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October 21, 2024 57 mins

In this episode of Feminist Founders, Becky Mollenkamp interviews Sean Adams, founder of Drowned in Sound and music industry expert, to discuss the complexities of feminism in the music industry. They explore the challenges for female musicians, the barriers to equality in music, and how allyship plays a crucial role in creating ethical and empowering spaces. Sean shares his insights on toxic masculinity in music, the importance of safe spaces for women in live music, and what it means to promote an inclusive, values-driven business model in the music world. This conversation dives deep into how the music industry can better support marginalized artists, combat sexism and misogyny, and work towards equality in every facet of the industry.


Sean Adams (he/him) founded the music community and music publication Drowned in Sound in 2000. It grew to be a record label that launched the careers of artists such as Kaiser Chiefs and Bat for Lashes, as well as pioneering with an award-winning podcast back in 2005, developing groundbreaking playlist features, and launched spin-off websites like The Quietus. Alongside running the media organization, Sean has also managed various musicians including Charlotte Church, Ed Harcourt, and The Anchoress. Outside of music, he’s a member of The Movement Forward political group alongside the likes of Carol Vorderman and was the launch producer for The Trawl podcast hosted by Marina Purkiss & Jemma Forte.


Website | Instagram | Threads


Discussed in this Episode:

  • The challenges facing female musicians and the barriers created by gender inequality
  • How men can be better allies to women in the music industry
  • The pervasive nature of toxic masculinity in music spaces
  • Why supporting marginalized artists is crucial for creating equality in music
  • Insights into promoting female artists and empowering women in music
  • The importance of safe gigs for women and fostering safe spaces in live music settings
  • Social responsibility in music and ethical music business practices
  • Misogyny in live music and how the feminist music movement is pushing back

Resources Mentioned:


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