October 17, 2025 • 22 mins
General Shaw hosts in New York City as Phil is in a mood and refuses to show up for the program. Bob Wiftanee, owner of Wiffies, at 47th and 8th, contributes a chair so Margaret isn’t squatting in the street yet again, her chin resting on her knees. Broadway critic Ralph Banaa discusses “The Pitch” and Phil’s depression. Dr Jim Sadler is pushed in a crowd and bruises his jaw. But he decides to have his jaw wired shut so he doesn’t have to be on the show. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hi, I'm Bobby Dooley. I don't have a backstage pass.
I refuse to buy one for the very reason that
when I listened to the Phil Hendry Show, I'm hearing
myself mocked, laughed at, and kicked around like I'm just
one living ass, like I don't have a head. What
I've got above from the neck up is an ass.
Speaker 2 (00:20):
Yeah, like this, I got it, Steve.
Speaker 1 (00:22):
So, I don't listen to Phil Henry as he makes
me and treats me like my head is someone's ass.
Get a backstage pass to the world Famous Phil Henry
Show and listen to Bobby Dooley get treated like her
head is an ass, and oh so very much more.
Great characters, great guests, great episodes from the Radio Hall
of Fame show to the great podcast.
Speaker 2 (00:44):
It's the world Famous Phil Henry Show, also with thousands
of hours of video casts too. Get a backstage pass
today at Phil Hendryshow dot com, the greatest value online
other than porn. Well, welcome here to the city of
New York. General Galen Shocked and with me, of course,
Margaret Gray and Bud Dickman. We are in New York
(01:06):
and we're doing a little bit of fill in here
for Phil Henry, who is He's just gone back to
the hotel. I guess he was in a little bit
of a kind of a little bit of a mood.
We're not sure what that might have been or what
it represents, but he's decided that his time is better
spent at the hotel. So we're out on the street here.
We got a little bit better digs. Then we had
(01:27):
a few of the nights before and Bud Dickman, tell
us what you did?
Speaker 3 (01:32):
Well, basically, I just told Whiffy's over here, this is
the restaurant at the corner, and I said we need
to have a chair.
Speaker 1 (01:38):
Well, but you got one chair, okay, So I don't
have my knees up against my nose.
Speaker 3 (01:42):
Well, that was the mister. The man's name is Bob Whiftanine,
Bob whiftenin. Yeah, And he said he had did, he'd
had he'd had done seeing miss Gray with her knees
up in the up her nose.
Speaker 1 (01:57):
Well, first of all, I want to clarify something. I
never had my knees up around my nose. I had
my knees on my chin, and that's because I had
to squat in a very uncomfortable position.
Speaker 2 (02:04):
We told this story a million times. Well, yes we have.
But Bob whiftenein.
Speaker 3 (02:10):
Yeah, I believe it's Bob whiften In fact, here he
kills wine.
Speaker 2 (02:14):
Yeah, all right, mister Wiftanin. Thank you. I'm Margaret great.
Thank you for the chair. Tell us how long is
your The restaurant is Whippies. Whiffies has been in New
York for fifty years? Has your as your as you
has me? Has your family always owned it? No? At
(02:36):
one time it was called the Rock and that was
about We only bought it two years ago. But it's
been a staple in New York City and the New
York City restaurant scene for a fifty years. Well, thank
you for the chair. Thank you very much for the chair.
We appreciated. Whiffies. Whiffies is two years old. But the
(02:56):
building has been here fifty years and it had one
other restaurant in it. What was the name of that restaurant? Well,
I don't want to really say, because it was here
for forty eight years and we've only been here for two.
So it makes you look bad, or well it makes
us look yeah like okay, well I can look it up.
Don't do it, man, Mister whiptanin said, don't do it. Okay,
(03:20):
look at it was a place called the Corsican Room,
and they did a box office business. And we're trying
to trying to well. I'm sure you'll do very well, sir.
Thank you, not if I keep giving chairs away. And
nothing against you, but I think the lady as I
was looking out the window from our kitchen last night,
I saw this woman her nose in her knees. I
(03:45):
don't know how. Yeah, it was mad. So so she
now has a chair and she's sitting in the chair.
The chair is still it's a little small. There's nothing
wrong with that. I appreciate it.
Speaker 1 (03:54):
My knees are still elevated to the point where I
have to put I've got to wear pants otherwise you
can see right in there.
Speaker 2 (04:00):
Yeah, that was. That was I'm gonna be honest with you.
Speaker 3 (04:03):
That was.
Speaker 2 (04:04):
I kind of enjoyed that. Thank you very much.
Speaker 3 (04:07):
Well, yeah, mister Whitney.
Speaker 2 (04:10):
God damn it. That's Bob Whiffen Andino owns Whiffies over
here on fifty What street are we bub at? Forty seven,
forty seventh and seventh, No, forty seventh and eighth, forty seventh,
and eighth, it's forty eighth and seven. Then it's forty eighth,
and we're on forty seven. We're on forty seventh where
the theater is. Jackass.
Speaker 3 (04:31):
Oh yeah, right, you call me a jacass. That's even
worse than it is.
Speaker 2 (04:34):
It's about it. It's one degrade worse than a jackass.
One degrade, I mean one degree. Well, it's been a
challenging time here in New York City, there's no question
about it. On General Gale Sewan, As I mentioned Phil
Henry's at the hotel, Margaret, tell us what happened?
Speaker 1 (04:46):
Well, Phil, I was at the play this evening. That
is when you're hearing this on Friday. It was the
Thursday night performance. It was, in point of fact, their
opening night. They did a week's forth of previews. Phil
uh Let me put it this way. As he went
back to the hotel.
Speaker 3 (05:03):
He was a bit put out with himself, and as
I understand.
Speaker 2 (05:07):
It, I'll tell the story.
Speaker 3 (05:08):
Thank you, Uh, well, you've had this.
Speaker 2 (05:11):
I'll tell the story, Bud, never mind you talent.
Speaker 3 (05:13):
Well, all I was gonna say is that he came
out late for the last scene and he was still
putting on a war he's putting on a wardrobe.
Speaker 2 (05:20):
Still putting on his wardrobe. That sounds like he's still
pulling his pants on. He wasn't. He was still putting
on a prop that he wore.
Speaker 3 (05:27):
Yeah, I didn't see his pulling what he thought he
was the yank and his pants on. It sounds like
when you say it was still I don't know, Margaret.
Speaker 2 (05:33):
You know you might want to pull your mind out
of the sewer.
Speaker 1 (05:36):
My mind isn't in the stewer. Well, you're thinking about
Phil yank and his pants on. General, I'll tell you
right now, don't threaten me with dropping.
Speaker 2 (05:43):
Me spread eagle on a girder. Okay, God damn, I'm
still rubbing my still rubbing.
Speaker 3 (05:49):
He's still rubbing his balls. On account of it.
Speaker 2 (05:51):
Both of you guys, just let me still rubbing his balls.
What am I doing right now?
Speaker 3 (05:58):
If you don't mind, I'm a woman and this is
verging on sexual harassment. You're the one that said you
drop it, but get out of.
Speaker 2 (06:04):
Here, bud, takeoff. Here's what happened.
Speaker 1 (06:06):
Phil came out late for the last scene of the play,
still putting on a piece of prop. Shall we say
when I asked him what happened. He didn't want to
talk about it. He said he was he was off
all night. In his opinion, he thought he was still
trying to find the character he was. Didn't like his timing,
(06:29):
and that simply topped off what he thought was not
a very good night. Now, Phil is very honest, and
he said the last message he wanted me to report
the rest of you was that you must come and
see the pitch because.
Speaker 2 (06:42):
Obviously he's going to get better. They're all, they're all great. Well,
we know that Phil's kind of hard on himself. Well
he is hard on himself. Shut up, But hey, can
we talk about this without referencing some guy's dick? I
didn't reference the dick, did I?
Speaker 3 (06:57):
Well, you guys are going to Yeah, you were kind
of reticent, is greg.
Speaker 2 (07:01):
I'm what I'm gonna say before I drive my fish.
Margaret Gray has gone, what are you gonna do?
Speaker 1 (07:06):
I gotta walk it off. Margaret Gray has just walked.
She's walking it off? And what she's what is she
walking off?
Speaker 2 (07:13):
Phil? I don't know something about Phil's dick?
Speaker 3 (07:15):
Good god, all my didn't see that general?
Speaker 1 (07:18):
All right, well, give me the microphone first of all,
I know what happened because I was there.
Speaker 2 (07:23):
Dickhead got it. Yes, So I asked Phil how did
the evening go?
Speaker 1 (07:27):
He said he didn't like the evening in terms of
his timing the development of the character. And then at
the end of the play there he was wandering out
onto the stage, still putting this prop on. So, without
giving the play away, let me just say this, it's
a terrific play. They had a sold out show. I
thought Phil did very, very well. But you know, he's
very particularly, very hard on himself. But he still encourages
(07:51):
you to buy tickets and come and see the pitch
we gave away. I think a couple of pairs this
week and throughout the run will begin way pairs of
tickets here on the Phil Henry Show.
Speaker 3 (08:02):
Now, one of the things mister Henry did say, if
I may go ahead, is that the way they've been
given he doesn't like the way they've been they've been
given tickets.
Speaker 2 (08:11):
What do you mean the way they've been given tickets.
Speaker 3 (08:13):
I mean the way mister Henry's been giving tickets out.
He doesn't like it. They want to make it easier,
they want to do it live, real time and that's
the thing. What do you want to do?
Speaker 2 (08:20):
Yeah, he wants to do a real time stream on
Facebook and as he is doing this stream, giving out
the tickets that way. All right, Well that sounds reasonable,
but I don't. That's up to Phil.
Speaker 1 (08:32):
And so we're simply reporting what we can. We just
heard there from Bob wishing them or whatever the hell
his name is. I forget you forget the guy owns
the I thank.
Speaker 2 (08:41):
You again, Bob for the chair he gave us. It's
a very comfortable chair. What is this a bar stool?
Speaker 3 (08:46):
I think it's like a billiard room chair, a billiard room.
Speaker 2 (08:49):
All right, Yeah, Margaret is now sitting in the most
comfortable chair we've got. I'm still sitting here on the
cement and Bud is he's squatting on what is that, Bud?
Speaker 3 (08:57):
It is a vegeiable creat.
Speaker 2 (08:59):
A vegeable Yeah, you mean a vegetable crate.
Speaker 3 (09:02):
Yeah, that's what I said.
Speaker 2 (09:03):
So that was a cret that that was a crate
that they have vegetables.
Speaker 3 (09:08):
Hey, general, very good, that's what I said. That started
over here.
Speaker 2 (09:12):
Hey, I'm simply e oh boy, this is gonna be
a long night unless you two chumps just let mama
take over.
Speaker 1 (09:18):
All right, Well, our first guest is a Broadway critic
by the name of Rolf Belong.
Speaker 2 (09:24):
Ralph. Oh, look at this. Look at these assholes over here,
right here. Okay, Margaret, quit flipping people off. That's how
I'm doing right there.
Speaker 3 (09:32):
It's great. Don't think they were honking at you.
Speaker 2 (09:34):
Really you see him drop his Look at that. He
just be a all right. One of the drivers you
just heard the horns honking. They might be listeners of
the of the show. I don't know, but one of
them just hung a ba out the window and it
looked like it was directed to you. Margaret, Yes it was.
If you use well, I better not say well.
Speaker 3 (09:49):
You're talking about if you use the anus, don't I didn't.
Speaker 2 (09:52):
Don't put a sock gag in his mouth. Godness great,
then don't talk that way. We have with the great,
the great Broadway critic, Ralph Bana. Is that his name? No,
it's Ralph. What is your name, Ralph? My name is
Ralph Bana Banah, all right, and Nolph.
Speaker 1 (10:13):
We met about fifteen years ago when I was doing
the last of the Chuckles run. That's right, Margaret, you
were doing the last of chuckles and you were about
to begin the Beacon Street I was, Yes, that was
a great period. I think we're very, very entertained by that.
Chuckles had that great song. You can't do that while
(10:33):
my mother's home.
Speaker 2 (10:34):
Was that the name of it it was.
Speaker 1 (10:36):
It was a fun little tune that was written by
Dickton Heat and.
Speaker 3 (10:40):
Guys name was Dick and Heat.
Speaker 1 (10:42):
His name was pardon me if you don't mind, Ralph,
that's okay, you mind, Hey, Bud, why don't you bug off?
Speaker 2 (10:49):
Go across the street and get me a beer.
Speaker 3 (10:51):
Yeah she said it. I didn't see the Dick and Heat.
Speaker 2 (10:54):
Dickton Heat. Yeah, no, we know who it was.
Speaker 1 (10:57):
It was a great song. And yeah, that kind of
set us off. That was a great, great fun play.
And then you segued into Beacon Street. Segue directly into
Beacon Street. God, you have a great memory. Well, that
was a a golden time for you and for I
think everybody on forty seventh Street in the Broadway district.
(11:17):
Every theater was sold out and had great, great plays,
great runs for everyone. So tell me, Ralph, you saw
the performance tonight, what you think?
Speaker 2 (11:26):
I thought?
Speaker 1 (11:26):
The pitch is a great play and well written, well acted,
it's a great story. I want to give a story away.
But you're right, Phil, Henry and I stay got his name.
Speaker 2 (11:39):
In h E n R y h g N d
R I E. Okay, I want to write it right
or aboo? You can? I ask you something? Are you
in some discomfort? No? Why what he has that? Because
it sounds like you're not able to breathe? Or no,
he's fine? No? Why I don't know? Never mind, look
at this guy. Is he's trying to choose me off
(12:00):
or something? No, he's not choosing you on. I don't
want to fight. Okay, that's good. If I did. If
I wanted to fight, i'd probably shove you into a
bag and throw you off that bridge.
Speaker 1 (12:10):
Oh really, so gentlemen, gentlemen, please all right, bug off, general,
all right, fuck a beer.
Speaker 2 (12:18):
They're gonna go get a beer. That's a good choice. Yeah, Hey,
you want some? You tell me?
Speaker 1 (12:24):
Well, look if you don't, Ralph, if you don't stop,
I'm gonna beat both of your asses so bloody it'll
take the police months, literally months, and DNA.
Speaker 2 (12:33):
Test after DNA test to figure out who you were.
Speaker 3 (12:36):
Oh my god, oh Jesus, Margaret, Dad, damn is great. Scared.
Where's he going?
Speaker 2 (12:41):
You've scared him off? Man, You're scared off Ralph Bana.
Ralph God damn it. Now we gotta take a break
because Margaret scared off Ralph Bana.
Speaker 3 (12:51):
Shit.
Speaker 2 (12:52):
This is the world Famous Phil Henry Show.
Speaker 1 (12:54):
Hi, this is Margaret Gray. We'd love you to experience
the Great Phil Henry Show. Backstage pass for less than
ten dollars a month, less than seven dollars a month
for the year, you can get thousands of hours of
Phil's radio Hall of Fame show, his great podcasts, and
all the other associated podcasts from Bobby Dooley ll cut.
Speaker 2 (13:11):
The next step.
Speaker 3 (13:13):
It was great to having a hard time breathing. Just
get a backstage pass today at the world Famous Phil
Henry Show, and I think you'll find it a relaxing
and a great deal of enjoyment can be had.
Speaker 2 (13:23):
All right, but you're relaxing a little too much. Get
a backstage pass, Listen to the thousands of hours of
the show, watch the thousands of hours of video, and
you tell yourself, you tell me, you go ahead, you
tell me whether it's worth it or not.
Speaker 1 (13:35):
The World Famous Phil Henry Show at Phil Henryshow dot com.
Speaker 2 (13:39):
The greatest value online.
Speaker 3 (13:40):
Out of porn. Ready set one, two, three, and let's go.
Speaker 2 (13:49):
And welcome back everyone. This is the world famous Phil
Henry Show.
Speaker 1 (13:53):
I'm Margaret Gray, and we're here on the streets of
New York, General Shaw and Dickman.
Speaker 2 (14:00):
Can we just back this up a little bit off
the street, Margaret, Margaret's chair is out right on the
edge of the gutter.
Speaker 3 (14:07):
Yeah, it was great. You're almost sitting in the gutter.
Speaker 2 (14:09):
I'm not sitting in the gutter. Let's move back.
Speaker 1 (14:12):
So we are here in New York and at a
rather busy time. And when I say rather busy time,
it's after midnight here on a Friday morning, So we're
actually actually a podcasting here.
Speaker 2 (14:24):
Ralph Bana, one of the great I would say, one
of our great.
Speaker 1 (14:29):
Critics, was chased off by Bud Dickman moments ago, and
it sort of hacked me off a little bit.
Speaker 2 (14:37):
Bud, I don't know. I just I just didn't dig it. Well,
what happened was I got into it with Ralph. I
said he'd kick his ass. I said I'd kick his ass.
He said he kicked my ass. Look, I'm with the show.
So if anybody's ass is going to get kicked as
a guest. I finally told Ralph the bug off.
Speaker 3 (14:53):
Yeah, as well you should have.
Speaker 4 (14:55):
But Ralph did see the show and backed up my
view that you did not have his best night as
he again, he was doing great until he walked out there.
Speaker 2 (15:07):
Struggling with that prop.
Speaker 3 (15:09):
Yeah, and it's difficult for people to understand and to understand, well,
what we're talking about when we talk about he's struggling,
because again, it sounds like he's trying to pull his
pants on, haven't.
Speaker 1 (15:21):
I want to be very clear so that everyone listening
right now knows that I'm being honest and that Bud's
a chump.
Speaker 2 (15:27):
But knock it off.
Speaker 3 (15:28):
Well, I'm not being a chump. I'm saying. If you
are not specific and you say, mister Henry was struggling
with a prop, it sounds like he tried to pull
a pant on.
Speaker 2 (15:37):
Trying to pull one pant on, Well you mean pants huh?
Speaker 3 (15:41):
Yeah?
Speaker 2 (15:42):
Okay. First of all, Bud, wardrobe is called wardrobe or costume.
Prop is a prop. I didn't say Phil was trying
to pull on wardrobe or trying to pull on his costume,
did I?
Speaker 3 (15:53):
Well?
Speaker 2 (15:54):
Did I?
Speaker 3 (15:55):
No, ma'am you didn't, right.
Speaker 1 (15:57):
I was saying that as Phil entered the came on
stage in the final scene, he was putting on what
was a prop, not technically a piece of wardrobe. So
I want people to understand as we continue here tonight.
Speaker 2 (16:11):
Phil, he wasn't trying to pull wasn't.
Speaker 1 (16:14):
Trying to pull his pants on?
Speaker 2 (16:16):
Yes, okay, anything else. No, I've one of the people
that's been in New York with us for all week,
but we haven't heard from him. Is doctor Jim Saddler
to evaluate the psychological strain of the appearance of Phil
in New York on stage and basically to evaluate New
York Doctor Sadler, you got into a fistfight today. No,
(16:36):
I did not get a fit fight. This is child
every one of you guys turning around and getting into fights. Well,
he says he didn't. No, I did not get it.
I had when they did.
Speaker 5 (16:46):
Now that they tell him, when I amount that to
tell when I did?
Speaker 2 (16:50):
He didn't?
Speaker 5 (16:50):
That mean you said what I told a guy who
was walking to close behind me, I said, you be
did not me?
Speaker 2 (16:57):
Okay? He pushed me.
Speaker 5 (16:58):
My nose went into a wall, so he pushed you.
You know, well, I pushed him for it. He was
breathing on me, and I told him, I put him
you okay.
Speaker 2 (17:07):
You got it. Looks to me like you've gotta it.
Looks to me like your mouth is wired shut. Yeah
then then yea, what is it with you guys? Every
time you get a no fight, your jaws are wired tight?
Speaker 3 (17:17):
Yes, well, probably a good good thing in doctor Sadler's case.
Speaker 2 (17:20):
Does that mean they can hey Saddler, Doctor Sadler, just
asking that man.
Speaker 1 (17:26):
We can't understand a thing you're saying. You're gonna have
to stop this interview, Doctor Sadler. You were walking and
someone was breathing on you.
Speaker 5 (17:33):
Then the man he was too close to me, and
I did we tell you? I did not being a
mean so and I jumped him. But I didn't think
jumming him to get him bend on me.
Speaker 3 (17:42):
You were simply shoving him to get him away from you.
Speaker 5 (17:44):
Yeah, and then he would be in you.
Speaker 3 (17:46):
And then he turned and he shoved you into a wall.
Yet me, he hummed in may think him in you
alone yet?
Speaker 2 (17:51):
So you're bright, what did you fracture your jaw? John?
Speaker 5 (17:54):
It's my bit of John boomed, But I said, I
asked the doctor Dewia.
Speaker 1 (17:57):
My Don said the interview, why would you ask to
to wire your shut?
Speaker 2 (18:01):
You're why am I shut? Why are your mouth shut?
Be kind of to be honest? Then, yeah, I really
didn't feel like coming on the program tonight. You didn't
feel like coming on this show? Yeah, so you had
the doctor wire your jaw shut? What is so funny?
Doctor Sadder, you understand if you don't want to be
on the show, just call us. I came all the way.
Speaker 5 (18:20):
I hadn't on the depth appointment at the handy that
then I had to have anything.
Speaker 2 (18:23):
So you are on the show even though you have
your walk your I have my walk. You have your
jaw wired. I was gonna see you have your wall
gired shut. What I'm what I'm saying is you got
your jaw wired shut. Yeah, I got my dew wiring
shut wired shut. Bang because a guy shoved your face
into the wall.
Speaker 1 (18:41):
Yes, well, now the wa the jaw got the wall,
his wall was gired, his jaw was gone.
Speaker 5 (18:47):
Dude, good him, God take look good of him.
Speaker 2 (18:52):
Let go of the market. I'm not squeezing his neck.
Yes she wasn't you people the Sigi Doctor Sadler, I'm
gonna let you go and go back to your apartment
and you can beat off one of the adholed him.
Speaker 1 (19:06):
That's me so as you can see the sea thing, folks,
this program has been a complete waste. Doctor Jim Saddler,
who didn't want to come on the show, purposely shove
someone so they'll shove his face into a wall. And
he asked the doctor to wire his jaw shut so
he wouldn't have to be on this show.
Speaker 2 (19:21):
Is that right, doctor Sadler?
Speaker 3 (19:22):
Mean, hey, doctor Sadmin, you can leave. I mean, what
are you hanging around for?
Speaker 2 (19:26):
Okay, shah Dickay, you don't have to call anybody a dickhead.
We don't allow that you just did.
Speaker 1 (19:32):
Oh anyway, point being that doctor Jim Sadler was going
to give us psychological evaluation of New York.
Speaker 2 (19:39):
I think he did.
Speaker 1 (19:40):
I think the worst brain in New York today is
doctor Jim Sadler, who told the guy to quit breathing
on him and shoved him, and the man turned around
and shoved doctor Sadler's face into a wall, bruised his jaw,
but it didn't really require having the jaw wired shut,
but he asked the doctor the wires jaw shut, so
he wouldn't have to be on this show, but.
Speaker 2 (20:00):
He showed up anyway.
Speaker 1 (20:01):
That's the kind of jack ball jackass, that's get there go,
that's the kind of jackass and ball jack.
Speaker 3 (20:08):
Yeah, he's these ball jack all the way.
Speaker 2 (20:10):
Well, get out of here, Saddler, Doctor Sadam, did you
fly all the way to New York to be with us?
Speaker 3 (20:14):
No?
Speaker 2 (20:15):
No, I actually here this him and that everybody. What
are you at the same seminar with Turner? Yeah, the
jolkit content. So doctor Sadler is here at the same
joke writing contest to doctor Tarner's. Apparently doctors are in
joke writing contests these days. This one is a for.
Speaker 3 (20:29):
Astrophysicists in the anthony and the pe bean, the bean bean,
the pinking beans, or the pc bean pcp oh Primary.
Speaker 2 (20:38):
Care Physician joke writing contest. Right, yeah, all right, well goodbye,
get lost. Come here for a minute. I didn't mean
to see oh never touched him, and dang, here here's
the twenty k you. Oh she slips your twenty so
you fink like you got slapped and me mean so
as you can see, No, I'm the host, remember that's right,
(21:02):
So as you can see. This is one of the
most acidine shows that I've ever been associated with. And
we've come three thousand miles to witness Phil Henry's Broadway
Off Broadway debut in the Pitch. Hopefully we'll get Phil
on the phone at some point. He'll be back tomorrow.
I guess, right, Bud.
Speaker 3 (21:18):
Yeah, mister Henry said he just wants to He just
wants to stare, lie and stare at the ceiling for
a night.
Speaker 2 (21:23):
Well, it wasn't. I thought it was very good. But
from what I heard from Ralph Banna and of course myself,
Oh you were there, yes, what I told you. Oh,
it was not a bad performance at all.
Speaker 1 (21:33):
It was very good. And I do recommend the play
the Pitch because everyone else, even if Phil, as Phil
put it, even if Phil sucks what he calls an
entire nest of field mice, Jesus, Jesus, the play is fantastic.
And of course Phil did not suck, but in his
mind he did.
Speaker 2 (21:52):
I thank you. Yes, The world famous Phil Henry Show
has been executive produced by Phil Henry, even though he's
not even here. Executive moves by Film Henry for Semprey Incorporated,
Alrights preserved on iHeart podcasts. Doctor generals, I mean, I'm general, doctor,
I'm doctor, I'm general, I'm I'm I'm demil that, I'm
(22:12):
Margaret Gray. Thank you, you idiots.
Hi, I'm Bobby Dooley. I don't have a backstage pass.
I refuse to buy one for the very reason that
when I listened to the Phil Hendry Show, I'm hearing
myself mocked, laughed at, and kicked around like I'm just
one living ass, like I don't have a head. What
I've got above from the neck up is an ass.
Speaker 2 (00:20):
Yeah, like this, I got it, Steve.
Speaker 1 (00:22):
So, I don't listen to Phil Henry as he makes
me and treats me like my head is someone's ass.
Get a backstage pass to the world Famous Phil Henry
Show and listen to Bobby Dooley get treated like her
head is an ass, and oh so very much more.
Great characters, great guests, great episodes from the Radio Hall
of Fame show to the great podcast.
Speaker 2 (00:44):
It's the world Famous Phil Henry Show, also with thousands
of hours of video casts too. Get a backstage pass
today at Phil Hendryshow dot com, the greatest value online
other than porn. Well, welcome here to the city of
New York. General Galen Shocked and with me, of course,
Margaret Gray and Bud Dickman. We are in New York
(01:06):
and we're doing a little bit of fill in here
for Phil Henry, who is He's just gone back to
the hotel. I guess he was in a little bit
of a kind of a little bit of a mood.
We're not sure what that might have been or what
it represents, but he's decided that his time is better
spent at the hotel. So we're out on the street here.
We got a little bit better digs. Then we had
(01:27):
a few of the nights before and Bud Dickman, tell
us what you did?
Speaker 3 (01:32):
Well, basically, I just told Whiffy's over here, this is
the restaurant at the corner, and I said we need
to have a chair.
Speaker 1 (01:38):
Well, but you got one chair, okay, So I don't
have my knees up against my nose.
Speaker 3 (01:42):
Well, that was the mister. The man's name is Bob Whiftanine,
Bob whiftenin. Yeah, And he said he had did, he'd
had he'd had done seeing miss Gray with her knees
up in the up her nose.
Speaker 1 (01:57):
Well, first of all, I want to clarify something. I
never had my knees up around my nose. I had
my knees on my chin, and that's because I had
to squat in a very uncomfortable position.
Speaker 2 (02:04):
We told this story a million times. Well, yes we have.
But Bob whiftenein.
Speaker 3 (02:10):
Yeah, I believe it's Bob whiften In fact, here he
kills wine.
Speaker 2 (02:14):
Yeah, all right, mister Wiftanin. Thank you. I'm Margaret great.
Thank you for the chair. Tell us how long is
your The restaurant is Whippies. Whiffies has been in New
York for fifty years? Has your as your as you
has me? Has your family always owned it? No? At
(02:36):
one time it was called the Rock and that was
about We only bought it two years ago. But it's
been a staple in New York City and the New
York City restaurant scene for a fifty years. Well, thank
you for the chair. Thank you very much for the chair.
We appreciated. Whiffies. Whiffies is two years old. But the
(02:56):
building has been here fifty years and it had one
other restaurant in it. What was the name of that restaurant? Well,
I don't want to really say, because it was here
for forty eight years and we've only been here for two.
So it makes you look bad, or well it makes
us look yeah like okay, well I can look it up.
Don't do it, man, Mister whiptanin said, don't do it. Okay,
(03:20):
look at it was a place called the Corsican Room,
and they did a box office business. And we're trying
to trying to well. I'm sure you'll do very well, sir.
Thank you, not if I keep giving chairs away. And
nothing against you, but I think the lady as I
was looking out the window from our kitchen last night,
I saw this woman her nose in her knees. I
(03:45):
don't know how. Yeah, it was mad. So so she
now has a chair and she's sitting in the chair.
The chair is still it's a little small. There's nothing
wrong with that. I appreciate it.
Speaker 1 (03:54):
My knees are still elevated to the point where I
have to put I've got to wear pants otherwise you
can see right in there.
Speaker 2 (04:00):
Yeah, that was. That was I'm gonna be honest with you.
Speaker 3 (04:03):
That was.
Speaker 2 (04:04):
I kind of enjoyed that. Thank you very much.
Speaker 3 (04:07):
Well, yeah, mister Whitney.
Speaker 2 (04:10):
God damn it. That's Bob Whiffen Andino owns Whiffies over
here on fifty What street are we bub at? Forty seven,
forty seventh and seventh, No, forty seventh and eighth, forty seventh,
and eighth, it's forty eighth and seven. Then it's forty eighth,
and we're on forty seven. We're on forty seventh where
the theater is. Jackass.
Speaker 3 (04:31):
Oh yeah, right, you call me a jacass. That's even
worse than it is.
Speaker 2 (04:34):
It's about it. It's one degrade worse than a jackass.
One degrade, I mean one degree. Well, it's been a
challenging time here in New York City, there's no question
about it. On General Gale Sewan, As I mentioned Phil
Henry's at the hotel, Margaret, tell us what happened?
Speaker 1 (04:46):
Well, Phil, I was at the play this evening. That
is when you're hearing this on Friday. It was the
Thursday night performance. It was, in point of fact, their
opening night. They did a week's forth of previews. Phil
uh Let me put it this way. As he went
back to the hotel.
Speaker 3 (05:03):
He was a bit put out with himself, and as
I understand.
Speaker 2 (05:07):
It, I'll tell the story.
Speaker 3 (05:08):
Thank you, Uh, well, you've had this.
Speaker 2 (05:11):
I'll tell the story, Bud, never mind you talent.
Speaker 3 (05:13):
Well, all I was gonna say is that he came
out late for the last scene and he was still
putting on a war he's putting on a wardrobe.
Speaker 2 (05:20):
Still putting on his wardrobe. That sounds like he's still
pulling his pants on. He wasn't. He was still putting
on a prop that he wore.
Speaker 3 (05:27):
Yeah, I didn't see his pulling what he thought he
was the yank and his pants on. It sounds like
when you say it was still I don't know, Margaret.
Speaker 2 (05:33):
You know you might want to pull your mind out
of the sewer.
Speaker 1 (05:36):
My mind isn't in the stewer. Well, you're thinking about
Phil yank and his pants on. General, I'll tell you
right now, don't threaten me with dropping.
Speaker 2 (05:43):
Me spread eagle on a girder. Okay, God damn, I'm
still rubbing my still rubbing.
Speaker 3 (05:49):
He's still rubbing his balls. On account of it.
Speaker 2 (05:51):
Both of you guys, just let me still rubbing his balls.
What am I doing right now?
Speaker 3 (05:58):
If you don't mind, I'm a woman and this is
verging on sexual harassment. You're the one that said you
drop it, but get out of.
Speaker 2 (06:04):
Here, bud, takeoff. Here's what happened.
Speaker 1 (06:06):
Phil came out late for the last scene of the play,
still putting on a piece of prop. Shall we say
when I asked him what happened. He didn't want to
talk about it. He said he was he was off
all night. In his opinion, he thought he was still
trying to find the character he was. Didn't like his timing,
(06:29):
and that simply topped off what he thought was not
a very good night. Now, Phil is very honest, and
he said the last message he wanted me to report
the rest of you was that you must come and
see the pitch because.
Speaker 2 (06:42):
Obviously he's going to get better. They're all, they're all great. Well,
we know that Phil's kind of hard on himself. Well
he is hard on himself. Shut up, But hey, can
we talk about this without referencing some guy's dick? I
didn't reference the dick, did I?
Speaker 3 (06:57):
Well, you guys are going to Yeah, you were kind
of reticent, is greg.
Speaker 2 (07:01):
I'm what I'm gonna say before I drive my fish.
Margaret Gray has gone, what are you gonna do?
Speaker 1 (07:06):
I gotta walk it off. Margaret Gray has just walked.
She's walking it off? And what she's what is she
walking off?
Speaker 2 (07:13):
Phil? I don't know something about Phil's dick?
Speaker 3 (07:15):
Good god, all my didn't see that general?
Speaker 1 (07:18):
All right, well, give me the microphone first of all,
I know what happened because I was there.
Speaker 2 (07:23):
Dickhead got it. Yes, So I asked Phil how did
the evening go?
Speaker 1 (07:27):
He said he didn't like the evening in terms of
his timing the development of the character. And then at
the end of the play there he was wandering out
onto the stage, still putting this prop on. So, without
giving the play away, let me just say this, it's
a terrific play. They had a sold out show. I
thought Phil did very, very well. But you know, he's
very particularly, very hard on himself. But he still encourages
(07:51):
you to buy tickets and come and see the pitch
we gave away. I think a couple of pairs this
week and throughout the run will begin way pairs of
tickets here on the Phil Henry Show.
Speaker 3 (08:02):
Now, one of the things mister Henry did say, if
I may go ahead, is that the way they've been
given he doesn't like the way they've been they've been
given tickets.
Speaker 2 (08:11):
What do you mean the way they've been given tickets.
Speaker 3 (08:13):
I mean the way mister Henry's been giving tickets out.
He doesn't like it. They want to make it easier,
they want to do it live, real time and that's
the thing. What do you want to do?
Speaker 2 (08:20):
Yeah, he wants to do a real time stream on
Facebook and as he is doing this stream, giving out
the tickets that way. All right, Well that sounds reasonable,
but I don't. That's up to Phil.
Speaker 1 (08:32):
And so we're simply reporting what we can. We just
heard there from Bob wishing them or whatever the hell
his name is. I forget you forget the guy owns
the I thank.
Speaker 2 (08:41):
You again, Bob for the chair he gave us. It's
a very comfortable chair. What is this a bar stool?
Speaker 3 (08:46):
I think it's like a billiard room chair, a billiard room.
Speaker 2 (08:49):
All right, Yeah, Margaret is now sitting in the most
comfortable chair we've got. I'm still sitting here on the
cement and Bud is he's squatting on what is that, Bud?
Speaker 3 (08:57):
It is a vegeiable creat.
Speaker 2 (08:59):
A vegeable Yeah, you mean a vegetable crate.
Speaker 3 (09:02):
Yeah, that's what I said.
Speaker 2 (09:03):
So that was a cret that that was a crate
that they have vegetables.
Speaker 3 (09:08):
Hey, general, very good, that's what I said. That started
over here.
Speaker 2 (09:12):
Hey, I'm simply e oh boy, this is gonna be
a long night unless you two chumps just let mama
take over.
Speaker 1 (09:18):
All right, Well, our first guest is a Broadway critic
by the name of Rolf Belong.
Speaker 2 (09:24):
Ralph. Oh, look at this. Look at these assholes over here,
right here. Okay, Margaret, quit flipping people off. That's how
I'm doing right there.
Speaker 3 (09:32):
It's great. Don't think they were honking at you.
Speaker 2 (09:34):
Really you see him drop his Look at that. He
just be a all right. One of the drivers you
just heard the horns honking. They might be listeners of
the of the show. I don't know, but one of
them just hung a ba out the window and it
looked like it was directed to you. Margaret, Yes it was.
If you use well, I better not say well.
Speaker 3 (09:49):
You're talking about if you use the anus, don't I didn't.
Speaker 2 (09:52):
Don't put a sock gag in his mouth. Godness great,
then don't talk that way. We have with the great,
the great Broadway critic, Ralph Bana. Is that his name? No,
it's Ralph. What is your name, Ralph? My name is
Ralph Bana Banah, all right, and Nolph.
Speaker 1 (10:13):
We met about fifteen years ago when I was doing
the last of the Chuckles run. That's right, Margaret, you
were doing the last of chuckles and you were about
to begin the Beacon Street I was, Yes, that was
a great period. I think we're very, very entertained by that.
Chuckles had that great song. You can't do that while
(10:33):
my mother's home.
Speaker 2 (10:34):
Was that the name of it it was.
Speaker 1 (10:36):
It was a fun little tune that was written by
Dickton Heat and.
Speaker 3 (10:40):
Guys name was Dick and Heat.
Speaker 1 (10:42):
His name was pardon me if you don't mind, Ralph,
that's okay, you mind, Hey, Bud, why don't you bug off?
Speaker 2 (10:49):
Go across the street and get me a beer.
Speaker 3 (10:51):
Yeah she said it. I didn't see the Dick and Heat.
Speaker 2 (10:54):
Dickton Heat. Yeah, no, we know who it was.
Speaker 1 (10:57):
It was a great song. And yeah, that kind of
set us off. That was a great, great fun play.
And then you segued into Beacon Street. Segue directly into
Beacon Street. God, you have a great memory. Well, that
was a a golden time for you and for I
think everybody on forty seventh Street in the Broadway district.
(11:17):
Every theater was sold out and had great, great plays,
great runs for everyone. So tell me, Ralph, you saw
the performance tonight, what you think?
Speaker 2 (11:26):
I thought?
Speaker 1 (11:26):
The pitch is a great play and well written, well acted,
it's a great story. I want to give a story away.
But you're right, Phil, Henry and I stay got his name.
Speaker 2 (11:39):
In h E n R y h g N d
R I E. Okay, I want to write it right
or aboo? You can? I ask you something? Are you
in some discomfort? No? Why what he has that? Because
it sounds like you're not able to breathe? Or no,
he's fine? No? Why I don't know? Never mind, look
at this guy. Is he's trying to choose me off
(12:00):
or something? No, he's not choosing you on. I don't
want to fight. Okay, that's good. If I did. If
I wanted to fight, i'd probably shove you into a
bag and throw you off that bridge.
Speaker 1 (12:10):
Oh really, so gentlemen, gentlemen, please all right, bug off, general,
all right, fuck a beer.
Speaker 2 (12:18):
They're gonna go get a beer. That's a good choice. Yeah, Hey,
you want some? You tell me?
Speaker 1 (12:24):
Well, look if you don't, Ralph, if you don't stop,
I'm gonna beat both of your asses so bloody it'll
take the police months, literally months, and DNA.
Speaker 2 (12:33):
Test after DNA test to figure out who you were.
Speaker 3 (12:36):
Oh my god, oh Jesus, Margaret, Dad, damn is great. Scared.
Where's he going?
Speaker 2 (12:41):
You've scared him off? Man, You're scared off Ralph Bana.
Ralph God damn it. Now we gotta take a break
because Margaret scared off Ralph Bana.
Speaker 3 (12:51):
Shit.
Speaker 2 (12:52):
This is the world Famous Phil Henry Show.
Speaker 1 (12:54):
Hi, this is Margaret Gray. We'd love you to experience
the Great Phil Henry Show. Backstage pass for less than
ten dollars a month, less than seven dollars a month
for the year, you can get thousands of hours of
Phil's radio Hall of Fame show, his great podcasts, and
all the other associated podcasts from Bobby Dooley ll cut.
Speaker 2 (13:11):
The next step.
Speaker 3 (13:13):
It was great to having a hard time breathing. Just
get a backstage pass today at the world Famous Phil
Henry Show, and I think you'll find it a relaxing
and a great deal of enjoyment can be had.
Speaker 2 (13:23):
All right, but you're relaxing a little too much. Get
a backstage pass, Listen to the thousands of hours of
the show, watch the thousands of hours of video, and
you tell yourself, you tell me, you go ahead, you
tell me whether it's worth it or not.
Speaker 1 (13:35):
The World Famous Phil Henry Show at Phil Henryshow dot com.
Speaker 2 (13:39):
The greatest value online.
Speaker 3 (13:40):
Out of porn. Ready set one, two, three, and let's go.
Speaker 2 (13:49):
And welcome back everyone. This is the world famous Phil
Henry Show.
Speaker 1 (13:53):
I'm Margaret Gray, and we're here on the streets of
New York, General Shaw and Dickman.
Speaker 2 (14:00):
Can we just back this up a little bit off
the street, Margaret, Margaret's chair is out right on the
edge of the gutter.
Speaker 3 (14:07):
Yeah, it was great. You're almost sitting in the gutter.
Speaker 2 (14:09):
I'm not sitting in the gutter. Let's move back.
Speaker 1 (14:12):
So we are here in New York and at a
rather busy time. And when I say rather busy time,
it's after midnight here on a Friday morning, So we're
actually actually a podcasting here.
Speaker 2 (14:24):
Ralph Bana, one of the great I would say, one
of our great.
Speaker 1 (14:29):
Critics, was chased off by Bud Dickman moments ago, and
it sort of hacked me off a little bit.
Speaker 2 (14:37):
Bud, I don't know. I just I just didn't dig it. Well,
what happened was I got into it with Ralph. I
said he'd kick his ass. I said I'd kick his ass.
He said he kicked my ass. Look, I'm with the show.
So if anybody's ass is going to get kicked as
a guest. I finally told Ralph the bug off.
Speaker 3 (14:53):
Yeah, as well you should have.
Speaker 4 (14:55):
But Ralph did see the show and backed up my
view that you did not have his best night as
he again, he was doing great until he walked out there.
Speaker 2 (15:07):
Struggling with that prop.
Speaker 3 (15:09):
Yeah, and it's difficult for people to understand and to understand, well,
what we're talking about when we talk about he's struggling,
because again, it sounds like he's trying to pull his
pants on, haven't.
Speaker 1 (15:21):
I want to be very clear so that everyone listening
right now knows that I'm being honest and that Bud's
a chump.
Speaker 2 (15:27):
But knock it off.
Speaker 3 (15:28):
Well, I'm not being a chump. I'm saying. If you
are not specific and you say, mister Henry was struggling
with a prop, it sounds like he tried to pull
a pant on.
Speaker 2 (15:37):
Trying to pull one pant on, Well you mean pants huh?
Speaker 3 (15:41):
Yeah?
Speaker 2 (15:42):
Okay. First of all, Bud, wardrobe is called wardrobe or costume.
Prop is a prop. I didn't say Phil was trying
to pull on wardrobe or trying to pull on his costume,
did I?
Speaker 3 (15:53):
Well?
Speaker 2 (15:54):
Did I?
Speaker 3 (15:55):
No, ma'am you didn't, right.
Speaker 1 (15:57):
I was saying that as Phil entered the came on
stage in the final scene, he was putting on what
was a prop, not technically a piece of wardrobe. So
I want people to understand as we continue here tonight.
Speaker 2 (16:11):
Phil, he wasn't trying to pull wasn't.
Speaker 1 (16:14):
Trying to pull his pants on?
Speaker 2 (16:16):
Yes, okay, anything else. No, I've one of the people
that's been in New York with us for all week,
but we haven't heard from him. Is doctor Jim Saddler
to evaluate the psychological strain of the appearance of Phil
in New York on stage and basically to evaluate New
York Doctor Sadler, you got into a fistfight today. No,
(16:36):
I did not get a fit fight. This is child
every one of you guys turning around and getting into fights. Well,
he says he didn't. No, I did not get it.
I had when they did.
Speaker 5 (16:46):
Now that they tell him, when I amount that to
tell when I did?
Speaker 2 (16:50):
He didn't?
Speaker 5 (16:50):
That mean you said what I told a guy who
was walking to close behind me, I said, you be
did not me?
Speaker 2 (16:57):
Okay? He pushed me.
Speaker 5 (16:58):
My nose went into a wall, so he pushed you.
You know, well, I pushed him for it. He was
breathing on me, and I told him, I put him
you okay.
Speaker 2 (17:07):
You got it. Looks to me like you've gotta it.
Looks to me like your mouth is wired shut. Yeah
then then yea, what is it with you guys? Every
time you get a no fight, your jaws are wired tight?
Speaker 3 (17:17):
Yes, well, probably a good good thing in doctor Sadler's case.
Speaker 2 (17:20):
Does that mean they can hey Saddler, Doctor Sadler, just
asking that man.
Speaker 1 (17:26):
We can't understand a thing you're saying. You're gonna have
to stop this interview, Doctor Sadler. You were walking and
someone was breathing on you.
Speaker 5 (17:33):
Then the man he was too close to me, and
I did we tell you? I did not being a
mean so and I jumped him. But I didn't think
jumming him to get him bend on me.
Speaker 3 (17:42):
You were simply shoving him to get him away from you.
Speaker 5 (17:44):
Yeah, and then he would be in you.
Speaker 3 (17:46):
And then he turned and he shoved you into a wall.
Yet me, he hummed in may think him in you
alone yet?
Speaker 2 (17:51):
So you're bright, what did you fracture your jaw? John?
Speaker 5 (17:54):
It's my bit of John boomed, But I said, I
asked the doctor Dewia.
Speaker 1 (17:57):
My Don said the interview, why would you ask to
to wire your shut?
Speaker 2 (18:01):
You're why am I shut? Why are your mouth shut?
Be kind of to be honest? Then, yeah, I really
didn't feel like coming on the program tonight. You didn't
feel like coming on this show? Yeah, so you had
the doctor wire your jaw shut? What is so funny?
Doctor Sadder, you understand if you don't want to be
on the show, just call us. I came all the way.
Speaker 5 (18:20):
I hadn't on the depth appointment at the handy that
then I had to have anything.
Speaker 2 (18:23):
So you are on the show even though you have
your walk your I have my walk. You have your
jaw wired. I was gonna see you have your wall
gired shut. What I'm what I'm saying is you got
your jaw wired shut. Yeah, I got my dew wiring
shut wired shut. Bang because a guy shoved your face
into the wall.
Speaker 1 (18:41):
Yes, well, now the wa the jaw got the wall,
his wall was gired, his jaw was gone.
Speaker 5 (18:47):
Dude, good him, God take look good of him.
Speaker 2 (18:52):
Let go of the market. I'm not squeezing his neck.
Yes she wasn't you people the Sigi Doctor Sadler, I'm
gonna let you go and go back to your apartment
and you can beat off one of the adholed him.
Speaker 1 (19:06):
That's me so as you can see the sea thing, folks,
this program has been a complete waste. Doctor Jim Saddler,
who didn't want to come on the show, purposely shove
someone so they'll shove his face into a wall. And
he asked the doctor to wire his jaw shut so
he wouldn't have to be on this show.
Speaker 2 (19:21):
Is that right, doctor Sadler?
Speaker 3 (19:22):
Mean, hey, doctor Sadmin, you can leave. I mean, what
are you hanging around for?
Speaker 2 (19:26):
Okay, shah Dickay, you don't have to call anybody a dickhead.
We don't allow that you just did.
Speaker 1 (19:32):
Oh anyway, point being that doctor Jim Sadler was going
to give us psychological evaluation of New York.
Speaker 2 (19:39):
I think he did.
Speaker 1 (19:40):
I think the worst brain in New York today is
doctor Jim Sadler, who told the guy to quit breathing
on him and shoved him, and the man turned around
and shoved doctor Sadler's face into a wall, bruised his jaw,
but it didn't really require having the jaw wired shut,
but he asked the doctor the wires jaw shut, so
he wouldn't have to be on this show, but.
Speaker 2 (20:00):
He showed up anyway.
Speaker 1 (20:01):
That's the kind of jack ball jackass, that's get there go,
that's the kind of jackass and ball jack.
Speaker 3 (20:08):
Yeah, he's these ball jack all the way.
Speaker 2 (20:10):
Well, get out of here, Saddler, Doctor Sadam, did you
fly all the way to New York to be with us?
Speaker 3 (20:14):
No?
Speaker 2 (20:15):
No, I actually here this him and that everybody. What
are you at the same seminar with Turner? Yeah, the
jolkit content. So doctor Sadler is here at the same
joke writing contest to doctor Tarner's. Apparently doctors are in
joke writing contests these days. This one is a for.
Speaker 3 (20:29):
Astrophysicists in the anthony and the pe bean, the bean bean,
the pinking beans, or the pc bean pcp oh Primary.
Speaker 2 (20:38):
Care Physician joke writing contest. Right, yeah, all right, well goodbye,
get lost. Come here for a minute. I didn't mean
to see oh never touched him, and dang, here here's
the twenty k you. Oh she slips your twenty so
you fink like you got slapped and me mean so
as you can see, No, I'm the host, remember that's right,
(21:02):
So as you can see. This is one of the
most acidine shows that I've ever been associated with. And
we've come three thousand miles to witness Phil Henry's Broadway
Off Broadway debut in the Pitch. Hopefully we'll get Phil
on the phone at some point. He'll be back tomorrow.
I guess, right, Bud.
Speaker 3 (21:18):
Yeah, mister Henry said he just wants to He just
wants to stare, lie and stare at the ceiling for
a night.
Speaker 2 (21:23):
Well, it wasn't. I thought it was very good. But
from what I heard from Ralph Banna and of course myself,
Oh you were there, yes, what I told you. Oh,
it was not a bad performance at all.
Speaker 1 (21:33):
It was very good. And I do recommend the play
the Pitch because everyone else, even if Phil, as Phil
put it, even if Phil sucks what he calls an
entire nest of field mice, Jesus, Jesus, the play is fantastic.
And of course Phil did not suck, but in his
mind he did.
Speaker 2 (21:52):
I thank you. Yes, The world famous Phil Henry Show
has been executive produced by Phil Henry, even though he's
not even here. Executive moves by Film Henry for Semprey Incorporated,
Alrights preserved on iHeart podcasts. Doctor generals, I mean, I'm general, doctor,
I'm doctor, I'm general, I'm I'm I'm demil that, I'm
(22:12):
Margaret Gray. Thank you, you idiots.
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