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August 8, 2021 63 mins
2010年前后,CD 时代末期。数字音乐和流媒体大潮的冲击下,刚刚辉煌了十余年的CD 出版业已是日薄西山。释放产能与刺激销售的需求驱使下,碟片数量夸张的「大包CD」开始出现。从5CD、10CD 的多张精选,到DG111 的111碟超大规模收藏,CD 产业在最后时期发售了大量的合辑,横跨古典、Jazz、流行摇滚等诸多领域。「包子碟」像是CD 产业死前最后一次回光返照,却给CD 时代最后的遗民们留下了一种难以替代的财富。它是目录,是补足,也是全新接触一个艺术家、一个门类的钥匙。

[00:00:00] BGM#1. Janos Starker - Bach Sonata in D major for Cello & Piano, BWV 1028 - II. Allegro
[00:01:29] 节目开始,何谓「包子碟」;
[00:03:36] 2009年发售的DG111,国内发烧友对古典音乐「大包」认知的开始;
[00:16:09] 「包子碟」的不同分类逻辑(厂牌、时代、风格、艺术家、乐团等);Philips / Decca / DG / Mercury 等热爱出合辑的品牌;Bob Dylan 大合辑与流行摇滚领域的出合辑风潮;
[00:26:35] 出合辑时对录音的重新处理;Queen 合辑中的B-Side 和Remix;Iron Maiden 的拼图玩法;David Bowie 的分时期合辑;Jazz 领域的合辑出版逻辑;
[00:33:07] 辛苦盗版商了;流行摇滚出合辑的「体量尴尬」;关于之前周杰伦脱销的黑胶合辑;
[00:39:35] 「包子碟」的「收藏目录」功能;与单体CD 的购买如何调和;The Beatles 合辑的英美版本;老摇滚合辑里Mono 录音的价值;
[00:46:18] BGM#2. The Beach Boys - God Only Knows (Mono Version)
[00:47:35] 神秘的日版King Crimson 合辑;日本出版商没有记忆;又开始吹日本中古唱片店;这年代谁还听CD;
[00:53:12] 买包子的纠结;迅速消亡的CD 时代;保存图标和茶杯托的烂梗;
[01:01:16] BGM#3. The Rolling Stones - Factory Girl
[01:01:57] 唏嘘的结束语

#小朋友:地下丝贼 / vineland / 包雪龙
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