Square Notes: The Sacred Music Podcast
You’ve got questions about sacred music? Here’s your chance to learn what the Church teaches and envisions for music in the sacred liturgy. Welcome to Square Notes: The Sacred Music Podcast with your host Dr. Jennifer Donelson-Nowicka. We address topics of interest both to priests and liturgical musicians, as well as a general audience of Catholics interested in learning more about the Catholic Church’s teachings and treasury of sacred music. Our topics range from discussion of Church documents on sacred music, to the music of certain composers or eras, Gregorian chant, the role of music in Catholic education, and techniques for directing a better choir rehearsal. We’ll interview bishops, priests, music directors, composers, teachers, philosophers, and theologians. We’ll talk to people who found a home in the Catholic Church because they heard the call of Christ in the Church’s sacred music. We’ll ask questions about how really great music programs are doing their work. We’ll introduce you to Catholics who love their faith and, through sacred music, offer all their efforts for his glory and the sanctification of all who hear them. We aim for our podcast to be thoughtful, encouraging, and informative. We hope, too, that it will inspire and motivate you to work for the renewal of authentic beauty in sacred music—whether you’re a working church musician or an average Catholic in the pews wondering what’s going on. With the prayers of our patronesses, Our Lady, Seat of Wisdom and Saint Elisabeth of the Trinity, we hope to help draw souls to Christ through the beauty of the Church’s sacred music.
Episodes
Looking for a historical and ecclesiastical framework by which to understand performance decisions about the pronunciation of Latin? Join Dr. John Pepino as he explains the origins of the Latin language and how we know anything about the pronunciation of classical Latin, describes the style and handing on of the golden age of Latin, discusses the relationship between St. Jerome's Vulgate and the Vetus Latina editions, demonstrates ...
Join us as we outline strategies for making playing great repertoire every Sunday and feast day possible, even if you're a really busy parish music director. Prof. Christopher Berry, who will be teaching the Organ Literature course this summer at the Catholic Institute of Sacred Music takes us through some of the foundations for developing a game plan, the role the organist has in cultivating prayerfulness before and after Mass, an...
Join Fiona Hughes, Artistic Director of Three Notch'd Road: The Virginia Baroque Ensemble as we discuss music which will help you meditate on the lives of Christ and Our Lady, as well as the Passion and Death of Christ. We talk about Heinrich Biber's Rosary Sonatas, as well as Franz Joseph Haydn's Seven Last Words of Christ.
Learn more about Three Notch'd Road here: https://www.tnrbaroque.org
Listen to Three Notch'd Road, includin...
Looking for inspiration in building a Catholic school curriculum around the worship of God and the sacred arts? Join us for a discussion about the Ordinariate's Cathedral High School in Houston, Texas as Dr. Alexis Kutarna, Head of School, explains how they built both the building and structure of the school to support an encounter with Christ in the sacred liturgy, and how they build students up in Catholic culture for a formation...
What does the phrase ars celebrandi really mean and what does it have to do with the spiritual lives of priests and the lay faithful? What are means of acheiving excellence in ars celebrandi? Are there special challenges that American Catholics face in entering into the sacred liturgy celebrated well? Why is working to cultivate the reverent celebration of the sacred liturgy so important in our time?
His Excellency, Salvatore J. C...
Join Fr. Innocent Smith, OP, as he takes us on a tour of St. Thomas Aquinas' poetry and compositions for Corpus Christi. We discuss Aquinas' training in poetics, his liturgical horarium and experience, how the commission to write texts for Corpus Christ came about, and spend time on the rich theology and poetry of his works for the feast.
Read more by Fr. Innocent here: https://dhs.academia.edu/InnocentSmithOP
Dr. Charles Weaver joins us to outline a history of solfège and the practical and theoretical knowledge that arises from employing the early hexachordal system to understanding and singing Gregorian chant.
Learn more about Dr. Weaver here: https://www.juilliard.edu/music/faculty/weaver-charles and here: https://catholicinstituteofsacredmusic.org/faculty/
Find out more about the summer graduate courses at the Catholic Institute of ...
What are the origins of the liturgical use of the Credo? Do we still have the original melodies to which it was sung? How did the singing of the Credo develop during the medieval period into the Renaissance? Dr. Harrison Russin joins us to answer these questions.
Learn more about Dr. Russin here: https://www.svots.edu/people/rev-dn-dr-harrison-basil-russin
Join the CMAA and get a subscription to Sacred Music journal here: https://...
How did we end up with a Kyriale in the Graduale Romanum, with its 18 Masses, group of Credos, and ad libitum section? Find out the specifics, as well as the general trends and conditions that brought about this organization in the liturgy.
Find out more about Dr. Andrew Kirkman and his work here: https://www.birmingham.ac.uk/staff/profiles/music/kirkman-andrew
Find our more about the summer courses at the Catholic Institute of Sa...
We're back with season 7 and we've got an inspiring story of building up people, a parish and school, and fostering vocations through a sacred music education program and some elbow grease.
Listeners can learn more about the program profiled in this episode, and access LaCour's free-use lesson plans and resources by visiting http://epiphanysacredmusic.org, or by visiting their YouTube Channel: @epiphanysacredmusic.
The 18th century orchestral mass repertoire comes with all sorts of questions for the liturgical musician. Is this repertoire properly called "Viennese"? Does this music really fit, in style and length, with the sacred liturgy? What does the Church have to say about this style of music? Are there any of these Masses that I can do with my choir? Dr. Erick Arenas of the San Francisco Conservatory of Music joins us to answer these que...
For Bishop Earl Fernandes of Columbus, Ohio, sacred music and the Eucharistic revival are inextricably linked. When he was consecrated bishop at age 49 in 2022, he was the U.S.'s youngest bishop, and his experience with sacred music as a young person involved a mix of typical U.S. parish music, but also special liturgical and musical experiences sought out by his parents, and this has shaped in him a deep understanding of the impor...
What do we know about music in the earliest liturgies celebrated in Ireland? Did sacred music and the liturgy develop as a distinguishable "Celtic rite" in Ireland? What impact did the Church in Ireland, and specifically the monastic impact of Ireland, have on the European continent? We discuss these and other questions with Dr. Ann Buckley, a visiting research fellow in the Medieval History Research Centre of Trinity College Dubli...
Having worked in Catholic classical education for decades, Mark Langley knows the place of music in Catholic education, and has built schools in which every student is enabled to learn and sing chant and polyphonic works from the Church's sacred music treasury. Join us for a discussion about where music figures into the educational structure, and some problems in the modern conception of the nature of music that prevent Catholic ed...
Join us for a discussion with the Archbishop of San Francisco, Salvatore J. Cordileone, about principles every Catholic should learn so that they can think with the mind of the Church about sacred music. We discuss the purpose and nature of sacred music, how it sounds, what effect it has on us, and how it expresses time, culture, and emotions.
To learn more about the Catholic Institute of Sacred Music, please visit: http://catholi...
Charles Cole joins us with clips from the recent release of the London Oratory Schola's album, Sacred Treasures of Venice. We discuss the crucial role played by Venetian music in the history of sacred choral music, and the particularly fertile atmosphere at St. Mark's Basilica in Venice at the end of the 16th century.
Learn more about the London Oratory Schola here: https://www.londonoratoryschola.com/
How does the experience of Mass on Sunday at a parish affect the lives of Catholics, and what role does music play in that experience? How does sacred music bridge the gap between people of different languages, ethnicities, and backgrounds? Why does the Church spend money on beautiful things instead of only on material goods for the poor? We tackle these questions and more in this interview with Bishop Michael C. Barber, SJ, bishop...
Where did the chant editions we sing from now come from? What choices were made in the making of those editions? Are other variants of the melody possible? What are the rhythmic implications that can be gleaned from comparing the same melody in different manuscripts? Why do these questions matter to the modern Catholic singer of Gregorian chant? What's a healthy approach to integrating manuscript study and the singing of chant? We ...
Join us as we talk about the interaction between music notation and memory, and the impact of that interaction on the spiritual lives of singers of Gregorian chant. Our guest is Dr. Anna Maria Busse Berger, Distinguished Professor of Music, emeritus, from UCDavis, and we dive into some of the topics from the first few chapters of her book, Medieval Music and the Art of Memory.
Find out more about Dr. Busse Berger here: https://arts...
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