Little Anthony and the Imperials: A Doo-Wop Legend in Modern Music

Little Anthony and the Imperials: A Doo-Wop Legend Who Still Shines Bright

In the golden age of American music, few voices soared as high—or cut as deep—as that of Little Anthony.

Born Jerome Gourdine in Brooklyn, Little Anthony became one of the most distinctive and emotional falsettos in soul, doo-wop, and classic pop music history.

As the lead singer of Little Anthony and the Imperials, his voice helped define an era, touching hearts with hits like “Tears on My Pillow,” “Goin’ Out of My Head,” and “Hurt So Bad.”

His music not only broke chart records but also broke barriers between genres, blending doo-wop harmonies, soul grooves, and pop sensibilities in a way that left a lasting mark on American R&B history.

Before the spotlight, Little Anthony grew up in a neighbourhood immersed in gospel and street-corner harmonies. Young Jerome began singing doo-wop as a teenager. He joined a vocal group called The Duponts, who released a single in 57.

His big break came when he joined The Chesters, a vocal group that would soon rename itself The Imperials.

With Jerome now taking center stage as “Little Anthony”—a nickname given by a legendary due to his youthful appearance and high-pitched voice—the group’s sound clicked immediately. His natural falsetto became their signature.

In 58, the group signed to a label. Their debut single, “Tears on My Pillow,” exploded on the charts. With its raw emotion, aching falsetto, and lush harmonies, the song became an anthem of teen heartache and a pillar of 1950s American pop.

From that point, Little Anthony and the Imperials embarked on a journey that would bring them lasting fame. They followed up with hits like “Shimmy Shimmy Ko-Ko Bop,” “I’m on the Outside (Looking In),” “Goin’ Out of My Head,” and “Hurt So Bad.”

It was Little Anthony's voice that made the group stand out during the changing tides of 60s music, when the British Invasion and Motown were reshaping the industry.

Songs like “Goin’ Out of My Head” became pop-soul classics, covered by countless artists across genres—from Frank Sinatra to The Lettermen.

Their sound matured in the 60s, becoming more orchestrated and polished. Working with producers like Teddy Randazzo, they crafted sophisticated, adult-oriented pop-soul that prefigured the lush soul ballads of later decades.

In 2009, Little Anthony and the Imperials were inducted into the Rock and Roll Hall of Fame. The induction was presented by Smokey Robinson, who praised Anthony’s emotive voice and the group’s groundbreaking blend of genres.

Unlike many of his peers, Little Anthony has remained active well into his 80s, still taking to the stage with the same passion and charisma that made him a star in the 50s. Whether singing at doo-wop revival shows, soul festivals, or headlining his own concerts, Little Anthony still delights audiences wherever he goes.

His presence remains strong on platforms like PBS specials, oldies cruises, and classic soul tours, where fans young and old gather to hear the voice that made them fall in love with music in the first place.

Little Anthony’s music is more than a nostalgic reminder of the past—it’s a living, breathing testament to the power of vocal harmony, heartfelt songwriting, and soul-stirring performance. His contributions helped shape not only the sound of doo-wop but also the emotional core of American soul and pop. His hits