s3e70 deep deep dive on screenprinting with Leslie Diuguid

In this episode Platemark, I talk with Leslie Diuguid, owner and founder of Do-Good Press in Bed-Stuy, Brooklyn. Leslie shares her journey as a screenprinter and discusses the intricacies of screenprinting, including processes, challenges, and the nuances of halftone and moiré patterns. We talk about how much math comes into the enterprise, especially about the relationship of mesh counts of screens and the frequency modulation of dot patterns. We explore Leslie's deep connection with her community, her unique approach to remembering names by sketching neighborhood visitors, and her experiences moving from a bedroom workshop to a storefront space. Leslie also details various projects, such as printing on glass, working with unique materials, and producing one-off prints in collaboration with artists like Selena Kimball and Rose Salane. We touch on the importance of sharing knowledge, community engagement, and the future of printmaking. This enriching conversation highlights Leslie's passion for her craft and her innovative contributions to the printmaking world.

https://du-goodpress.com/

IG @dugoodpress

IG @little_mouse_diuguid

Article in Bomb Magazine about Selena Kimball: https://bombmagazine.org/articles/2023/09/20/selena-kimball-interviewed/

Leslie's Omaha show: https://www.u-ca.org/exhibition/meet-me-at-the-fence-ok-bye

Nyssa Chow information: https://www.tellinghistories.com/trace

Du-Good Press published Simon Benjamin's Crown and Anchor, which was acquired by the Perez Art Museum: https://www.instagram.com/p/DDNPhswRslT/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D

Platemark website

Sign-up for Platemark emails

Leave a 5-star review

Support the show

Get your Platemark <