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December 23, 2024 62 mins

Jason Louv interviews Barbara Mendes, a multifaceted artist known for her underground comics and contemporary art. Mendes, affectionately known by her pen name Willie Mendes, recounts her artistic journey that began in the 1960s, during a time when female artists often faced discrimination and marginalization. She reflects on the challenges that women artists experienced, noting that much of the comic book industry, as well as the fine arts, was dominated by men. Despite these obstacles, Mendes pursued her passion for painting, which she describes as her true love.

Throughout the conversation, Mendes reveals her spiritual evolution, which has shifted from exploring Eastern philosophies and African spirituality to embracing Orthodox Judaism later in her life. She shares anecdotes about her family history rooted in rabbinical tradition and discusses her initial rejection of religious teachings as superstition. However, her spiritual quest led her back to her Jewish roots, guided by a longing for faith and connection. Mendes recounts how significant events, such as the influence of various books on mysticism and spirituality, shaped her understanding of Judaism and inspired her art.

Mendes discusses her experiences studying Hebrew and Torah and how they deepened her artistic expression. Through her mural projects, she dove into biblical themes while utilizing vibrant colors and imaginative storytelling to convey her interpretations. Her relationship with the Orthodox community has been complex; while she embraces many rituals, she also grapples with the patriarchal aspects of the tradition that feel constraining at times. Mendes articulates how the dynamics of being a woman within the Orthodox framework can be challenging, but she finds empowerment and strength within her experiences.

The interview takes a thought-provoking turn when they discuss the concept of divinity and gender. Mendes introduces her idea that the traditional male depiction of God does not account for the feminine aspect of divinity. She references the cultural shift from ancient matriarchal societies to patriarchal religions, suggesting that women have long been marginalized in religious narratives. Mendes proposes that a more balanced understanding of spirituality should involve recognizing the feminine face of divinity alongside the male.

As they explore the intersections of art, spirituality, and societal changes, Mendes shares her vision for a future defined by gender equality and compassion. She highlights influential figures like Golda Meir, the former Prime Minister of Israel, whom she views as a powerful representation of women in leadership. Mendes envisions an ideal where women's contributions are celebrated as essential to societal progress rather than secondary to male leadership.

Mendes also brings forth the topic of angels as symbols of guidance and support, drawing parallels between her artistic imagination and the reality of human relationships. The conversation culminates in Mendes’s belief that art is a tool for personal and societal transformation. She emphasizes that while her artistic inspirations are deeply personal, they reflect universal themes of hope, resilience, and the quest for understanding.

The dialogue concludes on a celebratory note, with Mendes discussing her ongoing artistic endeavors, including her new paintings and her gallery in Los Angeles. She invites listeners to engage with her work, emphasizing her commitment to using art as a means of expressing her unique vision and fostering a deeper understanding of spirituality.

Overall, the interview provides a rich tapestry of insights into Mendes’s life, exploring her journey as an artist, her spiritual explorations, and her perspectives on gender dynamics in both the art world and religious traditions.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Jason Louv: I'm really glad that Jeff introduced us, and I've been really looking forward to this. (03:57):
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Jason Louv: I read the comics that you sent me, and I was very touched by them. (04:01):
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Jason Louv: I thought they were beautiful. (04:05):
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Jason Louv: I thought particularly the image of angels hovering outside of somebody's life (04:06):
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Jason Louv: experience, particularly during a traumatic time, was very, very touching. (04:11):
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Barbara Mendes: I'm glad you picked up on it when I laid down. (04:16):
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Jason Louv: Thank you. (04:20):
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Barbara Mendes: It's very dense, and they just say, oh, I meant to read it, but I just flipped through it. (04:22):
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Jason Louv: So why don't we start off with maybe just tell the audience, (04:27):
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Jason Louv: just maybe introduce yourself to the audience and tell them about who you are. (04:30):
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Barbara Mendes: Hi, my name is Barbara Willie Mendes. Now, Willie, that's my pen name from the comics. (04:34):
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Barbara Mendes: In the early, about 1968, I began to do underground comics, the era of Robert Crumb. (04:40):
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Barbara Mendes: And my husband had a funny nickname for me, Willie. And I used it as my pen name, Willie Mendes. (04:45):
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Barbara Mendes: But then when guys stopped publishing gals in comics, I went to a 50-year painting (04:51):
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Barbara Mendes: career, which is my real love. (04:56):
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Barbara Mendes: And I'm Barbara Mendez as well. In fact, we're sitting on Barbara Mendez Square. (04:58):
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Barbara Mendes: I'll show you the sign later. (05:02):
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Jason Louv: Thank you so much. (05:04):
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Barbara Mendes: And I think I'm going to allow you to interview me now. Okay, thank you so much. (05:05):
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Barbara Mendes: Thank you. I'll tell you the truth because I just had a comment on Facebook (05:10):
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Barbara Mendes: that it must be so much fun to be me. (05:14):
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Barbara Mendes: It's a tortured experience, but I'm delighted that you liked it. (05:19):
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Jason Louv: Why tortured? (05:23):
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Barbara Mendes: That's too deep to go into. It's just difficult to be such a person putting (05:24):
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Barbara Mendes: out so much, so much, so much. (05:29):
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Barbara Mendes: I couldn't really get enough back to make it worthwhile. (05:30):
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Barbara Mendes: And certainly with the sexism that I've experienced in my lifetime, (05:34):
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Barbara Mendes: I've experienced tremendous, I call it oppression. The word I'm looking for is prejudice. (05:37):
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Barbara Mendes: I'm looking for the word that explains when you're overlooked merely because (05:43):
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Barbara Mendes: of who you are. It's so easy to overlook a woman. (05:48):
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Barbara Mendes: And some 76 years old, in the era (05:51):
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Barbara Mendes: that I grew up, women were very much overlooked. Now every other creator. (05:53):
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Jason Louv: Is a woman. So you think it's changed for the better, that opportunities have (05:58):
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Jason Louv: opened up and society's changed? (06:03):
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Barbara Mendes: Not on the opposite, but the battles that we fought along the way, (06:05):
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Barbara Mendes: it didn't happen by itself. (06:08):
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Barbara Mendes: Trina Robbins was incredibly instrumental in opening comics to women and opening (06:09):
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Barbara Mendes: people's eyes to the prejudice that was happening. (06:13):
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Barbara Mendes: There was that organization friends of lulu that did whole studies of how it (06:15):
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Barbara Mendes: really i'm not making it up but they literally made a deal that they weren't (06:20):
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Barbara Mendes: going to publish women why why was that this. (06:24):
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Jason Louv: Was in underground comics in the 60s or 70s (06:27):
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Barbara Mendes: It was in all comics. At the time, Trina had a straight comic from D.C. (06:31):
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Barbara Mendes: Called Misty. It was about a teenager. (06:35):
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Barbara Mendes: And that was canceled, too. It's just like, girls don't read comics. (06:38):
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Barbara Mendes: We're not going to have women comic makers. (06:41):
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Jason Louv: That's terrible. (06:45):
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Barbara Mendes: It was a real thing that happened. And particularly not just in the comics world, in the fine art world. (06:46):
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Barbara Mendes: I've been tremendously overlooked by the male establishment back in the day to where I gave up. (06:51):
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Barbara Mendes: You know, I'm 76 years old. I'm not going to go trawling around galleries and (06:57):
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Barbara Mendes: have rude 20-year-old receptionists deal with me. You know what I'm saying? (07:00):
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Jason Louv: Yeah, yeah. (07:05):
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Barbara Mendes: So, but I won't complain because I have a powerful agent. (07:07):
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Barbara Mendes: The reason to look at it, I'm 76, I'm still here. I have the use of not only (07:11):
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Barbara Mendes: this apartment I rent, but the gallery I'm down there rent free. (07:14):
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Barbara Mendes: It's a marvelous space and I have marvelous events down there. (07:17):
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Barbara Mendes: And I really have a pretty peachy, awesome life because God is my agent. (07:21):
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Barbara Mendes: I mean, you can't really plan on stuff like that Barber Mendes Square. (07:26):
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Barbara Mendes: God worked that one out, right? (07:30):
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Barbara Mendes: And putting me here with the art gallery and this setting and even being able (07:32):
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Barbara Mendes: to create those three biblical murals was a gift. (07:36):
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Barbara Mendes: So I'm extremely mystical. And I think that everything I do is guided and even (07:39):
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Barbara Mendes: the troubles and the things I complain about a little bit. (07:44):
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Barbara Mendes: Obviously, I learned many, many lessons along the way. (07:47):
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Jason Louv: One of them would (07:51):
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Barbara Mendes: Be that I hope I wouldn't be a complaining person anymore. Okay. (07:52):
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Jason Louv: I definitely want to talk about mysticism and the mystic part of your art. (07:56):
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Jason Louv: And not quite, there's so many threads there that I want to pick up on. (08:01):
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Jason Louv: And I'm not quite sure where to start. Let's see. I think probably where I want (08:06):
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Jason Louv: to start talking about is your own spiritual journey from kind of looking at (08:10):
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Jason Louv: Eastern stuff and African spirituality back to becoming an Orthodox Jew and (08:17):
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Jason Louv: what that was like for you. (08:23):
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Barbara Mendes: What a wild ride. I come from an ancient family of rabbis, rabbis, (08:26):
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Barbara Mendes: rabbis, all the way back. (08:31):
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Barbara Mendes: And I'm the first generation where they rejected all that and they consider (08:32):
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Barbara Mendes: it, for lack of a better word, crap. (08:36):
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Barbara Mendes: But just they're not going to teach the kids anything about that stuff. (08:38):
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Barbara Mendes: In fact, Shureth Israel, the oldest congregation in America, (08:42):
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Barbara Mendes: founded in 1654, that's my family's home synagogue. (08:45):
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Barbara Mendes: And I never even was taken there as a young person because we (08:49):
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Barbara Mendes: don't believe in that stuff it's in the comic it says some people believe in (08:52):
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Barbara Mendes: superstition that's what i was told about religion that it was superstition (08:56):
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Barbara Mendes: but i always had a spiritual yearning and in this 20 when i was 20 years old (09:00):
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Barbara Mendes: in my 20s there were books released in. (09:05):
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Barbara Mendes: In bookstores books about tibetan mysticism very esoteric books the tibetan (09:10):
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Barbara Mendes: book of the dead was one but also this was the whole earth catalog my husband (09:15):
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Barbara Mendes: yeah he was a musician and a songwriter And really, (09:19):
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Barbara Mendes: you get, you know, I knock men a lot, but you get so many riches from men. (09:23):
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Barbara Mendes: I was married twice, and from both of my husbands, I received spiritual riches. (09:26):
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Barbara Mendes: And Rick, in particular, was a songwriter who wrote the most beautiful music, (09:31):
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Barbara Mendes: practically, that I've ever heard. (09:35):
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Barbara Mendes: So he noticed in the Whole Earth Catalog, the 100,000 songs of Milarepa. (09:37):
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Barbara Mendes: This is what started the whole Tibetan thing. And we got that book, (09:43):
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Barbara Mendes: and it was so remarkable and inspired the hell out of me. So a huge influence (09:46):
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Barbara Mendes: of my life was The 100,000 Songs of Milarepa. (09:50):
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Barbara Mendes: There was another book by Dr. Evans Wentz, which was The Life of Milarepa. (09:54):
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Barbara Mendes: So the idea was if and then later hitchhiking in Oregon in the wilds on the (10:00):
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Barbara Mendes: Mackenzie River, we come pick up a hitchhiker and she's got The Life of Milarepa (10:04):
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Barbara Mendes: and we've got The 100,000 Songs. (10:08):
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Jason Louv: That's great. That's great. That's great. (10:10):
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Barbara Mendes: We spent the night in her cabin over the river. We had almonds and coconut and stuff for breakfast. (10:12):
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Barbara Mendes: And later we exchanged books. So actually I have in my home, (10:17):
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Barbara Mendes: the life of Milarepa and she has the a hundred thousand songs. (10:21):
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Barbara Mendes: But so that started. And of course, Tibetan Buddhism leads to Hinduism and interest. (10:24):
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Barbara Mendes: Another funny story is when we lived in the free farm in Oregon, (10:31):
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Barbara Mendes: a 17 acre farm that we were caretaking for free, which was so beautiful with (10:34):
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Barbara Mendes: pastures and a swimming hole. (10:38):
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Barbara Mendes: It was so beautiful that people gave us their horses to board for them. (10:40):
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Barbara Mendes: So we had a champion stallion and a champion mare and a bunch of other stories, (10:44):
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Barbara Mendes: a couple of ponies and our own horses. Yami was my horse. (10:48):
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Barbara Mendes: I mean, Yami was Rick's horse, a black gelding. And my horse was Windy, (10:53):
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Barbara Mendes: a Pinto mare. And you'll see them all in my paintings. (10:57):
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Barbara Mendes: And on the wall, you see that Pinto mare over and over. So we're on the farm in Oregon. (10:59):
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Barbara Mendes: And there was an abandoned, there was a farm adjacent to our farm where nobody (11:04):
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Barbara Mendes: lived. You could just go in there and see what was going on inside it. (11:08):
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Barbara Mendes: And they had these old Life magazines from the 40s. (11:10):
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Barbara Mendes: Now, evidently, Life magazine ran a series called Religions of the World. Okay. (11:13):
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Barbara Mendes: And the religion of the world in this month's issue was Hinduism. (11:18):
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Barbara Mendes: Oh man, Life Magazine used to really go into things. (11:22):
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Barbara Mendes: And that's where in Tales for the Modern Mystic, that picture of all the gods, (11:24):
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Barbara Mendes: it's basically a copy of the schematic drawing in the Life Magazine of all the Hindu gods. (11:27):
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Barbara Mendes: And so that was possibly my introduction to Hinduism. (11:34):
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Barbara Mendes: But all through that period, I studied. And also, we moved to Staten Island (11:39):
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Barbara Mendes: when my daughter got set. (11:44):
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Barbara Mendes: And would you believe in Staten Island is a Tibetan museum? (11:46):
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Barbara Mendes: It's an amazing, beautiful place up on the mountain. If you're ever, I didn't know that. (11:49):
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Barbara Mendes: Yeah, it's quite remarkable. You really think like you're in Tibet because it's (11:55):
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Barbara Mendes: up a mountain and it's all stone and it's made like a Tibetan monastery. (11:59):
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Barbara Mendes: So we took a class up there in the life of Naropa, who was the teacher of Marpa, (12:03):
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Barbara Mendes: who was the teacher of Milarepa. (12:07):
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Barbara Mendes: And also we would go there to volunteer where my husband would sweep up a bit (12:09):
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Barbara Mendes: and I would study Tibetan iconography in the library there. (12:13):
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Barbara Mendes: So that's when I studied the mudras and the different, you know, (12:16):
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Barbara Mendes: if you add up the elements of a Tibetan piece, you will know what god or goddess (12:20):
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Barbara Mendes: is being portrayed by the number of arms, (12:24):
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Barbara Mendes: the number that they're holding and the seat and the hand movement and all that (12:27):
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Barbara Mendes: tells you in the end who it is. (12:31):
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Barbara Mendes: So that was the Hindu-Tibetan period. What happened next was Bob Marley just rocked my world. (12:33):
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Barbara Mendes: I mean, when Oma was sick, she was sick when she still first had the cancer (12:39):
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Barbara Mendes: and had a lot of treatments in New York. (12:44):
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Barbara Mendes: We went to stay in my dad's apartment on the Upper West Side to be near the (12:46):
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Barbara Mendes: hospital, Columbia Presbyterian. (12:49):
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Barbara Mendes: And my dad had a fantastic stereo. This is 1973. (12:52):
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Barbara Mendes: Rick discovered reggae. and there was a great reggae show where they had Uroy (12:56):
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Barbara Mendes: and they had Bob Marley, Catch a Fire. (13:01):
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Barbara Mendes: We had the first Marley album, Catch a Fire used to come. (13:05):
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Barbara Mendes: It looked like a Zippo lighter and the album opened up just like a Zippo lighter. (13:08):
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Barbara Mendes: That was the original album. (13:12):
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Barbara Mendes: So, and Steer It Up, oh my God, to hear the children, to see the children dance, to steer it up. (13:14):
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Barbara Mendes: It was a beautiful thing. So we were Marley fans. Then one year later in Rialto, (13:19):
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Barbara Mendes: So, you know, I was so secular, we celebrated Christmas. (13:23):
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Barbara Mendes: So for Christmas, I asked for my gifts, all the Bob Marley albums. (13:26):
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Barbara Mendes: And I got them all. And that just completely sent me into Bob Marley land. (13:29):
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Barbara Mendes: Meantime, I decided to go back to college. I had tuned in, turned in and dropped (13:33):
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Barbara Mendes: out as a young person to Hunter College. (13:36):
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Barbara Mendes: And I was in the BFA program and everything, but I just dropped out. (13:39):
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Barbara Mendes: In 1978, I returned to college at UC, University of California, Riverside. (13:43):
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Barbara Mendes: And my senior thesis was Africa Woman. (13:49):
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Barbara Mendes: And taken from, it was a series of six paintings just inspired by the songs (13:53):
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Barbara Mendes: of the Bob and Barley songs. (13:57):
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Barbara Mendes: Oh, I know because I was back in college, there were a lot of things that you (13:59):
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Barbara Mendes: could study. You could, for example, you had to take all the basic English, even though I'd had it. (14:02):
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Barbara Mendes: So write a paper, write a research paper. So all those, (14:07):
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Barbara Mendes: All those times I had to do something on my own, I would choose an African or a Rastafarian theme. (14:11):
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Barbara Mendes: So I did papers on Rastafarianism, and I did papers on Africa, (14:16):
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Barbara Mendes: and I studied African tribes and imagery. (14:20):
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Barbara Mendes: So that was the huge African phase. (14:23):
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Barbara Mendes: And visually, it was quite rich. In fact, in the woman's building in L.A., (14:26):
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Barbara Mendes: that used to be a woman's building, they had me in the colored section at the slide register. (14:32):
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Barbara Mendes: Okay so uh the next (14:37):
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Barbara Mendes: big thing that happened was picture this it was 19 it (14:40):
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Barbara Mendes: was it was November 11th 1992 because get (14:43):
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Barbara Mendes: it 11 11 and 9 and 2 is 11 so on 11 11 11 I was painting a mural my daughter (14:47):
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Barbara Mendes: had moved out for me for the first time into a facility and I was living all (14:52):
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Barbara Mendes: by myself for the first time my other daughter was in college Fairfax is known (14:55):
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Barbara Mendes: as a Jewish part of Los Angeles and I was painting but it was a tropical garden. (15:00):
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Barbara Mendes: It was the relative of Toribio Prado who had the cha-cha-cha restaurants where (15:04):
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Barbara Mendes: my artwork was always in these cha-cha-cha Caribbean restaurants. (15:08):
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Barbara Mendes: So I'm painting the outside of a Caribbean restaurant and a guy comes along (15:12):
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Barbara Mendes: and he says, I want you to paint my synagogue. (15:15):
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Barbara Mendes: And I said, you know what? I'm Jewish. I'll do it because I would take any job. (15:19):
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Barbara Mendes: And I went the next day to meet them and something told me it was a Sephardic synagogue. (15:23):
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Barbara Mendes: Now I'm half Sephardic background. My father comes from the Sephardim Tahar, (15:27):
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Barbara Mendes: pure, from Spain and Portugal. (15:32):
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Barbara Mendes: My mom is a Russian Jew, so all the Sholem Aleichem stuff is with me, right? (15:35):
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Barbara Mendes: So I'm both. I'm a mixture of Ashkenazic and Sephardic Jew. (15:40):
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Barbara Mendes: So I realized my ears perked up that it was Sephardic synagogue, (15:43):
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Barbara Mendes: and I came to meet the congregation at a Malav Amalka, a party after the Shabbat. (15:47):
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Barbara Mendes: Something told me to wear a little hat. I don't know why, but I knew to do that. (15:52):
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Barbara Mendes: And this is when I met the congregation. And this is when I met my future second husband, Nathan. (15:56):
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Barbara Mendes: And all of this came. I was fascinated. I had never seen religious prayers before. (16:00):
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Barbara Mendes: I mean, the Sephardic, this is hardcore. The guys, they face the wall. (16:04):
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Barbara Mendes: They cover their shawls. And they all face the one direction. (16:07):
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Barbara Mendes: And they say the holy prayers. (16:10):
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Barbara Mendes: Meantime, they had a school there. That's why I was hired to paint a mural in (16:13):
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Barbara Mendes: the courtyard for the little prime school that they had going there. See? (16:17):
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Barbara Mendes: So they had preschool students. and the preschool students were being taught (16:21):
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Barbara Mendes: Hebrew by Rabbi Harosh upstairs in the women's gallery. They would be brought (16:24):
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Barbara Mendes: up one-on-one to learn their Hebrew. (16:28):
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Barbara Mendes: And I hear him up there teaching them. (16:30):
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Barbara Mendes: And when they got, he said, very good. Now you get cookie. (16:32):
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Barbara Mendes: Every time they learned they get cookie. And I said to myself, (16:37):
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Barbara Mendes: you know, I could probably learn this Hebrew and I bet I could get a cookie too. (16:41):
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Barbara Mendes: And that was my inspiration in front of them to learn Hebrew. (16:44):
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Barbara Mendes: But all that just grew and grew. (16:48):
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Barbara Mendes: And as I got closer with Nathan, my second husband, and actually when I'm married him. (16:49):
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Barbara Mendes: Then I came into the full strength of the Jewish community. (16:53):
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Barbara Mendes: But even before that, there was a free yeshiva at Los Angeles, (16:56):
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Barbara Mendes: Yeshiva of Los Angeles, Yula. (17:00):
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Barbara Mendes: And I attended about four a week and I was, (17:02):
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Barbara Mendes: I learned so much. This was the real yeshiva. We had real Rebbeim, (17:06):
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Barbara Mendes: real rabbis, and we learned the real deal. (17:11):
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Barbara Mendes: And I learned it very intensely on a high level. (17:14):
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Barbara Mendes: And this was my background and my background in learning Torah. (17:16):
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Barbara Mendes: And I also learned Hebrew from my beloved Hebrew teacher, Dr. (17:20):
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Barbara Mendes: Yehuda Verdugo, inspired us so much. (17:24):
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Barbara Mendes: On the first day of class, he said, class, you're going to learn a language (17:26):
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Barbara Mendes: that is like no other language because Hebrew is the language of God. (17:29):
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Barbara Mendes: He had us hooked right from the beginning. And as he taught us Hebrew, (17:34):
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Barbara Mendes: the goal was to learn to pray with the congregation, to read quickly and to (17:38):
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Barbara Mendes: pray with the congregation. (17:41):
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Barbara Mendes: So he would introduce us. Most of the prayers are taken from the Psalms. (17:43):
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Barbara Mendes: Many of them are, and from beautiful biblical passages. (17:46):
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Barbara Mendes: And he'd always begin, he'd say, class, this is very beautiful. (17:49):
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Barbara Mendes: So he asked us to memorize the Asherah, which is one of the Psalms of David. It's 145. (17:53):
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Barbara Mendes: And he asked us to memorize first four verses, then eight verses. (17:58):
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Barbara Mendes: And I ran away with that project. I memorized the entire Asherah, (18:02):
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Barbara Mendes: Asherah Yosheveh, Beit Heka, Odi, Halleluja, Selah. (18:05):
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Barbara Mendes: And the teacher was astounded. He just loved so much that he had a student who would do that. (18:09):
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Barbara Mendes: And I just loved that teacher so much. And sadly, he passed away last year. (18:13):
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Barbara Mendes: But all of this was my foundation in the learning of Judaism. (18:17):
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Barbara Mendes: So after I had gone through the whole Torah for a year in synagogue, (18:21):
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Barbara Mendes: because with my second husband, I attended synagogue and Sephardic synagogue. (18:25):
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Barbara Mendes: So we were, the women were upstairs in a balcony and you could overlook the (18:28):
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Barbara Mendes: entire beautiful, The Sephardim are very visual. (18:31):
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Barbara Mendes: They're very sensual. And so everything is very beautiful to look at. (18:34):
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Barbara Mendes: The Torah is draped in scarves and everything is pretty. (18:37):
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Barbara Mendes: And so I got to really view the whole setting from above. (18:40):
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Barbara Mendes: And that was very beautiful and the practice of it. And also I became a real Sephardic housewife. (18:44):
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Barbara Mendes: Oh my gosh, you have to make this Shabbat meals and they have to be made in advance. (18:50):
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Barbara Mendes: And then you have a lot of company for the lunches and the dinners. (18:53):
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Barbara Mendes: And it's a big job, but I took it on. (18:57):
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Barbara Mendes: So I was immersed and my art became filled, not just with the Torah subject (18:59):
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Barbara Mendes: matter that I was studying, but also with the lifestyle matter that I was living. (19:03):
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Barbara Mendes: And I made wonderful friends in the community. And, you know, (19:07):
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Barbara Mendes: there are wonderful women's classes. (19:09):
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Barbara Mendes: I feel rich to have been on the woman's end of Orthodox Judaism. (19:11):
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Barbara Mendes: Which is they never talk about it. (19:15):
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Barbara Mendes: So no one, if you're a man, you're never going to know about it or the depth (19:17):
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Barbara Mendes: of the beauty of the women. (19:21):
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Barbara Mendes: So I think that sums up my outside way that I became involved with it all. (19:23):
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Barbara Mendes: But really, I'm a mystic on my own because there's a fourth, (19:29):
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Barbara Mendes: there's a stage that I have to continue, okay? (19:32):
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Barbara Mendes: After about 20, but I stayed married to Nathan for five years, and then I left him. (19:36):
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Barbara Mendes: So all that time, I've been on my own, a single Orthodox Jewish woman. (19:41):
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Barbara Mendes: The whole period lasted, I would say, 25 to 30 years where I would call myself (19:45):
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Barbara Mendes: an Orthodox Jew and kind of dress that way. (19:49):
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Barbara Mendes: I could no longer take the patriarchy (19:53):
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Barbara Mendes: on the ground because I would go to synagogue, and I'm a single woman. (19:55):
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Barbara Mendes: And I'm an old woman and I'm worth 60, I'm worth 10 shekels, (19:58):
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Barbara Mendes: not that much, kind of worthless. (20:02):
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Barbara Mendes: And I couldn't take my statements, whereas you just saw me, the queen of my (20:05):
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Barbara Mendes: art gallery, the whole corner is named after me. (20:08):
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Barbara Mendes: I'm Willie Mendes. We're doing a podcast because maybe I am somebody. (20:11):
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Barbara Mendes: I just couldn't take being nobody officially and having no voice. (20:16):
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Barbara Mendes: So it just, and also, so I was a bit of a devil because I'd always be speaking (20:21):
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Barbara Mendes: up and also very learned. So I was usually correct. (20:26):
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Barbara Mendes: But that is a pain in the ass person that I'm describing. And finally, I just stopped going. (20:30):
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Barbara Mendes: So I no longer go publicly. I don't go to the synagogue. I don't go to the community events. (20:34):
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Barbara Mendes: But I still at home, I still do many of the rituals on my own. (20:39):
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Barbara Mendes: And I have a big holiday meal for my kids every twice a year, three times a year. (20:42):
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Barbara Mendes: So mystically, where did I go from there? I went to God as a woman. (20:49):
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Barbara Mendes: It happened with that book when God was a woman by Merlin Stone. (20:54):
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Barbara Mendes: In fact, this book rocked my world, When God Was a Woman. (20:56):
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Barbara Mendes: In the Fertile Crescent, in the land of Israel, where first of all, (21:01):
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Barbara Mendes: Judaism arose, then came Christianity, then came Islam, and they're all highly patriarchal setups. (21:04):
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Barbara Mendes: But before any of them were there, it was a matriarchy. It was a goddess-ruled (21:11):
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Barbara Mendes: culture in those very areas where these religions arose. (21:15):
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Barbara Mendes: And then it was the Scandinavians in the north that had this highly patriarchal (21:18):
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Barbara Mendes: fire religion, and they had a war chariot weapon that no one could withstand. (21:23):
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Barbara Mendes: So they conquered all of Europe and they came down and they conquered everyone (21:28):
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Barbara Mendes: in front of them until they got to Israel. (21:31):
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Jason Louv: Scandinavians? They conquered everyone down there. Scandinavians? It was Scandinavians? (21:33):
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Barbara Mendes: They started up there. Wow. (21:38):
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Jason Louv: Okay. (21:40):
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Barbara Mendes: And they came down. It's a deep subject. Now, here's where my biblical expertise (21:41):
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Barbara Mendes: comes in, because the author of that book thinks there's the very exclusiveness (21:46):
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Barbara Mendes: of the laws of the priests, the Levites, (21:50):
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Barbara Mendes: leads her to believe that they could have been a conquering force because they're (21:53):
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Barbara Mendes: not allowed to marry the, you know, it's very careful who they marry, only each other. (21:57):
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Barbara Mendes: And see, nobody knows the book of Leviticus like Barbara Mendez, right? (22:01):
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Barbara Mendes: It because even the rabbis who study it i drew every verse seven over seven (22:06):
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Barbara Mendes: times over i drew the drawing i drew the other i colored it in i did the paint (22:10):
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Barbara Mendes: i did the other seven times seven did i deal with every single verse in the (22:14):
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Barbara Mendes: book of leviticus i really know these rules and laws, (22:18):
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Barbara Mendes: and it gives me an insight into what she's saying about maybe this is an outside force, (22:20):
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Barbara Mendes: so i really believe that the point is i'm an api chorus i am a heretic i do (22:25):
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Barbara Mendes: not believe that every word of the Torah is true. (22:31):
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Barbara Mendes: So I don't belong there anyway, because I'm a heretic. What I believe, (22:35):
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Barbara Mendes: but I'm so guided by spiritual power. (22:39):
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Barbara Mendes: And I even believe that there's one God, a unity. That was my vision. (22:42):
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Barbara Mendes: Now the whole male, female thing, and when you're talking about God, (22:48):
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Barbara Mendes: particularly if you were talking about one guy, it's a metaphor. It's a metaphor. (22:52):
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Barbara Mendes: We need to have a human way to talk about so in (22:56):
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Barbara Mendes: the past the whole universe was ruled by men anyway so (23:00):
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Barbara Mendes: the obvious metaphor was it's a man like i'm a man so (23:03):
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Barbara Mendes: god god's in my image must be a (23:06):
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Barbara Mendes: man right right jason must be a man and him and him and his strong arm and a (23:09):
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Barbara Mendes: lot of the stories are very masculine remember we talked about the blood and (23:16):
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Barbara Mendes: the guts that i don't like before the bible's full of them full of battles and (23:19):
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Barbara Mendes: even hemorrhoids and cutting off foreskins. (23:23):
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Barbara Mendes: And it's really icky. A girl would never write it. Yeah. And I don't even know (23:27):
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Barbara Mendes: from that stuff. From the Bible. (23:32):
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Barbara Mendes: So since I am a woman, and guess what? I'm not the only one. (23:35):
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Barbara Mendes: 50% of the humans on this planet are women. It's 51%. (23:39):
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Jason Louv: It's a little bit more. (23:43):
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Barbara Mendes: Oh, thank you. So I really believe it makes perfect sense for our metaphor to be a female metaphor. (23:44):
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Barbara Mendes: And that's what I've invented with the Queen of Cosmos. I'm not trying to start (23:51):
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Barbara Mendes: a new religion and have people join me and worship this God that I created at all. (23:55):
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Barbara Mendes: I'm just saying there really is, I believe, one God. And a way to think about (24:00):
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Barbara Mendes: it, if you're a woman, is think about it as a woman as well. (24:05):
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Jason Louv: I'm really interested in this because I actually made a note. (24:08):
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Jason Louv: You mentioned earlier, you referred to Judaism, Christianity, (24:11):
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Jason Louv: and Islam as three patriarchal religions. And then you said that there was a (24:16):
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Jason Louv: goddess culture there before those. (24:21):
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Jason Louv: And I'm fascinated by that. And I don't know if you mean maybe Sumeria and so (24:24):
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Jason Louv: forth, but I really want to know about that. (24:30):
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Barbara Mendes: Well, I don't know why it's not taught in the schools in History 101, (24:33):
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Barbara Mendes: but my introduction was this book, but this isn't the only book when God was a woman. (24:37):
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Barbara Mendes: You just have to Google the ancient matriarchy and the goddess culture, (24:42):
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Barbara Mendes: and they're all woven together. (24:46):
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Barbara Mendes: Anana is one game, one name, but I am not at all for going back to the past. (24:48):
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Barbara Mendes: I'm not saying pick one of these goddesses and worship her the way they did in the past. (24:53):
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Barbara Mendes: I'm not so interested in the past, Jason. I'm interested in the future. (24:58):
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Barbara Mendes: Okay. And where I'm coming from, me and other little girls and old women are (25:02):
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Barbara Mendes: surviving in this patriarchal planet. And it's difficult and it's uncalled for. (25:08):
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Barbara Mendes: And you guys have nothing over us. And there is no mystical, (25:12):
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Barbara Mendes: religious, only a physical power trip reason why you should rule us. (25:16):
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Barbara Mendes: I think we've got everything going on over the men. We should certainly be respected (25:21):
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Barbara Mendes: tremendously and honored tremendously. And if there's gold and silver in spirituality, (25:25):
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Barbara Mendes: we should be regaled in it. (25:32):
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Jason Louv: Yes, I agree. (25:35):
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Barbara Mendes: And not in any way inferior. That's not the way the world looks right now. (25:37):
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Barbara Mendes: But as I said, I've been one of the people hopefully helping to mold it that way. (25:40):
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Jason Louv: What do you think a vision of the future that would be ideal would be? (25:45):
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Jason Louv: Or where you think we could go that would be more positive? (25:51):
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Barbara Mendes: It's already happened because I didn't make it happen. Look, (25:55):
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Barbara Mendes: I didn't invent birth control where women could have just fewer babies. (25:58):
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Barbara Mendes: I didn't invent the Haskalah when Jewish people threw away where everybody had (26:02):
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Barbara Mendes: to be card-carrying Orthodox Jew or you were nothing. (26:07):
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Barbara Mendes: They invented this, what we have now, Jews. We're Jews. Like, (26:10):
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Barbara Mendes: oh, we don't do all that stuff, but come on, we're Jewish, right? (26:13):
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Barbara Mendes: So I didn't invent that where there were Jewish people who were not ultra-religious (26:16):
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Barbara Mendes: at the same time. So many of these threads that led to the suffragette movement, (26:20):
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Barbara Mendes: the women have the right to vote. (26:26):
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Barbara Mendes: I didn't invent that or freedom from emancipation from slavery either. (26:29):
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Barbara Mendes: All those things are currents I inherited, right? That came along with me. (26:33):
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Barbara Mendes: For the future is now. Like, look at the prime minister of New Zealand, (26:38):
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Barbara Mendes: the former prime minister of New Zealand. That's my idea of the future, baby. (26:42):
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Barbara Mendes: A fantastic young woman. She's bright. She's intelligent. She's compassionate. (26:46):
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Barbara Mendes: She's got a baby in her breast. No big deal. (26:50):
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Barbara Mendes: These comics, I'm on this podcast because I made comics. (26:53):
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Barbara Mendes: Well, I made some of those comics with the baby hanging off of my breast all those years ago. (26:57):
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Barbara Mendes: In fact, the very one that went into the history book, I made it when I was (27:02):
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Barbara Mendes: nursing at the same time. (27:05):
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Barbara Mendes: Okay but you know when i was a girl in (27:06):
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Barbara Mendes: school in the 1950s do you know what they told women and (27:09):
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Barbara Mendes: they told them all that it was because of hans hoffman this (27:12):
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Barbara Mendes: male teacher in manhattan at the time who had generation of (27:15):
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Barbara Mendes: women he says you have to pick you can be an artist or you can be a mother you (27:18):
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Barbara Mendes: cannot be both you make your choice and many women did like my art teacher in (27:23):
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Barbara Mendes: junior high school said so i just chose i wanted to have a family right so i've (27:28):
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Barbara Mendes: got a husband and kids and I'm an art teacher, (27:33):
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Barbara Mendes: but I'm not like an artist like I want it to be. (27:35):
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Barbara Mendes: So I would say the future is now. And please, God, I hope we have a woman president (27:39):
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Barbara Mendes: in America soon because many other countries have had it. And look at the history of Israel. (27:43):
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Barbara Mendes: I mean, Golda Meir was just a towering figure. I think if I was making the playlist (27:49):
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Barbara Mendes: of school, it would be read when God was a woman and read the biography of Golda Meir. (27:55):
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Barbara Mendes: Because this woman was remarkable and we can all learn a lot from her. (27:59):
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Jason Louv: Do you want to, for people in the audience who don't know who Golda Meir was, (28:02):
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Jason Louv: do you maybe just want to say a little bit? (28:06):
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Barbara Mendes: Golda Meir was one of the early premiers of Israel, prime minister of Israel, (28:08):
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Barbara Mendes: back in the formative days. (28:14):
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Barbara Mendes: And, you know, being a woman, her tremendous, she focused on housing, (28:16):
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Barbara Mendes: make everybody make a house for everybody. (28:21):
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Barbara Mendes: Now, what kind of a great focus is that when you're founding a country? Makes sense. (28:23):
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Barbara Mendes: So Golda Meir was a tremendous woman and I don't know about what's going on (28:29):
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Barbara Mendes: now I've been kind of developing myself, (28:36):
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Barbara Mendes: and not being tremendously involved in the outside political world it's. (28:39):
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Jason Louv: Probably a good choice (28:45):
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Barbara Mendes: But growing up all around me like for example this cafe that I have next door (28:47):
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Barbara Mendes: to me it's black owned I mean oh my god these people are it's a new generation (28:51):
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Barbara Mendes: it's just incredibly beautiful, gorgeous black people and proud. (28:56):
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Barbara Mendes: And they got a lot of pride. They have beauty. They know who they are. (29:00):
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Barbara Mendes: So, you know, Black Lives Matter changed a lot like that. (29:05):
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Barbara Mendes: Everything became very pro-African American. (29:08):
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Barbara Mendes: And I'm waiting for that, the woman's (29:12):
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Barbara Mendes: moment to come where if you're not pro-woman, you're just not cool. (29:14):
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Barbara Mendes: And I think it will come any minute, but I pray to God it doesn't come through (29:17):
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Barbara Mendes: any kind of tragedy at all. (29:21):
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Barbara Mendes: May it come through a happy event like woman president, that would be fine with (29:22):
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Barbara Mendes: me as a way to usher in the rule. (29:26):
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Barbara Mendes: But it just has to be more equality. And one thing that really still burns my (29:29):
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Barbara Mendes: tail and is very acceptable. (29:33):
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Barbara Mendes: Jason, if you had a movie now and you showed, let's look at Amos and Andy. (29:35):
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Barbara Mendes: It's not acceptable. It's too racist. We can only look at it in a film history program, right? (29:40):
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Barbara Mendes: To show how films used to be quite racist. (29:45):
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Barbara Mendes: And that's why there was Amos and Andy. And we can study it to learn from the past. (29:48):
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Barbara Mendes: But if you're just going to show it as entertainment and laugh about these funky black people, (29:54):
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Barbara Mendes: that's not cool that's not politically correct it's (29:58):
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Barbara Mendes: racist okay right oh but object objectification of (30:02):
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Barbara Mendes: women is still open game right every other commercial every other vision in (30:06):
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Barbara Mendes: fact everyone is just filled with exploiting of women women for their sex appeal (30:12):
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Barbara Mendes: women because they make men's dicks get hard most of the art and the imagery (30:16):
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Barbara Mendes: in fact the entire art history of the western world It's like, (30:20):
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Barbara Mendes: what makes a man's dick hard? (30:23):
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Barbara Mendes: What makes a man excited? What do men like? (30:24):
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Barbara Mendes: Men like to get excited. They like to get excited sexually, and they also like (30:27):
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Barbara Mendes: to eat. And that's the world we live in. (30:31):
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Jason Louv: You talk a lot about the Pleiades, and I'm curious why that became an important symbol for you. (30:34):
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Barbara Mendes: So that's one of my greatest mystic stories. So the Pleiades. (30:39):
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Barbara Mendes: It started as a little gimmick for my comic book. Remember I told you I thought (30:44):
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Barbara Mendes: it was very cute the way Seven Sons would set? (30:48):
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Barbara Mendes: Somehow that idea just came to me. It would be cute to be on a planet where (30:51):
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Barbara Mendes: Seven Sons are going to set. (30:54):
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Barbara Mendes: And I was writing the comic and I just said, so they go to the Pleiades, (30:56):
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Barbara Mendes: the Pleiades Harpathon. So I made a funny story for my funny comic. (30:59):
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Barbara Mendes: And before I had that, it took a long time to find a publisher. (31:04):
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Barbara Mendes: In the meantime, I had sample pages where it was a Kinko's thing, (31:07):
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Barbara Mendes: where it was the book bound together with the coil and a little clear page on the top. (31:10):
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Barbara Mendes: Queen of Cosmos Comics. So if you came into my gallery at that time, (31:15):
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Barbara Mendes: I might show you, I say, oh, I also made a comic, right? (31:18):
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Barbara Mendes: Let me show you my comic. And just like I leaf through it, I would leaf through (31:21):
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Barbara Mendes: this Queen of Cosmos Comics. (31:24):
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Barbara Mendes: So I did for a young woman once. And then we get to the Pleiades and she goes, (31:26):
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Barbara Mendes: oh, so you know about the Pleiades, right? (31:30):
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Barbara Mendes: And I go, no, I don't know about the Pleiades. I just made it up for my comic. (31:34):
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Barbara Mendes: She goes, well, find out. you'll see. (31:39):
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Barbara Mendes: So as soon as she left, I Googled the cult of the Pleiades. (31:41):
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Barbara Mendes: Now the philosophy of the cult of the Pleiades, I would say was pretty much (31:44):
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Barbara Mendes: the plot of Queen of Cosmos comics. (31:48):
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Barbara Mendes: Seeds of spirituality were planted on a planet and they kind of made a mistake with the males. (31:52):
undefined

Barbara Mendes: They just overdid it a little bit, just a little tad too much testosterone in the mix. (31:59):
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Barbara Mendes: I mean, the idea was good that there'll be sex is a good way to create new beings. (32:03):
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Barbara Mendes: It was a good idea, but they went a little tad heavy (32:08):
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Barbara Mendes: on the testosterone we have a lot of problems in (32:11):
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Barbara Mendes: our planet which again i believe are testosterone induced (32:14):
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Barbara Mendes: problems too much violence and too much chauvinism and too much exploitation (32:17):
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Barbara Mendes: and all those things the men are the kings of those things women yeah we may (32:23):
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Barbara Mendes: do them but not so much women are (32:28):
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Barbara Mendes: much more nurturing based in my opinion especially if you've had a child. (32:30):
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Barbara Mendes: And even in general, I think we're hardwired for nurturing and hardwired to (32:35):
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Barbara Mendes: care and hardwired to make things nice. (32:39):
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Barbara Mendes: For example, I did not write, what do girls like? Sugar and spice and everything's nice. (32:42):
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Barbara Mendes: What do little boys like? Snakes and snails and puppy dogs' tails. (32:48):
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Barbara Mendes: I did not write those words, but they remain true. (32:52):
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Barbara Mendes: So again, I've lost my exact train of thought oh. (32:56):
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Jason Louv: You were we were talking about the pleiades (33:00):
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Barbara Mendes: Well that's the idea of the pleiades cult that they had they did come back and (33:01):
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Barbara Mendes: they did they did come here and help initiate humanity which does make sense (33:06):
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Barbara Mendes: with the leap and the chain and everything from from the apes to us, (33:11):
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Barbara Mendes: but now they're involved in trying to fix the problem so that could have been (33:15):
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Barbara Mendes: why they put these ideas in the head of like little willie mendes to make a (33:19):
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Barbara Mendes: comic book and end up talking on a podcast. (33:24):
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Jason Louv: You think that's how it works? It gets kind of beamed in? (33:27):
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Jason Louv: So you think that's how it works? It kind of gets spiritual influences kind (33:31):
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Jason Louv: of beam their vibes into us. (33:35):
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Barbara Mendes: It could. It doesn't hurt to think that way. Sure. Because if you think about (33:38):
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Barbara Mendes: it, when you believe something a lot, it can work for you. (33:42):
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Barbara Mendes: For example, look at all the Christian people who have gone into donneries or (33:46):
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Barbara Mendes: monasteries and they pray, pray, pray. (33:50):
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Barbara Mendes: If you read any Christian literature, oh, the miracles, right? Jesus saved me, right? (33:53):
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Barbara Mendes: I mean, there's hundreds and millions of stories of Jesus saved somebody. (33:58):
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Barbara Mendes: Because they believe in it so hard. It's a real thing. Jesus saved them. (34:02):
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Barbara Mendes: And it's the same with Judaism. Do we have miracle stories? (34:06):
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Barbara Mendes: There are just books and books and books and full of these wonderful stories, (34:11):
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Barbara Mendes: the miracle. And it happened and they were saved. (34:13):
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Barbara Mendes: I have a million in my own life. And the Jewish people have a million more of miracle stories. (34:16):
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Barbara Mendes: And I'm sure that other cultures also have their share. (34:22):
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Barbara Mendes: Of miraculous saving. So in my case, I've chosen to just kind of believe what (34:26):
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Barbara Mendes: I believe, which I just told you. (34:30):
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Barbara Mendes: So it can't hurt. It can't hurt. And all of those other religions I mentioned, (34:33):
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Barbara Mendes: they can't each be simultaneously true. (34:38):
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Barbara Mendes: Like there's only Allah and everybody else is going to burn in hell. (34:40):
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Barbara Mendes: It cannot be true at the same time as you have to believe in every word of the, (34:44):
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Barbara Mendes: And it cannot be true at the same time as Jesus is everything. (34:49):
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Barbara Mendes: So some of these things are a little bit mutually exclusive and also the other (34:55):
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Barbara Mendes: fantastic cultures of the world, which I'm chauvinistically not as educated (34:59):
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Barbara Mendes: about as most people are not. (35:03):
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Barbara Mendes: Everything is sort of mutually exclusive. It can't be that everything is true (35:06):
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Barbara Mendes: all at once. And yet religions work for people. (35:10):
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Barbara Mendes: So if I have my own womanistic way of thinking about spirituality and mysticism, (35:13):
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Barbara Mendes: it works for me. Oh, I see. (35:19):
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Jason Louv: Okay. How do you reconcile that attitude or that outlook with Orthodox Judaism, (35:21):
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Jason Louv: which I imagine is very rules-based? (35:28):
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Barbara Mendes: Only that they have some great... Look, you can travel the world, (35:31):
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Barbara Mendes: but we got the best prayers. (35:36):
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Barbara Mendes: I learned Hebrew. I learned to pray in Hebrew with the Israelis in the congregation, rapid fire. (35:40):
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Barbara Mendes: We have the Torah is an ocean. It's a deep, deep Pacific Atlantic Ocean role. (35:46):
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Barbara Mendes: You'll never get to the end of it. I think you know that Jewish learning is (35:51):
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Barbara Mendes: just oceanic and it's beautiful. (35:54):
undefined

Barbara Mendes: Not to mention the holidays. It's chock full of so much beauty. (35:57):
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Barbara Mendes: People thought I would walk away when I left my second husband. (36:00):
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Barbara Mendes: They figured I was so secular before. I'd just throw the whole thing away, but I didn't. (36:03):
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Barbara Mendes: So I just walk in an uneasy relationship to Orthodox Judaism. (36:07):
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Barbara Mendes: For example, I still have some wonderful friends in the community. (36:14):
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Barbara Mendes: And so there's one synagogue, the one that I don't, the shul I never go to the most often. (36:17):
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Barbara Mendes: Because my friends will have affairs there and I will go. And I will go to the (36:24):
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Barbara Mendes: parties of my dear friends. (36:27):
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Barbara Mendes: But I won't go to the religious meals so much because it makes me uncomfortable the men take over, (36:29):
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Barbara Mendes: there's always some guy who's a chauvinist and I can't take having to be polite about the whole thing, (36:36):
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Barbara Mendes: so I'd say it's just an uneasy walk but again look who doesn't have a Christmas (36:42):
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Barbara Mendes: tree me I don't anymore but what's to stop me I'm making the Rosh Hashanah meal (36:47):
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Barbara Mendes: for my kids just the way I used to have a Christmas tree and the same thing (36:51):
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Barbara Mendes: on Pesach I do the nine yards I clean out my kitchen I put aluminum foil on (36:55):
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Barbara Mendes: the countertops. I bring down my pacific dishes. (36:58):
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Barbara Mendes: There are several things that I do that are dyed in the wool orthodox Jew. (37:01):
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Barbara Mendes: And I never do work on Shabbat. (37:05):
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Barbara Mendes: What I do on Shabbat is between me and God. And I am on good terms with God, I believe. (37:06):
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Barbara Mendes: However, in terms of the public, I am not available on the Sabbath. (37:12):
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Barbara Mendes: You can't call me and have a business appointment or come by the gallery or drop something off. (37:16):
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Barbara Mendes: So I keep the Shabbat in that sense. (37:20):
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Jason Louv: I'm really interested what it was like coming to Orthodox Judaism as an adult, (37:23):
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Jason Louv: and not just as an adult, but very psychedelicized, coming from, you know, (37:29):
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Jason Louv: the underground comics world, but also, you know, Buddhism and Hinduism and (37:34):
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Jason Louv: being really tripped out. (37:39):
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Jason Louv: I've talked to maybe three or four Jewish people who've come back to Judaism (37:40):
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Jason Louv: after having somewhat similar trips. (37:45):
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Jason Louv: And I'm really fascinated what that was like as an adult and what looking at (37:48):
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Jason Louv: Torah and the rituals was like when it was not kind of just like something you (37:54):
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Jason Louv: had to do, but it was something that you can't. (38:00):
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Barbara Mendes: Well, one thing, first of all, there's a tremendous difference between what (38:01):
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Barbara Mendes: you have to do and what you want to do. (38:05):
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Barbara Mendes: Remember, I also returned to college as an adult. It's exactly the same thing (38:07):
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Barbara Mendes: as an adult. You're there because you want to be. (38:10):
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Jason Louv: Yeah. And the Bible is awesome. (38:12):
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Barbara Mendes: Like Anthropology 101, give it to me on a spoon, please. It's delicious. (38:14):
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Jason Louv: I'm having a totally different experience as an adult. And I'm really curious about that. Yeah, yeah. (38:18):
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Barbara Mendes: So Judaism was the same. I was there because I loved it and I wanted it. (38:23):
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Barbara Mendes: And you're forgetting another thing. It was so difficult to achieve. (38:27):
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Barbara Mendes: Learning Hebrew is not a picnic. And you go to the synagogue and it's all in Hebrew. (38:30):
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Barbara Mendes: And a lot of the Sephardic people, they're not all like so helpful. They're just like rude. (38:35):
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Barbara Mendes: A lot of Israelis are rude. And you have to fight a lot of rudeness. (38:40):
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Barbara Mendes: And the knowledge is hard won. It's hard won. So when you get to that point (38:44):
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Barbara Mendes: where you can follow the prayers in Hebrew and you know what's going on, (38:48):
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Barbara Mendes: then already you're like, you feel good about it and you feel part of it. (38:51):
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Barbara Mendes: But I do say that some of the people were rude, but most of the people were extremely welcoming. (38:55):
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Barbara Mendes: So people make it easy and they make it pleasant and they make it nice for you. (39:00):
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Barbara Mendes: So I think coming to it from that, it's just fun. You're doing it because you want to. (39:05):
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Barbara Mendes: But then it does take over. I mean, you do get to believe the rules. (39:10):
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Barbara Mendes: And what you don't need is a husband, like somebody over you. (39:13):
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Barbara Mendes: Just like my second husband was always telling me, you didn't do this, you didn't do that. (39:15):
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Barbara Mendes: And some stuff I was just learning, I didn't even know. I'd make a mistake. (39:19):
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Barbara Mendes: He'd become angry because he was a bully. (39:22):
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Barbara Mendes: But there's a lot of bullying in the community too. There's the beautiful, (39:24):
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Barbara Mendes: the good, and there's the bad and the ugly. (39:28):
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Barbara Mendes: Like every human community. (39:31):
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Barbara Mendes: Tremendous exploitation of the women in the Sephardic community. (39:34):
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Jason Louv: Okay. (39:37):
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Barbara Mendes: But also tremendous strength and beauty in the women. (39:38):
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Barbara Mendes: As I said, I prize my knowledge of the Jewish women because they are some really amazing individuals. (39:41):
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Barbara Mendes: There's one family I've kept up with, the Eliassi family, on a weekly basis. (39:47):
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Barbara Mendes: And the wife is Moroccan. Her name is Batya. And the husband is Persian. His name is Eliyahu. (39:52):
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Barbara Mendes: So they had five kids. What stellar kids. And they raised them in a little two-bedroom, (39:57):
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Barbara Mendes: one-bath apartment, which is spotless. (40:02):
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Barbara Mendes: And everything de rigueur, everything Camille Fault, everything Leifold Shabbat, (40:04):
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Barbara Mendes: you know, they're just a remarkable family. (40:09):
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Barbara Mendes: And I keep up with them. By now, the children were like six and born when I (40:12):
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Barbara Mendes: met them. Now that they all have kids, their own kids, except two daughters. (40:16):
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Barbara Mendes: And one daughter just completed Toro College, Nava. I'm so proud of her that (40:20):
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Barbara Mendes: she had coming from such a traditional background where the older daughters (40:24):
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Barbara Mendes: are married with kids and the son has a kid. (40:28):
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Barbara Mendes: And she worked so hard to get through college and graduate. (40:31):
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Barbara Mendes: So I think that's a remarkable accomplishment. (40:36):
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Barbara Mendes: And in a way, I'm a beacon to some of the young girls. (40:39):
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Barbara Mendes: A woman can be powerful in her own right. (40:43):
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Barbara Mendes: What you haven't mentioned is what is my relationship to the reform and the (40:47):
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Barbara Mendes: conservative? That's much more problematic. (40:51):
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Jason Louv: What is your relationship to the reform and the conservative? (40:53):
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Barbara Mendes: I don't have one. I consider it to be, I do a little, like there's a shul, (40:55):
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Barbara Mendes: Sharon Brouse's shul is in the neighborhood. And I went to a lovely, (41:00):
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Barbara Mendes: lovely affair where I took my Bicra mural and we hung it up there. (41:03):
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Barbara Mendes: And that was beautiful. So I'm not down on any of them. I support them. (41:07):
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Barbara Mendes: However, for my own self, once you've learned the orthodox, it seems like very foolish. (41:11):
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Barbara Mendes: It's like you went to kindergarten, right? And then you went to high school and college, perhaps. (41:16):
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Barbara Mendes: So why would you sit around going A, B, C, D, E, F, G, D, right? (41:21):
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Barbara Mendes: You're already studying Nietzsche. It seems very dumbed down. (41:25):
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Barbara Mendes: Okay, okay. And as if we adults were too stupid to learn the real stuff. (41:29):
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Barbara Mendes: Okay. That's just my take on it. (41:34):
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Jason Louv: Got it. I'm really curious that experience of not just studying Torah so deeply (41:36):
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Jason Louv: and learning Hebrew, but making those murals. and you said you went over those seven by seven. (41:42):
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Jason Louv: I'm curious like how your view of those scriptures changed through that artistic (41:47):
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Jason Louv: process. And I imagine all kinds of things unlocked and connections and it must've (41:52):
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Jason Louv: been a phenomenally deep experience for you to make those things. (41:57):
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Barbara Mendes: One of the main things you have to approach Judaism with is awe, (42:01):
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Barbara Mendes: A-W-E, Yomim Nareem, days of awe. It's awe-inspiring. (42:05):
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Barbara Mendes: Ooh, even if it was numerous people in one culture that compiled this amazing (42:12):
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Barbara Mendes: book, the Bible, it's just so deep and so resonating. (42:16):
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Barbara Mendes: And the fact that it's lasted so many years and these stories are just as fresh as they were. (42:20):
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Barbara Mendes: The remarkable stories and remarkable details and just a remarkable... (42:25):
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Barbara Mendes: Bunch of learning and with spiritual, because the great thing about the Bible (42:32):
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Barbara Mendes: is it's not just a history and it's not just a novel. (42:36):
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Barbara Mendes: It comes with a purpose to teach us to be better people, which is phenomenal. (42:40):
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Barbara Mendes: Again, only through the male lens, which annoys the heck out of me. (42:45):
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Barbara Mendes: So I want to blend, I want to take the idea of oceanic spirituality and have (42:48):
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Barbara Mendes: it female inclusive. You. (42:54):
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Jason Louv: Mentioned that you're a heretic and you don't believe that everything in the (42:57):
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Jason Louv: Torah is automatically true maybe say more about that (43:00):
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Barbara Mendes: Well god created man but (43:03):
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Barbara Mendes: before that in the bible there's two versions god created humans male and female (43:07):
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Barbara Mendes: created he them why we couldn't just stop with that version i would be perfectly (43:12):
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Barbara Mendes: satisfied but no it goes on to the second version where a woman was created (43:15):
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Barbara Mendes: from a rib and told to be man's help me so that's the part i don't believe okay, (43:19):
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Barbara Mendes: No, I do not believe that a woman was put on this earth to be the help meat of the man. Right. (43:25):
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Barbara Mendes: I believe woman was put on this (43:31):
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Barbara Mendes: earth to be a powerful human being with creative and generative powers. (43:33):
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Jason Louv: And were you able to unlock more threads of that? (43:39):
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Jason Louv: Were you able to find more, particularly hints of, you talk about the earlier (43:42):
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Jason Louv: goddess culture, were you able to find hints of that in scripture as you were studying it? (43:47):
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Barbara Mendes: Yes. In the book of Samuel, which I studied with Rabbi Greenspan because I wanted (43:52):
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Barbara Mendes: to study the life of David and the life of David, (43:56):
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Barbara Mendes: the king is told in the book of Samuel one or the book of Shmuel Aleph in the, (43:59):
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Barbara Mendes: in the, what do they call it? (44:05):
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Barbara Mendes: The Tanakh, the scriptures of the Jewish people, which is like the old Testament. (44:07):
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Barbara Mendes: So anyway, this is what it says a lot in the book of Samuel. (44:12):
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Barbara Mendes: Tear down their pillars. Go up into the high places and tear down their pillars (44:16):
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Barbara Mendes: and tear down their Asherah trees. (44:20):
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Barbara Mendes: These are the goddess cult. These are the trimmings of the goddess culture that (44:23):
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Barbara Mendes: people in the Bible are told to viciously tear them down. (44:28):
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Barbara Mendes: And also, I was in error all through my painting career and all the biblical (44:31):
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Barbara Mendes: murals. You know, God in the Bible says a lot, don't worship idols. (44:35):
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Barbara Mendes: That's the worst thing you can do. It's in the Ten Commandments, (44:39):
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Barbara Mendes: like, stay away from idols, please. (44:41):
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Barbara Mendes: And when I'm drawing and painting the idols, I'm showing either Hindu statues (44:44):
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Barbara Mendes: or Tibetan statues of Thoth or something like that. (44:49):
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Barbara Mendes: But I'm wrong, because the idols that they were telling people not to worship were the goddess idols. (44:54):
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Jason Louv: The goddess sculptures. Really? Okay, this is super interesting, (45:00):
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Jason Louv: because I've always been curious about that part and what they really meant (45:04):
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Jason Louv: by that, but that was specifically... (45:08):
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Barbara Mendes: Well, they mean the women culture. They just don't say it, but that's what it (45:10):
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Barbara Mendes: means. And the dead giveaways are what I just told you. The pillars, (45:13):
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Barbara Mendes: the high place, the Ashera trees. (45:16):
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Barbara Mendes: That's all flat-out trimmings of the goddess culture. (45:18):
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Jason Louv: Whoa, that's totally new info for me. This is a... Wow, okay. (45:20):
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Jason Louv: Do you have a sense of what time period that would have been? (45:25):
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Barbara Mendes: I don't know, maybe 3000 BC. Wow, okay. (45:28):
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Jason Louv: That's pretty early. (45:31):
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Barbara Mendes: I don't really know, but there are timelines. I just don't have them in front (45:33):
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Barbara Mendes: of me. of if I ran into the next room, I have this book, Ancient Bible, (45:37):
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Barbara Mendes: and it has like the timelines of some of these things, but you can, (45:41):
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Barbara Mendes: you're a smart guy. You can Google a lot of these informations. (45:44):
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Jason Louv: So do we let (45:47):
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Barbara Mendes: The book of Samuel be, be a guide? When was the book of Samuel written? (45:48):
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Jason Louv: Okay. Okay. How much do we know about that culture that they were trying to tear down and destroy? (45:53):
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Barbara Mendes: Again, you have to research. There's several authors besides Merlin Stone wrote (46:01):
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Barbara Mendes: the book When God Was a Woman. It was written in 1976. (46:06):
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Barbara Mendes: And people always say, oh, did you read this one? You read that one. (46:10):
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Barbara Mendes: Because it's not, again, my focus is not in the past. (46:13):
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Barbara Mendes: I'm not interested in throwing myself into the study of these ancient goddesses (46:15):
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Barbara Mendes: the way I threw myself into the study of Torah. (46:19):
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Barbara Mendes: Because don't forget, I believed in the Torah when I studied it. And I am a Jew. (46:22):
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Barbara Mendes: And it's my culture. It's what I was, my birthright. whereas to (46:26):
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Barbara Mendes: go and study these goddesses would be a side thing i haven't i haven't just (46:30):
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Barbara Mendes: looked into it that much again i'm i'm more into crafting a future okay but (46:36):
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Barbara Mendes: it's certainly there and if you want to look it's certainly there begging trying (46:42):
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Barbara Mendes: pleading to be more known about yeah. (46:46):
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Jason Louv: Super interesting super interesting what do you think that angels are (46:48):
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Barbara Mendes: Well, in the Torah, they're created, they're perfect beings created by God to perform one mission. (46:54):
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Barbara Mendes: And when they perform their mission, they're done. (47:01):
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Barbara Mendes: So I like the guy who came along and said, on 11, 11, 11, and said, (47:04):
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Barbara Mendes: I want you to paint my synagogue, Gabriel, his name was. (47:10):
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Barbara Mendes: So I figured he was an angel, Gabriel, he did his one mission, that was it. (47:14):
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Barbara Mendes: Okay. But again, I use my imagination. (47:19):
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Barbara Mendes: Jason, let me ask you something. How much do you know about Batman and Superman? (47:23):
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Jason Louv: A whole lot. (47:28):
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Barbara Mendes: Yeah, you know about Krypton and Batcave and Alfred and Robin. (47:30):
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Barbara Mendes: So why do you know that stuff? It's not real. (47:37):
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Jason Louv: Right. Because it was... (47:42):
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Barbara Mendes: No Batman. Sorry to tell you. It's fictional. Same with Superman. (47:43):
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Jason Louv: Because I grew up with it and I love that stuff. (47:48):
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Barbara Mendes: Well, it's the same reason why I like what I like. Okay. (47:52):
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Barbara Mendes: And whether it's true or not, or whether it's real or not, or does it come to (47:55):
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Barbara Mendes: make you a better person? I think that superheroes do try to have an element (48:00):
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Barbara Mendes: of good issues about them, right? (48:03):
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Barbara Mendes: That they're always coming the good to conquer the evil. (48:05):
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Jason Louv: Should be. (48:08):
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Barbara Mendes: I just disagree with their approach and their definition of those things, good and evil. (48:08):
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Barbara Mendes: But why does the goddess belief or (48:16):
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Barbara Mendes: any of my beliefs have to be justified when so much (48:19):
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Barbara Mendes: energy is is put into the marvel universe which there's (48:21):
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Barbara Mendes: no justification at all except dollars it's popular that's that's the magteca (48:25):
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Barbara Mendes: that's the culture mill like marvels were popular but now it's just like they're (48:29):
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Barbara Mendes: fed to you on a giant spoon and you can't even resist having it shoved in your mouth right. (48:36):
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Jason Louv: No i'm curious because i'm also you know i i believe in angels and everyone (48:43):
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Jason Louv: has their own take on them and it's a fascinating topic (48:49):
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Barbara Mendes: Do you believe sometimes angels are like people that come in your life i. (48:52):
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Jason Louv: Do i do believe that yeah (48:56):
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Barbara Mendes: And they just have such a helping and then maybe there's angels i just think (48:58):
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Barbara Mendes: it's fun to think about angels in the sky the way it's fun for you to take your (49:03):
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Barbara Mendes: time learning about these superheroes lore and knowing all about them. It's fun. (49:07):
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Barbara Mendes: It's just fun. It's fun to think about angels. (49:12):
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Barbara Mendes: I think there's a lot more chance that angels are real than there is a chance that Superman is real. (49:16):
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Jason Louv: I think so. (49:22):
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Jason Louv: There's probably a lot more written about angels, too, even though there's a (49:24):
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Jason Louv: whole lot of Superman comics. (49:26):
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Barbara Mendes: Yeah, look at the aliens. They could be supernatural beings. (49:28):
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Barbara Mendes: We don't know what the supernatural world is like. (49:31):
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Barbara Mendes: But as you know, the closer the scientists are getting, they come up against (49:35):
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Barbara Mendes: spirituality very close lately. (49:40):
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Barbara Mendes: Quantum this, quantum that. How about the quantum stuff? How about the quantum entanglement? (49:42):
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Barbara Mendes: That's the name of the story in Queen of Cosmos Comics Volume 3 with the brain. (49:47):
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Barbara Mendes: It's quantum entanglement. (49:51):
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Barbara Mendes: And the plot is there's a problem. I always make very minor, (49:54):
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Barbara Mendes: not so bad problems. And if you have to have a problem in a story, (49:57):
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Barbara Mendes: their problem is they're not getting the divine fruits from these tubes, they're blocked up. (50:01):
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Barbara Mendes: And the reason is there's a blockage somewhere in the universe, (50:05):
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Barbara Mendes: a tiny, tiny blockage that's being reflected in this larger blockage. (50:08):
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Barbara Mendes: So they travel through time and space and they get to my brain where I had a little blockage. (50:12):
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Barbara Mendes: And once it's fixed, everything is able to flow again. (50:17):
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Barbara Mendes: Why? Because of quantum entanglement. go figure it's it's hard so. (50:21):
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Jason Louv: You mentioned in queen of cosmos (50:27):
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Jason Louv: comics though you mentioned a bit about a micro and macrocosmic brain (50:29):
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Barbara Mendes: The world is too big for either your (50:33):
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Barbara Mendes: brain or my brain to take in more than a teeny fraction (50:36):
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Barbara Mendes: of what the hell's going on in the universe as you and (50:39):
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Barbara Mendes: i sit here talking the entire continents of (50:42):
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Barbara Mendes: asia are teeming with billions and billions of people living their (50:45):
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Barbara Mendes: lives around the others and maybe they're sleeping now because we're awake (50:48):
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Barbara Mendes: all around you're in a city i'm in a city in between is america there's canada (50:51):
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Barbara Mendes: we got mexico we got south america we got the divers in the sea everything is (50:56):
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Barbara Mendes: going on and what about all the art and culture and everybody promoting and (51:00):
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Barbara Mendes: creating their music and their (51:04):
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Barbara Mendes: art and their plays and their movies that's the macro there is so much. (51:06):
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Barbara Mendes: And yet let's go micro for a minute. Let's go inside just one brain. (51:11):
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Barbara Mendes: Let's say Jason's brain. Okay. (51:16):
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Barbara Mendes: Inside your brain, it's a hierarchical order of things. For example, (51:18):
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Barbara Mendes: the car that went by on the street and the noise that we edited out, it happened. (51:23):
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Barbara Mendes: You saw it, but it's very small. You forgot it already. (51:29):
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Barbara Mendes: It's very tiny. Now, what about Jason's mom? (51:32):
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Barbara Mendes: Whoa, that's a big in your brain. This is a big thing in your brain. (51:35):
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Barbara Mendes: Mom is big, right? She may be a petite woman. (51:39):
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Barbara Mendes: She may be, I'm sure that she's under six feet, that's for sure. (51:42):
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Barbara Mendes: So let's say just, I'm guessing she could be five, five and compare it to a (51:46):
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Barbara Mendes: truck that you saw yesterday on the street. (51:51):
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Barbara Mendes: Well, the truck is tons and tons. It's big and mom's tiny compared, (51:53):
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Barbara Mendes: but you're never even going to, you can't even remember the truck because it (51:57):
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Barbara Mendes: wasn't important and you didn't remember it. (52:00):
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Barbara Mendes: So it's hierarchical. And after that come, you know, your kids. (52:02):
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Barbara Mendes: And what about everything you ever read? What about everything you ever learned? (52:06):
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Barbara Mendes: And remember, what about all the places that you've traveled in your life? (52:09):
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Barbara Mendes: And you mentioned to me that you've lived in several different places in your (52:13):
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Barbara Mendes: life. Look at all the details messed up. (52:16):
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Barbara Mendes: Well, I've just made like about a million page book already about just the little (52:19):
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Barbara Mendes: things, all the things we could think of that could possibly be in your brain. (52:24):
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Barbara Mendes: Not to mention, look around everything you see with your eyes right now. just there's. (52:29):
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Barbara Mendes: The multiplicity of the brain is big with me, that in everybody's brain. (52:34):
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Barbara Mendes: And art has always mostly gone by the eye. (52:39):
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Barbara Mendes: So the whole triumph of Western art with perspective was to achieve how it looks from the eye. (52:43):
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Barbara Mendes: How does our eye see things? Now, in the eye, you put your mom up against that (52:50):
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Barbara Mendes: truck in real life, and she's small, the truck's big. That's perspective. (52:54):
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Barbara Mendes: And if you're closer, you're bigger. If you're farther away, you're smaller. (52:58):
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Barbara Mendes: That's the scientific laws of perspective. but the (53:01):
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Barbara Mendes: laws of the brain are different so my art (53:04):
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Barbara Mendes: doesn't come from the eye and not only that but (53:08):
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Barbara Mendes: let's take the shading let's look for a minute at my face (53:11):
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Barbara Mendes: or jason's face the shadows are sort of blackish right if we were using paint (53:14):
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Barbara Mendes: to paint these faces we'd have to take black black black shadows figure out (53:19):
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Barbara Mendes: the black who needs black i don't even use about black in my palette that often (53:24):
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Barbara Mendes: okay the point is if i want to capture how it looks hello we have cameras that's (53:28):
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Barbara Mendes: why nobody's messing with these shadows. (53:32):
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Barbara Mendes: The camera's picking up everyone perfectly where it needs to be on both of our faces. (53:34):
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Barbara Mendes: So since the invention of a camera, we use them so much today, (53:39):
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Barbara Mendes: I don't believe we need to replicate realism, what we see with our eye. (53:43):
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Barbara Mendes: We have cameras for that. (53:48):
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Barbara Mendes: So you can see in the painting behind me how fun I just play with imagery and (53:49):
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Barbara Mendes: color, the color that they sell in the art store. (53:54):
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Barbara Mendes: They sell these brilliant colors in every art store, red, yellow, (53:57):
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Barbara Mendes: blue, you mix of green and I add white make pastels from (54:01):
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Barbara Mendes: them and you get something like the painting behind me (54:04):
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Barbara Mendes: as a matter of fact let me just (54:07):
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Barbara Mendes: show you my prophecy and this painting behind (54:10):
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Barbara Mendes: me so it's called restless it's called (54:13):
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Barbara Mendes: restless ride to rialto and it's allegorical scenes (54:16):
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Barbara Mendes: in allegorical animals this is in (54:20):
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Barbara Mendes: New York and it symbolizes when my daughter got the cancer so (54:23):
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Barbara Mendes: you see New york harbor and the statue of liberty and a (54:27):
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Barbara Mendes: traumatized dragon what's this in the (54:29):
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Barbara Mendes: background it's the new york skyline i see the twin towers i see the airplane (54:32):
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Barbara Mendes: going into the two twin towers but the date of the painting is 1977 wow so i'm (54:38):
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Barbara Mendes: into mysticism and prophecy, (54:47):
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Barbara Mendes: and colors, (54:52):
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Barbara Mendes: which I think art is great for all that stuff. Does that happen. (54:54):
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Jason Louv: A lot with you where you'll paint something and then it will come true later? (54:59):
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Barbara Mendes: Oh, yeah. Okay. The one behind me, some Israeli rabbis who don't even speak (55:04):
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Barbara Mendes: English, they saw that plane going in those two twin towers and they said, (55:08):
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Barbara Mendes: Atnavia, you are a prophetess. So that's when I first came to it. (55:12):
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Barbara Mendes: Yeah, it happens a lot. (55:17):
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Jason Louv: Why do you think that is? I mean, I feel, do you think that artists tap into the future? (55:19):
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Barbara Mendes: I think I'm a mystic and I'm a mystic person in tune with other mystic beings. (55:26):
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Barbara Mendes: And I'm leading a mystic life here. It's not just a prosaic, normal life. (55:32):
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Barbara Mendes: And, you know, remember the Don Juan books, the Carlos Castaneda books, (55:39):
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Barbara Mendes: The Way of the Warrior and everything? (55:45):
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Barbara Mendes: I've crafted myself into a mystic warrior all by myself without a religious (55:47):
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Barbara Mendes: rabbi or priest to tell me where to go. (55:52):
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Barbara Mendes: Like, I think you have to get up super early in the morning and walk super long (55:55):
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Barbara Mendes: walks in the morning. And I had this special, I call it my spot. (55:59):
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Barbara Mendes: It happens to be next to a freeway embankment, but it's completely private. No human can see you. (56:02):
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Barbara Mendes: And on the embankment are beautiful plant life. It's like a park. (56:07):
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Barbara Mendes: Behind me is an apartment house with a razor wire, but (56:10):
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Barbara Mendes: that's my spot and that's where I go and I can see and I talk to God and I talk (56:14):
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Barbara Mendes: to the beings and it's just I work a little harder at being a spiritual being (56:20):
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Barbara Mendes: and I'm very into karma I try to do karma cleanup like you know you can deliberately (56:25):
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Barbara Mendes: make good things happen to you by doing good. (56:31):
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Jason Louv: Things I think so yeah (56:33):
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Barbara Mendes: Even in Judaism since you you may not know this one there's a Jewish law that says, (56:35):
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Barbara Mendes: financially, if you give to God 10% of the money that you receive, (56:42):
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Barbara Mendes: God has to pay you back and even more. (56:48):
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Barbara Mendes: So that's a pretty, it's not because look, when you pray, God doesn't have to answer you, right? (56:53):
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Barbara Mendes: We all pray and we pray very hard. Many is the time when God's answer is no, (56:58):
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Barbara Mendes: we don't not get our prayers answered. (57:04):
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Barbara Mendes: So just to pray to God is not to automatically receive of what you're praying for. (57:06):
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Barbara Mendes: However, in this instance, if you actually give 10% of the money you received (57:10):
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Barbara Mendes: and dedicate it to something for God, some charity, some good cause, (57:14):
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Barbara Mendes: God really has to pay you back. (57:19):
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Barbara Mendes: So I've tried that and it has worked. (57:21):
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Jason Louv: It works. (57:24):
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Barbara Mendes: This time I was too chicken. I made a really big sale, but I was too chicken (57:25):
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Barbara Mendes: to really give 10% of it away. (57:29):
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Jason Louv: Okay. (57:30):
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Barbara Mendes: But in the past, it's worked pretty well. (57:32):
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Jason Louv: So what are your, do you have other tips for karmic cleanup? I might need some. (57:34):
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Barbara Mendes: Well, just think if somebody's upset with you, there must be a reason and try to work it out. (57:40):
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Barbara Mendes: One thing that I do want to, since we're talking and I'm shooting my mouth off (57:45):
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Barbara Mendes: a lot, I want to talk about how wonderful my relationship is with my living daughter, Kirby. Okay. (57:49):
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Barbara Mendes: Kirby's 52 years old now, and she lives near me in Culver City. It's 10 minutes away. (57:55):
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Barbara Mendes: Now, Kirby was Fertility Challenge. She and her wonderful husband, (58:00):
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Barbara Mendes: Jeff, who's a graphic artist and a musician. (58:03):
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Barbara Mendes: So with IVF, they created Melody, my granddaughter, 20 years ago. (58:05):
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Barbara Mendes: And she's a remarkable person. She's now at UC Santa Cruz, where she's an A (58:13):
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Barbara Mendes: student, and she's a singer-songwriter. (58:17):
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Barbara Mendes: Her handle is Career Woman. So she is Career Woman. She has a three-piece boy (58:20):
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Barbara Mendes: backup band that backs up. (58:25):
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Barbara Mendes: And I'm on X too, Art by Mendes. Okay. (01:00:02):
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Barbara Mendes: Wonderful. Because now I'm back to painting and I'm doing a lot of painting lately. Follow me. (01:00:07):
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Barbara Mendes: So when you finish new paintings, you put them up on your social media? (01:00:13):
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Barbara Mendes: All the time. Wonderful. It's practically why I do them. (01:00:16):
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Barbara Mendes: But I also make my living selling them. Wonderful. This is how I make my living. (01:00:21):
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Barbara Mendes: You know that mural that I showed you outside? It's like a gigantic billboard. (01:00:25):
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Barbara Mendes: And not that often, but often enough, people actually stop their cars and pull (01:00:30):
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Barbara Mendes: over like Moses with the burning bush and say, What is this? What is going on here? (01:00:34):
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Barbara Mendes: And they discover me and I make some interesting sales that way, (01:00:38):
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Barbara Mendes: as well as the people who just wander in from the street in the coffee shop. (01:00:41):
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Barbara Mendes: So if people want to buy your art, where would they go? They'd have to contact (01:00:46):
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Barbara Mendes: me through social media. Okay. (01:00:50):
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Barbara Mendes: Or else, you know, if anybody is in the Los Angeles area, please come visit Ivan Gallery. (01:00:52):
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Jason Louv: I keep regular gallery hours, Tuesday, Wednesday, Thursday, Sunday, (01:00:57):
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Jason Louv: 12 to 5. And you can find out how to contact (01:01:01):
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Barbara Mendes: Me on social media through direct messaging and i am available to meet the public (01:01:04):
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Barbara Mendes: any day but saturday since i live upstairs i can make an appointment to meet anybody anytime in. (01:01:10):
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Jason Louv: The los angeles area and show them (01:01:16):
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Jason Louv: the art gallery and show them my work wonderful do you sell prints also (01:01:18):
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Barbara Mendes: I do have some prints for sale in that in that back. (01:01:22):
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Jason Louv: Room okay yes (01:01:26):
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Barbara Mendes: And can people find those online or they need to contact you no I don't have an online store. (01:01:27):
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Barbara Mendes: If you go on my website, barbarmendis.org, you'll see a lot of the terrific Judaic art. (01:01:33):
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Barbara Mendes: And there used to be an online store, but trust me, it's defunct. (01:01:39):
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Jason Louv: But I do have (01:01:42):
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Barbara Mendes: The merchandise that's on that online store. So if you see something on barbarmendis.org. (01:01:43):
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Jason Louv: That you want to purchase, (01:01:48):
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Barbara Mendes: You can definitely DM. (01:01:50):
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Jason Louv: Me and I can find out about how to get it to you. Wonderful. (01:01:51):
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Barbara Mendes: Well, I feel very lucky to have... Thank you for showing me all of this. (01:01:55):
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Barbara Mendes: I feel very lucky. I feel very lucky to have this conversation and I really enjoyed it. (01:01:59):
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Barbara Mendes: Jason, thank you so much for inviting me. It's been a pleasure talking with (01:02:04):
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Barbara Mendes: you. Thank you. Absolutely. (01:02:08):
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Barbara Mendes: And thank you again. And yeah, it was a, it was a, it was very touching interview. Thank you. Thank you. (01:02:10):
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Barbara Mendes: All right. Take care. Bye-bye. (01:02:16):
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