Classical For Everyone

Even if you have listened to a fair bit of classical music I’m quietly confident you will not have heard a note of any of what I am going to play you in this episode… unless you happen to hail from or reside in that jewel of a nation… New Zealand / Aotearoa. Trust me, if you can overcome a nervousness about the unfamiliar… you are going to hear some remarkably good music… by composers Anthony Richie, Gillian Wh...

Ludwig van Beethoven arrived in Vienna in late 1792 as a 22-year-old from the town of Bonn to study with Josef Haydn who was at the time undeniably Europe's most celebrated living composer. Beethoven also quickly established himself in Viennese aristocratic circles, securing patronage from nobles who recognized his extraordinary talent both as a virtuoso pianist and as a composer of startling originalit...

This episode starts in Paris in 1909 and ends up in Buenos Aires in 1994… and the music includes a healthy dose of the influence of jazz. If you have a small voice inside saying this is going to be a little more ‘modern’ and a little less ‘enjoyable’, I hope you’ll trust me to prove that voice wrong… or more particularly that you’ll trust Clause Debussy, Malcolm Arnold, Aaron Copland, Igor Stravinsky and Osvald...

There’s no way around the fact that this entire corner of classical music is generally known by the term ‘chamber music’ but please don’t let that stop you from experiencing some incredible music… even if you find the term, as I do, just plain odd. This is music originally intended for smaller performance spaces… sometimes even just a dining room… and by virtue of that the connection between players and audienc...

No other filmmaker has used classical music to better effect than the American director Stanley Kubrick (1928-1999). Whilst composers did score some of his films, Kubrick frequently used existing classical pieces… in particular for 2001: A Space Odyssey, Barry Lyndon & The Shining. Kubrick’s choices are fascinating and did a lot to get classical music to new audiences. And, besides, how else could I get Schuber...

If you have hit play for this episode then that means you are in that part of the population who have not been entirely turned off Vivaldi by the overuse of his deservedly popular set of violin concertos… ‘The Four Seasons’. I am glad you are going to join me for an hour of exquisite music… a concerto for two violins and cello, a mandolin concerto, a song from his semi-opera Andromeda liberata, a cello sonata, ...

Sometimes music can just be for pleasure and if that is the composer and the performers’ intention, then good for them… and good for us listeners. If most music is created to make you ‘feel’… then some music can just be to make you feel good. And from time to time happiness can be in short supply… and if that is the case then I hope the music I am going to play you over the next hour can at least give you a smi...

Much music has been inspired by love, passion or obsession…  but only in a handful of cases has the person who was the inspiration… the muse… become publicly linked to a work. Here are the stories of six of them… Alma Schindler, Josephine Brunsvik, Kamila Stösslová, Peter Pears, Clara Wieck and Mathilde Wesendonck. And the music they inspired… by Gustav Mahler, Ludwig van Beethoven, Leos Janacek, Benjamin Britt...

A percussion instrument is pretty much anything that can be hit, tapped, scraped, scratched or banged. In an orchestra it is generally the responsibility of the individual or small group of people up the back… the ones who get to make the most noise and have to master the most instruments and who, in this episode, help give us armies fighting on an ice covered lake, a peasant girl dancing herself to death, big ...

If you’ve ever been puzzled why once you scratch the surface of classical music the name Johann Sebastian Bach seems to just keep turning up… this episode might offer some clues… beyond the fact that the music is pretty good. With the assistance of The English Concert, Maurizio Pollini, John Eliot Gardiner, Wolfgang Rübsam, Masaaki Suzuki, Glenn Gould, Itzhak Perlman, Christophe Rousset, Helena Rathbone & Richa...

Amongst all the instruments in the modern string family… violins, violas, cellos and double basses… it is the cello that most closely approximates the range of the human voice… from the lowest bass to the highest soprano and that may be one reason why it seems especially popular. Music from Josef Haydn, Ludwig van Beethoven, Edward Elgar, Sergei Prokofiev, Samuel Barber, Dmitri Shostakovich;  and, to finish, so...

This episode of Classical For Everyone includes musicians slowly leaving the stage… lovers separated by the call of duty…  music for beginning a journey…  and music for a sad and very final farewell. A section of a symphony by Josef Haydn, eight minutes of a Wolfgang Amadeus Mozart opera, a Felix Mendelssohn overture, maybe one of the saddest farewells ever written… from Henry Purcell, and the Adagio For String...

This episode is all music written by people who have the particular distinction of still breathing. I think it’s important to say that nowhere near all classical music is written by dead men from Vienna. One of the unintended consequences of a whole genre of music being called ‘classical’ is that associations with past eras can disguise the fact that exciting and brilliant new music is being written and perform...

There’s a string quartet written by the American composer Morton Feldman in the 1980s that is about 6 hours long. ‘Einstein on the Beach’, the opera by Phillip Glass and Robert Wilson, is about five hours long and is performed without an interval. There is of course plenty of classical music that is well under these eye-watering durations. A Vivaldi concerto can be over in ten minutes… Aaron Copland’s ‘Fanfare ...

This episode of Classical For Everyone is all about Night.. music that evokes the night… that captures the different moods of nighttime, and music written to be performed at night. Night in the Gardens of Spain, Moonlight over the Suffolk Coast, Midnight in a Chapel, Goblins in the bedroom, a walk in a deep, dark forest at night… a Nocturne… and a little night music. Sixty minutes of music by Manuel De Falla, F...

Composers have drawn inspiration from the sea for centuries but only with the rise of the larger orchestras of the nineteenth century did they get the palate needed to create fully persuasive depictions of it. So, apart from one piece for solo piano, major orchestral works are what you will hear in this episode... ‘The Sea and Sinbad’s Ship’ from Nicolai Rimsky-Korsakov’s ‘Sheherazade’ an unfairly short interlu...