Episode #3599 The New Phil Hendrie Show

From show curator Rory MacLeod comes the family that personally and financially tortured Ted Bell. It’s time for the small-time degenerate gamblers that almost owned Ted’s of Beverly Hills. It’s time for “The Best of the Dunphy Brothers.” Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…

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Episode Transcript

Speaker 1 (00:00):
Hello everyone, This is Margaret Gray. Phil's throat is trashed.
It is completely worthless. Having done two hours two and
a half hours of his play, the play Tom Alpers
the Pitch at the Actors Temple Theater, it was a sellout, Frank,
and I have tickets for the twenty sixth that will
be on I think that's on Friday.

Speaker 2 (00:21):
Night, Frank. You know.

Speaker 1 (00:24):
Anyway, My sorry, I asked you that question, Frank, So
we'll be there.

Speaker 2 (00:29):
Hope to meet you there in any event.

Speaker 1 (00:32):
Having said all of that, the real reason why I'm
here is to tell you about the world famous Phil
Henry Show. Backstage pass to the website. The Phil Henry
Show website is the home of thousands of hours of
Phil's radio Hall of Fame show, his net casts, all
of his video casts showing Phil performing The Phil Hendry Show,
as well as the home movies of the Henry family.

(00:52):
There are also podcasts from Bobby Dooley, El Caught, the
Next Step, the Milwaukee Lions, and others long and short
form comedy. I'm a lot of different places. You can't
afford to miss the world famous Phil Henry Show. So
guess what you won't e what a dickhead thing to say.
I had a kick, Ol, I didn't touch him.

Speaker 2 (01:10):
You didn't touch me. The world Famous Phil Hendry Show
at philindryshow dot com the greatest value online other than porn.
The following is a world famous Phil Henry Show odcore presentation.
I did a bload by doze.

Speaker 3 (01:23):
You're at Teds of Beverly Hills. Of course, this weekend
we playoff football rezooms in the primary room. Come on in.
If the Dumpy brothers are here, you don't have to
talk to them. That's my business. I don't know who
had decided to open their big fat fazoo on that,
but that is really dirty pool.

Speaker 2 (01:38):
You told me about it.

Speaker 3 (01:39):
I don't care if I told you about it. Because
the dumpies came into night and the speculation as to
whether or not they are affiliated with the organized crime.
Oh man, do you understand that that could get me dropped?
Those guys have nothing whatsoever to do with organized crime.
And you say something like that, Phil, you could get
me dropped down a manhole and washed out to see

(02:02):
and I become just something else floating in a harbor.
And someone says, well, look at the colorful booi that
they have this year. Oh, I'm sorry, that's a man.
You don't feel it?

Speaker 2 (02:11):
Well, wait a minute, whute. If they're not with organized crime,
what are you worried about?

Speaker 3 (02:15):
They're not with organized crime. These are two very dear
friends of mine, very close dear friends.

Speaker 2 (02:20):
And so if I happen to mention, by mistake or
speculate that they are with organized crime, you'll wind up
getting dropped down a manhole, washed out to see, and
turned into a human booy. Yes, I don't understand that.
How's that possible? Well, Phil, if you insult a man, naturally, there's.

Speaker 3 (02:38):
Not at Margaret, You know exactly my thinking on this.

Speaker 2 (02:41):
Yes, there's not much he can do. If I insult
a man and.

Speaker 4 (02:46):
You say that he's a part of organized crime, what
else can he do but knock you out and throw
you into a manhole.

Speaker 2 (02:55):
But he's not a criminal. Yeah, you've made him a
well you've you've given him a criminal instinct that he's
trying to fight against. Yeah. Oh you know what you
guys are nuts and nuts is just the beginning.

Speaker 3 (03:08):
Well, you could call me nuts, but I know the
dun Fees. Both of these guys are sweethearts. And even
if they were associates of a crime family or syndicate
or crew or whatever you want to call them. I
don't know anything about it. Even if they were, I
certainly wouldn't be talking about it on the radio. Is

(03:30):
such a grandiose and cavalier manner as you have done
this evening, risking me getting yes knocked out, thrown in
a manhole, washed out to sea, and I'm bobbing up
and down like a human boy. All you got to
do is put a flag on top of my head.
And people would say, there's the three mile marker. And
I don't think that's funny.

Speaker 2 (03:49):
Philm And it's funny to me, Oh oh is it no?
Just the image that you have just now portrayed.

Speaker 3 (03:56):
Oh well, I don't think it's funny. I've got a
wife and a son. You think my son thinks that
funny when I talk about Daddy bobbing up and down
with a three mile marker on him?

Speaker 2 (04:04):
Yeah?

Speaker 4 (04:05):
Well, I mean Ted, Look, you were, you were doing
fine until you brought it up. The point Phil, I
think we're trying to make is uh Ted has.

Speaker 2 (04:13):
People to go into that restaurant.

Speaker 4 (04:15):
Uh, there's no question that there are some would you
agree Ted that there are some shady people.

Speaker 3 (04:20):
What are you trying to do to me? Ted, I've no, no, no, no,
what are you trying to do to me? I got
a business in some of the biggest weekends we have
throughout the year. We have football, we have families coming in,
we got the holiday season. We just had Thanksgiving, We've
got we've got Christmas coming up. People like to come
in here for a stake, And you're talking about the mafia.
What the hell am I signing up for here? Henry?

Speaker 2 (04:43):
You're you're absolutely right. It's it's it's wrong to speculate wrong.

Speaker 3 (04:47):
You're gonna get me killed. You're gonna get me killed,
You're gonna get me run over repeatedly. These are regular
business people. Uh. They love the gamble. Yes, I play
some bets with them. I don't want anybody to think
that I'm not doing anything illegally. I do it through
their sports book in Las Vegas, Dunfee Brothers, and I

(05:10):
think that's what it's called. I know there's an office
I go into, there's a door that I go through.

Speaker 2 (05:15):
Well is it legal, Yes, it's legal.

Speaker 3 (05:17):
It's in Las Vegas. It is a sports book.

Speaker 2 (05:21):
Well, what does it say over the door.

Speaker 3 (05:23):
What does it say over the door? I think it
says something like Canyon Boulevard. Is that all right with you?

Speaker 2 (05:27):
Well, what's the name of the sports book?

Speaker 3 (05:30):
No, it's the Duffee Brothers. They just I don't remember
what's I think it's the Duffie Brothers. You go into
an office, there's a guy that opens a door for you,
you go down into a cellar, and then I think
you get on a boat. I'm kidding, No, it's it's all.

Speaker 2 (05:44):
Let's forget about that for a minute. Let's talk about
the fact that you've you've been taking phone calls and
we have to an email about whether these guys are
are are crooked?

Speaker 3 (05:53):
Bill, You're gonna get me killed?

Speaker 2 (05:55):
Okay, how can you be killed? If they're not mobbed up.

Speaker 3 (05:59):
There's they'll kill me. That kind of thing will tournament
into a killer. In other words, they're not mobbed up.
They're not connected. But if people keep saying that they are,
then they'll say, well, I might as well then go
ahead and kill this guy because my life's over, my
career is over. Everybody thinks that I'm mobbed up in
the end, that I'm a ubopia.

Speaker 2 (06:18):
So in other words, they're not criminals. But because the
rumor is out that they're criminals, they might as well
go ahead and kill you because they can't do a
they can't have an honest living. Now that the rumor
is that they're criminals, is that it? Yeah, that's it,
And you believe that.

Speaker 3 (06:35):
I don't know what I believe. All I know is
that these guys have got an arrest record. Yes, were
they caught on wiretaps? Yes? Does that mean they're criminals?

Speaker 5 (06:45):
No?

Speaker 3 (06:46):
All right?

Speaker 2 (06:46):
Were they they were convicted? Were they not of anything?
I mean, were they convicted of a crime? Did they
go to jail?

Speaker 3 (06:51):
I don't think they've ever been convicted of anything that
was violent?

Speaker 4 (06:56):
And did you hear yourself down now saying well they
went committed to anything violent? They've they've been to jail,
they've been arrested, But they're you're beginning to qualify these things.

Speaker 2 (07:09):
But Ted, let me ask you, the Dunfied brothers, now,
by virtue of their last name, I'm going to assume
that they're not they're not made.

Speaker 3 (07:18):
Wait a minute, we're not talking about whether they're made
or not. They're not even they're not criminals.

Speaker 2 (07:23):
Okay, Well, are they associates.

Speaker 3 (07:25):
Oh, well, you guys have been reading too many comic books,
are they associates? These guys are just a couple of
business people that come into my my restaurant and they
say how you doing ted?

Speaker 2 (07:37):
And uh, didn't someone see one of them grab you
by the coat and pull you into the back?

Speaker 3 (07:42):
Did someone see one of them grab me by the coat?
I'd love to meet the guy that saw that.

Speaker 2 (07:47):
Okay, well, I think he gave a statement the police.

Speaker 3 (07:50):
He gave a statement to the police. I remember, okay,
I know, yes, all right, yeah, no, no, you got that. Yeah,
I remember that guy. What I remember him? He was
some nosy. Oh I won't let him in my restaurant again.
H was Uh?

Speaker 2 (08:05):
Well, it was Frank Gray. It was Frank Gray, as
it was you're talking about my husband. That's right.

Speaker 4 (08:11):
He saw the Knight. One of them grabbed you by
the coat and refed you up in the kitchen.

Speaker 2 (08:17):
I think, no, no, no, no, no, here's the look. It
was Frank Gray, and you're calling him nosy.

Speaker 3 (08:24):
I'm saying that, Frank, did you get me on the
program Tonight's pill to make me look like I about
one hundred yards of ass is that what you're trying
to do, because you're succeeding.

Speaker 2 (08:32):
No, I just wanted to allow you the opportunity that
you asked for to explain your relationship to the Dumpy Brothers.
Now we've got a guy who's seen this, and he
happens to be a guy who is closely associated with
our show, Margaret's husband, Frank.

Speaker 3 (08:46):
All right, Frank. You know Frank is a wonderful guy.
I love him dearly.

Speaker 2 (08:51):
Yes, but you said he was a nosy so and
so I didn't.

Speaker 3 (08:55):
Know it was Frank you were talking about. I thought
it was somebody else, and and it sobody. If there
was somebody else there knows you if it's Frank, thank
you know, thank you Frank for looking out for me.
But I can assure you, Frank, wherever you are, that
I'm fine. That they had dunkies. If they did grab
me by the coat and pulled me into the kitchen,
it was probably they were being enthusiastic about some kind

(09:16):
of a I don't know. You know, well, why.

Speaker 2 (09:18):
Don't you Why don't you get Frank on the phone.

Speaker 4 (09:20):
Wait, wait, hold on, General, I'll do that. Get Frank
on the phone, would you please?

Speaker 2 (09:24):
Should who's who should I see? What? Well? Who should I?
Who should I obey? Who should you obey? They both
asked you to get Frank on the phone. Yeah, which one?
Just get Frank on the phone me. Okay, No, You're
not the one obey me. I'm the one that said
it first, though. Are you people crazy or something? Get
Frank on the phone.

Speaker 3 (09:45):
You know, Phil, this is why you want to just
get out of radio and not go into the restaurant business.
But just go into the restaurant. Just lived in my restaurant.
Just come in here and sit and eat and drink
until you die. That's what you should do. I think
that's the way you should in your retirement. Get out
of radio, come in here, and with whatever money you
have left, eat and drink till you die.

Speaker 2 (10:06):
You have no idea how good that sounds to me
right about now?

Speaker 3 (10:09):
Oh? Yeah?

Speaker 2 (10:10):
Is that so you want to sit and blimp out?
You want to go down to Ted's Beverly, Teds of
Beverly and blimp out, drink and eat until you blimp
Huh yes, drink and eat until I blimp You got
him here? I really had Frank Gray on the phone
here who witnessed one of the Dunfie brothers grabbed Ted Bell.
You're saying, what Ted, I'm.

Speaker 3 (10:30):
Telling you that the knight that Frank saw me being
grabbed by it wasn't grabbing me. He was saying he listen,
I'm gonna tell you. And he grabbed me.

Speaker 2 (10:37):
And as he grabbed you, he you know, pulled you
into the kitchen. You hit your head against the door.

Speaker 3 (10:42):
Well that was me, that was you. I was clumsy.
So whatever, Frank, Hey, Frank, you there, I'm right here.
Whatever you think you're gonna say. What they called me.
They caught me up and they wanted me to come on,
and I'm here. I don't know what what you want
me to say to her, But I saw you Ted
and the boy. It was a couple of bod got

(11:03):
to tell you about maybe three months ago and one
and it was uh Lee Dunfie and she grabbed you
by the lapel and she it was I'll tell you
what it was. It was right after that Boston game
in the World Series, and it didn't come out good
for Boston, I can tell you that much. And uh

(11:23):
and then Dunfey grabs you and pulls the fell pulls
her into the and I hear them yelling, and I
hear her saying, what do you want from me? And
then I hear the other one say, I'll tell you
what I want from you. I want the rest of
that role. And she slapped her okay.

Speaker 2 (11:40):
So uh who slapped who?

Speaker 3 (11:42):
Lee dunfee slapped Ted Bell And then she comes out
of the back going ah or I don't know.

Speaker 2 (11:48):
Oh, come on, Frank, don't exaggerate.

Speaker 3 (11:50):
No, I saw Ted. Didn't you come out of the
back crying? And she followed you out. We came out
of the back corner. I didn't come out of the back.
If my face was read, it was because I was
probably embarrassed. I told a joke and it was a
crude joke and the guys didn't laugh, so I was
probably my face was probably read. Let me ask you

(12:12):
a question. Does your face also swear up to twice? Boy?
I'll tell you all right, I guess I'm I'm I'm
having a hard time breathing thinking back on that night.
Does your face swear up to twice its size when
you tell bad jokes? Oh? Isn't that fair? It's cute?
Ha ha ha ha ha ha ha ha. You know
what I'm saying no, no, no, no, Wait a minute, the laugh

(12:34):
machine doesn't get it's not finished. Ha ha ha ha
ha ha ha. Let me put another quarter of the
laugh machine.

Speaker 2 (12:40):
All right, ted, fine, have.

Speaker 3 (12:42):
We ever had anybody performing live at a restaurant? No
we have not, so uh.

Speaker 2 (12:46):
That's what we thought.

Speaker 3 (12:46):
Okay, well that's what you thought, and you're right. So
tonight is going to be a special night as we
bring on the great George Dunfee and Tony Dunhee, the
singh Forst. George is going to take the stage. As
a matter of fact, George is taking the stage right now. Hey,
here he goes George Dudby. Ladies and gentlemen on the
pas of Beverly Hill say to the sea, being very

(13:07):
happy to have him. Here we go.

Speaker 6 (13:08):
You knew Susie Guy, I know Susie.

Speaker 5 (13:12):
Oh oh yeah, hold on a girl that's done so classy.
G bear Lassie, Oh ohice me wana Chaussey.

Speaker 7 (13:24):
We run right, George and bought home from yachtas I
no one of how to walk.

Speaker 6 (13:31):
If you knew Susie Guy, I know Susie, Oh oh god.

Speaker 7 (13:39):
All right, that is a fantastic, fantastic even in that
here is George Dudby, all right, dang, and Tony's up next,
Red George, Tony coming on next, Tony and just abu
there you go, Phil, What do you think?

Speaker 3 (13:55):
What are you? Margaret?

Speaker 2 (13:57):
I thought he was one of that's George, that is George,
and I think now let you gotta be on. Did
you have George on there because you owe money? Yes?

Speaker 3 (14:05):
Or no?

Speaker 2 (14:06):
Don't screw around?

Speaker 3 (14:07):
You know you are really something? General, you really are.
Here's a guy.

Speaker 2 (14:10):
No, let's just yes or no? Why would you think that, Phil, because.

Speaker 3 (14:17):
Don't say it. Man, don't do it, Henry, don't do it.
You know, if I if I did all the money,
if if and that's a big if, if I did
all the money, do you think they want to turn
their radio on out in the car right now? Which
is I know where they went. They ran out to
their car to turn the radio on to hear how
you're covering this. Do you think they want to hear
themselves being described as what you're about to say?

Speaker 2 (14:39):
Though I didn't say, I said it was. It was wonderful.
It was wonderful, general, Yes, it was it was great.

Speaker 3 (14:47):
All right. Now coming up next is Tony Porter. I'm
gonna have to Tony Dunfie, I'm gonna have to go
out there as a matter of fact and saylo and
you know, kind of grease the wheels a little bit
out there. So uh, let's see hold on for a minute. Say, okay,
I just I is there.

Speaker 2 (15:01):
A way that you can be on the air without
the Dunfies listening?

Speaker 3 (15:04):
You saw them come to the front door. Okay, what
do you want?

Speaker 2 (15:07):
Well, here's what I want.

Speaker 3 (15:08):
Okay, Well, don't be sarcastic, Phil.

Speaker 2 (15:11):
But still wants to ask the honest question. Look at Ted,
that wasn't that great? What's going on?

Speaker 3 (15:17):
None of your business? None of your business?

Speaker 2 (15:21):
Do you think that's great? Singing?

Speaker 3 (15:22):
I think it's good. It's great. Yes, it's good. It's great.

Speaker 2 (15:26):
It's good. It's great.

Speaker 3 (15:27):
It's great. It's good. It's good, it's good. It's grief gorod.

Speaker 6 (15:32):
Is it good?

Speaker 2 (15:33):
Or is it greater? Or is it bad?

Speaker 3 (15:34):
It's great, it's great, it's great. Yes, you guys want me,
you know what you want. I know what both of
you guys want. You want me to be reported in
the news tomorrow, turning up at the bottom of the
La River with two broken legs, broken arms, a broken nose,
a broken jaw, and a broken heart.

Speaker 8 (15:52):
That's what you want, yeahs, doll, We're not trying to
say anything like that. Only want to know what the
truth is.

Speaker 3 (15:58):
Look, dickman, you can't in the world. Here's a Jack
Michaelson or whatever. That guy Nicholson, the guy who I
sit next to it the games. You can't handle the truth. Okay.

Speaker 2 (16:06):
By the way, when you say you sit next to
Jack Nicholson, is that at Laker games?

Speaker 3 (16:09):
I forget now. I don't know what game it is
that the Lakers the Clippers. It might be a Kings
game forra Al I know, it might be an La
Cobra game forra Awl. I know. But the point that
I'm trying to make with both of you knuckleheads, excuse
me for saying this general.

Speaker 2 (16:20):
I don't need to be called a knucklehead. Mike. Let
me tell you something, Bell. I know bad singing when
I hear it.

Speaker 3 (16:25):
Well, you know you don't, because that was great. I'll
tell you what. Hey, Hey, George, Yeah, why'd you get
out in ladies? I'm George, get out and sing us
one more? Okay, Hey, how about ancore ladies and gentlemen
for a great great friend of ours, mister George George
huntfy huh yeah, and George George going out out there. Baby,
I want to hear you doing it again.

Speaker 6 (16:45):
Whoa Susie, Well I know, Susie.

Speaker 3 (16:48):
Yeah, oh oh oh.

Speaker 6 (16:57):
Oh ouch goodness, me want to shouting? We want.

Speaker 3 (17:03):
How about that lady coming up? How about that lady.

Speaker 6 (17:07):
An Susie, Yes, Susie.

Speaker 3 (17:12):
Oh oh yeah, wha man, I'll tell you that that's
just I think that anybody that says that isn't good.
Anyone that says that that is as good is gonna
come by me. I'm kid.

Speaker 2 (17:26):
Now, let's just do this and get through it.

Speaker 3 (17:28):
Well, Margaret, it's not like somebody has got to excuse me, Margaret.
But it's not like someone's probing you with a rubber
glove and saying, how's the prostate feeling? You don't know
what that's like. I do, Phil does, the general does.
And what Phil's doing is the equivalent of a rubber
glove on a finger. And let's check that prostate. Oh
does that hurt? Sez. You don't know what that's like,
all right?

Speaker 2 (17:48):
So I don't know what it's like, all right.

Speaker 3 (17:49):
So if somebody were to rubber glove. You put their
finger up.

Speaker 2 (17:52):
Okay, Ded, we got it.

Speaker 3 (17:53):
Now hold on, hold on, Tony, how you doing. You're
looking beautiful, Tony tentf You just want by me?

Speaker 2 (17:59):
And uh, do is he gonna sing?

Speaker 3 (18:02):
No, he's not gonna sing. He's gonna juggle. Yes, he's
gonna sing. Tony Denty just walked by me. Phil he's
a he's George's son. Okay, the kid is he's a
good looking kid.

Speaker 2 (18:12):
Uh all right, so we'll we'll give you all the
props you need.

Speaker 3 (18:16):
I appreciate that book. It's gonna be fantastic. What do
you think of George?

Speaker 2 (18:19):
Yeah, he was great. He was great.

Speaker 3 (18:21):
I thought I thought there was seth. It was very peppy, right,
it was very peppy.

Speaker 2 (18:25):
I like the whole you knew it's very nice, you know. Yeah,
that was a that was an Eddie Kenner song. Who
that wasn't Eddie Kenner?

Speaker 3 (18:33):
I don't know who the hell out? But I thought
it was very peppy. And uh what's that George? Yeah?
Great stuff? All right, So Tony's gonna come out. I
gotta wi so hold on, let me go ahead and
do this, and uh, hey, everybody, my name is Ted Bell,
and I want you to welcome now on the show
a great guy. This is the son of George and
he's about to sing a son. I know you're all

(18:54):
gonna love this one. It's called what's you called? Johnny?
They love you, I honor love you here he is. Yeah, Yeah,
let's do it, baby, let's do it.

Speaker 6 (19:16):
Then, I should we both know.

Speaker 9 (19:20):
I got somewhere else to go. Yeah, you got something
to tell you, quite that.

Speaker 6 (19:29):
I never thought I would, but I believe you really
ought to know. I love you, I.

Speaker 9 (19:44):
Honestly love you.

Speaker 8 (19:46):
Yeah.

Speaker 6 (19:47):
Yeah, you don't have to answer. I see it in
your rast challenge.

Speaker 9 (19:56):
Maybe it was better left unsat.

Speaker 3 (20:00):
Oh God, where it's.

Speaker 9 (20:03):
Pure and simple. You must realize that it's coming.

Speaker 2 (20:11):
You can hear you.

Speaker 9 (20:16):
I love you, I honestly love you.

Speaker 2 (20:23):
Jesus.

Speaker 9 (20:26):
I'm not trying to make you feel uncomfortable. I'm not
trying to make you anything at all. But this feeling
doesn't come along every day.

Speaker 6 (20:45):
And you shouldn't blow the chance.

Speaker 9 (20:49):
When you've got the chance to say I love you,
I honestly love.

Speaker 2 (21:02):
I'm afraid so yes, here it is.

Speaker 6 (21:05):
If we both were born.

Speaker 9 (21:08):
In another place and time, this moment might be ending
with a kid, but there you are with your.

Speaker 6 (21:21):
Dam with one, so I guess we'll just be leaving it.

Speaker 9 (21:31):
I love you.

Speaker 6 (21:33):
I'm ruined, I honestly where you're going?

Speaker 3 (21:37):
Where you going to? Shut out? Shut out? Okay, drinks
are on me. You too? You sit down? You you
you Holly, you out there, shut out day. That's great,
that's great.

Speaker 2 (21:47):
What happened was last night at the not last night
this morning at tends of Beverly Hills, somebody had hung
from what looked like I don't know, maybe it was
just a makeshift scaffolding of some kind, do you know
what it was?

Speaker 3 (22:01):
Well, and we talked to you, Ted beller Or and
i'd show He said, well, I want a Beverly Hills
Police in on this. I said, well, it's good, mister bell,
but we can't certainly aid the Beverly Hills police. And
when I showed up, I immediately a bline because I
had heard what was going on in the program last night,
and when I heard the dumpies was burning effigy, I

(22:21):
immediately suspected it might have been a bus boy, could
want to servers or something like that, probably even want
to people who had been serving that night. Now, we
do know that Rudy Canosa, who is well known to you,
mister Henry, does do part time bartending at Ted's Beverly Hills,
has turned out miss Carnos who buzz at Ted Beverly

(22:42):
Hills last night doing part time bartending. I have been
in touch with him. He is going to, I understand,
be calling here momentarily to talk a little bit with
us about it.

Speaker 2 (22:55):
So all right, So, Rudy Canosa, you suspect I have
actually I'm pretty sure he did do it.

Speaker 3 (23:02):
Uh and I have currently certain that he's been talking
Beryl Hills Police.

Speaker 2 (23:07):
Well, then this is very good detective work on your part.

Speaker 8 (23:10):
Thank you.

Speaker 3 (23:10):
I appreciate that very much.

Speaker 2 (23:13):
You found out that it was Canosa.

Speaker 3 (23:15):
I did some canvassing. I did some questioning when we
saw that it was the Dumphy brothers burning effigy.

Speaker 2 (23:21):
How did they do this?

Speaker 3 (23:22):
Well, they set up some kind of a makeshift scaffolding
on the back of a pickup truck. It was somebody's
Ford Ranger, and they put a scaffolding up and they
had two dummies that are pretty badly done to two
pretty cheap, cheap looking dummies that they stuffed full of
clothes and old newspapers. And then they put a sign

(23:42):
around George Dumphy that said, I My singing stinks, and
so did and so does his, with a sign around
this kid, Tony Dumphy, and uh, and so does his?

Speaker 2 (23:56):
Was on this sign around the kid's neck.

Speaker 3 (23:58):
That's right, yeah, so around George the George around the
George dunfee effigy had said, my singing stinks, and around
the kids effigy Tony Duffy's afigy had said, and so
does his.

Speaker 2 (24:10):
And well what does that mean meaning Tony's?

Speaker 3 (24:13):
To me, it sounds like both signs were referring back
to George.

Speaker 2 (24:16):
No, obviously they was referring to Tony. But whoever made
the signs was brain dead, just like they were brain
dead burning them in effigy. How long did it take
for these things to burn?

Speaker 3 (24:26):
Well, it took They were full of newspapers, so it
took about like two minutes.

Speaker 2 (24:31):
And two minutes was there anybody there to see it?

Speaker 3 (24:33):
Not really. A passing motorists got a picture and when
they got out to run over, both dummies were burned.
The only thing left was like a pair of shoes.

Speaker 2 (24:43):
And underwear and underwear.

Speaker 3 (24:46):
They made underwear, the underwear that was all the shoes
and the underwear of the dummies.

Speaker 2 (24:50):
Are you telling me that you ever made these dummies
took the time to put underwear on them, ma'am?

Speaker 3 (24:56):
You know, miss Ray, I'm not. I'm sure about you.
But when I get up in the morning, I put
on underwear.

Speaker 2 (25:02):
Yeah, a dummy doesn't need to wear underwear. It's a dummy.

Speaker 3 (25:06):
I don't know, misseur. I'm telling you this. Two pairs
of shoes, two pairs of wingtips, and two pairs of
brief underwear were was the only thing remaining from it.

Speaker 2 (25:17):
But it might have been what they used to stuff it.
What the underwear?

Speaker 3 (25:21):
No, the under what do you mean stuff it? This
is the underwear it was the dummies was wearing.

Speaker 2 (25:25):
How do you know, man, you weren't even there. You
didn't see them burn up?

Speaker 3 (25:27):
I'm using my police detection skill.

Speaker 2 (25:31):
Shit, all right, do we have him on? Yeah?

Speaker 8 (25:35):
Oh no, mister Cans, Yes, Bud Dickman. Well, I mean
he said, where are you right now, Miss Canoza?

Speaker 2 (25:42):
Right now? Is at home? Yeah?

Speaker 6 (25:44):
Phil wants to talk to you.

Speaker 2 (25:46):
Hey, how you doing there, buddy, Rudy? Is this is
Phil hen are you there? Yeah?

Speaker 3 (25:51):
Then for a minute, turning up music? Done? Ganina Kanina?
My girlfriend is there? Canana is there? I having a
good time. How you doing baby yet? Yes? Feeling right here?

Speaker 2 (26:01):
Okay? Jay Sato so the citizens Auxury Police on the line, Jake, Yeah.

Speaker 3 (26:05):
Missus Canosia, how are you? I want to ask you
just a couple of questions. When I determined that you
had burned the daffies in effigy, First of all, you
could not what is that? Hold on for a minute,
you guys want to turn that down? What's that? Team twfteen? Okay,
I'll be right over it, mister Canosa. When you could

(26:25):
you turn that music down? I tried to get my
girlfriend Connina, my darling, La la la la la la. Yeah,
you turn the music down, my love. She's dancing. She
loves to dance because it frees her spirit. Yeah, well
go ahead, I can hear you all right? What's kind
of distracting to me?

Speaker 2 (26:42):
Hey?

Speaker 3 (26:43):
What do you want from me? When I determine it
you had burned in an effigy. Let's be clear here.
The Beverly Hill Police determined that I had burned them
in effigy because I went to the Beverly Hills Police,
and I confessed.

Speaker 2 (26:53):
Oh you confessed to.

Speaker 3 (26:54):
It, Yes, I confess to it. I am not a
filthy lawbreaker. I did what I did because of that
out of emotion, because the music stunk so so bad
that Yeah, baby, Kanina, you are like my you are
like my muse. You are my muse. You're like an angel.
Laha la la. Wow. Is this gonna take long? Man?

(27:15):
I got to get off this phone.

Speaker 2 (27:16):
All right, We'll let you go. I just want to wait.

Speaker 3 (27:19):
Hold the phone here, Rudy, I'm the one that determine you.
It'd been the one that had burned him in Affajay. No,
I'm afraid not. Jay. You couldn't you know. I love
you and I think you're a great asset to the community.
As a cop. I don't think you could find it
with both hands. There's no way, there's no I quite
told the Beverly Hills Police that I am I alone,

(27:39):
I Rudy Canos. I was the one to burn and
I burned it. All right.

Speaker 2 (27:43):
Now, what did the cops do?

Speaker 3 (27:44):
They find me? They actually placed me under rest for
a public like, I don't know, danger to society, some
bullshit like that.

Speaker 2 (27:51):
I don't know.

Speaker 3 (27:52):
That's a baby. Go go, baby go. I got to
get off the phone. Man, my canina. She is swirling
the night away here I saw at Does that cot
more questions for yes?

Speaker 5 (28:01):
All?

Speaker 3 (28:02):
No? No, no, Jay, I've got no more question to
answer for you, I answered. I talked to Beverly Hills police.
They said I were going to find you, and I
said yes, And I burned a effigy because the music
was wrapping.

Speaker 2 (28:13):
And now did you talk to Ted Bell?

Speaker 3 (28:16):
I talked to Ted Bell this morning?

Speaker 2 (28:17):
What did he say?

Speaker 3 (28:18):
We mutually agreed that I should no longer be employed
at uh Ted Beverly Hill. I said to him, I
am sorry, Sed, but if that's what it is, I
do not regret my actions because I and I alone.
Rudy Caulosa burned the dun fees because they stink. And
he said, you know, between you and me, I understand,
but I'm most legical because the dunt Fees are value customer.

(28:40):
I said, hey, you know what, I have had a friend.
I said, I gotta I got bigger fish to fry jack,
you know, so I let him go. You know, all right?
So in my determining, you didn't determine. Didley squat Jay, Yeah,
I did, Yeah, I did. Yeah. You can see what
you want. Don't make any different for me, but I did.
I knew it was you. And then I saw this
dummies burn up the man. I saw dummy up, I said,

(29:01):
I know who the guy was. It was that guy.
We call it really Canada because you, you know, don't
like the rotten music. Who likes rotten music? I am
in the bar, though I was. I was a prisoner
of the rottenness of it, listening to this god and
every time a woman went by and I go good night,
missus h missus Foster was in and I saw, I

(29:23):
saw so many people that I know, and I said
good night, and I'm going a la la la, la
la la. They couldn't hear Jack because these two fruit
loops with that. If you knew, Susie, I was about
ready to come out of my shorts and I finally said,
I really cannot have this. I can't take this any longer.
I took off my apron, I took off my bartender
vest I took off my final shoes. I took off

(29:44):
the official tens of Beverly Hills Final vest I threw
it against the window and I said, I I am
going to leave. I cannot be treated like a piece
of garbage like this. And I left. And as I left,
I looked back and I saw young Marissa, who is
the hostess, who was always my favorite. I said, Marissa
from Ruy Crosa. I said to you this ala and

(30:06):
she went, Rudy, you know what they all do?

Speaker 2 (30:09):
How you doing, buddy?

Speaker 3 (30:10):
I Phil?

Speaker 2 (30:11):
Uh So, Emeralda has an opportunity to open for the
Dunphy sisters.

Speaker 3 (30:16):
Well, we'll see what kind of an opportunity it is.
I taught. I was very happy to talk to Rudy
and to you know, find out the particulars. And he said,
would you call Phil? And I'm happy to call. But
he said, you have a tape of these girls and
I can give it a listen.

Speaker 2 (30:33):
Now is he asking you? Is he asking Emeralda to
open for them?

Speaker 3 (30:37):
Yeah, Emeralda is a headliner. She does not usually open
for people. But Rudy is telling me that this is
a very you know, it's a special gig. And these
these Dunphy's sisters. I realized that the sisters of some
guys that are perhaps not the most oh I don't
know the most reputable guys, but nonetheless they are sisters
of these guys, all right.

Speaker 2 (30:57):
I don't I can't vouch for how well they sing.

Speaker 8 (30:59):
Let's up, but put them on right now, and you
you decide, you know, you decide, I mean what you
say in the movies.

Speaker 2 (31:05):
You decide what you think about it. Uh, just go
ahead and grab it right here.

Speaker 3 (31:10):
Yeah, I'll decide. Don't worry. I can that part. I can.
I've got down. I'll decide. Don't worry about that. You guys,
ask me if I'm going to decide? All right, Well,
where are these broads right here? Right?

Speaker 2 (31:24):
Is this?

Speaker 3 (31:24):
Said? Yeah? What are you so? Were they gonna start saying?

Speaker 2 (31:32):
This is them right here?

Speaker 3 (31:34):
Why? Why you guys are this is a gag?

Speaker 7 (31:45):
Right?

Speaker 2 (31:47):
This is the Duffy sisters, all right?

Speaker 3 (31:50):
I can pay it right now. And I recognize that
horn player too. I think I fired him. Are they
from New York? Because I can hear the whole losing game?

Speaker 2 (32:03):
I think they are. Yeah, Well he said he was
from New York. From LA.

Speaker 3 (32:08):
They said he was from LA. And nobody calls these the.

Speaker 2 (32:11):
Girls are from LA, but they sound like different.

Speaker 3 (32:14):
I don't know, man, all right, would you mind killing
it for me? Just kill it, get get it out
of here, please please stop it, God Almighty. Okay, the
answer is no. Is Rudy there?

Speaker 2 (32:29):
Oh yeah, what happened to Rudy hung up on him?
We'll get him back, man. I'm not gonna sit here
and yeah, Rudy, Rudy, Rudy, come on, dickman, give me
the phone. Rudy there. Okay, yeah, Rudy.

Speaker 3 (32:43):
Sorry, I guess we hung up on you, but I
was listening, so you don't You don't think they right? Huh, Rudy,
come on, man, that that they're terrible and I'm gonna
have Amreelda open for that they got. They said that
they want that opening act. I said, well, you know,
maybe I get Amarilla. You know, well, no, I can't.
I can't put a Morelda on before them. They stink. Now,

(33:04):
let me let me just say, and you know I
love you and I and I believe in you, but
I can't say that Amarella is all that hot either.
You know, she may not be, but she's oh all right, guys,
she's better than that. You think she's better than that? Yes,
I know she's better than that. Why do fool's father.
First of all, I can't have her going on this.
It's too ethnic.

Speaker 2 (33:25):
Okay, what do you mean too ethnic?

Speaker 3 (33:26):
They sound so they sound like New York aparions. Okay, Well,
what are you whispering for?

Speaker 8 (33:32):
Ted?

Speaker 6 (33:33):
I mean Dean?

Speaker 3 (33:34):
I mean I'm Dean. Yeah, Ted is the guy that Rudy.

Speaker 2 (33:37):
Wow, what are you whispering for?

Speaker 3 (33:39):
I'm whispering because I can't. I don't.

Speaker 2 (33:43):
They sound like New York Italians even though they're from La.

Speaker 3 (33:45):
Yeah, there's something wrong with that. And then number two,
I just belt. I'm sorry, I just belched up some
red onion. Oh Jesus, Emrelda, what did you put in
that salad?

Speaker 2 (33:54):
Okay, Dean right here? And if Emerlda is there, have
you asked her?

Speaker 3 (33:57):
Emerald? Do you want to open for these Dunphy sisters?
Have you heard them? But you want to open for them?
I can tell you right now. They stink. They stink
to high heaven. You want to open for them? Listen, Honey,
listen to me. Okay, listen. I asked to me, like,
hold on, hold on, I've just for a minute. Phil.
If you don't mind what I'm talking to my wife,

(34:18):
gime here, honey, the Dumphee sisters stink. They stink, so
they're rotten. God almighty, they're rotten. Do you want to
open for them at the you do? Why you want
the gig? How much does it take? You know it's
going to get? I tell you what we do. We
take a piece of the door, We take a piece

(34:40):
of the door. We give you give you half the door,
half the door, half the door. If you sell that
thing out, how much is that?

Speaker 2 (34:48):
Man?

Speaker 3 (34:48):
Probably a two three grand, two or three grand half
the door. No, but they stink. You think you're gonna
sell that thing out for the Dumphie sisters. No, I
mean we probably will get my fifteen or twenty people.

Speaker 2 (35:01):
But what's the point, man, I don't start crying, Dean,
I'm not crying.

Speaker 3 (35:05):
But for fifteen or twenty people, I get half the door.
What's the cover on that? What's the cover? Twenty bucks?
Twenty bucks times two hundred, she's splitting, baby, ain't gonna
make much more than a couple of hundred bucks. They're
not going to get that many people because the Dumphie
sisters stink. They stink. Honey, they're lousy. You don't want
to open for them? Yes, she does, Okay, tell her

(35:28):
she's no very wise choice, because you know something, It's
better for her to go on as an opening act,
because if she came on like the headliner and the
Dumphie sister came on and they stunk it out, guess what, man,
nobody's going to be sitting around for her. Well as
it is, you're only going to get fifteen or twenty people.
You never know what's going to show up to the night.
Right you want to do the gig, I'm recommending that

(35:49):
you do not. I'm your manager, honey, I'm your husband,
and I am recommending very very forcefully and strongly that
you don't open for the Dumphee sisters who suck suck
as you seek, you still want to open for them?

Speaker 2 (36:02):
Wow, she is, she's very determined. Can I call you back?
Can I call her back?

Speaker 3 (36:07):
Margaret's gonna call you in a couple of minutes because
I want to find out. Honey. I'm telling you as
your husband, as the man who understands. Okay, I'll shut up.

Speaker 2 (36:16):
It's very dangerous for you to be owing them money.

Speaker 3 (36:18):
I don't owe them money. To the point where look
at you, guys, every time you see something about the
dunfees you make you know you're running the wrist fill
of a lawsuit.

Speaker 2 (36:27):
All right, okay, fine, Jesus, you're the guy that brought
it up.

Speaker 3 (36:30):
I did not. I said. We have a few bets
we throw around and maybe I owe them money once.
Now Tommy's coming in tonight and he's gonna sing, and
I appreciate it if you guys would be respectful. He's
old school. He wants to do if you knew Susie.

Speaker 2 (36:42):
Oh that's not that song again, Ted, he wants to do.

Speaker 3 (36:45):
If you knew Susie? Do you hear that? Boie Bowie?
Do you hear that? Yeah? Yeah, all right, So you
guys are gonna be in here in a minute, and
I just want to make sure that everybody treats them
with the respect that they deserve, because after a while,
after all, they're friends of mine. And all right, ladies,
yellow hold on, phil ladies and gentlemen, I'd like to

(37:08):
welcome out here tonight to tell you Beverly hew y'all
doing tonight? Get to see you and yeah, uh hew you,
I listen. We have for your dancing and listening pleasure
here tonight. A guy that I know you're gonna enjoy
I know I enjoy him a great deal every time
that he's here. And uh, I hope you will too.
A guy that is uh. I would say that he's

(37:28):
a friend of mine. I say he's more than a friend.
I say that he's like a brother to me. Yeah, folks,
here he is the one and only Joey dunfhee folks.
And if you knew Susie, he's back for another one.

Speaker 5 (37:39):
Yeah, Susie, black guy, I know Susie. Yeah, oh hold on,
a god does not so classy like that fair lassie.
Oh yeah, goodness me what a shassing we went riding?

Speaker 6 (37:56):
Watch you did in book? You knew Susie? My guy
know Susie?

Speaker 3 (38:06):
Oh what a girl?

Speaker 2 (38:10):
Yeah, there's been beautiful.

Speaker 3 (38:15):
The one on the only folks, the area is okay,
So thanks very much. Books and Joey be back aund
later on.

Speaker 2 (38:21):
Jed hold on for uh yeah, that's really great, folks.

Speaker 3 (38:26):
Takes a lot. So there there's that went pretty good.
But anythink I guess I, well, you know, uh, the
problem what we're having is he sings. He goes, Oh
it sounds like he's singing. Oh what a guy.

Speaker 2 (38:36):
I was gonna say that. Yeah, he says, exactly.

Speaker 3 (38:38):
A dad. Well, that's why I jumped and said, oh
what a girl. And look it, sir, he didn't what
a guy. No, I'll mind you cover it up. It's
my restaurant, okay, NICs going, Hey, Joey, nice going?

Speaker 2 (38:52):
Uh so is that why he came out there because
people were thinking he's singing oh what a guy?

Speaker 3 (38:56):
No, he came out because he wanted to sing this
so people will request sing it. But they did, says
he's singing it to a guy.

Speaker 2 (39:03):
Well, so it is a problem.

Speaker 3 (39:05):
It's not that much of a problem. Joey, come over here.
You just sing that song in for mister Henry, for
Phil Henry and a radio right here, go ahead, one two, one,
two three.

Speaker 6 (39:14):
If you knew Susie, my guy know Susie?

Speaker 3 (39:17):
Yeah, oh oh oh.

Speaker 5 (39:22):
Does not so classy like that fair lassie. Oh oh
goodness me, what a jassy We weren't riding watching in
and book hold brown yackers.

Speaker 3 (39:35):
I'm no one know how to rock.

Speaker 6 (39:37):
If you knew Susie, not guy know Susie?

Speaker 3 (39:41):
Who on a guy? A girl?

Speaker 2 (39:45):
You just said guy.

Speaker 3 (39:46):
I meant to think, never mind, never mind, I said gay,
thanks a lot, Joey, that was great, I said Gal
when he said guy, no, you said guy, Oh, let
me do Everything's fine, Jilly, all right, well you Ted,
you did your level best for the Dunfies there getting
Joey back to sing that song.

Speaker 2 (40:03):
So it doesn't sound like you're saying, oh, what a guy.

Speaker 3 (40:05):
No, that's not why I did it. I did it
the es. That's one of the reasons why I did it.
The other reason was to let you know, these guys
are friends of mine. Come into tens to Beverly Hills,
enjoy yourself a steak, a prime rib. We've got the
loin chop, We've got the loin beef, we Gotlly. You'll
loin one way or another, you'll loin. That's our big promotion,
phil What do you think that Dunphee brothers. I think
I've got a bad reputation and it's not their full

(40:28):
I think you have had enoughful lot to do, Philip.
I may say, oh, come on, Ted, Hey, hey, hey,
you've had an awful lot to do with ruining the
reputation of those guys. And I and I you know,
and I know you don't do it on purpose, but
you constantly refer to them like they're mobbed up. For
God's sake, I'm gonna get sued. Ted, I'm gonna get sued.

Speaker 2 (40:50):
Hey, listen, Belle, you don't come on this program and
just yell at General. I got it. No, you don't
come out here and starts striving down a fold line.

Speaker 3 (40:56):
Oh is that right?

Speaker 2 (40:57):
I got it? General.

Speaker 3 (40:58):
Let me tell you something. In general, I've been in business.

Speaker 2 (41:00):
I don't care how long you've been been in business.
You don't go streaming down a phone line.

Speaker 3 (41:05):
You don't care how all right, porky, whatever you say, I've.

Speaker 2 (41:08):
Got this general ted. Come on, man, what I didn't
do it?

Speaker 3 (41:12):
I didn't do a damn thing.

Speaker 2 (41:13):
You you're yelling into the phone. I'm gonna get sued
forgive me. I apologize to the Dunfees if I was
out of line. But you're the guy that told me
they were mobbed up.

Speaker 3 (41:22):
My I never once used that term.

Speaker 2 (41:25):
I don't think he did fail. I think that's something
that we sort of deduced. Can figure figured on it.

Speaker 8 (41:31):
Mister Henry, Well, let me tell you something, dickman. If
you had anything to do with that, the dum Fees
won't hold back on you.

Speaker 2 (41:38):
Don't don't threaten people.

Speaker 3 (41:39):
I'm not threatening them. I'm saying they may not take
his action the next time he wants to lay a
bet down on that stupid soap Bucks Derby that he
bets on soap Box Derby's the bitchest thing that ever
came came along, you crazy or something? Soap box Derby
Dad a soapbox Dirry down in Orange County. Yeah, you're
ready for that. And the Dunfees take his action.

Speaker 2 (41:57):
Oh man, does he win?

Speaker 8 (41:59):
Yeah?

Speaker 3 (41:59):
No, matter in fact he does. That's another reason why
they don't like him.

Speaker 2 (42:02):
But here, what I want to say is, okay, well
just wait, wait everybody wait. I want to make something clear.
If I did, in any way, shape or form impugned
the reputation of the dun Fees, I apologize. I didn't
mean to do that. Ted. I'm sure you you know
you know that I didn't mean to do that. You
know that I would never do that.

Speaker 3 (42:19):
Right, Well, all right, Ted, come on, okay, all right, okay, okay,
all right, okay.

Speaker 2 (42:25):
Okay, all right, and okay that's right.

Speaker 3 (42:28):
But you know, Phil, here is the reason why I
say that the dun Fees I think are good guys.
You know that they love music. You know that, right,
They absolutely enjoy it.

Speaker 2 (42:37):
Yeah, I do, all right.

Speaker 3 (42:38):
And what I did was I wanted to get them
in here and to sing a song that they have
been working on for a long time, one that I
think is going to show to you the you know,
the where these guys are coming from. They're not a
bunch of gangsters. Yeah, they've been involved in some unsavory
things and for that I apologize, and to that they apologize.

(43:01):
But tonight the Dumpies are here at the club. One
of the things I'd like to do is get the
Dumpies in here.

Speaker 2 (43:10):
You mean they're gonna sing.

Speaker 3 (43:11):
They are going to sing. Yeah, all right. We got
ked all right, we got Jerry Dunpy sal we got
Paulie Paul and John Dunty. Ladies and gentil, what kid's
gonna be walking to the I'm going into the Primary
room right now. Hey, Hey, Rudy has business. Good Hey,
ladies and gentlemen, I'm Ted Bell and thank you. And

(43:32):
tonight we have for you on the on the kill
on the stage here of the in the Primary room.
We're gonna have ourselves a little song on a dance
here from the Dunphy Brothers take it away, guys. Yeah,
Ben gonna surprise.

Speaker 10 (43:48):
You go, ah wonderful.

Speaker 6 (43:57):
Yes, us.

Speaker 2 (44:01):
So what is this? How do they go the time
you put on a jokers.

Speaker 3 (44:08):
H Yeah, I go.

Speaker 10 (44:15):
My hole, the tree up.

Speaker 6 (44:28):
The end.

Speaker 3 (44:30):
Yeah, I say, I see you can't get that kind
of singing anywhere, but here it dead to Beverly Hills.

Speaker 2 (44:36):
Oh say that again?

Speaker 3 (44:55):
You know this song is it's gonna shut up? One
told me to shut up in my own.

Speaker 6 (45:07):
On that one.

Speaker 2 (45:09):
This sounds like gospel music, doesn't that? Man?

Speaker 3 (45:13):
Those days, I'm oh, yeah, you're start the Dungee Brothers,
ladyes yo.

Speaker 2 (45:19):
Yeah, oh yeah, I mean mean, what's wrong whatever stuff
that you sing?

Speaker 3 (45:36):
Ever, that's beautiful, Yeah, craize go.

Speaker 2 (45:47):
Jesus.

Speaker 3 (45:48):
But it was like I told, I told to be
able to lose.

Speaker 2 (45:52):
That Saints and by dun people.

Speaker 6 (45:57):
On that one.

Speaker 3 (46:04):
Yeah, don Dunpee brothers. Days. You have the Dunbee Brothers
this year far high. Yeah that was on a sight. Huh.
So there is filters the Duffey Hey, Rudy, thank you
all right, So the Duffies, what do you think?

Speaker 2 (46:21):
Well? It was great?

Speaker 4 (46:22):
I mean, uh, I thought I had a very good
traditional Southern gospel sound.

Speaker 3 (46:26):
Well, you know they've been practicing. I think they sound fantastic,
and uh you know there's more of that to come
here from Tendebog. So I think you've had the mall
run film. Yes, they're going to be on me tonight
if I owe them anybody. Unfortunately I said in one
game too. But then there's the Ottawa series, and I
think I might have screwed the pooch Odd Jeeves.

Speaker 2 (46:44):
What happened?

Speaker 3 (46:45):
The series is tied Ottawa?

Speaker 2 (46:47):
Uh well, I look says the senators lost.

Speaker 3 (46:51):
I know they lost. That means I owe these Yeah, Hey, Polly,
all that for met film. It's Paully Dunfey Bill. Hey,
we're on the radio. Yeah, you owe me some money.
Hey Phil, how you doing?

Speaker 2 (47:03):
Hey good Polly? How are you good?

Speaker 3 (47:04):
You know you owe me money on not what game?
Huh yeah, I'll tell you what to do, you know, tomorrow,
and I'll be back tomorrow, all right, coming back tomorrow, right,
coming back tomorrow. Yeah, I heard you right. You know,
I don't like the way you talk to me, Polly.
What are you talking about? Get your greasy hands on
me a fucking daego. Oh man, Yeah, Yeah, get him

(47:28):
out of here. Talk to me like that in my place. Oh,
he'll be sorry, he'll be sorry. You across me, Polly,
what kind of what kind of Italian name is dunfe? Hey?

Speaker 2 (47:39):
What are you crazy or something?

Speaker 3 (47:41):
I know what I'm doing. Don't worry about it. Hey,
you walked close the door there, Hey, Jeff Carl, close
the door, man. I can hear the so I know
what I'm doing. Phil, don't worry about it.

Speaker 2 (47:51):
That sounded like you antagonized that man for no reason.

Speaker 3 (47:54):
I didn't antagon them, Margaret. I didn't antagonize him for
no reason. I antagonized him for a reason. And that
is this guy. Every time I lose a game, he says, Hey,
I'll be back in tomorrow night. You'll come in when
I let you come in here. You understand that, dump fee,
You'll be sorry you talk to me? Yeah, shut up.
Put a bag on him, Ted.

Speaker 2 (48:11):
Something tells me I'm going to be back talking to
you tomorrow night or the next night or the next night,
and you'll be in a little bit tougher a situation.

Speaker 3 (48:18):
What is that supposed to mean?

Speaker 2 (48:19):
It means that you may be in a hospital bed.

Speaker 3 (48:22):
But did I just did those guys just sing gospel music?

Speaker 2 (48:24):
That doesn't make any difference.

Speaker 3 (48:26):
It does to me, and I thought it sounded beautiful.
And I'm here to tell you that I believe the Dumpees.
I believe them when they say that they have you know,
they've performed a little bit.

Speaker 2 (48:38):
Are they telling you that?

Speaker 3 (48:39):
Yeah, they've performed a little bit, and they're singing all
that good gospel stuff. So uh, excuse me, fell everybody,
one of the dumpies. You'll know Tommy Dumphy, yell, what
about it? He wants to do this song too. So
Tommy wants to do a song too, all right?

Speaker 11 (48:58):
Yeahhh that sex change, you know, thanks a lot ted.

Speaker 3 (49:11):
Oh come on, man, it's not my ball though. You're
brusting my bulls here. Man, Yeah, you're busting my balls
over head. I gotta let Timmy Duffy come up there
and sing.

Speaker 2 (49:20):
Well, that's because you you're russing all these bets.

Speaker 3 (49:23):
I'm not. I are you. Like I said, if you
don't understand what I'm talking about, you don't understand what
I'm talking about. Okay, I'm discussing here with friends the
very weird freak scene that the super Bowl was. And
it was a freak scene. You got to admit the
fact that the Falcons lose that game.

Speaker 2 (49:43):
Things happened. Ted. You know, I'm not going to sit
here and defend. But what I'm not going to sit
here and talk to you about the football game and
what might have been and what should have been and
all that stuff is you know, it's water under the bridge.

Speaker 3 (49:54):
Man.

Speaker 2 (49:54):
All I'm saying to you is that you know, when
you don't pay off a bet. I mean, stuff happened,
and I don't know how else to put it. I'm
not a gambler, per se, I don't really you know,
I wouldn't say that I'm a big, big gambler, but
I know what happens if you're not paying off bets.

Speaker 3 (50:09):
All right, Phil nice speech?

Speaker 6 (50:11):
Okay, hold on, I gotta you know, Ted, you're very rude.

Speaker 3 (50:15):
How am I rude? I said to Phil nice speech.

Speaker 2 (50:17):
I know I went in one air and out the other.
That's okay. You know, one of these these days, Ted,
you're gonna wind up with a couple of broken legs.

Speaker 3 (50:26):
Aren't we reading a lot of comic books?

Speaker 6 (50:28):
Okay, hold on a minute, it's dot comic book.

Speaker 3 (50:31):
Hold on for a minute, will you forgot hey, ladies
and gentlemen. Ladies and gentlemen, welcome to ted Beverly Hills.
Let's give a big round of applause now if you
don't mind to Timmy Dumphrey, he's gonna sing us round
for us tonight warriors. Timmy Dumphy singing a song. I
don't know what's song you go to here, Timmy, I
love Here we go, Timmy Dumpee. Ladies and gentlemen singing.

(50:53):
Lady in red.

Speaker 2 (51:00):
Get me.

Speaker 6 (51:00):
You're looking so lovely as you did tonight. I've never
seen you shine so bright. I've never seen too many
men ask if you wanted to dance this guy, this

(51:20):
guy you've on half.

Speaker 3 (51:25):
I have never seen a dress you have, or the
hagh I see in your head, the catcher by.

Speaker 6 (51:34):
Having blind lady. You know, I like to sell the
lad Here he is dancing.

Speaker 3 (51:45):
Hut it down, man, it's gonna pull my ear drums out?

Speaker 11 (51:49):
Is nobody he's great?

Speaker 3 (51:55):
Oh man, he's gonna kill me. Just you m me.
It's yeah, Tommy. Yeah, your brother's up in the stage
down Oh wit he's killing man. Yeah, he's killing.

Speaker 6 (52:15):
Never fucking.

Speaker 3 (52:18):
I get him off, William, get him up, ladies and gentlemen.
Thank you very much. Let here for Timmy Dunphe, Timmy
ladies and gentlemen, Timmy Dunky and written no song that
he sang there lady in red. Yeah. So, anyway, as
I was saying before, I was so rudely interrupted nuts.

Speaker 2 (52:40):
You know, Uh is chef to Delia there?

Speaker 3 (52:43):
Come on? I cal I was waiting for the end
of this blog.

Speaker 2 (52:46):
You know, it sounds like you cut that guy off.

Speaker 3 (52:49):
What do you mean I cut off?

Speaker 2 (52:50):
Pow sounds like you cut off that Timmy Dunfee.

Speaker 3 (52:53):
It does well, that's you damn man.

Speaker 2 (52:56):
So, Uh, the poutine is isn't taken off?

Speaker 3 (52:59):
What do you mean taking off?

Speaker 2 (53:01):
Well?

Speaker 3 (53:01):
Is it?

Speaker 8 (53:01):
Oh?

Speaker 3 (53:02):
Yeah, it's very popular. It's very Poutine's very popular. And uh,
and there's all kinds of different ways of serving the poutine.
Chef Croup, Chadilia Scheff.

Speaker 2 (53:09):
What do you dot?

Speaker 3 (53:10):
You got cheese? You can put cheese on it, you know,
the also the tomatoes, so it's very nice. Also, Uh,
some people put mustard, right, they use mustard, they use
a garlic spread on it. I mean it's fantastic. And uh,
the poutine we're gonna have in Bulls and bull up
some poutine and order up a beer and watch a
ball game or what stuff is on. He'll be national

(53:32):
footballing tonight. We're just having some uh some basketball and
some hockey. And I gotta get up in stage because
Jack Duffy's coming it right down.

Speaker 2 (53:40):
Does Jed Duffy's gonna sing huh verily?

Speaker 3 (53:43):
He is? How you doing, Jackie? You are to kill you? Okay?
Jack Duffy is gonna get up on the stage now, folks,
and thing it sucks, let me get it? Hey, all right, hello, everybody? Uh,
can we get it at least a round of applause?
I know you don't want to talk to me. That
seems evident. Can we at least get around of a
plus for Jack Dutfy is gonna sing tonight, Jack Dutby,

(54:07):
thank you, And here he is, ladies, Jellen Jack Huner, Buddy,
there we go. Jack Dutfree Lay's jellmen got him?

Speaker 6 (54:15):
Made me think you can me and I believe in you.

Speaker 12 (54:24):
You old meeting you employment and by meeting DUTs Jackson, true,
I gave.

Speaker 3 (54:36):
The game of life. I play in my art and
lor I'm wreck all live, all I all you me

(55:00):
be what I I hold yeah, yeah, you drag drag
me down until the.

Speaker 6 (55:14):
Soul you know, all right, I don't figure we've got prime.

Speaker 12 (55:24):
Great you to be drown to the star.

Speaker 6 (55:31):
And oh you're not man, cry blas.

Speaker 2 (55:38):
It's tennis.

Speaker 10 (55:39):
That your crime AND's the most Oh man, are you okay?

Speaker 3 (55:56):
It's very very emotional.

Speaker 2 (55:58):
You know what time I didn't think I never heard
anybody ball listening to a song before.

Speaker 3 (56:02):
I wasn't bowling it just I was. I was crying
mostly because thank you very much, Jack, that was great.
Not I was crying mostly thinking of the business. And
he's gonna drive it well this everybody still there? Yeah,
well they're drifting in and out. So thanks a lot.
That was Jack, Dunfy, thanks for nothing.

Speaker 2 (56:19):
Jack, all right. Ted Bell from Ted's Beverly Hills with
us tonight and he has the Dunfies in singing you know,
songs and everything that that dumpy brother man, that guy
is you.

Speaker 3 (56:29):
Know, Susie you want it again?

Speaker 6 (56:31):
Hold on, I know him, Susie, Hey, hey, hey, ho
hold on that up bears non so classy fair lassie.

Speaker 5 (56:41):
Oh goodness me water shossing, wet riding, watch you in
and bought home.

Speaker 6 (56:49):
From yackers, I'm the roll. If you knew Susie, that guy,
I know Susie. Oh oh what a god.

Speaker 3 (57:03):
As that great Timmy dn't be there with If you
do Susane like I knew Susan. Uh, then we boot
out the crap.

Speaker 2 (57:10):
I Uh that was absolutely uncalled for.

Speaker 3 (57:13):
I'm sorry. Show to go is phil Uh. Ted has
gone to the John and we're still holding forth to this.
I want to talk to Rudy, get.

Speaker 2 (57:23):
Him over there, Get Rudy there.

Speaker 3 (57:25):
If yeah, he went into the bathroom right now, I'm
not sure if he's You're right, Ted, Oh, I think
it's the whole idea that he's going to lose his
pet tonight. That's why it doesn't matter how many times
he lets Timmy don't forget up to sing that stupid song. Uh,
they're gonna make.

Speaker 2 (57:40):
Him pay well, now what does that mean?

Speaker 3 (57:42):
Mean? Anything means he's going to have to come up
with the cash. Quit.

Speaker 2 (57:45):
Tell him to quit fulling around with that and pay off.

Speaker 3 (57:47):
I tell him, But what is he now? You know
he's always no, no, no, I'll be able to beat it.
No no, no, you know I can hold him no no, no,
I'll carry it. Not inter cup to carry him no more.
I know that. I know that dun fees. I know
them like the back of my hand.

Speaker 2 (57:58):
How long you know him?

Speaker 3 (57:59):
About the minutes? Phil, It's all right, under control. He
doesn't speak for me. He is, you know, really is
a great guy. But let me remind you of something.
And I think a lot of you people forget this, Okay,
I think a lot of ups you people. I think
a lot of you people forget this. And the reason
why I say you people, Margaret, is because sometimes and

(58:22):
I mean this with great respect, but sometimes I'm not
sure you're of the white race.

Speaker 6 (58:28):
And what does that mean?

Speaker 3 (58:29):
I'm joking around. Okay, give me the fore no, tell me,
give me the phone. He is kidding around. See, he
says that stuff that the dumpy butters want to beat
him up and kick his ass and make him look
like the child that he is, you know, look like
the funk and a child that he is. But he
will learn someday, he will learn. I Rudy canos. I
know that these things can happen, and these things can be,
and these things can do. Wait. I said that over?

Speaker 5 (58:51):
And is that over?

Speaker 3 (58:53):
I mean I'm high over?

Speaker 2 (58:54):
Yeah, you're you're over.

Speaker 3 (58:55):
You've been over for a long time. Hold on, hold on,
hold on it. I got it, I got it under
the tention Bddley Hills. Let's watch the Cleveland Indians come
from behind and win this game and get this series
over with. So I collect from the dunfees for the
first time in my life. Let's go keep it here.
You want to free you one?

Speaker 6 (59:15):
If you go? Damn Susie, come on, will you you
gotta keep us? Oh?

Speaker 2 (59:20):
Oh oh you want to drink out?

Speaker 3 (59:23):
Is that you want to?

Speaker 2 (59:24):
Tedblate Josse you a free Tenblant fair Lassie?

Speaker 6 (59:27):
Oh oh no, goodness me what a Joussey? We right riding?

Speaker 2 (59:36):
What's that? I don't know. It's like an atomic bomb
or something?

Speaker 3 (59:38):
And you name John Queen show a PA is going
d you on that? I can't Hey, Rooney, Rooney, Yeah,
what was your pa? Man?

Speaker 6 (59:49):
John?

Speaker 3 (59:50):
Speaker out? Hey, Joey Bray, back up, suck off the microphone.
Man on that ship is Joey boy got some disease?
What do you mean disease? Well, he's popping around like
maybe it's got I'll drop away. I don't worry about it.

Speaker 2 (01:00:11):
I can't hear you.

Speaker 3 (01:00:12):
Ted I'm sorry. Uh, yay, ladies and gentlemen. That's Joey
boy Dunfee with his band, and I hope you enjoyed that.
It's like a freaking hunted housing here.

Speaker 2 (01:00:23):
How about if you pay it for gambling debts?

Speaker 3 (01:00:25):
Hey, what is this turning into anyway? An intervention or something? Ted?

Speaker 2 (01:00:28):
You brought the whole thing up. You brought it up. Ted,
you said that you're you know, business is bad.

Speaker 3 (01:00:32):
Well, business ain't bad. My gambling stinks.

Speaker 2 (01:00:36):
Yeah, yeah, there's your problem. I got an idea quick,
you know, put betting football or whatever you bet?

Speaker 3 (01:00:41):
I bet football, I bet this.

Speaker 2 (01:00:43):
You bet what?

Speaker 3 (01:00:45):
I bet? The literally World Series?

Speaker 2 (01:00:47):
You bet the what you bet the Little League World Series?

Speaker 6 (01:00:50):
Due kidding me?

Speaker 2 (01:00:51):
Your something?

Speaker 3 (01:00:51):
Man?

Speaker 2 (01:00:51):
Don't no, let me guess.

Speaker 3 (01:00:52):
Yeah.

Speaker 2 (01:00:53):
I picked the Koreans you took you took Korea.

Speaker 3 (01:00:56):
Yeah, I took the Koreans.

Speaker 2 (01:00:58):
You took South Korea?

Speaker 3 (01:00:59):
Yeah?

Speaker 2 (01:01:00):
Yeah, man, Dad, Hawaii's part of America.

Speaker 3 (01:01:04):
That was the part.

Speaker 2 (01:01:05):
That was the part.

Speaker 3 (01:01:06):
What that was the part I was when that guy
that accosted that lady, I got confused. Somebody said that
Puerto Rico wasn't America, So I thought that.

Speaker 2 (01:01:15):
No, no, no, don't don't tell me that tell me anything, Ted,
don't tell me you're that dumb.

Speaker 3 (01:01:19):
What's dumb about it?

Speaker 2 (01:01:20):
The guy said that Puerto Rico was not part of America,
then why would Hawaii be port part of America?

Speaker 3 (01:01:25):
Why would Hawaii be pored? So you screwed up?

Speaker 2 (01:01:28):
No, hey, Jed, do you know that Hawaii's part of America?

Speaker 3 (01:01:30):
Not it's an American state? Right?

Speaker 6 (01:01:34):
Yes?

Speaker 2 (01:01:35):
You know what? You got to get your ass out
of California to do some traveling.

Speaker 3 (01:01:38):
I know I got enough money to go anywhere I
want in the world.

Speaker 2 (01:01:42):
That's just it. You have enough money to go anywhere
you want in the world. You don't go anywhere. You
hang around your restaurant morning, noon, and night.

Speaker 3 (01:01:49):
That restaurant is my life. No, no, no, Now you
just listen to me.

Speaker 2 (01:01:57):
I love Ted.

Speaker 3 (01:01:57):
Don't wait a minute. That restaurant is my life. I
built that thing brick by brick, board by board, nail
by nail, with my bare heads. My old man.

Speaker 2 (01:02:11):
Drank up the profits.

Speaker 3 (01:02:12):
Yes, Surrey, yes, Suri, Come on, Ted, No no no,
I built that place with my bare hands, and you're
telling me I'm hanging around it too much. Do you
hang around a newborn too much? Do you hang around
a child, a lost child too much? Do you hang
around someone that you love with all of your heart
and soul too much? Well, well i'll tell you what.

(01:02:37):
I'll tell you. The answer to that is no. So
if I don't get out to South Korea, shit ted.

Speaker 2 (01:02:44):
All we're saying is there's another bet. There's another debt
you have the Dumphy brothers. I don't understand that bet
in a Little League World Series.

Speaker 3 (01:02:52):
Bill. I know you like to bet football and you
bet basketball everything, but the Little League World Series. Huh
that's just too below you.

Speaker 2 (01:02:59):
I yeah, well, Tennessee, it seems like an unusual bet.

Speaker 3 (01:03:02):
But an unusual bet but for a grown man to make.
Uh now we're getting to it. So you think I'm stunt,
you just fun to put your hands on me chamillion,
and I'm not you.

Speaker 2 (01:03:12):
WI all right, what's going on there?

Speaker 3 (01:03:14):
I just I'm trying to get over the heated off. Yeah,
let me just uh yeah, he got pissed offer essentially.
Uh you know he had the tab with the Dumphrey
brother said he come up with a tab the making
him pay off. Yeah, yeah, And so he put up
a joey boy, I put Joey Boy up. What you
think it sucked? You're right, it did suck. Here he
comes down, he Joey Boy, you sucked tonight. Hey, what

(01:03:37):
do you talk about? I got up on the stage,
got up on the stage, and you sucked. As U
c k E D say that I've sucked. You said
a band you gave me? That was your band?

Speaker 2 (01:03:49):
Well this is interesting.

Speaker 3 (01:03:50):
Yeah, well I come in the door with him, but
i'd not in the same guys like you came in
the door with a band and you didn't think that's
the same band that bat you. No, I don't know
what you've done when I didn't do anything with him.
Joey boy, you get the same problem your dad has. Okay,
both you guys need a psychiatrist. Yeah, I'll pay up.

Speaker 2 (01:04:10):
How much does that when you let Joey Boy go
up there?

Speaker 3 (01:04:13):
Who's talking? I am?

Speaker 2 (01:04:14):
How much does that? What does that do for you?

Speaker 3 (01:04:16):
What does what do for me?

Speaker 2 (01:04:17):
What does it when you let Joey Boy go up there?
What does that do?

Speaker 3 (01:04:20):
Paid off? The paid up? The Little League World Series?

Speaker 2 (01:04:24):
Ted? Get some help, man?

Speaker 3 (01:04:26):
Oh now I need gamblers, anonymous?

Speaker 2 (01:04:27):
Is that it I think you do? I think you
honestly do if you're finding ted that you're gambling is
affecting your business.

Speaker 3 (01:04:34):
Yeah, I heard it all before. Okay, I watch all
those commercials on TV with that one guy who goes,
what's the guy goes, I used to be an addict.
Now I'm not.

Speaker 2 (01:04:42):
Man's that's got nothing to do with gambling. That's a
drug addiction center.

Speaker 3 (01:04:47):
It's all the same thing. It's all the same thing. Look, Phil,
I know what I'm doing. Okay, but don't ever tell
me I spend too much timer on the restaurant. Don't done. No, no, no, no, no, no, no,
no no, don't do it.

Speaker 2 (01:04:58):
Man, Okay, you don't spend too much timmer in a restaurant.
You spend you ought to spend more time though, near
a psychiatrist. Why Ted Bell? Oh you know what he's
starting to get. I think he's unraveling. That is a
good but he's starting to unravel. World Famous Phil Henry
Show is executive produced by Phil Henry for Seampory Incorporated.

(01:05:18):
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