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December 31, 2024 136 mins

Star Trek V: The Final Frontier is a movie that begs the audience to ask many questions. Why does God need a Starship? Why is Captain Kirk climbing the mountain? How many "Rows" are in "Row Row Row Your Boat"? And more! From Farragut Forward, William Jay joins Case and Sam to attempt to answer a few of these questions.

 

Overview
In the latest episode of the podcast, hosts Case Aiken and Sam Alicea, along with guest William J., delve into the complexities of "Star Trek V: The Final Frontier," celebrating the film's significance within the franchise on its 35th anniversary. They provide an engaging overview of the movie's production challenges, particularly highlighting William Shatner's directorial debut and the budget constraints faced. The discussion covers character dynamics, including an analysis of Kirk, Spock, McCoy, and the antagonist Sybok, as well as critiques of pacing, plot structure, and the film's attempts at humor. The hosts explore pivotal scenes, such as the Yosemite sequence and the galactic barrier climax, while offering constructive suggestions for improving character development and overall narrative flow. The episode concludes with reflections on the film's legacy within the Star Trek canon and a look at upcoming podcast topics, ensuring listeners are informed and engaged in the broader Star Trek conversation.
 
Notes
Introduction and Overview (00:00 - 10:01)
  • Podcast hosts Case Aiken and Sam Alicea introduce the topic: Star Trek V: The Final Frontier
  • Guest William J. joins to discuss the film
  • Mention of Star Trek's 35th anniversary and William Shatner's recent comments
Movie Context and Production (10:02 - 20:24)
  • Discussion of Star Trek V's place in the franchise
  • Comparison to previous films directed by Leonard Nimoy
  • William Shatner's directorial debut and its challenges
  • Budget and production issues highlighted
Character Analysis and Plot Elements (20:24 - 28:41)
  • Examination of Kirk, Spock, and McCoy's roles
  • Discussion of Sybok as the antagonist
  • Critique of the film's pacing and structure
Yosemite Scenes and Ship Issues (.css-j9qmi7{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;font-weight:700;margin-bottom:1rem;margin-top:2.8rem;width:100%;-webkit-box-pack:start;-ms-flex-pack:start;-webkit-justify-content:start;justify-content:start;padding-left:5rem;}@media only screen and (max-width: 599px){.css-j9qmi7{padding-left:0;-webkit-box-pack:center;-ms-flex-pack:center;-webkit-justify-content:center;justify-content:center;}}.css-j9qmi7 svg{fill:#27292D;}.css-j9qmi7 .eagfbvw0{-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;color:#27292D;}
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