Emily and Eric continue their conversation with composer Ken Canedo by asking a tough question about whether Fr. Rivers got co-opted and left behind by the White folk movement in the American Catholic Church. Ken provides a thoughtful response that involves (of all things) Catholic missalettes and lack of accompaniment, and discussion turns to the ways Fr. Rivers may have unintentionally hindered access to his own works. We pose Ken our standard question about Fr. Rivers’ obscurity, and Ken’s answer is perhaps the most practical we’ve received: it’s because his music has long been unavailable. There's more: enjoy this second part of our interview with composer Ken Canedo. For Episode 19 Show Notes, click here.
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