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May 16, 2025 91 mins

THE MUMMY'S HAND (1940) d. Christy Cabanne (USA)
THE MUMMY'S TOMB (1942) d. Harold Young (USA)
THE MUMMY'S GHOST (1944) d. Reginald Le Borg (USA)
THE MUMMY'S CURSE (1942) d. Leslie Goodwins (USA)

Tonight we unwrap the 1940s Universal Mummy films! Leaving behind the melancholy tone of the 1932 Boris Karloff original, we were introduced to a new mummy, Kharis, a shambling and bandaged silent avenger played first by Tom Tyler in 1940’s The Mummy’s Hand, celebrating its 85th anniversary, and by Lon Chaney Jr. in three subsequent sequels, The Mummy’s Tomb, The Mummy’s Ghost, and The Mummy’s Curse.

Though often overlooked next to Dracula or Frankenstein, the Mummy series has its own weird and atmospheric B-movie charms, with each film picking up—at least loosely—where the last left off, transporting the action from Egypt to small-town New England to the swamps of Louisiana, all while ignoring the passage of time in any realistic fashion.

With brief running times and minimal budgets, these creature features found a formula that worked: moldy murders by moonlight, duplicitous high priests, and lots and lots of tana leaves, while also conjuring unique traits for every installment.

Join AC and his extraordinary panel of classic horror lovers (Barry Kaufman, Frank Merle, Michael Weber) as we pay our long overdue respects to this unfairly maligned franchise, the one that made the mummy a true monster icon in the Universal canon.
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FRANK MERLE is a Los Angeles-based filmmaker originally from Chicago, IL. He has written and directed several award-winning and critically-acclaimed films, including The Employer (2013), starring Malcolm McDowell and Billy Zane, and From Jennifer (2017), starring Derek Mears and Tony Todd. Next up is Namaka, a dark fantasy starring Jamie Kennedy and David Howard Thornton.

BARRY KAUFMAN has been committed to spreading the gospel of obscure horror and science-fiction cinema since writing the fanzines Monsters of Japan and Demonique in the 1970s and 80s. He ran All-Horror Video out of a house in the woods in Homewood, Illinois through the 1980s, followed by his shop The House of Monsters in Chicago from 1996 to 2007. He now vends at genre related shows and programs festivals in the Chicago area featuring his inconspicuous film favorites.

MICHAEL WEBER is an actor, director, and currently the Artistic Director of Porchlight Music Theatre. A Chicago native, his fascination with classic horror began with WGN's legendary Creature Features and The Son of Svengoolie. He is an avid fan of the Golden Age of Radio and the author of the play, WAR of the WELLeS (about Orson Welles’ infamous radio broadcast.) 
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