret Gray. Yeah,
(06:52):
you park it right on top of this and rotate.
He's got back in his car. You Betty's getting back
in his car anytime. I'm still looking for this email
from David. Let me I've got the media right here.
Don't worry about it. I've got it. Inside Radio reports
the following This is in news Bites bun. Yes, well,
(07:12):
I don't know what you said, Phil Henry says, your
Premiere Network's Phil Henry stars in the off Broadway play
The Pitch. The dark comedy has been dubbed the Glengarry
Glenn Ross for a new generation by Broadway World. Would
you call it broad you call it broad I said,
Broadway World, chump? Okay, all right, Henry in this rare
(07:35):
New York stage appearance, plays mel An Intimidating Irs. Agent.
Premiere Networks and Henry announced the partnership in September that
brought the popular long running podcast The World of Phil
Henry to iHeart Podcasts Network of Shows. All right, yeah, thanks, Market,
I'm not done. There's more, well, Market, there's more. When
it comes to show biz news me, I'm the one
(07:58):
that makes the announcement go ahead, Market, please tell people
that I don't need your permission. Well, Margaret, please tell people.
All right, Okay, Margaret doesn't need my permission. She's the
showbiz reporter. Do it better. Margaret doesn't need my permission,
she's the shows. Oh boy, god, he said shows biz.
You said shows biz. Margaret doesn't need my permission. She's
(08:19):
the showbiz reporter. Eh, all right, but you and me?
Yeah yeah, yeah, yeah, all right, Here we go inside radio.
Is that it? I think that's it? Thank you. I'm
Margaret Cray. We are here in New York City, as
you know, and we're going to be here. People have asked, well,
how long you in New York for phil And we're
(08:39):
going to be here through the third week, I believe, right, yeah,
about another month, yeah, about another month. We're in New
York and there's been a real experience going on the road.
I have never actually been away from home for an
extended period of time doing, you know, other than the
fact that you know, we've done remotes, but we were
never gone for like two months. Well, what was the
(09:02):
longest you did a remote form? We did the London.
We went to London for some remotes when I was
working at kalis X back in my disc jockey days,
but those were only like a week, maybe ten days.
We came to New York following nine to eleven for
only about a week, and then we came to New
York in the one year anniversary for a week. So
never have we been broadcasting from a remote platform for
(09:25):
longer than one week, and here we are for a month.
What is I'm sorry Phil, this I could smell something.
Can we cut this out? Please? Yeah, I'll do editing.
Uh huh what does that mean? Why do I not
think he's going to edit this out? But will you
please edit it? Yes? Of course, Kad, I'm smelling something.
Oh shit, what happened? I think I broke wind and
(09:47):
I forgot? How do you break wind and forget? It's
been a busy day. Okay, don't say it, bud Well, Margaret,
are you trying to tell us you farted and you
forgot that you farted? Yeah? What about it? You had something? Miss?
Hey about it? No, it's just it seems you No, no, no,
not at all you no, j yeah, not nothing. So
(10:08):
this is Margaret Gray along with Phil Henry. Phil is
popped in but is the host. But I think I
need to boot this thing along. We are here for
Phil's appearance in the pitch as you know, this wonderful
play appearing at the Actors Temple Theater on forty seventh straight.
Phil has joined us. We've been sidetracked a little bit
by the fact that once again I'm sitting on a sidewalk.
(10:31):
I'm sitting on this now. Yesterday I had a cardboard
box to sit on, even though my knees the box
was too low, Bud, I understand it. So my knees
wound up hitting my chin. Yeah, why does that sound
like a sexual position. I'm gonna I'll take it East.
Come on, hey, get your hands off here, Margot, take
your hands, kick your ass, fucking prip Margota, take your
(10:51):
hand excuse us, football, but go to break, Go to break,
and we'll famous. Phil Henry shall be right back. H Hi,
this is Wade Duxley. Haven't heard from me in a
long time, have you. Phil Henry Show Backstage Pass is
available to you in either the one month segment or
the full year subscription. With it, you get the Phil
(11:13):
Henry Show podcast daily. You also get thousands of hours
of his award winning radio Hall of Fame show and
all of the podcasts that Phil has done down through
the years. You'll get the Bobby Dooley podcast, the Ill Cut,
the Next Step Podcast, the Saturday Cinemas, and of course
the Milwaukee Lions. It's all there for you at Phil
Henryshow dot Com, including the home movies of the Henry family.
(11:34):
Get a subscription today at Phil Henryshow dot com, the
greatest value online other than porn. All right, you want
to This is Phil Henry. We're back here in New York.
I don't like the guy making these cracks. Margaret. I'm sorry.
I didn't you know, making cracks about her underwear, and
unless did you not bring it up? I brought up
(11:54):
the fact that I'm sitting here with my niece. I said,
when you say that you're your chin is resting, just
ignore him. God, when I say your chin is resting
on your knees, I'm simply looking at what's going on now.
But you promised that we'd have a more substantial broadcast position,
and I was promised that by over here at Whimsies.
(12:16):
And what is Whimsy's it's that bar at the bar
right there, So we're relying on a bar to do what.
This is their property. They say we could sit on
this step and that step, and then he gave us
two beer crates, which Margaret is having one of them
and I had the other. The general has to sit
on a cement. You to too, right? Why is it
that Margaret's beer crate is so low her knees she's
(12:36):
literally got her chin rif. Sorry, Margaret, I don't mean
to laugh. I don't mean to laugh, Margaret. Would you stop, please, Margaret,
I'd like to bring on now John Jerryman, who is
a long time a long time member. I guess you
could save the theater community in a lot of different cities,
mostly Philadelphia, but is familiar with a Look at that.
(13:00):
See the people in New York when there's a siren
behind them, they don't move over there to do anything.
There was a fire truck today, I think you general
and I saw it on fiftieth Street or something, and
the fire truck was right behind a woman in her
car and she didn't move. She didn't budge the fire
truck there with the siren going. Yeah, the people here
in New York just don't And to be honest with you,
(13:21):
there isn't a whole lot of room for them to move.
She could have moved over and the still wouldn't have
had any room. But she could have turned off onto
another street and allowed him access. Well, anyway, that's just
the way they do things in New York. That's like
a police car. Right, it could be a police car.
Many of the ambulances that they have in New York
have weird sound and sirens. How what do you mean
(13:41):
by that? Some of the the Yes, the Mount Sinai, Yeah,
that Mount Sinai. Their God, their siren goes like this here.
I can't even describe it. That's nice anyway, Okay, great,
so John Joyman, John, how are you? I'm the standary
great Margaret, John, It's so wonderful. Margaret. Where do I sit?
(14:01):
You're gonna have to sit on that cement step there.
I'm sorry. Well, it looks like there's that vomit. No,
it's not Bomasurruss. It's potato soup. To was spilled. Well, lees,
someone wipe it up before I bought. Oh boy, here John,
here's a towel. All great, So I have to wipe up. Sorry,
mister Jerman. But these are the last minute arrangements that
this bar over here, Whimsies or whatever it's called, the
(14:24):
bar right there. I just walked out of that bar.
Are you telling me? What did you get? Fortified? I
don't fortify for anything, Mobaret. I had a taste. I
had three fingers of Glenn Finisch and I had a
small apple turnover. What's all right? So everyone's grinning at me?
Why nothing? Just a small apple turnover along with the
three fingers of Glenn Finish. I've never heard of that before.
(14:44):
You ought to try it before you knock it. So, John,
here we are in New York and it isn't you
or I on the stage this time. It's my good
friend Phil Henry in the pitch. Can you tell us
about this play? Well? I did go and see it
the other night. Was it was a wonderful play by
t Helper and directed by the great Mike Keller. Mike
is not only a great director, he's also an experienced actor,
(15:07):
and the story is wonderful and mister Henry, quite frankly,
it is surprisingly good. He got a few laps. I'm
gonna tell you something, Phil, Now do you take that personally?
Do I take what personally? The fact that people are
out there going ha ha ha ha. You know when
it's funny, it's okay? Yeah, yeah, right, Oh, I see
all four of you looking at me like I'm the
dumbest asshole that ever crawled out of bed. Yes, well, John,
(15:31):
that was kind of What do you mean, why would
he take it personally. If it's supposed to be funny,
if it's supposed to be funny, if it's supposed to
be funny, you're right. I misread that. I misread that.
It's probably the alcohol. John Jerryman is our guest. Why
are you laughing? Because frankly, you're funny. You're making me laugh.
You've had You've been drinking, Glenn Finish all afternoon. Excuse me,
(15:51):
I said I had one drink. No, No, I saw
you when you went in. John hold on. Phil's now
unzipping his pant. N Margaret, you don't have to tell
everybody and rearranging. But god damn, hey, Phil, what are
you doing? I'm getting comfortable. Guys, didn't have to point
this out. Okay, now what is it? What did you
say you saw? I saw you go into that bar
(16:13):
this afternoon at about one, and you just walked out a
half hour ago. And look at this guy, O me,
he's going, I tell you will go to the bar.
But one, John, have you been drinking that entire time?
Not the entire time? No, there were a couple of
times I had to go to the bathroom. Bud Dickman, Yeah, good,
save Yeah, well, I look, I can smell it on
(16:34):
you over here. Okay, Margaret, you're the one who wasn't
aware of the fact that you fodded I missed it. Okay,
this was in the middle of a million other things.
She was in the middle of trying to strangle me. No,
I was not. That happened before then. Yeah, but it's great.
I think you did cut one as you were trying
to strangle the General says, who my nose. I'm gonna
wait a minute, Mark, don't do that. Margaret, Come on,
(16:55):
you almost killed the general. Oh she didn't almost kill me? Really,
you gas big prayer? What's that called? Probably the fact
you cut one. Probably the fact I cut one. Okay,
let's get off this topic. This is stupid. I think
that in a very uncomfortable situation like the one we
find ourselves in, people are gonna do what people do.
So anyway, this is Phil Henry you're putting. Oh, this
(17:18):
is Margaret Gray. I'm General Galen Shawn, and I'm Bud Dickman,
and we're here in Midtown Manhattan as we spend our
time here in New York City, and we will be
here for uh oh, the next four weeks. I think.
Now we've been here about a month, it's been a beautiful,
beautiful time. Man. Let me ask you as a I've
(17:38):
been going back and forth between Philadelphia and New York
for quite some time. How do you like New York?
I've always liked New York, and I guess I always will.
I think that it agrees with me. You like New York?
I do. Now, you come from southern California. Is that correct?
He's living in Florida right now? Yes, Yes, that's right.
I come from southern California living in Florida right now.
(17:59):
And why you live in Florida? Because I have a
girlfriend there? Who you have a girlfriend there? And that's
very sweet, isn't it? Yes? It is? So why are
you in New York? Excuse me? Why are you in
the Nork? Why are you in New York? I'm sorry,
he's been drinking. What you said, get him some coffee? No?
Just know, I know I didn't. Are you all right? Yes?
I'm fine? So why are you in the North? Why
(18:20):
am I in the Nork? In the North? No, I'm
talking about the city that we're in right now. Sit
down and you're drunk before you fall down, you know,
Margaret every time when we were together at the theater
and I tried to have a couple of laughs. You're
always there to put me down. You're getting Oh my god. Yeah,
he's got a hip flask right there. Hey, John, don't
(18:43):
hate what's the matter with the man and try to
keep his boot up. John, this is why you're not
all afternoon. Phil saw you in that barn. Now you
come out with a hip flask full of what is
the only the best bloom fish. He's all funny, he does.
Phil has lots of fun Phil every show here with
Margaret Gray and John Jerryman the Theater, the great theater singer.
(19:05):
Do you want to sing us a song? John, I
think i'd like to. This is one called New York.
New York starts spreading the news. I'm leaving today. I
want to be a part of it New York. I
have to get the words. Okay, you know we did
that song. We did that song in the rehearsal. What
(19:27):
do you mean you did the song in rehearsal. It
was like a warm up or something. Oh yeah, you're
telling me about you guys. To get it, you know,
to get kind of pumped up, had to get pumped
up Phil in the whole cast hime. Yeah, I don't
know who let us in. The song might have been Tone,
but we sang the song New York, New York just
before our first show, which was a week ago tomorrow night.
(19:48):
So a week ago tomorrow night would have been the ninth.
And that was the beginning of the preview. And you
did five shows in four days, and you didn't look
all that good. Yeah, look pretty tired. Film. Well it's tiring.
And you know the problem with me is can we
move up the Uh? Can I get away from this
(20:09):
potato soup here? Why is it all of a sudden
you sound sober? I got, I got my second wind.
Yeah we again, ladies and jelemen, I apologize Margaret. Get
her something to sit on, Okay, Margaret, why are you
you got your chin resting on your knees. There comes
a time when you just get used to a position.
(20:30):
I'm comfortable this way. Well, we're looking right at your
rear end hanging out. You're looking between my legs, Margaret. No, no, no, no,
there's no excuse. Okay, I'm wearing a short skirt. Yes,
my knees are up against my chin. Yes, the listeners
could guess, yes, what it looks like. Yes, Okay, so
you guys don't have to sit there staring at it
(20:52):
with the bug eyed stare like you're looking at some
new species of fish that crawled from the depths of
the earth. So that's what we look like. Huh, Margaret,
I don't think I'm staying at well, your rear end
hanging out. I wouldn't look at it that way. I'm
looking at that as one of the greatest things I've
ever seen. John, You and I have a history. That's
all right anyway, But just get John a better place
(21:15):
to sit, please, Well, mister Jereyman, you're you're sitting in
a potato soup or whatever. It looks like a vomit.
Get him. What do we got? Bud got a beer?
I got a beer crate here, and an apple crate.
What's with this apple crate? Yeah? They eat that many
apples in New York. Huh, Phil, Henry here, I swear
to God if we do another show from the street,
why are we not in my studio, because, mister Henry,
(21:37):
you should have just park it here on accunny, you
just got done with rehearsal and you want to hook
it all the way back your apartment. And what does
he mean by apartment? Apartment? Oh? Do you're right? But
I did. Just walking back was a hassle. I wanted
to stop up at Dutch Fread's, which is now my
favorite place to eat in all of New York. Will
you've never been anywhere in New York? What do you
mean your favorite place to eat? Well, of the places
(21:59):
I've I've eat it at in New York. I like
Dutch Spreads all right. Dutch Freads is on forty seventh Street,
right down the street from the Actors Temple Theater. They
got a filters you gotta order from the bar, but
they got a mean chicken sandwich, right, yes, they do.
Well have you Did you have any alcohol there? No?
I haven't had a drop of alcohol since I got
to New York. In fact, I haven't had a drop
of alcohol in like a month. And that's something I
(22:20):
wanted to talk about. Oh great, you're gonna start telling
me that what are your detail or something like that.
You're starting to sound drunk again. I am. I'm drying out,
But my good boy, would you take this fin go
across the street there to whimsies and get me a
short beer and a shot of Barnaby's Lust. Okay, y,
what did you say? What is it called Barnaby's Lust.
(22:40):
It's a bit, it's a it's a very rare whiskey.
I want a short beer, any kind of beer, anything
they have on draft, but make sure it's short. What
do you mean make short? Yeah? What is a short beer?
What does it get a load of these guys? You know,
it's not much, but it's like one half of a glass.
I like a short beer for me is one eighth
of a glass. You just splash some beer in a glass. Yes,
(23:02):
and the rest is whiskey? Yes? Anything else, no, sir,
than get going. Okay, we are here in New York.
So what I was gonna say is, as long as
we're talking about alcohol, well, I'm I'm just getting the
young man to get me. You know, John Jeryman is
with this. Ladies and gentlemen. I'm Margaret Gray. That was
Bud Dickman running off to get John some alcohol and
general shock. Go ahead, Phil, thank you, Margaret. No, I
(23:25):
haven't had a thing to drink in alcohol wise, and
over a month, I'm learning and I think a lot
of people learn as you move through life. Okay, you
reach certain stages of life and all of a sudden,
booze just ain't what it used to be man in
terms of how you feel the next day. Now, what
about these gummies? I hear these people talking about, Hey,
if you get these bad hangovers? What does he talk about? Gummy?
(23:46):
It's cannabis. But what it's cannabis? Yeah? What about it? Phil,
don't I don't know anything about that. I mean, I
know that they advertise gummies that can alleviate the hangover.
I don't know if that's true. I have gummies that
I got from Soul and they're not a sponsor. By
the way, folks that I ate gummies for sleep. I
didn't bring them with me though, because I don't want
(24:07):
to beat like hungover and I don't feel like they
hang over too much. But you gotta take like half?
Okay that was what did you just say? Yeah? You
said you gotta take half. You don't like gummies, but
you do? Yeah, I mean, but I thought you were
getting me a drink. Oh sorry, sir? Oh great, Now
I got to sit here with taking easy John. You'll survive,
(24:28):
God damn, I told him specifically John hold on, let
me let me go over there. But wait up. Yeah, so, yeah,
I've got the gummies for sleep, but you're not taking
you're not eating the gummies to alleviate hangovers. No, no, no,
I wouldn't, man, I wouldn't. I don't know. I wouldn't
trust that. But these gummies that I'm eating are advertised
on the bulwark. You know, I watched that podcast, Oh yeah,
(24:50):
with Tim Miller and the young lady whatever her name is,
and the guy, the bold guy, mean John John b.
Lest Yes, yeah, Jonathan Lest I'm in Sarah Longwell, that's
who shems. Yeah, the young Sarah Long. Well. Now the
three of them used to be conservatives, but now they're
like going off of the liberal thing. I just I
like listening to them to make a lot of sense. Anyway,
(25:12):
forget about that. They were advertising these soul gummies. So
I went ahead and I got two. I got the
large jar and the small one, and you left them
in Florida. That's right, because I'm not bringing them with
me here. If I start eating gummies, man, and I
get any kind of a hangover from just the fact
that they you know, you just use them for sleep. Man,
you can wake up in the morning if you've eaten
too many of them, Like we're not supposed to eat
(25:34):
more than one film. What I'm saying is I just
eat like like I should eat just like a half.
But you're not doing that. I didn't do that in Florida. No,
I ate like a whole one, and I did feel
kind of doped up the next day. So I'm just
telling you, guys, and let's keep in mind, Soul is
not a sponsor. No it's not. I'll tell you right now.
Let me just openly and solicit anybody that is in
(25:55):
the business of gummies, of this kind of cannabis product.
I'd be happy to have you advertise on our show
if first we try your product and we find it
to be, you know, conducive to a higher standard of
living or whatever you want to call it, a better
lifestyle or being able to face the day in a
(26:18):
better way. However, people eat gummies. I eat them or
eat them for sleep, and they did put you to
sleep the next day, you felt like what the next day,
I just felt too kind of slow. But if there's
anybody out there in the gummy business, you know, the
cannabis business, and you'd like a spot on our show man.
(26:38):
You know iHeart podcasts and the sales department there are ready,
willing and able. I will give it a personal pitch
if you want. We'll use it, and we'll use it,
but we won't abuse it. I don't know what you
people are talking about ways, but oh there's but now, yeah,
you got the drinks, Let me have that drink? Yeah?
Oh my god? What is with you trying out? Bob ah? Yes,
(27:03):
I'm in the pink now your boss here, Bud is
talking about cannabis in marijuana and all this. You're talking
about gummies, the what they're gummies? You ought to try them.
You should try them, John, because the way you drink,
the way I drink, what they'll be putting you in
a bag inside of a month. Oh boy. This is
the world famous Phil Henry Show, This General Game in
(27:25):
Shaw with Phil Henry and Bud Dickman and Margaret Gray,
John Jerryman joining us. And we're very happy now to
bring on the program. Doctor Ron Tarner is in from
Colorado and now doctor Turner has been on our program before.
What are you doing in New York? Well, I was
asked to come to Day by the way, Phil and
worried abood. How are you doing, hey, doctor Turner. Good
to see you, hy Dex Turner. Hello, Ron, I don't
think I've made your acquaintance. I'm John Jerryman. Nice to
(27:47):
beat you. Well, your hand is shaking, So that's John
Jerman is a singer and he drinks. Yes, I drink.
Anybody got a problem with that, Oh sir, no doubt
at all. I've been to York Phil. Primarily, this is
the as Physicists joke writing Seminar, and we get together
every year and write jokes. You write jokes, yes, we do,
(28:07):
all right. This is the joke writing contest that was
started by doctor Hacking. No, it wasn't started by doctor Hockey.
It was won every year by doctor Hockey. And that
was the thing that kind of bothered me. You know,
God rest his soul. He was a great man, a
great scientist. But for a guy that you know, I mean,
was in a chair and was eating through a straw.
He had woman after woman. God damn, this guy's a
(28:29):
morass than a rental car. I beg that pardon nothing
at all. I'm sorry tell you guys. Ever since doctor
Hacking has was winning those joke writing contests I put
together myself, doctor Bell Fleming, doctor Bruce Albright. These guys
are all astrophysicists, right, you know they're astrophysicists. Some of
them were just Some of them are guys that just
(28:51):
hang around at a laboratory and mixed chemicals. I don't
know what the hell is doing. What was that like
a chemist? I don't even want to guess. But we
get together and we write jokes. And the pre and
the reason I guess you could say our goal is
the right jokes good the way doctor Hawking did the
way doctor Hocking. Did you still have a problem with
(29:12):
doctor Hawking, don't you? No? I do not know. I
was angry, yes, when he would not only win the
joke writing contest, but then leave that night after the
banquet with the yeah, the best piece of ass. I
beg your pardon and I'm sorry, Yeah, with a piece
of you know what I mean. Well, I can see
that bothers you. It bothered me a lot, Yeah, but
it doesn't bother me anymore. What I want to be
(29:35):
is a better joke writer. And also I want to
discover another black hole and a lot of stuff. I
want to time travel. Oh god, you're a man with
a lot of dreams there, doctor Tarner. Yes I am, Yes,
I am so. In writing, in writing better jokes, we
honored doctor Hawking, and we also ordered the great science
that doctor Hocking brought to all of us. He was
(29:56):
a brilliant man. He got some of the best pieces.
Ass I beg your you know, run you can leave
if you're gonna keep talking this way. I'm sorry, where
are you going? Run? I got it? So, doctor Tarner
has just gotten up and left. Is that the hotel
you're at? Excuse I don't want to say philed for
security reasons. Well, I mean don't. Okay, Well no, it's
(30:17):
not the hotel in mat but I don't want to
say it is. I don't want to say that it's
not the hotel that I'm bat because the people won't
keep it go there. They'll go and find the hotel
that I'm at. Sure, whatever you say, Doctor Tarner just
flipped Phil off. Doctor Tarner's walking down. He's literally walking
down eighthab and a turning run and looking at me
and flipping me off even as he gets further and
(30:38):
further away. Watch out, doctor Turner, gonna run into a pole,
have you? So this is now a standard on this show.
People leave and as they leave, they're flipping flipping Phil off,
and I don't blame them. Thanks Martin, thank you very
much for that. Oh relax, doctor Ron Tarner. This is
the world famous Phil Henry Show from New York City,
(31:00):
where we are going to be appearing and have been
appearing in to play the pitch. Written by Tom Alper
and directed by Mike Keller. You really like this director,
Mike Keller, don't you. What I like about Mike is
that he's really he's a take charge kind of a director.
There's not a whole lot of effing around. I mean,
he knows exactly what he wants to see, he knows
exactly how he wants it to go. I mean, you know,
(31:22):
actors have instincts things they want to do. And I'm
not saying that the actors aren't right, but a director
has to at some point take charge and say, well,
this is this is how it's going to be, and
that I like. And he's encouraged me to be you know,
he's encouraged you to be goof here. Well, yeah, he's
encouraging my instincts to do a lot of physical comedy,
which I really really appreciate. Well, what do you need
(31:44):
physical comedy? You know, what are you doing? Man? I'm
doing just goofy stuff. Man, I'm like, you know, doing
fake high fives and kind of you know, pretending like
I don't know, I can't describe it, but I'm making
you know, I'm adding physical motion to the to the
dialogue that I'm doing. And you know, and he seems
to like that, Yes he does. I used to when
(32:06):
I was in the theater, I would bring physical comedy
to what I was doing. I did a song once
called Rute toot and twoty two two. You remember that, Margaret? Oh? Yes,
it was a lot of fun. It went like this,
rude toot and tuty two you and me too. And
I would do this. I would sort of extend one
leg behind me and one war I'm out as if
I was running, and I would freeze. I would freeze
(32:27):
the motion root toot tooty two. It's a root and
toot in good time. And then I would spin like this, Doug,
I mean, mister Jermans is a demonstrating for us? Yes,
I am. Who are you talking to the people listening? Oh,
I'm sorry. Yeah, the bud's describing it, mister German, I
can describe it. So the song went. What was the
name of the song again, you don't remember, I can't.
(32:49):
It was called root, toot and twoty two. Oh, yes, right,
it was from the plate delicious you remember. Oh yes, Margaret,
you were in that, weren't you. No, I was not.
It was very vulgar. Oh yeah, you're right. Yeah. But
they asked me and I said, no, I wouldn't go
near that with your lips. What is he laughing at?
What's so funny? The play was so dirty? You told
(33:13):
the guy you wouldn't go near it with his lips?
I told the author. Yes, yeah. The author was Hank Basket.
Hank Basket, I'll never forget him. And he said, Margaret,
we'd love you to play the Madam. Okay, now you
know what it's about. It was about well, it was
about a whrrorhouse, yes, but there was a lot more
to it. It was about a whorehouse and the end
of World War two there was an atomic energy, there
(33:35):
was an atomic bomb. The men that invented the atomic
bomb would go to this horrorhouse. Yes, okay, so and
then it was a musical. And wait, wait a minute,
wait a minute, the men that invented the atomic bomb
would also visit a horrorhouse. Yeah, get a load of him.
God killed me kind of shutter, don't you? You don't
think that men who invent atomic bombs don't have sexual needs. Oh, anyway,
(33:55):
if I may be allowed, go ahead. The play is
there's a lot more in the play. Ram for By
six months in Philadelphia over there at the mainland cafe
and in a cafe. Well, yeah, it's only about it
was a thirty seater anyway, So root toot and tooty too,
You and me are blue boom, there it goes another
a bomb rude of lootle doody do. Who's playing the music?
(34:19):
I'll go down and tell me shut up? Anyway, that
was what is that? A flute? Sounds like a like
a sweet potato flute? Hey tell that ass. Excuse me, sir,
would you not do that? We're on the air. What
is that your kid? Don't let it get near me.
I raised the sun. I love children, but I don't
want that calling on me. Thank you. Go ahead, ruteludle
doody doo. I'm the root and Tutin too. I'm a
(34:41):
Root and Tutin guy. And that would be in the
middle of the play, and then I would skip and
dance down the lane. If this guy doesn't stop laughing,
what's wrong? Film? Does it sound like there's something wrong? Well, yeah,
you're what are you? What are you laughing at? Just okay?
(35:02):
Go ahead? Anyway, I skipped down the lane Root to
ludy two, and behind me is a mushroom cloud you see, yeah, yeah, yeah,
Oh look at Margaret. Margaret, you were one of my
biggest fans. Now all of a sudden, you let me
hang here in the wind with my ass hanging out,
just because yours is. All right, John, that's enough, okay.
The name of the play was what it was called.
(35:23):
It was a musical called Delicious. And I had two
three numbers in that Root two d two. The color
of you is oh, and the color of you is oh.
The color of you is blue. The color of you
is blue, and I'm blue too. And all of these
songs rhyme with two and you and I wrote them,
all right. Does that mean that's the only way you
(35:44):
can rhyme? Yes, pretty much, Root twoty two and the
color of You is blue, and the third song was
it was called nude? Who there was? You know because
there was a nudity saying who nude? Who? Who's nude? Here?
We get it, you know, Margaret, because you did, because
you weren't in the play. I didn't want to be
in the play, all right. I didn't want to be
(36:04):
a hooker and a madam with mushroom clouds behind a whorehouse.
If you don't mind, Mark, if you don't mind, well,
that's the most unusual musical I've ever heard of. Yeah,
as Phil Henry says that, ladies jelling me, He's going, oh,
that's the most unusual. You're holding back a laugh, and
I find it to be very offensive. This is uh, well, John,
(36:24):
I got to thank you for joining the show. What
happened to doctor Turner? Oh? He flipped us up? Oh
that's right. He went down the street flipping us up.
Roote and twoty two. That's right. I'm not stuttering over here,
Phil Henry, here in New York City for the pitch,
and tonight is going to be our first official I
(36:44):
guess it's opening night. Yes, there was a preview of
five shows, and now tonight get a load of that ass. Hey,
what's the matter with you? There was a preview of
five shows, and tonight is the big opening night, and
we're giving away tickets, right, we are giving away tickets.
If you listen to the beginning of the show, I
(37:06):
will tell you that today's phrase that pays is I
dance door to door. I dance door to door. What's
the Vernondozer thing. Yes, that's the phrase that pays. But
you listen at the beginning of the show. I already
gave it at the beginning of the show, the phrase
that pays, so you know, and let's hope to be
because a lot of the people even giving tickets to
suddenly realize, oh, I can't make it. I don't live
(37:27):
in New York State. Yeah, we give away tickets to
people and then go, oh shoot, I got to fly
on an airplane to go there. I better not. What
are you talking about, man, have would we been giving
away tickets to people that live in like Colorado? I
don't know. Man. What we basically say is, if you
can make the show, we'd love to give you a
pair of tickets. The Phil Henry fan base and we're
very grateful to say we have a fan base. That's
we got a good fan base in La good fan
(37:49):
base in Florida, good fan base a lot of places.
I don't know if New York City is one of them,
because we were never really on the radio here. Well
you were on the weren't you on the radio here
for at a small am station. I remember that, Yes,
you were filed the last couple of years of here syndication,
I guess. But my good friend David Katz, who is
a native New Yorker and is gonna be at the play,
(38:09):
He's gonna be here on the twentieth with the great
Julie Talbot from the Premiere Radio Networks at iHeartMedia. They're
gonna be here and just keep dropping all the names,
Phil that you need to enable your career. Hey, Margaret, Sorry,
in any event where you know, we'll give away tickets
to whoever and you know can make the show. I'd
love to have you guys see it. And we have
(38:30):
given away tickets and I have met some of our
listeners at the theater. Oh so you have, yes, Jesus, Jim, Well,
I don't know, Phil, you know, yes, I have. I've
told you guys, it's fun to go outside the theater
after the show, and there's generally people there's a lot
of people there, and generally I'll see one or two
folks that are listeners of our podcast and are one
cat And I didn't get his name, and I feel
(38:51):
horrible about it. Came all the way up from Miami.
Oh that big tall gentleman. Yeah, big tall guy, a
great guy. And I hope he didn't Just I feel
kind of guilty that people just come up here just
to see my show. I mean, I hope he has
family or something, and they probably do. Phil. It's not good.
Guy's gonna get an airplane. I think I'm gonna see Phil. Okay,
I'm all done. Remember Linda, Well, Linda came to Los
(39:13):
Angeles to see you, phel But she she also I think,
had family in La. She and Annie Annis and Sup
Price are the Circle of Taste. Yeah, they they inaugurated
themselves as members of the Circle of Taste. It's an
ease Linda Browley and Sup Price and they are the
Circle of Taste. You should get them on the show.
(39:34):
I would think, why don't you three guys come to
New York. I'm kidding. Well, I get back to La
whenever that may be. You're gonna go back to La
mister Henry, or it's over for you. You're in Florida forever,
aren't you? No jackass? Not at all? Well why did
you react that way? I don't know. I just don't
like people saying you're never gonna go back to California.
Californis my home. I'll go back there on occasion on
(39:56):
visits and stuff like that, and also for work. And
I would love to tell you about some of the
stuff coming up, but we can't do it just yet. Okay,
you're gonna wrap this up, John, Yes, Phil, I want
to wrap it up with a song that I did
in a musical I did called Beauregard sends his regrets,
Miss Best. You folks that don't can't see it. But
(40:20):
mister Henry now is going like this, Phil had some respect.
I'm sorry, John. What's the name of the play? Beauregard
sends his regrets, Miss Best. It's a musical. Yes? Is
it still appearing in Philadelphia? Yes, it's running at the Goatier,
which is a thirty seat theater. It's a nice it's
a small, intimate theater. And I am gonna be making
an appearance next week. I'll be rotating with I'll be
(40:44):
running with Sonny, Babs. Oh, Sonny, he's in town. Yes?
Is that that guy again? You keep leaving on that
hole and I'll come over there and i'll take it
and i'll park it. And when you open your mouth,
people will think a car alarm went off? Did he
hear you? I don't think so. Okay, anyway, let me
do this song. This is from Beauregard sends his regrets ms. Best.
(41:06):
There is a place where I would go to see
the sun set, a place that I would go to
see mister Best. And when mister Best.
Speaker 2 (41:20):
Left her work, there would be his wife. Her name
was miss Best. And this is what we did. I
can't mention all the things what we'd done, but I
guarantee I would come undone if the husband came home
(41:40):
saw me in his home, go ahead, and saw his
wife using my face as a saddle.
Speaker 1 (41:48):
Don't don't? Yeah, Where are you going? John? I gotta
get another drink? Phil's laughing, Yeah he is, John. Let
me ask you something before you go. Did you just
write that now? No, it's in the play. What do
you mean? Did I just write that now? It sounds
so shoddily put together. And mister Best came home. Yes,
(42:09):
Beauregard sends his regrets, Miss Best, Well, who's Beauregard? Me?
I'm the character playing Beauregard and I had to flee
the house because he saw her using my face as
a saddle. No wonder you never really broke out into
big time fame. How dare you go? Get another drink?
I'm gonna have to wash my I've gotta get a
(42:30):
drink just to keep me, keep you from what? Nothing?
I got it, philed, No, I got it Phil. The
World Famous Phil Henry Show Executive produced. But wait a minute, Bud,
get the music. Oh gotta get music? Where is it?
The World Famous Phil Henry Show is executive produced by
(42:51):
Phil Henry for Sempre Incorporated. Alrights reserved on the Wonderful
I Heart Podcasts. Thanks a lot, folks, hope to see
tonight if you're in town for our play The Pitch
Hey guys, it's fill with today's phrase that pays. Be
one of the first two people to send the phrase
that pays into service at Phil Hendryshow dot com, and
you'll win a pair of tickets to tonight's show at
the Great Actors Temple Theater on forty seventh Street in
New York to see the pitch with myself and a
(00:21):
cast of great actors. So be one of the first
two people to send in today's phrase that pays to
service at Phil Hendryshow dot com with of course, your
name and your contact information, your email addressed where you live,
and you'll win yourself a pair. Here is today's phrase
that pays. I danced door to door. I danced door
(00:43):
to door. Get that into us at service at Phil
Hendryshow dot com and win a pair of tickets to
see the pitch. Hey everybody, it's Phil Henry. We're in
New York and we're enjoying all of the sights and
the sounds of this great city. We'd like you to
join us every day not only for our podcast, but
also for our great archive of podcasts and radio shows
at Phil Henryshow dot Com. Everything we do here eventually
(01:04):
goes to our website, it goes into the archive and
it's first made available for free on a daily basis.
If you're a subscriber to our website, you can get
it commercial free. And these are the little perks. We
also have a pre show that you can listen to
where I talk about how we set the show up
and just the things that are on my mind that day.
We also have a Saturday Cinema where we play a
movie on our website, a Saturday Classic show Elcott the
(01:27):
Next Step. The Bobby Dooley podcast is available there for you,
and the Milwaukee Lions football games, which are as bizarre
as can be, but they're also there as well. Plenty
of stuff in the archives, plenty of stuff in our
overall long and short form comedy library, Lots and lots
of hours of video casts performing the show. And what
we want to do is give you a good bang
(01:48):
for your buck, if you'll pardon the expression. Yeah, it's
the world famous Phil Henry Show. Less than ten dollars
a month for one month, less than seven dollars a
month for a year. Get it at Phil show dot com.
The greatest value online rather than porn. Yeah, welcome everybody.
This is Bud Dickman of the world famous Phil Henry Show.
As we sit here on the streets of New York,
(02:10):
and I understand that over the last few days, and
Phil just told you Ms Gray, mister Henry said that
I should host it. Phil told you not to mention
anything about apple Crates or the fact that my knees
were under my chin. I did not mention that, Margaret.
I don't think you mentioned your knees under your chin.
Never mind, Well, now that you have no hold on Bud,
(02:33):
now that you have mentioned the fact that you were
squatting on the street market with your knees under your chin,
and so you want to just keep beating that into
the ground because now people have the metal image of
my knees up to my chin, my dress pulled up.
You can look at the said, oh yeah, you're looking
at the patties. What's wrong with that? You know, general,
if you were a good friend of many, many years,
(02:54):
I would drop you spread eagle onto a steel pipe.
Oh my god, jeez, that's right. Yeah, yeah, I want
you guys to know who and what you're dealing with.
God damn, spread eagle onto a steel pipe. I'm not
stuttering over here now, mister Henry, I thought you were,
aren't you in rehearsal. We rehearsed this afternoon, and I
(03:16):
did want to kind of let Bud take it over
because I give all you guys the opportunity. Margaret, you
hosted an entire show the other day, and all you
did talk about was squatting on a box. First of all, Phil,
I didn't you no, hold on, Yes, you're the host,
but I did not talk all day about squatting on
a squatting on a box. No, I did not talk
about squatting on a box. And then Bud brought up
(03:37):
the fact something that no one knew was that I
spent much of the show with my knees up under
my chin right and your your rear end hanging out. Well, Margaret,
you know you could have just stayed in a hotel.
I'm a trooper, Okay, I come to hold on for
a minute. I'm gonna get this said. I come from
a long line of show business people. Your father owned
(03:59):
a nut fasten efect and your mother owned a bakery.
H boy, what a jackass, dad, Missgray with that's not showiz.
I have a lot of cousins and I have extended family.
Just trust me on this. I come from a long
line of people in show business, all right, and that
makes me a trooper. I don't just get up and
leave when things get tough. So I'm on the street
(04:19):
because that's where Phil Henry put me, Margaret, No, No,
that's where Phil Henry put me. I'm on the street.
My knees are under my chin, my rear end. You
said your rear end's hanging out. People could see my underwear,
all right, mis gret, that would have been you know,
all you had to do was wear pants. No, I'm
not letting the slobs of the world have the wind. Okay,
I'm not letting the people that go into the world
dressed like slobs to have the wind. I go into
(04:41):
the world dressed in a beautiful skirt and blouse, heels
and pearl necklace. Right, and at the end of the day,
your knees are up to your chin, the skirt's hyped up,
and everyone can see your ass hanging out of your underwear.
What am I telling you about being drops spread? Eat
a lon of pipe. Thanks a lot for laughing, Phil, Sorry,
she's still staring at me. That's right, I'm looking at you, me, you, me,
(05:03):
and you that girder over there. You're gonna pick me
up and drop me spreading a lot of that girder. Yes, no,
you're not Margaret, and you know your aunt and you
know you're grunt. Did you hear that? Yeah, mister Hender,
have you been getting enough sleep? Frankly no, I have
not been getting enough sleep, if you want my honest opinion.
And I'm not blaming anybody but myself and my coffee,
and take probably and I will take this opportunity to
(05:26):
launch into descriptions of our rehearsals. Now, this is what
I got out of bed for. I want to talk
about the theater. I want to talk about your preparation.
I want to talk about the acting craft. Okay, there's
great the acting craft, Bud, just sit and listen. This
is something that Phil is learning this week, aren't you, Phil? Yes,
(05:46):
I'm learning a lot from a great many terrific actors.
And how are you doing? I hope I'm doing well.
We're gonna find out tonight. Tonight is the big first
ever premiere show like this. Last five shows we did
was for He's Got the Preview. Yeah, I believe you
caught it. The preview, miss Hearing. Yeah, it was the preview.
And what do you mean the preview that was for
(06:07):
the press? Yeah, Margaret, you want to know that? Yes,
I do know that, but I want to know if
you guys know that. Okay, moving on, let's talk about
So that's interesting and how many scenes are you in? Margaret.
I don't want to give away I understand. I don't
want to give away what I'm It's already been in
the media that I do play a character named mel
An irs agent and that's all I want to say.
(06:28):
That was in I think that was in News Inc.
Yeah I caught it, but yeah, we did see some
of the trades and they did mention you. Talker's Magazine
did and also news Inc. And a lot of different things.
Get a load of Is that the same guy that's
the cab driver right there here? Hey, hey, you look
at this? See that? Why didn't you sit on this
in rotate? Sit on it? Yeah, my name's Margaret Gray. Yeah,
(06:52):
you park it right on top of this and rotate.
He's got back in his car. You Betty's getting back
in his car anytime. I'm still looking for this email
from David. Let me I've got the media right here.
Don't worry about it. I've got it. Inside Radio reports
the following This is in news Bites bun. Yes, well,
(07:12):
I don't know what you said, Phil Henry says, your
Premiere Network's Phil Henry stars in the off Broadway play
The Pitch. The dark comedy has been dubbed the Glengarry
Glenn Ross for a new generation by Broadway World. Would
you call it broad you call it broad I said,
Broadway World, chump? Okay, all right, Henry in this rare
(07:35):
New York stage appearance, plays mel An Intimidating Irs. Agent.
Premiere Networks and Henry announced the partnership in September that
brought the popular long running podcast The World of Phil
Henry to iHeart Podcasts Network of Shows. All right, yeah, thanks, Market,
I'm not done. There's more, well, Market, there's more. When
it comes to show biz news me, I'm the one
(07:58):
that makes the announcement go ahead, Market, please tell people
that I don't need your permission. Well, Margaret, please tell people.
All right, Okay, Margaret doesn't need my permission. She's the
showbiz reporter. Do it better. Margaret doesn't need my permission,
she's the shows. Oh boy, god, he said shows biz.
You said shows biz. Margaret doesn't need my permission. She's
(08:19):
the showbiz reporter. Eh, all right, but you and me?
Yeah yeah, yeah, yeah, all right, Here we go inside radio.
Is that it? I think that's it? Thank you. I'm
Margaret Cray. We are here in New York City, as
you know, and we're going to be here. People have asked, well,
how long you in New York for phil And we're
(08:39):
going to be here through the third week, I believe, right, yeah,
about another month, yeah, about another month. We're in New
York and there's been a real experience going on the road.
I have never actually been away from home for an
extended period of time doing, you know, other than the
fact that you know, we've done remotes, but we were
never gone for like two months. Well, what was the
(09:02):
longest you did a remote form? We did the London.
We went to London for some remotes when I was
working at kalis X back in my disc jockey days,
but those were only like a week, maybe ten days.
We came to New York following nine to eleven for
only about a week, and then we came to New
York in the one year anniversary for a week. So
never have we been broadcasting from a remote platform for
(09:25):
longer than one week, and here we are for a month.
What is I'm sorry Phil, this I could smell something.
Can we cut this out? Please? Yeah, I'll do editing.
Uh huh what does that mean? Why do I not
think he's going to edit this out? But will you
please edit it? Yes? Of course, Kad, I'm smelling something.
Oh shit, what happened? I think I broke wind and
(09:47):
I forgot? How do you break wind and forget? It's
been a busy day. Okay, don't say it, bud Well, Margaret,
are you trying to tell us you farted and you
forgot that you farted? Yeah? What about it? You had something? Miss?
Hey about it? No, it's just it seems you No, no, no,
not at all you no, j yeah, not nothing. So
(10:08):
this is Margaret Gray along with Phil Henry. Phil is
popped in but is the host. But I think I
need to boot this thing along. We are here for
Phil's appearance in the pitch as you know, this wonderful
play appearing at the Actors Temple Theater on forty seventh straight.
Phil has joined us. We've been sidetracked a little bit
by the fact that once again I'm sitting on a sidewalk.
(10:31):
I'm sitting on this now. Yesterday I had a cardboard
box to sit on, even though my knees the box
was too low, Bud, I understand it. So my knees
wound up hitting my chin. Yeah, why does that sound
like a sexual position. I'm gonna I'll take it East.
Come on, hey, get your hands off here, Margot, take
your hands, kick your ass, fucking prip Margota, take your
(10:51):
hand excuse us, football, but go to break, Go to break,
and we'll famous. Phil Henry shall be right back. H Hi,
this is Wade Duxley. Haven't heard from me in a
long time, have you. Phil Henry Show Backstage Pass is
available to you in either the one month segment or
the full year subscription. With it, you get the Phil
(11:13):
Henry Show podcast daily. You also get thousands of hours
of his award winning radio Hall of Fame show and
all of the podcasts that Phil has done down through
the years. You'll get the Bobby Dooley podcast, the Ill Cut,
the Next Step Podcast, the Saturday Cinemas, and of course
the Milwaukee Lions. It's all there for you at Phil
Henryshow dot Com, including the home movies of the Henry family.
(11:34):
Get a subscription today at Phil Henryshow dot com, the
greatest value online other than porn. All right, you want
to This is Phil Henry. We're back here in New York.
I don't like the guy making these cracks. Margaret. I'm sorry.
I didn't you know, making cracks about her underwear, and
unless did you not bring it up? I brought up
(11:54):
the fact that I'm sitting here with my niece. I said,
when you say that you're your chin is resting, just
ignore him. God, when I say your chin is resting
on your knees, I'm simply looking at what's going on now.
But you promised that we'd have a more substantial broadcast position,
and I was promised that by over here at Whimsies.
(12:16):
And what is Whimsy's it's that bar at the bar
right there, So we're relying on a bar to do what.
This is their property. They say we could sit on
this step and that step, and then he gave us
two beer crates, which Margaret is having one of them
and I had the other. The general has to sit
on a cement. You to too, right? Why is it
that Margaret's beer crate is so low her knees she's
(12:36):
literally got her chin rif. Sorry, Margaret, I don't mean
to laugh. I don't mean to laugh, Margaret. Would you stop, please, Margaret,
I'd like to bring on now John Jerryman, who is
a long time a long time member. I guess you
could save the theater community in a lot of different cities,
mostly Philadelphia, but is familiar with a Look at that.
(13:00):
See the people in New York when there's a siren
behind them, they don't move over there to do anything.
There was a fire truck today, I think you general
and I saw it on fiftieth Street or something, and
the fire truck was right behind a woman in her
car and she didn't move. She didn't budge the fire
truck there with the siren going. Yeah, the people here
in New York just don't And to be honest with you,
(13:21):
there isn't a whole lot of room for them to move.
She could have moved over and the still wouldn't have
had any room. But she could have turned off onto
another street and allowed him access. Well, anyway, that's just
the way they do things in New York. That's like
a police car. Right, it could be a police car.
Many of the ambulances that they have in New York
have weird sound and sirens. How what do you mean
(13:41):
by that? Some of the the Yes, the Mount Sinai, Yeah,
that Mount Sinai. Their God, their siren goes like this here.
I can't even describe it. That's nice anyway, Okay, great,
so John Joyman, John, how are you? I'm the standary
great Margaret, John, It's so wonderful. Margaret. Where do I sit?
(14:01):
You're gonna have to sit on that cement step there.
I'm sorry. Well, it looks like there's that vomit. No,
it's not Bomasurruss. It's potato soup. To was spilled. Well, lees,
someone wipe it up before I bought. Oh boy, here John,
here's a towel. All great, So I have to wipe up. Sorry,
mister Jerman. But these are the last minute arrangements that
this bar over here, Whimsies or whatever it's called, the
(14:24):
bar right there. I just walked out of that bar.
Are you telling me? What did you get? Fortified? I
don't fortify for anything, Mobaret. I had a taste. I
had three fingers of Glenn Finisch and I had a
small apple turnover. What's all right? So everyone's grinning at me?
Why nothing? Just a small apple turnover along with the
three fingers of Glenn Finish. I've never heard of that before.
(14:44):
You ought to try it before you knock it. So, John,
here we are in New York and it isn't you
or I on the stage this time. It's my good
friend Phil Henry in the pitch. Can you tell us
about this play? Well? I did go and see it
the other night. Was it was a wonderful play by
t Helper and directed by the great Mike Keller. Mike
is not only a great director, he's also an experienced actor,
(15:07):
and the story is wonderful and mister Henry, quite frankly,
it is surprisingly good. He got a few laps. I'm
gonna tell you something, Phil, Now do you take that personally?
Do I take what personally? The fact that people are
out there going ha ha ha ha. You know when
it's funny, it's okay? Yeah, yeah, right, Oh, I see
all four of you looking at me like I'm the
dumbest asshole that ever crawled out of bed. Yes, well, John,
(15:31):
that was kind of What do you mean, why would
he take it personally. If it's supposed to be funny,
if it's supposed to be funny, if it's supposed to
be funny, you're right. I misread that. I misread that.
It's probably the alcohol. John Jerryman is our guest. Why
are you laughing? Because frankly, you're funny. You're making me laugh.
You've had You've been drinking, Glenn Finish all afternoon. Excuse me,
(15:51):
I said I had one drink. No, No, I saw
you when you went in. John hold on. Phil's now
unzipping his pant. N Margaret, you don't have to tell
everybody and rearranging. But god damn, hey, Phil, what are
you doing? I'm getting comfortable. Guys, didn't have to point
this out. Okay, now what is it? What did you
say you saw? I saw you go into that bar
(16:13):
this afternoon at about one, and you just walked out a
half hour ago. And look at this guy, O me,
he's going, I tell you will go to the bar.
But one, John, have you been drinking that entire time?
Not the entire time? No, there were a couple of
times I had to go to the bathroom. Bud Dickman, Yeah, good,
save Yeah, well, I look, I can smell it on
(16:34):
you over here. Okay, Margaret, you're the one who wasn't
aware of the fact that you fodded I missed it. Okay,
this was in the middle of a million other things.
She was in the middle of trying to strangle me. No,
I was not. That happened before then. Yeah, but it's great.
I think you did cut one as you were trying
to strangle the General says, who my nose. I'm gonna
wait a minute, Mark, don't do that. Margaret, Come on,
(16:55):
you almost killed the general. Oh she didn't almost kill me? Really,
you gas big prayer? What's that called? Probably the fact
you cut one. Probably the fact I cut one. Okay,
let's get off this topic. This is stupid. I think
that in a very uncomfortable situation like the one we
find ourselves in, people are gonna do what people do.
So anyway, this is Phil Henry you're putting. Oh, this
(17:18):
is Margaret Gray. I'm General Galen Shawn, and I'm Bud Dickman,
and we're here in Midtown Manhattan as we spend our
time here in New York City, and we will be
here for uh oh, the next four weeks. I think.
Now we've been here about a month, it's been a beautiful,
beautiful time. Man. Let me ask you as a I've
(17:38):
been going back and forth between Philadelphia and New York
for quite some time. How do you like New York?
I've always liked New York, and I guess I always will.
I think that it agrees with me. You like New York?
I do. Now, you come from southern California. Is that correct?
He's living in Florida right now? Yes, Yes, that's right.
I come from southern California living in Florida right now.
(17:59):
And why you live in Florida? Because I have a
girlfriend there? Who you have a girlfriend there? And that's
very sweet, isn't it? Yes? It is? So why are
you in New York? Excuse me? Why are you in
the Nork? Why are you in New York? I'm sorry,
he's been drinking. What you said, get him some coffee? No?
Just know, I know I didn't. Are you all right? Yes?
I'm fine? So why are you in the North? Why
(18:20):
am I in the Nork? In the North? No, I'm
talking about the city that we're in right now. Sit
down and you're drunk before you fall down, you know,
Margaret every time when we were together at the theater
and I tried to have a couple of laughs. You're
always there to put me down. You're getting Oh my god. Yeah,
he's got a hip flask right there. Hey, John, don't
(18:43):
hate what's the matter with the man and try to
keep his boot up. John, this is why you're not
all afternoon. Phil saw you in that barn. Now you
come out with a hip flask full of what is
the only the best bloom fish. He's all funny, he does.
Phil has lots of fun Phil every show here with
Margaret Gray and John Jerryman the Theater, the great theater singer.
(19:05):
Do you want to sing us a song? John, I
think i'd like to. This is one called New York.
New York starts spreading the news. I'm leaving today. I
want to be a part of it New York. I
have to get the words. Okay, you know we did
that song. We did that song in the rehearsal. What
(19:27):
do you mean you did the song in rehearsal. It
was like a warm up or something. Oh yeah, you're
telling me about you guys. To get it, you know,
to get kind of pumped up, had to get pumped
up Phil in the whole cast hime. Yeah, I don't
know who let us in. The song might have been Tone,
but we sang the song New York, New York just
before our first show, which was a week ago tomorrow night.
(19:48):
So a week ago tomorrow night would have been the ninth.
And that was the beginning of the preview. And you
did five shows in four days, and you didn't look
all that good. Yeah, look pretty tired. Film. Well it's tiring.
And you know the problem with me is can we
move up the Uh? Can I get away from this
(20:09):
potato soup here? Why is it all of a sudden
you sound sober? I got, I got my second wind.
Yeah we again, ladies and jelemen, I apologize Margaret. Get
her something to sit on, Okay, Margaret, why are you
you got your chin resting on your knees. There comes
a time when you just get used to a position.
(20:30):
I'm comfortable this way. Well, we're looking right at your
rear end hanging out. You're looking between my legs, Margaret. No, no, no, no,
there's no excuse. Okay, I'm wearing a short skirt. Yes,
my knees are up against my chin. Yes, the listeners
could guess, yes, what it looks like. Yes, Okay, so
you guys don't have to sit there staring at it
(20:52):
with the bug eyed stare like you're looking at some
new species of fish that crawled from the depths of
the earth. So that's what we look like. Huh, Margaret,
I don't think I'm staying at well, your rear end
hanging out. I wouldn't look at it that way. I'm
looking at that as one of the greatest things I've
ever seen. John, You and I have a history. That's
all right anyway, But just get John a better place
(21:15):
to sit, please, Well, mister Jereyman, you're you're sitting in
a potato soup or whatever. It looks like a vomit.
Get him. What do we got? Bud got a beer?
I got a beer crate here, and an apple crate.
What's with this apple crate? Yeah? They eat that many
apples in New York. Huh, Phil, Henry here, I swear
to God if we do another show from the street,
why are we not in my studio, because, mister Henry,
(21:37):
you should have just park it here on accunny, you
just got done with rehearsal and you want to hook
it all the way back your apartment. And what does
he mean by apartment? Apartment? Oh? Do you're right? But
I did. Just walking back was a hassle. I wanted
to stop up at Dutch Fread's, which is now my
favorite place to eat in all of New York. Will
you've never been anywhere in New York? What do you
mean your favorite place to eat? Well, of the places
(21:59):
I've I've eat it at in New York. I like
Dutch Spreads all right. Dutch Freads is on forty seventh Street,
right down the street from the Actors Temple Theater. They
got a filters you gotta order from the bar, but
they got a mean chicken sandwich, right, yes, they do.
Well have you Did you have any alcohol there? No?
I haven't had a drop of alcohol since I got
to New York. In fact, I haven't had a drop
of alcohol in like a month. And that's something I
(22:20):
wanted to talk about. Oh great, you're gonna start telling
me that what are your detail or something like that.
You're starting to sound drunk again. I am. I'm drying out,
But my good boy, would you take this fin go
across the street there to whimsies and get me a
short beer and a shot of Barnaby's Lust. Okay, y,
what did you say? What is it called Barnaby's Lust.
(22:40):
It's a bit, it's a it's a very rare whiskey.
I want a short beer, any kind of beer, anything
they have on draft, but make sure it's short. What
do you mean make short? Yeah? What is a short beer?
What does it get a load of these guys? You know,
it's not much, but it's like one half of a glass.
I like a short beer for me is one eighth
of a glass. You just splash some beer in a glass. Yes,
(23:02):
and the rest is whiskey? Yes? Anything else, no, sir,
than get going. Okay, we are here in New York.
So what I was gonna say is, as long as
we're talking about alcohol, well, I'm I'm just getting the
young man to get me. You know, John Jeryman is
with this. Ladies and gentlemen. I'm Margaret Gray. That was
Bud Dickman running off to get John some alcohol and
general shock. Go ahead, Phil, thank you, Margaret. No, I
(23:25):
haven't had a thing to drink in alcohol wise, and
over a month, I'm learning and I think a lot
of people learn as you move through life. Okay, you
reach certain stages of life and all of a sudden,
booze just ain't what it used to be man in
terms of how you feel the next day. Now, what
about these gummies? I hear these people talking about, Hey,
if you get these bad hangovers? What does he talk about? Gummy?
(23:46):
It's cannabis. But what it's cannabis? Yeah? What about it? Phil,
don't I don't know anything about that. I mean, I
know that they advertise gummies that can alleviate the hangover.
I don't know if that's true. I have gummies that
I got from Soul and they're not a sponsor. By
the way, folks that I ate gummies for sleep. I
didn't bring them with me though, because I don't want
(24:07):
to beat like hungover and I don't feel like they
hang over too much. But you gotta take like half?
Okay that was what did you just say? Yeah? You
said you gotta take half. You don't like gummies, but
you do? Yeah, I mean, but I thought you were
getting me a drink. Oh sorry, sir? Oh great, Now
I got to sit here with taking easy John. You'll survive,
(24:28):
God damn, I told him specifically John hold on, let
me let me go over there. But wait up. Yeah, so, yeah,
I've got the gummies for sleep, but you're not taking
you're not eating the gummies to alleviate hangovers. No, no, no,
I wouldn't, man, I wouldn't. I don't know. I wouldn't
trust that. But these gummies that I'm eating are advertised
on the bulwark. You know, I watched that podcast, Oh yeah,
(24:50):
with Tim Miller and the young lady whatever her name is,
and the guy, the bold guy, mean John John b.
Lest Yes, yeah, Jonathan Lest I'm in Sarah Longwell, that's
who shems. Yeah, the young Sarah Long. Well. Now the
three of them used to be conservatives, but now they're
like going off of the liberal thing. I just I
like listening to them to make a lot of sense. Anyway,
(25:12):
forget about that. They were advertising these soul gummies. So
I went ahead and I got two. I got the
large jar and the small one, and you left them
in Florida. That's right, because I'm not bringing them with
me here. If I start eating gummies, man, and I
get any kind of a hangover from just the fact
that they you know, you just use them for sleep. Man,
you can wake up in the morning if you've eaten
too many of them, Like we're not supposed to eat
(25:34):
more than one film. What I'm saying is I just
eat like like I should eat just like a half.
But you're not doing that. I didn't do that in Florida. No,
I ate like a whole one, and I did feel
kind of doped up the next day. So I'm just
telling you, guys, and let's keep in mind, Soul is
not a sponsor. No it's not. I'll tell you right now.
Let me just openly and solicit anybody that is in
(25:55):
the business of gummies, of this kind of cannabis product.
I'd be happy to have you advertise on our show
if first we try your product and we find it
to be, you know, conducive to a higher standard of
living or whatever you want to call it, a better
lifestyle or being able to face the day in a
(26:18):
better way. However, people eat gummies. I eat them or
eat them for sleep, and they did put you to
sleep the next day, you felt like what the next day,
I just felt too kind of slow. But if there's
anybody out there in the gummy business, you know, the
cannabis business, and you'd like a spot on our show man.
(26:38):
You know iHeart podcasts and the sales department there are ready,
willing and able. I will give it a personal pitch
if you want. We'll use it, and we'll use it,
but we won't abuse it. I don't know what you
people are talking about ways, but oh there's but now, yeah,
you got the drinks, Let me have that drink? Yeah?
Oh my god? What is with you trying out? Bob ah? Yes,
(27:03):
I'm in the pink now your boss here, Bud is
talking about cannabis in marijuana and all this. You're talking
about gummies, the what they're gummies? You ought to try them.
You should try them, John, because the way you drink,
the way I drink, what they'll be putting you in
a bag inside of a month. Oh boy. This is
the world famous Phil Henry Show, This General Game in
(27:25):
Shaw with Phil Henry and Bud Dickman and Margaret Gray,
John Jerryman joining us. And we're very happy now to
bring on the program. Doctor Ron Tarner is in from
Colorado and now doctor Turner has been on our program before.
What are you doing in New York? Well, I was
asked to come to Day by the way, Phil and
worried abood. How are you doing, hey, doctor Turner. Good
to see you, hy Dex Turner. Hello, Ron, I don't
think I've made your acquaintance. I'm John Jerryman. Nice to
(27:47):
beat you. Well, your hand is shaking, So that's John
Jerman is a singer and he drinks. Yes, I drink.
Anybody got a problem with that, Oh sir, no doubt
at all. I've been to York Phil. Primarily, this is
the as Physicists joke writing Seminar, and we get together
every year and write jokes. You write jokes, yes, we do,
(28:07):
all right. This is the joke writing contest that was
started by doctor Hacking. No, it wasn't started by doctor Hockey.
It was won every year by doctor Hockey. And that
was the thing that kind of bothered me. You know,
God rest his soul. He was a great man, a
great scientist. But for a guy that you know, I mean,
was in a chair and was eating through a straw.
He had woman after woman. God damn, this guy's a
(28:29):
morass than a rental car. I beg that pardon nothing
at all. I'm sorry tell you guys. Ever since doctor
Hacking has was winning those joke writing contests I put
together myself, doctor Bell Fleming, doctor Bruce Albright. These guys
are all astrophysicists, right, you know they're astrophysicists. Some of
them were just Some of them are guys that just
(28:51):
hang around at a laboratory and mixed chemicals. I don't
know what the hell is doing. What was that like
a chemist? I don't even want to guess. But we
get together and we write jokes. And the pre and
the reason I guess you could say our goal is
the right jokes good the way doctor Hawking did the
way doctor Hocking. Did you still have a problem with
(29:12):
doctor Hawking, don't you? No? I do not know. I
was angry, yes, when he would not only win the
joke writing contest, but then leave that night after the
banquet with the yeah, the best piece of ass. I
beg your pardon and I'm sorry, Yeah, with a piece
of you know what I mean. Well, I can see
that bothers you. It bothered me a lot, Yeah, but
it doesn't bother me anymore. What I want to be
(29:35):
is a better joke writer. And also I want to
discover another black hole and a lot of stuff. I
want to time travel. Oh god, you're a man with
a lot of dreams there, doctor Tarner. Yes I am, Yes,
I am so. In writing, in writing better jokes, we
honored doctor Hawking, and we also ordered the great science
that doctor Hocking brought to all of us. He was
(29:56):
a brilliant man. He got some of the best pieces.
Ass I beg your you know, run you can leave
if you're gonna keep talking this way. I'm sorry, where
are you going? Run? I got it? So, doctor Tarner
has just gotten up and left. Is that the hotel
you're at? Excuse I don't want to say philed for
security reasons. Well, I mean don't. Okay, Well no, it's
(30:17):
not the hotel in mat but I don't want to
say it is. I don't want to say that it's
not the hotel that I'm bat because the people won't
keep it go there. They'll go and find the hotel
that I'm at. Sure, whatever you say, Doctor Tarner just
flipped Phil off. Doctor Tarner's walking down. He's literally walking
down eighthab and a turning run and looking at me
and flipping me off even as he gets further and
(30:38):
further away. Watch out, doctor Turner, gonna run into a pole,
have you? So this is now a standard on this show.
People leave and as they leave, they're flipping flipping Phil off,
and I don't blame them. Thanks Martin, thank you very
much for that. Oh relax, doctor Ron Tarner. This is
the world famous Phil Henry Show from New York City,
(31:00):
where we are going to be appearing and have been
appearing in to play the pitch. Written by Tom Alper
and directed by Mike Keller. You really like this director,
Mike Keller, don't you. What I like about Mike is
that he's really he's a take charge kind of a director.
There's not a whole lot of effing around. I mean,
he knows exactly what he wants to see, he knows
exactly how he wants it to go. I mean, you know,
(31:22):
actors have instincts things they want to do. And I'm
not saying that the actors aren't right, but a director
has to at some point take charge and say, well,
this is this is how it's going to be, and
that I like. And he's encouraged me to be you know,
he's encouraged you to be goof here. Well, yeah, he's
encouraging my instincts to do a lot of physical comedy,
which I really really appreciate. Well, what do you need
(31:44):
physical comedy? You know, what are you doing? Man? I'm
doing just goofy stuff. Man, I'm like, you know, doing
fake high fives and kind of you know, pretending like
I don't know, I can't describe it, but I'm making
you know, I'm adding physical motion to the to the
dialogue that I'm doing. And you know, and he seems
to like that, Yes he does. I used to when
(32:06):
I was in the theater, I would bring physical comedy
to what I was doing. I did a song once
called Rute toot and twoty two two. You remember that, Margaret? Oh? Yes,
it was a lot of fun. It went like this,
rude toot and tuty two you and me too. And
I would do this. I would sort of extend one
leg behind me and one war I'm out as if
I was running, and I would freeze. I would freeze
(32:27):
the motion root toot tooty two. It's a root and
toot in good time. And then I would spin like this, Doug,
I mean, mister Jermans is a demonstrating for us? Yes,
I am. Who are you talking to the people listening? Oh,
I'm sorry. Yeah, the bud's describing it, mister German, I
can describe it. So the song went. What was the
name of the song again, you don't remember, I can't.
(32:49):
It was called root, toot and twoty two. Oh, yes, right,
it was from the plate delicious you remember. Oh yes, Margaret,
you were in that, weren't you. No, I was not.
It was very vulgar. Oh yeah, you're right. Yeah. But
they asked me and I said, no, I wouldn't go
near that with your lips. What is he laughing at?
What's so funny? The play was so dirty? You told
(33:13):
the guy you wouldn't go near it with his lips?
I told the author. Yes, yeah. The author was Hank Basket.
Hank Basket, I'll never forget him. And he said, Margaret,
we'd love you to play the Madam. Okay, now you
know what it's about. It was about well, it was
about a whrrorhouse, yes, but there was a lot more
to it. It was about a whorehouse and the end
of World War two there was an atomic energy, there
(33:35):
was an atomic bomb. The men that invented the atomic
bomb would go to this horrorhouse. Yes, okay, so and
then it was a musical. And wait, wait a minute,
wait a minute, the men that invented the atomic bomb
would also visit a horrorhouse. Yeah, get a load of him.
God killed me kind of shutter, don't you? You don't
think that men who invent atomic bombs don't have sexual needs. Oh, anyway,
(33:55):
if I may be allowed, go ahead. The play is
there's a lot more in the play. Ram for By
six months in Philadelphia over there at the mainland cafe
and in a cafe. Well, yeah, it's only about it
was a thirty seater anyway, So root toot and tooty too,
You and me are blue boom, there it goes another
a bomb rude of lootle doody do. Who's playing the music?
(34:19):
I'll go down and tell me shut up? Anyway, that
was what is that? A flute? Sounds like a like
a sweet potato flute? Hey tell that ass. Excuse me, sir,
would you not do that? We're on the air. What
is that your kid? Don't let it get near me.
I raised the sun. I love children, but I don't
want that calling on me. Thank you. Go ahead, ruteludle
doody doo. I'm the root and Tutin too. I'm a
(34:41):
Root and Tutin guy. And that would be in the
middle of the play, and then I would skip and
dance down the lane. If this guy doesn't stop laughing,
what's wrong? Film? Does it sound like there's something wrong? Well, yeah,
you're what are you? What are you laughing at? Just okay?
(35:02):
Go ahead? Anyway, I skipped down the lane Root to
ludy two, and behind me is a mushroom cloud you see, yeah, yeah, yeah,
Oh look at Margaret. Margaret, you were one of my
biggest fans. Now all of a sudden, you let me
hang here in the wind with my ass hanging out,
just because yours is. All right, John, that's enough, okay.
The name of the play was what it was called.
(35:23):
It was a musical called Delicious. And I had two
three numbers in that Root two d two. The color
of you is oh, and the color of you is oh.
The color of you is blue. The color of you
is blue, and I'm blue too. And all of these
songs rhyme with two and you and I wrote them,
all right. Does that mean that's the only way you
(35:44):
can rhyme? Yes, pretty much, Root twoty two and the
color of You is blue, and the third song was
it was called nude? Who there was? You know because
there was a nudity saying who nude? Who? Who's nude? Here?
We get it, you know, Margaret, because you did, because
you weren't in the play. I didn't want to be
in the play, all right. I didn't want to be
(36:04):
a hooker and a madam with mushroom clouds behind a whorehouse.
If you don't mind, Mark, if you don't mind, well,
that's the most unusual musical I've ever heard of. Yeah,
as Phil Henry says that, ladies jelling me, He's going, oh,
that's the most unusual. You're holding back a laugh, and
I find it to be very offensive. This is uh, well, John,
(36:24):
I got to thank you for joining the show. What
happened to doctor Turner? Oh? He flipped us up? Oh
that's right. He went down the street flipping us up.
Roote and twoty two. That's right. I'm not stuttering over here,
Phil Henry, here in New York City for the pitch,
and tonight is going to be our first official I
(36:44):
guess it's opening night. Yes, there was a preview of
five shows, and now tonight get a load of that ass. Hey,
what's the matter with you? There was a preview of
five shows, and tonight is the big opening night, and
we're giving away tickets, right, we are giving away tickets.
If you listen to the beginning of the show, I
(37:06):
will tell you that today's phrase that pays is I
dance door to door. I dance door to door. What's
the Vernondozer thing. Yes, that's the phrase that pays. But
you listen at the beginning of the show. I already
gave it at the beginning of the show, the phrase
that pays, so you know, and let's hope to be
because a lot of the people even giving tickets to
suddenly realize, oh, I can't make it. I don't live
(37:27):
in New York State. Yeah, we give away tickets to
people and then go, oh shoot, I got to fly
on an airplane to go there. I better not. What
are you talking about, man, have would we been giving
away tickets to people that live in like Colorado? I
don't know. Man. What we basically say is, if you
can make the show, we'd love to give you a
pair of tickets. The Phil Henry fan base and we're
very grateful to say we have a fan base. That's
we got a good fan base in La good fan
(37:49):
base in Florida, good fan base a lot of places.
I don't know if New York City is one of them,
because we were never really on the radio here. Well
you were on the weren't you on the radio here
for at a small am station. I remember that, Yes,
you were filed the last couple of years of here syndication,
I guess. But my good friend David Katz, who is
a native New Yorker and is gonna be at the play,
(38:09):
He's gonna be here on the twentieth with the great
Julie Talbot from the Premiere Radio Networks at iHeartMedia. They're
gonna be here and just keep dropping all the names,
Phil that you need to enable your career. Hey, Margaret, Sorry,
in any event where you know, we'll give away tickets
to whoever and you know can make the show. I'd
love to have you guys see it. And we have
(38:30):
given away tickets and I have met some of our
listeners at the theater. Oh so you have, yes, Jesus, Jim, Well,
I don't know, Phil, you know, yes, I have. I've
told you guys, it's fun to go outside the theater
after the show, and there's generally people there's a lot
of people there, and generally I'll see one or two
folks that are listeners of our podcast and are one
cat And I didn't get his name, and I feel
(38:51):
horrible about it. Came all the way up from Miami.
Oh that big tall gentleman. Yeah, big tall guy, a
great guy. And I hope he didn't Just I feel
kind of guilty that people just come up here just
to see my show. I mean, I hope he has
family or something, and they probably do. Phil. It's not good.
Guy's gonna get an airplane. I think I'm gonna see Phil. Okay,
I'm all done. Remember Linda, Well, Linda came to Los
(39:13):
Angeles to see you, phel But she she also I think,
had family in La. She and Annie Annis and Sup
Price are the Circle of Taste. Yeah, they they inaugurated
themselves as members of the Circle of Taste. It's an
ease Linda Browley and Sup Price and they are the
Circle of Taste. You should get them on the show.
(39:34):
I would think, why don't you three guys come to
New York. I'm kidding. Well, I get back to La
whenever that may be. You're gonna go back to La
mister Henry, or it's over for you. You're in Florida forever,
aren't you? No jackass? Not at all? Well why did
you react that way? I don't know. I just don't
like people saying you're never gonna go back to California.
Californis my home. I'll go back there on occasion on
(39:56):
visits and stuff like that, and also for work. And
I would love to tell you about some of the
stuff coming up, but we can't do it just yet. Okay,
you're gonna wrap this up, John, Yes, Phil, I want
to wrap it up with a song that I did
in a musical I did called Beauregard sends his regrets,
Miss Best. You folks that don't can't see it. But
(40:20):
mister Henry now is going like this, Phil had some respect.
I'm sorry, John. What's the name of the play? Beauregard
sends his regrets, Miss Best. It's a musical. Yes? Is
it still appearing in Philadelphia? Yes, it's running at the Goatier,
which is a thirty seat theater. It's a nice it's
a small, intimate theater. And I am gonna be making
an appearance next week. I'll be rotating with I'll be
(40:44):
running with Sonny, Babs. Oh, Sonny, he's in town. Yes?
Is that that guy again? You keep leaving on that
hole and I'll come over there and i'll take it
and i'll park it. And when you open your mouth,
people will think a car alarm went off? Did he
hear you? I don't think so. Okay, anyway, let me
do this song. This is from Beauregard sends his regrets ms. Best.
(41:06):
There is a place where I would go to see
the sun set, a place that I would go to
see mister Best. And when mister Best.
Speaker 2 (41:20):
Left her work, there would be his wife. Her name
was miss Best. And this is what we did. I
can't mention all the things what we'd done, but I
guarantee I would come undone if the husband came home
(41:40):
saw me in his home, go ahead, and saw his
wife using my face as a saddle.
Speaker 1 (41:48):
Don't don't? Yeah, Where are you going? John? I gotta
get another drink? Phil's laughing, Yeah he is, John. Let
me ask you something before you go. Did you just
write that now? No, it's in the play. What do
you mean? Did I just write that now? It sounds
so shoddily put together. And mister Best came home. Yes,
(42:09):
Beauregard sends his regrets, Miss Best, Well, who's Beauregard? Me?
I'm the character playing Beauregard and I had to flee
the house because he saw her using my face as
a saddle. No wonder you never really broke out into
big time fame. How dare you go? Get another drink?
I'm gonna have to wash my I've gotta get a
(42:30):
drink just to keep me, keep you from what? Nothing?
I got it, philed, No, I got it Phil. The
World Famous Phil Henry Show Executive produced. But wait a minute, Bud,
get the music. Oh gotta get music? Where is it?
The World Famous Phil Henry Show is executive produced by
(42:51):
Phil Henry for Sempre Incorporated. Alrights reserved on the Wonderful
I Heart Podcasts. Thanks a lot, folks, hope to see
tonight if you're in town for our play The Pitch
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