The Editor's Cut
The Editor's Cut is a monthly Canadian Cinema Editors podcast exploring the art of picture editing in Canada.
Episodes
In this episode of THE EDITOR’S CUT, host Sarah Taylor, CCE sits down with the brilliant Jay Prychidny, CCE to talk about all things BEETLEJUICE BEETLEJUICE. Jay takes us into the edit suite of Tim Burton’s latest film, sharing his creative process, the emotional connection he had to the story, and what it was like to collaborate with such an iconic filmmaker. From navigating the challenges of editing to striking the p...
Today's episode was a Master Series that took place on October 9th, 2024
In Conversation with Dean Evans.
In this conversation, host Sarah Taylor, CCE talks with film and tv editor Dean Evans. Dean shares his journey from a small-town kid in Saskatchewan to becoming a successful editor. He discusses the importance of the MASTER THE WORKFLOW workflow in editing, his experiences working on the f...
This episode was a panel that took place on May 13th, 2024. Award-winning editors Pauline Decroix, Maureen Grant, CCE and Ben Allen discuss their experiences working on the web series, HOW TO FAIL AS A POPSTAR, I HATE PEOPLE, PEOPLE HATE ME and LESS THAN KOSHER.
They explore the unique challenges and creative freedoms that come with this format. They share insights into their editing processes, the impor...
Today’s episode is a conversation with Autumn Dea. She shares her journey into editing, her early interest in storytelling, the transition from advertising to long-form editing, and her experiences working on the film BLEEDING LOVE which was directed by Emma Westenberg starring Ewan McGregor and Clara McGregor. We discuss the emotional aspects of editing, the importance of collaboration with directors, and the challeng...
Today's episode is a panel from EditCon 2024 that took place in Edmonton, Alberta.
EXPLORING DOCUMENTARY
Krystal Moss, Weyme Teeter, Colin Waugh and Sarah Taylor, CCE share their insights and experiences and explore the art of storytelling through the lens of editing and talk about their creative process behind the captivating Alberta-made documentaries; THE LEBANESE BURGER MAFIA, SEND KELP...
Today's episode is a panel that took place in Toronto during EditCon 2024.
Editor Mike Munn, CCE take us through the experience of editing the multi-award-winning documentary TO KILL A TIGER. The film follows the local story of an Indian father courageously fighting for justice for his raped daughter, delving into the dynamics of a family, a small village, and the national legal system, while also addressing the broader themes of r...
In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel’s massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you’re a long time Marvel fan or curious about editing action, you won’t want to miss this insightful discussion about pacing, g...
Comedy demands a mastery of pacing to make a story flow but most importantly make the audience laugh. Whether it’s solving mysteries in the coming-of-age comedy horror WEDNESDAY, the misfortunes of a dysfunctional family in MOONSHINE, the attempt to save a mediocre hockey team in SHORESY, or building a business of fake IDs with very real consequences in FAKES. This year we invited the 2023 CCE nominee editors of these spectacular s...
In this conversation, Simone Smith, CCE shares her journey into the world of editing, discussing her early influences, the projects she has worked on, and the unique challenges faced in both film and television. She highlights her experience working on QUEEN OF MY DREAMS, the importance of collaboration with directors, and the nuances of editing comedy and drama.
Greg Ng, CCE and Graham Fortin discuss their collaborative journey in editing the film LONGLEGS. They share insights into their editing process, the dynamics of co-editing, and the importance of building trust with directors. The conversation delves into the nuances of character development, particularly with Nicolas Cage's performance, and the techniques used to create tension and atmosphere in the film. They also re...
Today's episode took place in Vancouver as part of EditCon 2024.
What makes movies scary? Why are we compelled to watch them? How do editors influence and manipulate our experience of horror, suspense, and tension? Does editing scary films give you nightmares?
This round table discussion with Jon Anctil, CCE (50 STATES OF FRIGHT, VAN HELSING, TWO SENTENCE HORROR STORIES) Cindy Au Yeung (JON...
Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishe...
This episode is an interview with Joaquin Elizondo.
Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo).
Before arriving in Los Angeles, Joaquin worked in unscripted television for s...
We are launching season 7 with an EditCon 2024 panel. Canada’s Drag Race! Makeup, fashion, and incredible performances are just a few aspects of this reality television competition. It’s the exuberance and the je ne sais quoi of the show’s queens that make audiences around the world tune in. Who will overcome their inner saboteur and rise to the challenge to win the judges’ hearts and earn the coveted title of “Canada’...
Today’s episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series ‘The Porter’. The show won a record 12 Canadian Screen Awards in April of 2023, including the ‘Best Picture Editing in a Dramatic Program or Series’ award for Sandy, while Dev won the 2023...
Today’s episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.
An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.
Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship.
In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it’s the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island ...
Join Sarah Taylor, CCE as she chats with Jeremy Cohen about his editing career!
Jeremy Cohen is an Emmy-nominated film and TV editor with over 20 years of industry experience. He is currently based in LA, where he has worked on shows such as FRESH OFF THE BOAT, CHILDRENS HOSPITAL, YOUNG ROCK, ALI WONG: DON WONG AND WHO IS AMERICA?, for which he was nominated for an Emmy.
Most recently, he worked on Amazon...
OUR VOICES, OUR STORIES
In a media landscape that favours rapid consumption and uniformity, Canadian cinema has become a vessel for diverse stories. RICEBOY SLEEPS portrays the struggles of immigration, while we embark on the search for the next stage of human evolution in CRIMES OF THE FUTURE. In VIKING, we find a reflection on the human condition in an attempt to explore Mars. Video rental nostalgia a...
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