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March 24, 2020 10 mins

3 couples struggle with the definitions of monogamy and fidelity, after some "insight" from Jason Alexander.  Joreth reviews this film to see if any ethical non-monogamy could possibly come out of it at all.

 

Oh. Gourd. This movie. There's so much to hate about this movie. Where to even begin? "Start at the beginning. Yes, yes, And when you come to the end, stop." Scratch that. You'll probably be asking me to stop much sooner than the end. Anyway, here goes.

This movie stars an all-B-lister cast, with the likes of Jason Alexander and Jonathan Silverman and Patrick Dempsey and Angie Everhardt, so not terrible actors. We meet the 3 main couples in the first scene at a dinner party. There's the feminist man who's hopelessly devoted to respecting his pregnant fiancée and she's characterized by her absolute trust and faith in him. They have this pleasantly, non-threatening sort of progressive relationship that's all liberal, but in a quiet, unassuming sort of way. He spends most of his time trying to distance himself from the asshole Neanderthal men around him.

Next is the ball-busting, opinionated photographer and her husband. Most of what we see of her is her neuroses. More on that later. He doesn't seem to have anything redeeming about himself to make him stand out in my mind, other than "her husband". I'm not even sure what he does for a living. Finally we have the Jewish attorney who cheated on his first wife with the current wife, and the current wife who, in spite of once being someone's mistress, is naively in love with the idea of monogamy and fidelity and Twue Wuv.

To stir up the pot, the lawyer invites a writer who is a client of his to his little dinner party. Jason Alexander shows up playing the role of the cynical misanthropist to shatter the illusions off the happily monogamous couples, named Art. His character really pisses me off because he's the role that someone like me would be in at a real dinner party, except he's written by someone who hates him so he portrays that role as a misogynist Radical Truther asshole. He pulls out the usual tropes, such as [insert movie clip of Art comparing men to sex-crazed dogs who can't control their urges] and he coins the phrase "The Monogamy Denial" which is the title of his book, stating that all people are inherently non-monogamous but men especially are because evo-psych biological urges, must hump everything, reasons. Blegh. My partner watching this with me curled his lip at the character and called him "smarmy".

Art is everything I detest about the circles I run in - skeptical, atheist, non-monogamous, alt-sex lifestylers basically using pop evo-psych to justify being shitheads and walking all over people's dignity in the name of "honesty" and "nature".

Remember, this is the opening scene. Things go downhill from here. So Art starts spouting his "monogamy is unnatural" bullshit (and I say that as someone who doesn't believe that the human species is inherently monogamous even if some individuals are), and immediately, I mean, with no lead up, the photographer lady gets righteously pissed off, saying "are you insinuating that we are not monogamous, what the hell do you know?"

[inserted movie clip of Claudia angrily reacting to Art and leaving the party early]

So everyone tries to calm her down and change the subject, but Art keeps pushing the issue, and the party breaks up early. Each couple goes home ruminating about his "truths" in their own fashion, some wondering if men really are inherently non-monogamous (men, not people, men), some angry at the implications, some taking pity on him and trying to armchair psychoanalyze him as having some sort of pathetically bad experience to make him bitter.

Next we're introduced to a whole supporting cast of detestable characters designed to support Art's position. The lawyer's brother, for example, is a chubby-chaser - a guy who fetishizes fat women - with an anger management problem. He manages to make a totally reasonable position of someone who relishes the physical experience of sex with different body types and still come off sounding like a disgusting creep. He is also opposed to marriage and believes that monogamy is unnatural. Of course.

The feminist man, Sam, is a chef in a restaurant who has a coworker of some sort who fulfills the role of the misogynistic guy who believes women are just cum receptacles there for his pleasure. Sam is, to his credit, outwardly and outspokenly appalled at misogynist's behaviour. But when a feminist woman coworker pops her head in to complain, she had to be written as a bitchy feminazi who disapproves of both men and yells at both of them even though Sam was clearly and verbally opposed to Misogynist Man's behaviour. Then the writers reduce her to a sex object by having her stomp off in a huff, still mad at both men, while Misogynist Man leers at her butt and comments on it

Mark as Played

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