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October 15, 2018 11 mins

Ah, French ... the culture of love!  Where "alternative" relationship structures are not frowned upon and the people understand the power of passion!  Or do they?  Joreth reviews a movie filmed in the Swingin' '60s on recommendation from a listener, to see if there is any polyamory or ethical non-monogamy in this film made during a time of exploration and experimentation, or if it will just confirm monogamous tropes.

 

Someone recommended this movie to me as a poly movie, and I can see why he did, but I have to disagree. I don't think this was a poly movie. I think this movie had a poly character in it, but the movie was not polyamorous. As far as enjoyment goes, my tastes run towards the banal and crude - I like action flicks and screwball comedies. I've written several times that I just don't get artsy films or foreign films made during the sexual revolution when things were all experimental and everything looked like the writers and directors were permanently on LSD.   So you might like this film if your tastes differ from mine - don't avoid seeing it on the basis of my personal enjoyment if you happen to be into artsy or foreign or '60s movies. 

And as far as artsy or foreign or '60s movies goes, this wasn't even all that horrible. It didn't have the bizarre music or jump cuts of A Woman Is A Woman. But, probably because of the difference in cultures, I just didn't find this movie very interesting or the characters very compelling. I know, there's irony in that statement after admitting that I like movies like Caddyshack. But it's the truth, I found the movie just kind of blah. However, I can see other people enjoying it. I have lots of friends who like lots of movies that I don't enjoy, and I can see some of them really liking this film.

 As for the poly stuff, the plot is about a married man who loves and adores his wife and kids, but who falls in love with another woman. According to my movie guidelines, cheating movies do not get added to the list, but a movie where the cheater genuinely loves both of his partners and there is some outside constriction preventing them from living honestly (such as social taboos) may be exempted and be added to the list.

Francois loves Therese, his wife. He's very happy with his life; content. But then one day he meets Emilie. And he falls immediately in love. This was his first strike against him, for me. I don't much hold with the love-at-first-sight bullshit. I believe people can have instant attractions to each other, and then sometimes, by coincidence, they are attracted to people who happen to also be compatible to them, so the attraction-at-first-sight can blossom into a true love, and it is when that happens that people think they fell in love at first sight. But we don't hear epic tales of attraction-at-first-sight that then turns out poorly. It's a matter of confirmation bias, or the Fake Boob/ Fake Toupee fallacy (which says "I can always spot fake boobs/toupees because they look fake, except when they don't and I can't"). Love at first sight is real, except when it isn't.

Anyway, so Francois falls in "love" with Emilie and immediately begins an affair with her. As I said, cheating movies don't make the list, but loving both partners might exempt it, so this movie could have been added to the list. The reason why it's not is because of the ending, which changes the whole tone of the movie into "multi-partner relationships are Wrong and Bad", and which I'll go into next, so spoilers ahead.

SPOILERS:

I think Francois is a selfish, egocentric jerk, more concerned with his own pleasure than anything else. Not liking a character, of course, is not grounds for expulsion from the list. But I didn't like him anyway. There isn't any indication in the movie that there is strong social pressure against turning this cheating V into an honest relationship. It just appears to be How Things Are Done, but there's no constriction or struggle against it.

Francois is honest with his mistress, Emilie, about being married with kids and about being happy with his home life. He gives her no illusions that she might one day become Mrs. Francois. So he has that going for him. But he never expresses any interest or desire in trying to change things, and Emilie accepts that she is the mistress out of hand.

However, the conversation we see between Emilie and Francois about this very thing is what makes me believe that Francois is actually poly and not just a cheating bastard who thinks with his prick, and is probably why the movie was recommended to me in the first place. He explains to Emilie how he loves both his wife and his mistress, that they're very different people and not int

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