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August 1, 2025 10 mins

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Podcast Episode Notes: Choosing Church Broadcast Audio Systems

Episode Overview

Discussion about switching from Logic Pro to other broadcast audio solutions including Waves LV1, Studio One, and Pro Tools for church live streaming applications.

Key Participants

  • Jake Gosselin - Host/Audio Expert
  • Matt Woltjer - Audio Engineer/Consultant

Main Topics Covered

Current Industry Setup

  • Most professionals using matrix mix from LV1 systems for broadcast
  • Common approach: dedicated matrix send from main front-of-house mix
  • Requires ongoing attention to maintain quality

Logic Pro Issues Identified

Primary Problem: Time Drift

  • Logic Pro gradually falls behind video stream
  • Can drift up to 2+ seconds behind actual video
  • Creates major sync issues for live streaming
  • Problem appears unique to Logic Pro

Design Limitations

  • Logic Pro optimized for studio recording, not live applications
  • Apple's development priorities focus on studio use
  • Pricing model ($200 for 18+ years) indicates different revenue focus

Alternative DAW Options

Ableton Live & Pro Tools

  • No reported time drift issues
  • Better suited for live applications
  • More reliable for broadcast mixing

Waves LV1 System

  • Purpose-built for live mixing
  • Hardware controller integration
  • Superior plugin processing
  • Most expensive but most reliable option

System Integration Challenges

Hardware Requirements

  • Allen & Heath SQ: Requires Waves interface cards
  • Dante Systems: Need Dante Wave Sound Bridge (~$3,000)
  • LV1 Options:
    • Classic (most expensive, full features)
    • One C Compact (budget option, limited processing)
    • Proton Duo (insufficient for full mix)

Critical Decision Factors

Budget Considerations

  • LV1 systems: $10,000+ for complete setup
  • Additional hardware costs often overlooked
  • Integration complexity increases total cost

Staffing Reality Check

  • Many churches: 1-2 experienced engineers, 2-3 learning operators
  • Common mistake: Experienced on FOH, beginners on broadcast
  • Results in expensive equipment producing poor mixes

Fundamental Issues First

  • Acoustic treatment more impactful than equipment upgrades
  • Proper PA tuning essential before broadcast considerations
  • Secondary console improves mix quality only 2-5%
  • Room acoustics can transform entire sound

Professional Recommendations

When to Choose Matrix Mix:

  • Small to midsize churches
  • Limited experienced staff
  • Budget constraints
  • Desire for consistency and reliability

When to Consider LV1:

  • Dedicated broadcast mixing staff
  • Sufficient budget for complete system
  • Acoustics and PA already optimized
  • Need for advanced plugin processing

Questions to Ask Before Upgrading:

  1. What specific problems are you solving?
  2. Do you have dedicated, experienced broadcast staff?
  3. Are fundamental acoustic/PA issues addressed?
  4. What's your complete system budget?
  5. How complex is your current audio routing?

Real-World Case Study

Recent consultation example:

  • Church requesting lighting upgrades without understanding lighting theory
  • Eight BLX wireless systems failing across multiple rooms
  • Recommended: Learn fundamentals before spending money
  • Upgrade to antenna-capable systems for multi-room use

Key Takeaways

Equipment Isn't Always the Answer

  • Master curre
Mark as Played

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