Naxos Classical Spotlight explores the world of classical music. Along the way host Raymond Bisha shares the stories about the music, and the musicians who make it.
In this podcast Raymond Bisha introduces an album of sacred choral music by Philip Stopford in which all the items were composed between 2013 and 2022 and are heard in their world premiere recordings. Beautifully crafted, memorable, colourful and deeply rooted in the Anglican tradition, Stopford's works are immediately attractive and widely admired in the UK and in America.
Working amidst political and personal setbacks, Mieczysław Weinberg (1919-96) flourished as a composer, admired by Shostakovich and championed by the leading Soviet musicians of the day. His death in Moscow in 1996, however, went largely unnoticed. More happily, his extensive catalogue has recently secured an increa...
In this podcast Skip Sempé introduces his new album of music by John Dowland and talks about the Renaissance orchestra and why it creates such a unique and beautiful sound. According to Sempé: "The idea of a ‘Renaissance Orchestra’ in which all the different instrumental consorts are brought together is the overlooked message of these sixteenth- and seventeenth-century publications. Large ensembles, for important or commemorative ...
This podcast presents pianist Giorgio Koukl in conversation with Raymond Bisha at the end of a five-year project to rehabilitate the complete works for piano solo and duo by Vittorio Rieti (1898-1994). Virtually self-taught, Rieti went on to establish his composing credentials, becoming the only Italian composer, for e...
Vol. 27 in the Naxos Music of Brazil series features music by César Guerra-Peixe (1914-1993). In this podcast, Raymond Bisha discusses the life and music of the composer, known as the 'Brazilian Bartók' on account of his ethnomusicological research, with conductor Neil Thomson. Describing Guerra-Peixe as an “extremely prolific, incredibly rounded, complete musician”, Thomson also details how the Music of Brazil series got off the g...
Raymond Bisha introduces the latest instalment in the Capriccio label's exploration of rarely performed or recorded symphonic works by Miklós Rózsa, outlining his maturation not only into one of the most successful film composers of all time, but also the creator of equally fine concert works. The album's programme comprises his Rhapsody for Cello, in which the young composer found his true style; the Notturno Ungherese (“a nostalg...
The GRAMMY Award-winning team of composer Michael Daugherty, conductor David Alan Miller and the Albany Symphony returns with a new album comprising a set of remarkable works exploring associations with flight and space exploration, both tragic and triumphant. In this podcast, the composer explains the context and inspiration behind the three works on the programme: from aviation pioneer Amelia Earhart's mysterious disappearance in...
Italian composer Goffredo Petrassi’s reputation was established in 1932 when his Partita (8.572411) won critical acclaim. Three years later he premiered the first of his eight Concertos for Orchestra which secured his reputation outside of Italy. Raymond Bisha delves into a new release of the first three of those concertos performed by the Orchestra Sinfonica di Roma and conducted by Francesco La Vecchia.
Raymond Bisha introduces the third instalment of a collectable series Read more
Born in 1986, Jake Runestad is a versatile and prolific young composer Read more
Notker Balbulus (c.840-912), also known as Notker of St Gall or Notker the Stammerer, was a renowned Benedictine monk at the Abbey of St Gall in Switzerland who made substantial contributions to both the music and literature of his time. I...
Since the 1970s, Brazilian conductor Isaac Karabtchevsky has steadfastly developed one of the most brilliant careers across the Brazilian and international music scenes, The Guardian in 2009 hailing him as one of Brazil's living icons. He's heard in this podcast In c...
American composer Daron Hagen talks about his cantata Everyone, Everywhere in conversation with Raymond Bisha. Composed In 2023 to mark the 75th anniversary of the Universal Declaration of Human Rights, Hagen found impetus in the contemporary political status of his own nation to recontextualise the declaration's dry language and enable him to convey its emotional essence (“as a citizen, a person and a father”)...
A delightful collection of lute music from the courts of Queen
In this podcast, Raymond Bisha discusses a new album from the Danish National Vocal Ensemble with their chief conductor, Slovenian Martina Batič. The programme similarly melds the two nations in a programme of choral music by Slovenian composer Uroš Krek (1922-2008) and Danish composer Else Marie Pade (1924-2016), the latter a pioneer in electronic music whose greatest religious work Maria is scored for coloratura soprano, bass bar...
Yasunori Imamura, whose recording of Bach’s complete lute works has been described as a ‘magnificent interpretation’ (Naxos 8.573936–37), turns his attention to the Read more
To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (teno...
When Notre-Dame de Paris caught fire in 2015 the organ was not damaged - some would call it a miracle. In this podcast I talk to Olivier Latry, organist at Notre-Dame, about his album Bach to Notre-Dame which was the last album recorded at Notre-Dame before the fire. Latry was also organist when Notre-Dame reopened in 2024.
Giovanni Sollima has been exploring Bach for as long as he has been playing the cello, and the journey continues with his new album dedicated to the Bach cello suites and pieces by other composers who were inspired by Bach. In this podcast Sollima talks about the Bach Suites, and his ongoing investigation of Bach’s music
What to make of Norwegian composer Christian Sinding, who is chiefly remembered only by ambitious amateur pianists for his Rustle of Spring? He was a more important figure in the music of his native Norway than this might suggest; there, in his time, he was second only to Grieg. Raymond Bisha introduces us to Sinding's four symphonies that reveal the composer not as an innovator, but as someone whose music can ...
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