The concept of spiritual and moral hollowness that T.S. Eliot crystallized in "The Hollow Men" (1925) emerged from a crisis of meaning that had been building in Western consciousness since the mid-nineteenth century. While Eliot's immediate inspiration came from witnessing the spiritual devastation following World War I, the metaphor of human hollowness had deeper roots in the philosophical and literary traditions he inherited. The image appears to have first gained currency through Nietzsche's declaration of God's death and his warnings about the "last men;" all comfortable, mediocre beings who had lost all capacity for greatness or genuine feeling. But even before Nietzsche, we can trace intimations of this hollowness in Kierkegaard's analysis of the aesthetic life, where individuals flit from pleasure to pleasure without ever achieving authentic selfhood.
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