August 6, 2024 • 26 mins
Rapper/Producer Drumma Boy & Rapper Bo Kane stop by the studio to talk new music, collbations, projects coming and more.
Host: @alexandriaikomoni
Host: @alexandriaikomoni
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
What's up, guys. He's your girl, Alexandria Atkamoni in the studio.
iHeartRadio with not one, but two great artists and producers.
We have Drama Boy and Bocaine. What's going on, guys.
I'm happy to have you guys in the studio. Listen, Okay,
I'm so excited to have you guys. You guys are
(00:22):
been doing amazing work. One a little newer to the scene,
but doing amazing stuff right now with Druma Boy. You've
been in the game for a long time, making hits
for some of our favorites. I can't wait to get
into the conversation here, but I have to ask you guys.
Have been having a fun few days in the A,
so I always got to see what you guys been
doing when you've been, you know, hanging out. I saw
you went to the Braves game, Drumma Boy.
Speaker 2 (00:42):
Yeah. The Brais game was crazy, man. My boy Blanco
Brown performed.
Speaker 1 (00:45):
I love it.
Speaker 2 (00:45):
You know what I'm saying. They brought up guilt. You
know what I'm saying, big guilt When crazy per us
will represent out cast. Droux was out there, you know
what I'm saying. He did his thanks Slim from one
to twelve? Right, you know what I'm saying. Did his
thing was? It was dope? You know what I'm saying.
Always at a braids game.
Speaker 1 (01:01):
Oh yeah, ah, it's just good energy. Definitely a good time. Now,
you Bocaine, you had some fun you said yesterday. You
gotta tell me more about that fun. What did we
do in the A?
Speaker 3 (01:09):
We did a private event with Dirty Little Bess yesterday.
Speaker 4 (01:13):
That was cool.
Speaker 3 (01:14):
And then you know, we stepped out on the town
last night with the Cheetahs.
Speaker 4 (01:20):
Almost made it the Magic.
Speaker 1 (01:21):
Okay, showing up vibe? Yeah, yeah, she does a good vibe. Hoxt.
I mean you got to But have you been in
Magic City yet? Or Okay, okay, as long as you've been,
we're good to go.
Speaker 4 (01:32):
I ain't. I ain't new to usages.
Speaker 1 (01:33):
Hello, let us know, no problem from Dallas. But you
know we claiming you over here in the A. So
that's exciting stuff. Okay, let's talk about it. We're here
for a specific reason. You guys have a single called
Showing Out. Both you guys collaborated on the single. Tell
me more about it, and why'd you guys decide to collaborate?
Speaker 4 (01:50):
Well? Uh, there's a radio person in Dallas.
Speaker 2 (01:55):
Holly Hood.
Speaker 4 (01:56):
He's pretty well known.
Speaker 3 (01:58):
And I was already making Noise in Dallas and I
was working on the project and he asked me. He
was like, hey, we need to get you some big
time production. He was like, who do you want to
work with? And the first person my name was drummer
Boy because I grew up listening to drummer Boy.
Speaker 4 (02:14):
Yeah, you know what I'm saying, Like from.
Speaker 3 (02:17):
No Hands to the Gucci Records. You know what I'm
saying is he got too many hits to talk about.
But you know, so I said him, and he picked
up the phone right there. He's like, i'ma call him
right now. And he called him, and you know what
I'm saying, they had a conversation. Five minutes later, he
called me back and the next thing, you know, drummer
(02:38):
Boy is saying, when can he come to Atlanta?
Speaker 4 (02:39):
I said, when you need me there. I'm on the
first thing here smoking.
Speaker 1 (02:42):
I love it. I love it. And what was it
like for you? Because you have worked with so many
different artists in this industry? I mean, the list goes
on from Nicki Minaj, uh Share, Chris Brown, Gucci. I
mean Jeezy, Kanye West. The list goes on. So what
was it like working with Vocane?
Speaker 2 (02:57):
Here the whole issue just name I work with all
before they was who they were. That's the difference, you
know what I mean. And when I get that phone
call like I got from Drake, you know what I'm saying.
My Canadian goon was like, man, who I got this?
All this from Canada? Man da da HollyHood Baby called
me the same way, Hey, I got this artist and
texts da da da da dah when it comes from
a certain person, you know what I'm saying. My relationship
(03:19):
with Baby go back fifteen almost twenty years, you know
what I mean, and just staying dedicated, staying down Gregg
Streets and you know guys like that that you know
I got long term relationships with. We've got a lot
of money together, We've looked out for each other, We've
thrown each other a lot of alley upes. So when
I get that call, I know it's somebody who already
doing the work respectable, you know what I mean by
(03:40):
out they be And it's like people not finna waste
my time, Like you already know not to call me
if it's not already checked off. I see it on
the last interview. Everything checked off with him. You know
what I'm saying, background check, Like, you gotta make sure
you ain't working with no lane. You gotta make sure
you ain't working with no rape artists. You know what
I'm saying. I make sure you ain't working with no
(04:01):
child mon Lester. You know what I'm saying. And that's
what you're attaching yourself too. So it's a lot to
go into working with me. But you know what I'm saying,
particularly about the business, Let's get to it.
Speaker 1 (04:10):
I love it. And when you guys were in the
studio together, what was that like? How did you really?
I love it? But made it so easy?
Speaker 2 (04:17):
He like Gucci, You know what I'm saying. He just
be coming up with stuff in your head and then
I'm going in the book. He'll listen to a beat
for like two minutes, three minutes, five minutes and then
be like, man, I got something. He'll let me hear it,
and if it ain't something that I really fuck with,
I tell him like, man, switch this up. Try to
dah dah da da da, and then he has something
in another five minutes.
Speaker 1 (04:37):
So how long take to put the record, the full
record together? Was it like two hours a day? Yeah?
Speaker 4 (04:43):
No?
Speaker 1 (04:44):
What was it?
Speaker 4 (04:45):
Top the bottom? Thirty minutes?
Speaker 1 (04:46):
Wow?
Speaker 2 (04:47):
Wow?
Speaker 1 (04:48):
Wow? I love it? And why did you decide to
put this record out showing out? What does it mean?
What can people gain from this? How does it vibe?
Speaker 2 (04:57):
Ever?
Speaker 4 (04:58):
Yeah? Put it?
Speaker 1 (05:01):
You gotta tell me, tell the audience, don't tell me.
I already know. So what is your favorite line reverse
from the record?
Speaker 3 (05:09):
Let's make it a movie like how you moving? You
know what you're doing?
Speaker 1 (05:14):
I love it. I love it. So I really can't
wait for everybody else to hear this record. It's gonna
be crazy on the charts. I already see it already
know how it's gonna go. But bo can I did
have to ask because you're getting a lot of recognition
right now. Your future projects include a Gucci and we
have a big Boogie. What's coming? What can we expect
from these records? And when is this coming out?
Speaker 4 (05:35):
The Gucci record comes out next month?
Speaker 1 (05:36):
Okay?
Speaker 3 (05:37):
And the videos already shat love it? Yeah, you pulled
up in Dallas and did the video. You know what
I'm saying. So that's coming out next month. That's the
second single, and then the third single boogie.
Speaker 1 (05:48):
Okay, I love it? And what are those singles about?
You gotta tell me more about it? Are the club bangers?
Speaker 4 (05:53):
Everything?
Speaker 3 (05:54):
It's always gonna be that, Okay, Yeah, it's always gonna
be this drum drummer want to make arena bangers of
the club.
Speaker 4 (06:02):
He want he wants me to put a suit on.
Speaker 2 (06:06):
Man, you got to do everything, man, you know what
I'm saying. I know what he capable of, you know
what I mean, And from the records that we've got,
like we got eight nine records already, and you know
this is just the first one. I love it, you
know what I mean. You'll hear a few more on
the project that he's dropping. But he's sitting on some heat,
you know what I mean. And I'm excited to see
him elevate. You know, I speak on Jelly roll a lot.
You know, I work with him from the beginning, you
(06:26):
know what I mean, in the trap stages and seeing
how he's evolved with country and using his vocals more.
You know, he he got some of that up his
sleeve too, man.
Speaker 1 (06:35):
And I really wanted to ask and I'm happy or
touching on it because I was like I don't know
how you feel about talking about another artists in their presence,
but tell me more about what really gravitates you wanted
to really work with him, and how do you feel
about where he's headed in this industry.
Speaker 2 (06:49):
It's voice, vocal range, you know, that's one thing like you.
You can you can do anything. I love artists that
can do their own hooks. Some artists like you know,
especially good hooks like that catchy, simple, not a whole
lot going on, you know, when it gets clutter, it
just started to feel like mixtape music, which is cool.
We need that too. We gotta put our projects, you know,
we gotta have content, you know, and we got to
(07:09):
tell our story. So most importantly, if you're telling your
story and you don't come up with a good hook
in the song, we just use it for the intro
or a freestyle or whatever, you know what I mean.
But I encourage and also enjoy working with the artists that,
you know, the fifty Cents, the Naillies, the Gezis, the
you know what I'm saying. They all do their own hooks,
you know what I mean. So it helps, you know,
(07:32):
from a vocal standpoint, his vocals stand out like the
deep voice, you know what I mean, and then it
shoots through any beat, like regardless of what beat he
rap on, kind of like that Gucci voice, his voice
stick out, you know what I mean. So you know
he got a few things and he listened, you know
what I mean. I work with a lot of artists
that I might try to hint for them to speak
(07:53):
to the ladies or you know, that's the biggest demographic
you can speak to. It's the ladies and being able
to you know, make them groove, damn and say everything.
Ain't so angry and mad in dark all the time.
So you know, just just everything I told him, he
willing to do, He willing to try, you know what
I'm saying. And I think he's gonna go far because
of that.
Speaker 4 (08:11):
I ain't willing to listen to him.
Speaker 1 (08:13):
Hello, because you have a legendary one with you really
helping you out with this.
Speaker 4 (08:17):
Last time I checked, I ain't got no.
Speaker 1 (08:19):
Place Grammy nominations.
Speaker 2 (08:22):
I mean Grammy Award winning Excuse me, excuse me. I
got about eight nine nominations.
Speaker 1 (08:29):
Man, we got about the house, so I get it
one hundred and you're talking about you have a lot
of heat together, So let's talk about the whole album.
When is it coming out? Is it this year? Or okay? Okay?
What other features do we have on there? Too? Got
to give me something that's public, that's public knowledge me
(08:53):
one more from your pr Okay, okay, excuse me, I'll
take it. I'll take it. So we're just wait to
see what else we have in the works. They're really
excited about that one. Are there any other artists that
you want to work with that you haven't worked with yet?
Who would you say that would be? M h, that's that? Okay, okay,
(09:28):
I love it now drummer Board, now you work. I
already list so many. I mean, the list does go
on forever. Who would you like to work with that
you haven't worked with yet?
Speaker 2 (09:37):
Oh man, it's a lot of people, for real, for real,
definitely like people like elam Age and Ai Eiko, jazz
Mine Sullivan.
Speaker 4 (09:46):
You know.
Speaker 2 (09:46):
I got Drumma Boll Live cracking, you know what I mean,
my live band. We're going crazy. We're doing a lot
of different content, so stay tuned for that. But one
of my first productions I did with druma Bull Live
was here. I Am. I got a lot of dollars spend,
so we bringing that sound back so many people, the ladies.
That was one of my mama's favorite songs. You know
(10:08):
what I'm saying. She was like, oh baby, when you
got on that groom, stay on that groun. Bring that back.
So you know what I'm saying, bring that back for mama.
Man Jones Board Live, Stay tuned. A lot of super
dope upcoming artists that I'm working with, like Don Carroll,
super excited about her, Carrie Washington, the r and B
artists out of Memphis signed the Nli Chopper, I got
some e collective music, man Music, soul child that's really
(10:31):
like my passion. And then the trap just be my aggression,
my adrenaline, and me just being you know, stressed out
or angry or pissed or you know what I mean,
feeling like I don't get the just due I deserve.
That's when that that Memphis come out. So you know,
you get a gumbo pot of de boy fresh.
Speaker 1 (10:50):
I love it. I love you. Gotta have the variety,
you gotta have the options over here.
Speaker 2 (10:54):
And welcome to my city. Five on the way Halloween.
I'm super excited about that.
Speaker 1 (10:57):
No tell me more about that one.
Speaker 2 (10:59):
Now that so welcome to my cities. Like the unification
process of Memphis. I did Volume one, Volume two, Volume
one Yo, gotty Volume two, doll Volume three, money bag yo.
Like you know what I'm saying, just always having different artists,
upcoming artists on the platform. And Volume five we got
some heat on that thing.
Speaker 1 (11:15):
You gotta give me one more exclusive.
Speaker 2 (11:17):
Come on? You know my Drummer Boy Friends Volume one
were putting it into volumes. I got so many songs
with artists and in household names that I'm gonna put
it in the volumes Drummer boy and Friends Volume one, two, three,
four and such and then a balling m j G
album on the way. You know what I'm saying, They
got a big show coming up, and what's the what's
(11:37):
the damn? Let me just tell me what they show it.
Mabel something something to Mabel House, you know what I mean?
So that yeah, it's coming up, I think in August
August tenth, I believe. Yeah. So you know what I'm saying.
Speaker 1 (11:50):
What I want more. I want to know all the details.
I want to know what you got are working on
and to see, you know what exclusives I can get
out of it because you know, you guys do a
lot of stuff, so it's great to talk about we
talking about Bow.
Speaker 2 (12:08):
I ain't want to be like Man, I got my book, Man,
I got the man we got, we got the documentaries. Man,
we got You know what I'm saying a lot of.
Speaker 1 (12:19):
I love it. So going back to Boucane here, now
we're talking about the music industry. It has changed so
much within let's say, even say the past ten years.
How do you feel like your sound really blends and
mixes into what's going on now? Are you trying to
be a different sound than what we're typically hearing?
Speaker 3 (12:36):
You know, initially anything, I can only do what I do. Yeah,
and if that happens to work with and so be it.
If it don't work with and hey we tried.
Speaker 1 (12:46):
I get it. I get it. So how would you
describe your sound to people who haven't heard your music yet?
Speaker 3 (12:51):
I mean, you know, from the deep South Country. I
got a deep redspeak country voice, so you know, I'm
ghetto at the same time.
Speaker 1 (13:00):
I love it. Why did you decide to really pursue
music on a serious stuff without.
Speaker 4 (13:04):
I didn't it pursue me?
Speaker 1 (13:06):
How?
Speaker 3 (13:07):
Because the way it started I never wanted to be
an artist or anything like that. I had a friend
that was a DJ, and one day he had these
guys at his house working on a mixtape and I
had just happen to pull up. And when I pulled up,
you know, everybody's in there rapping, and I'm like, I
get rap too, just you know, messing around. And then
(13:27):
when everybody was leaving that he pulled me back and
it was like, hey, I think you got something, bro.
He was like, your voice is different. He was like
your image is different. He was like he could do
something with this. And that's literally how it happen.
Speaker 1 (13:42):
Yeah, I love it. And now look at you now,
just really doing amazing stuff with working with amazing people.
What would be that moment where you feel like, Okay,
I made it in this music industry. I'm comfortable with
where I'm at. What does that look like? Is that
a Grammy? Is that a platinum record?
Speaker 4 (13:57):
I'm on the stage winning agreement for showing up?
Speaker 1 (13:59):
Yeah, okay, it's coming. How do we put this nomination in?
From now for the twenty twenty five Grammy's You gotta
get that rolling right. I know you are working on
your albums coming out quarter four this year. Any other
big things you're working on this year?
Speaker 4 (14:13):
Were just finishing up the album and working on tour.
Speaker 1 (14:17):
Okay, working on tour? Mm h, is that looking twenty
twenty five for the Tournever they ready for? He said,
you're gonna take the answer, I give you.
Speaker 4 (14:28):
Ready for.
Speaker 3 (14:29):
Yeah, but you know that I let the quiet giants, me,
me and Jesse put that together.
Speaker 4 (14:36):
I got a great pr team, I got a great manager, yeah, and.
Speaker 3 (14:40):
I got a legendary producer, so I can't lose the
whole city behind.
Speaker 1 (14:45):
Yes. Yes, a big following and it only continues to grow.
So it really excited about what is to come. Druma boy,
do you have a question for you because you mentioned
this a little bit earlier. You got to cater to
the ladies essentially in some way, shape or form. Right
right now with the rap industry, we see females, in
my my opinion, are taking over. They're just having their moment,
having their platform. Do you agree with that that females
(15:06):
are really more on top than the male artists, male
rappers right now because we have people like Lotto, Sexy Red,
I mean, Nikki.
Speaker 2 (15:15):
I think it's the industry. I think now we've seen
it as balanced as ever, you know, because guys like
Eminem still selling future selling Kendrick number one, yeah, you
know what I mean. So it's a lot of guys
that's still number one. But again you got Glow Realer
man with the yeah glow. You know what I'm saying.
We got myph it's anything. You know what I'm saying.
(15:36):
RP Gangstabou you know, keeping Memphis alive, you know what
I'm saying. And just seeing the energy of Houston. That's
our that's our sister city. You know what I mean.
That the way Meghan is Stallion embraced. You know what
I'm saying. Glow Reala is a beautiful thing. Mulatto and
atl stand up. You know what I'm saying. At A
(15:56):
represented so many you know, females. Man, Lola, your little
short little man, she coming through like an earthquake. When
she stepped, she stepped like an earthquake.
Speaker 4 (16:07):
Man.
Speaker 2 (16:07):
It's it's it's real heavy right now, you know what
I'm saying. So we enjoyed that, you know what I mean.
And this is like I said, it's balance. We got
more females who can get on records, and we need
that you know, feminine voice. We need the lady's voice,
you know what I'm saying to be able to answer
what we got going on. You know what I'm saying.
So sexy Red. We can't forget sexy Red like she
(16:30):
coming through this thing.
Speaker 1 (16:32):
It's just the energy after hit.
Speaker 2 (16:33):
Man, my little I mean my little niece. Man, she
loves sexy reds like mine. Man, we gotta go to
the sixty Red concert, so get it that.
Speaker 1 (16:43):
I love it. What are your thoughts as well on
the female rap right now? Where you know, are they
having their moment or you know, are they doing big
things or still got some work.
Speaker 4 (16:52):
To do.
Speaker 3 (16:55):
Putting that just as many as as you know, it's yeah, yeah,
Like he said, you gotta have a healthy balance and anything.
Speaker 4 (17:04):
The scale is pretty much even.
Speaker 2 (17:07):
I agree, it's wide over for good music, good energy.
Just make it. It don't matter who you are, male, female,
and everything in between. You know what I'm saying, But
just make it.
Speaker 1 (17:19):
Just make the hits. That's what we want. That's what
we want. So right now, we know that music has
been changing and it has been in this pattern for
a minute though, but where do you see the music
industry going within? Like the next three years either of
you guys.
Speaker 2 (17:31):
I mean, tech is always been the ruler of the
music and how we get it. You know, how it's distributed.
You know, it used to be distributed on vinyl, then
it went to tape, then it went to CD, then
it went to OS, you know what I mean. And
now everybody listening through you know what I'm saying, streaming.
So I think it's still gonna be a level of streaming.
It's gonna be more distributors. It's easier and easier to
(17:54):
distribute music, but it's harder and harder to market it.
It's harder to be seen. And it's big pluthro of music.
It's millions of artists dropping songs a day, you know
what I mean. So you just got to be strategic
and stay creative. You know, whether you're an influencer, whether
you're good with TikTok, if you're not good with talk,
(18:16):
you better get on it. Get on those ribs, get
on those YouTube shorts, get on them. Uh you know,
just your social media. Keep a cameraman or figure out
some homie who can work an iPhone, get the fifteen,
you know what I mean, Work those the plans you
ain't got the money to buy iPhone? Man, do the
finance plan. You know what I'm saying, get your credit together.
If you want a fund in your dream. You know
(18:38):
what I'm saying. You want to dam you gotta have hustle,
you know what I mean. And so you know, definitely
check out. We started a credit company, one dollar Analysis
dot Com. You know what I'm saying. Allow people to
get their credit together, get their credit check. You know
what I'm saying. Get get on the phone with somebody
who can help you understand the plan. And you know
what I'm saying. You'd be surprised what equipment you can get.
You know what I'm saying, new technology, to stay up
(19:00):
to date with today's sound, having fl studio and pro
tools and all these different dogs that people create music,
band lab, people making songs right on their phone. It's
no excuse, right, It's just.
Speaker 4 (19:20):
How strong is your hustle. Your hustle is strong for you.
Speaker 2 (19:24):
What's your live show look like? Perform live on Instagram,
perform live everywhere? You know what I mean? And you
a get fans so good good music, good energy is
always contacted.
Speaker 1 (19:34):
And you're talking about technology. How does AI play into
what you think with the music industry. Is it helpful?
Is it gonna be hurtful?
Speaker 2 (19:42):
Oh? I think it's gonna be a crutch for some
people because it's you know, people gonna rely on it
so much that they forget their actual creative process within themselves,
you know what I mean. So now I'm using AI's
soul to give me sound like you can make beats,
you know, give me a beat like this, give me
some sounds like this, D D D D like you
got AI that's making amples for you, you know what
I mean. And I've tried it, you know what I mean.
(20:04):
Some of them are glitchy, some of them are cool,
some of them are like eh. But it's like, you know,
at the end of the day, you got to pull
from here. So you know, you want to play with
it because it still could be you know, an asset
as well.
Speaker 1 (20:17):
So you know, it's just what about you. I have
you used AI at all for your music?
Speaker 4 (20:23):
I don't need to, ye, Yeah, my voice ain't nobody
copy my voice?
Speaker 1 (20:27):
Shit, I love it.
Speaker 4 (20:28):
I love it.
Speaker 1 (20:28):
But hey, you can be the one to put all
your sound into the mix if you really wanted to. So,
but a interesting for.
Speaker 2 (20:35):
Something like an atmost mix. Like everybody we know about
Adobe Digital Sound, that was the standard Adobe Digital Sound
that came in two thousands. Now is going in the atmost,
which is atmospheric sound. That's when you look at certain
songs that are released or big artists that have dropped,
you'll see atmos on it. And that's just the sound
of where we're going. Son AI software is something that
(20:56):
takes a regular mix. You got your songs mixed and mastered.
Imagine being able to just have an AI software transfer
your way far to an at most mix.
Speaker 4 (21:06):
And that's a thing like going big.
Speaker 3 (21:08):
Like you know, he's pretty much executive producer of my project,
so it don't matter whether he did the beat or
that everything to everything. Yeah yeah, you know, if he
don't approve it, then it ain't going you know what
I'm saying. So it don't matter who produced the beat
or whatever. Like and then you know it has to
be mixed a certain ways, to master a certain way
(21:28):
because you know, we care about the quality about sound.
Speaker 1 (21:33):
And you know, like you said, glitch's with AI, glitchs
with technology. There's nothing like having a person going through
everything piece by piece to really just make sure the
music and the project is where it needs to be exactly.
I'm here for that. Can I ask one political question though?
Speaker 2 (21:45):
Absolutely?
Speaker 1 (21:46):
Okay, I saw you drummer Boy by the Way that
you released earlier this year, this song to really, you know,
support Robert F. Kennedy and his presidential campaign. Is that right?
Speaker 4 (21:55):
Yeah?
Speaker 2 (21:56):
It was actually just a song for you know, helping him,
you know, raise funding. And at that particular time, you know,
we were like, this is one of the best shots
that we got with who were the candidates at the time.
Speaker 1 (22:09):
So I was gonna ask, now, is that still your
support lies or you know, since Kamala Harrist on the scene,
you know, are we thinking of other options?
Speaker 2 (22:17):
No? I mean it was no streams at text with
Robert F. Kennedy, like I created an idea for them.
I went to a Donner shout out to Angie Angela
Stanton King. She gave us an opportunity to meet Robert,
speak with him, see what his policies were and what
he had to offer as far as our community. We
heard him out, We spoke with him. As simple as that.
I said, Man, I could do some music for you
(22:38):
that would help bring our community together. I've never heard
bousy deliver verse the way he delivered on standing on business.
You know what I'm saying to be able to hear
Turk deliver that. You know, our young is need that
our youngest need the music. So it was more about
the music than anything. But you know, Kamala is where
we got our eyes set for sure. You know, I
(23:01):
don't have a problem speaking on that. It's hard voting
for you know, somebody who's already fumbled the ball a
few times, you know what I mean.
Speaker 1 (23:10):
From either go ahead now, either your perspectives, because we
see a lot of people in the industry. You know
they are voting one way because it makes sense for
their business or for whatever they have going on. Like
who's been vocal For instance, WALKA Flack has been very
vocal about where he stands. So coming from two people
in the music industry, you know, how important is it
for people in similar businesses to pay attention to who's
(23:35):
running for president and who they're going to vote for.
Speaker 3 (23:38):
I mean, going from what it was, either one of them.
I mean, that's what we got to choose from.
Speaker 4 (23:47):
I think Trump stand up comedy.
Speaker 1 (23:51):
He's funny, he'll make you laugh.
Speaker 2 (23:58):
Yeah, I mean, it's it's it's tough for Kamala because
you know, coming from that DA standpoint. You know what
I'm saying and what view she's had in the past.
But I think we've seen, we're seeing and have seen
and evolving Kamala hair. Yeah, you know what I mean,
some of the things that she viewed and stood on
(24:20):
then she has kind of altered. So you know, it's
gonna be interesting to see them the debate.
Speaker 4 (24:26):
Yep.
Speaker 2 (24:27):
And and you know, hey, man, Obama stamped it. I'm
with Obama man.
Speaker 1 (24:34):
You know he's always in the mix. You know, you
always do hear from him, see him. So we gotta
love you know, Obama still being on the forefront because
you know, we support our president. We support our president.
All right, any last words you want to leave with
the people. Any more things you guys are working on
or what did I miss? I know I grab a
lot of things from you guys. I want to know
it all, So let me know there's something I missed
that we haven't talked about.
Speaker 4 (24:52):
The Beautiful Struggle coming furth quarter.
Speaker 1 (24:55):
That's the name of the album. Okay, perfect, thank you, Okay,
I'll take the title. We know two people who are
featured on this anymore. We want to give one more okay, Drum,
I'm looking at you, one more feature on the side.
Speaker 2 (25:15):
And you know what I'm saying is he got quite
a few in the whole, so I can't even remember
which one gonna be actually on this.
Speaker 1 (25:22):
Project because you do make a lot of you know,
singles or excuse me, bodies of work before you put
it m Okay, I love it. I love it perfect.
Speaker 2 (25:32):
But I will say some of my recent work because
everybody be like on the old stuff. We just worked
with Pretty Bread. She dropped the project. I forget the
name of the damn project, but I did a song
on the car Fine with Trail and Pretty Bread. I
did another song on their car Homebody, Kouchie. You know
what I'm saying, So go check that out.
Speaker 1 (25:49):
You know you want to elaborate us a little.
Speaker 2 (25:50):
Bit, or she could tell you.
Speaker 1 (25:56):
I know, I just want to see what else I
can get from him about it.
Speaker 2 (25:58):
But you know what I'm saying, I.
Speaker 1 (26:05):
Love it, okay. So how can people follow you and
keep up with your music and everything you guys have
going on?
Speaker 4 (26:09):
You catch me anywhere and everywhere.
Speaker 3 (26:11):
Bowl Underscore came on the Gram on Twitter on the
book on TikTok everywhere.
Speaker 2 (26:19):
I love it already, man. You can follow me at
drummer Boy fresh Man on Facebook TikTok everything, Man. You
know what I'm saying.
Speaker 1 (26:28):
I love it, Trill. Yeah, you got to patrol out there,
got them edits? Yes, yes, yes, all right. Well, thank
you guys so much for coming into the studio once again.
Alexandria Cimoni in the studio with drummer Boy and bok
Hey
What's up, guys. He's your girl, Alexandria Atkamoni in the studio.
iHeartRadio with not one, but two great artists and producers.
We have Drama Boy and Bocaine. What's going on, guys.
I'm happy to have you guys in the studio. Listen, Okay,
I'm so excited to have you guys. You guys are
(00:22):
been doing amazing work. One a little newer to the scene,
but doing amazing stuff right now with Druma Boy. You've
been in the game for a long time, making hits
for some of our favorites. I can't wait to get
into the conversation here, but I have to ask you guys.
Have been having a fun few days in the A,
so I always got to see what you guys been
doing when you've been, you know, hanging out. I saw
you went to the Braves game, Drumma Boy.
Speaker 2 (00:42):
Yeah. The Brais game was crazy, man. My boy Blanco
Brown performed.
Speaker 1 (00:45):
I love it.
Speaker 2 (00:45):
You know what I'm saying. They brought up guilt. You
know what I'm saying, big guilt When crazy per us
will represent out cast. Droux was out there, you know
what I'm saying. He did his thanks Slim from one
to twelve? Right, you know what I'm saying. Did his
thing was? It was dope? You know what I'm saying.
Always at a braids game.
Speaker 1 (01:01):
Oh yeah, ah, it's just good energy. Definitely a good time. Now,
you Bocaine, you had some fun you said yesterday. You
gotta tell me more about that fun. What did we
do in the A?
Speaker 3 (01:09):
We did a private event with Dirty Little Bess yesterday.
Speaker 4 (01:13):
That was cool.
Speaker 3 (01:14):
And then you know, we stepped out on the town
last night with the Cheetahs.
Speaker 4 (01:20):
Almost made it the Magic.
Speaker 1 (01:21):
Okay, showing up vibe? Yeah, yeah, she does a good vibe. Hoxt.
I mean you got to But have you been in
Magic City yet? Or Okay, okay, as long as you've been,
we're good to go.
Speaker 4 (01:32):
I ain't. I ain't new to usages.
Speaker 1 (01:33):
Hello, let us know, no problem from Dallas. But you
know we claiming you over here in the A. So
that's exciting stuff. Okay, let's talk about it. We're here
for a specific reason. You guys have a single called
Showing Out. Both you guys collaborated on the single. Tell
me more about it, and why'd you guys decide to collaborate?
Speaker 4 (01:50):
Well? Uh, there's a radio person in Dallas.
Speaker 2 (01:55):
Holly Hood.
Speaker 4 (01:56):
He's pretty well known.
Speaker 3 (01:58):
And I was already making Noise in Dallas and I
was working on the project and he asked me. He
was like, hey, we need to get you some big
time production. He was like, who do you want to
work with? And the first person my name was drummer
Boy because I grew up listening to drummer Boy.
Speaker 4 (02:14):
Yeah, you know what I'm saying, Like from.
Speaker 3 (02:17):
No Hands to the Gucci Records. You know what I'm
saying is he got too many hits to talk about.
But you know, so I said him, and he picked
up the phone right there. He's like, i'ma call him
right now. And he called him, and you know what
I'm saying, they had a conversation. Five minutes later, he
called me back and the next thing, you know, drummer
(02:38):
Boy is saying, when can he come to Atlanta?
Speaker 4 (02:39):
I said, when you need me there. I'm on the
first thing here smoking.
Speaker 1 (02:42):
I love it. I love it. And what was it
like for you? Because you have worked with so many
different artists in this industry? I mean, the list goes
on from Nicki Minaj, uh Share, Chris Brown, Gucci. I
mean Jeezy, Kanye West. The list goes on. So what
was it like working with Vocane?
Speaker 2 (02:57):
Here the whole issue just name I work with all
before they was who they were. That's the difference, you
know what I mean. And when I get that phone
call like I got from Drake, you know what I'm saying.
My Canadian goon was like, man, who I got this?
All this from Canada? Man da da HollyHood Baby called
me the same way, Hey, I got this artist and
texts da da da da dah when it comes from
a certain person, you know what I'm saying. My relationship
(03:19):
with Baby go back fifteen almost twenty years, you know
what I mean, and just staying dedicated, staying down Gregg
Streets and you know guys like that that you know
I got long term relationships with. We've got a lot
of money together, We've looked out for each other, We've
thrown each other a lot of alley upes. So when
I get that call, I know it's somebody who already
doing the work respectable, you know what I mean by
(03:40):
out they be And it's like people not finna waste
my time, Like you already know not to call me
if it's not already checked off. I see it on
the last interview. Everything checked off with him. You know
what I'm saying, background check, Like, you gotta make sure
you ain't working with no lane. You gotta make sure
you ain't working with no rape artists. You know what
I'm saying. I make sure you ain't working with no
(04:01):
child mon Lester. You know what I'm saying. And that's
what you're attaching yourself too. So it's a lot to
go into working with me. But you know what I'm saying,
particularly about the business, Let's get to it.
Speaker 1 (04:10):
I love it. And when you guys were in the
studio together, what was that like? How did you really?
I love it? But made it so easy?
Speaker 2 (04:17):
He like Gucci, You know what I'm saying. He just
be coming up with stuff in your head and then
I'm going in the book. He'll listen to a beat
for like two minutes, three minutes, five minutes and then
be like, man, I got something. He'll let me hear it,
and if it ain't something that I really fuck with,
I tell him like, man, switch this up. Try to
dah dah da da da, and then he has something
in another five minutes.
Speaker 1 (04:37):
So how long take to put the record, the full
record together? Was it like two hours a day? Yeah?
Speaker 4 (04:43):
No?
Speaker 1 (04:44):
What was it?
Speaker 4 (04:45):
Top the bottom? Thirty minutes?
Speaker 1 (04:46):
Wow?
Speaker 2 (04:47):
Wow?
Speaker 1 (04:48):
Wow? I love it? And why did you decide to
put this record out showing out? What does it mean?
What can people gain from this? How does it vibe?
Speaker 2 (04:57):
Ever?
Speaker 4 (04:58):
Yeah? Put it?
Speaker 1 (05:01):
You gotta tell me, tell the audience, don't tell me.
I already know. So what is your favorite line reverse
from the record?
Speaker 3 (05:09):
Let's make it a movie like how you moving? You
know what you're doing?
Speaker 1 (05:14):
I love it. I love it. So I really can't
wait for everybody else to hear this record. It's gonna
be crazy on the charts. I already see it already
know how it's gonna go. But bo can I did
have to ask because you're getting a lot of recognition
right now. Your future projects include a Gucci and we
have a big Boogie. What's coming? What can we expect
from these records? And when is this coming out?
Speaker 4 (05:35):
The Gucci record comes out next month?
Speaker 1 (05:36):
Okay?
Speaker 3 (05:37):
And the videos already shat love it? Yeah, you pulled
up in Dallas and did the video. You know what
I'm saying. So that's coming out next month. That's the
second single, and then the third single boogie.
Speaker 1 (05:48):
Okay, I love it? And what are those singles about?
You gotta tell me more about it? Are the club bangers?
Speaker 4 (05:53):
Everything?
Speaker 3 (05:54):
It's always gonna be that, Okay, Yeah, it's always gonna
be this drum drummer want to make arena bangers of
the club.
Speaker 4 (06:02):
He want he wants me to put a suit on.
Speaker 2 (06:06):
Man, you got to do everything, man, you know what
I'm saying. I know what he capable of, you know
what I mean, And from the records that we've got,
like we got eight nine records already, and you know
this is just the first one. I love it, you
know what I mean. You'll hear a few more on
the project that he's dropping. But he's sitting on some heat,
you know what I mean. And I'm excited to see
him elevate. You know, I speak on Jelly roll a lot.
You know, I work with him from the beginning, you
(06:26):
know what I mean, in the trap stages and seeing
how he's evolved with country and using his vocals more.
You know, he he got some of that up his
sleeve too, man.
Speaker 1 (06:35):
And I really wanted to ask and I'm happy or
touching on it because I was like I don't know
how you feel about talking about another artists in their presence,
but tell me more about what really gravitates you wanted
to really work with him, and how do you feel
about where he's headed in this industry.
Speaker 2 (06:49):
It's voice, vocal range, you know, that's one thing like you.
You can you can do anything. I love artists that
can do their own hooks. Some artists like you know,
especially good hooks like that catchy, simple, not a whole
lot going on, you know, when it gets clutter, it
just started to feel like mixtape music, which is cool.
We need that too. We gotta put our projects, you know,
we gotta have content, you know, and we got to
(07:09):
tell our story. So most importantly, if you're telling your
story and you don't come up with a good hook
in the song, we just use it for the intro
or a freestyle or whatever, you know what I mean.
But I encourage and also enjoy working with the artists that,
you know, the fifty Cents, the Naillies, the Gezis, the
you know what I'm saying. They all do their own hooks,
you know what I mean. So it helps, you know,
(07:32):
from a vocal standpoint, his vocals stand out like the
deep voice, you know what I mean, and then it
shoots through any beat, like regardless of what beat he
rap on, kind of like that Gucci voice, his voice
stick out, you know what I mean. So you know
he got a few things and he listened, you know
what I mean. I work with a lot of artists
that I might try to hint for them to speak
(07:53):
to the ladies or you know, that's the biggest demographic
you can speak to. It's the ladies and being able
to you know, make them groove, damn and say everything.
Ain't so angry and mad in dark all the time.
So you know, just just everything I told him, he
willing to do, He willing to try, you know what
I'm saying. And I think he's gonna go far because
of that.
Speaker 4 (08:11):
I ain't willing to listen to him.
Speaker 1 (08:13):
Hello, because you have a legendary one with you really
helping you out with this.
Speaker 4 (08:17):
Last time I checked, I ain't got no.
Speaker 1 (08:19):
Place Grammy nominations.
Speaker 2 (08:22):
I mean Grammy Award winning Excuse me, excuse me. I
got about eight nine nominations.
Speaker 1 (08:29):
Man, we got about the house, so I get it
one hundred and you're talking about you have a lot
of heat together, So let's talk about the whole album.
When is it coming out? Is it this year? Or okay? Okay?
What other features do we have on there? Too? Got
to give me something that's public, that's public knowledge me
(08:53):
one more from your pr Okay, okay, excuse me, I'll
take it. I'll take it. So we're just wait to
see what else we have in the works. They're really
excited about that one. Are there any other artists that
you want to work with that you haven't worked with yet?
Who would you say that would be? M h, that's that? Okay, okay,
(09:28):
I love it now drummer Board, now you work. I
already list so many. I mean, the list does go
on forever. Who would you like to work with that
you haven't worked with yet?
Speaker 2 (09:37):
Oh man, it's a lot of people, for real, for real,
definitely like people like elam Age and Ai Eiko, jazz
Mine Sullivan.
Speaker 4 (09:46):
You know.
Speaker 2 (09:46):
I got Drumma Boll Live cracking, you know what I mean,
my live band. We're going crazy. We're doing a lot
of different content, so stay tuned for that. But one
of my first productions I did with druma Bull Live
was here. I Am. I got a lot of dollars spend,
so we bringing that sound back so many people, the ladies.
That was one of my mama's favorite songs. You know
(10:08):
what I'm saying. She was like, oh baby, when you
got on that groom, stay on that groun. Bring that back.
So you know what I'm saying, bring that back for mama.
Man Jones Board Live, Stay tuned. A lot of super
dope upcoming artists that I'm working with, like Don Carroll,
super excited about her, Carrie Washington, the r and B
artists out of Memphis signed the Nli Chopper, I got
some e collective music, man Music, soul child that's really
(10:31):
like my passion. And then the trap just be my aggression,
my adrenaline, and me just being you know, stressed out
or angry or pissed or you know what I mean,
feeling like I don't get the just due I deserve.
That's when that that Memphis come out. So you know,
you get a gumbo pot of de boy fresh.
Speaker 1 (10:50):
I love it. I love you. Gotta have the variety,
you gotta have the options over here.
Speaker 2 (10:54):
And welcome to my city. Five on the way Halloween.
I'm super excited about that.
Speaker 1 (10:57):
No tell me more about that one.
Speaker 2 (10:59):
Now that so welcome to my cities. Like the unification
process of Memphis. I did Volume one, Volume two, Volume
one Yo, gotty Volume two, doll Volume three, money bag yo.
Like you know what I'm saying, just always having different artists,
upcoming artists on the platform. And Volume five we got
some heat on that thing.
Speaker 1 (11:15):
You gotta give me one more exclusive.
Speaker 2 (11:17):
Come on? You know my Drummer Boy Friends Volume one
were putting it into volumes. I got so many songs
with artists and in household names that I'm gonna put
it in the volumes Drummer boy and Friends Volume one, two, three,
four and such and then a balling m j G
album on the way. You know what I'm saying, They
got a big show coming up, and what's the what's
(11:37):
the damn? Let me just tell me what they show it.
Mabel something something to Mabel House, you know what I mean?
So that yeah, it's coming up, I think in August
August tenth, I believe. Yeah. So you know what I'm saying.
Speaker 1 (11:50):
What I want more. I want to know all the details.
I want to know what you got are working on
and to see, you know what exclusives I can get
out of it because you know, you guys do a
lot of stuff, so it's great to talk about we
talking about Bow.
Speaker 2 (12:08):
I ain't want to be like Man, I got my book, Man,
I got the man we got, we got the documentaries. Man,
we got You know what I'm saying a lot of.
Speaker 1 (12:19):
I love it. So going back to Boucane here, now
we're talking about the music industry. It has changed so
much within let's say, even say the past ten years.
How do you feel like your sound really blends and
mixes into what's going on now? Are you trying to
be a different sound than what we're typically hearing?
Speaker 3 (12:36):
You know, initially anything, I can only do what I do. Yeah,
and if that happens to work with and so be it.
If it don't work with and hey we tried.
Speaker 1 (12:46):
I get it. I get it. So how would you
describe your sound to people who haven't heard your music yet?
Speaker 3 (12:51):
I mean, you know, from the deep South Country. I
got a deep redspeak country voice, so you know, I'm
ghetto at the same time.
Speaker 1 (13:00):
I love it. Why did you decide to really pursue
music on a serious stuff without.
Speaker 4 (13:04):
I didn't it pursue me?
Speaker 1 (13:06):
How?
Speaker 3 (13:07):
Because the way it started I never wanted to be
an artist or anything like that. I had a friend
that was a DJ, and one day he had these
guys at his house working on a mixtape and I
had just happen to pull up. And when I pulled up,
you know, everybody's in there rapping, and I'm like, I
get rap too, just you know, messing around. And then
(13:27):
when everybody was leaving that he pulled me back and
it was like, hey, I think you got something, bro.
He was like, your voice is different. He was like
your image is different. He was like he could do
something with this. And that's literally how it happen.
Speaker 1 (13:42):
Yeah, I love it. And now look at you now,
just really doing amazing stuff with working with amazing people.
What would be that moment where you feel like, Okay,
I made it in this music industry. I'm comfortable with
where I'm at. What does that look like? Is that
a Grammy? Is that a platinum record?
Speaker 4 (13:57):
I'm on the stage winning agreement for showing up?
Speaker 1 (13:59):
Yeah, okay, it's coming. How do we put this nomination in?
From now for the twenty twenty five Grammy's You gotta
get that rolling right. I know you are working on
your albums coming out quarter four this year. Any other
big things you're working on this year?
Speaker 4 (14:13):
Were just finishing up the album and working on tour.
Speaker 1 (14:17):
Okay, working on tour? Mm h, is that looking twenty
twenty five for the Tournever they ready for? He said,
you're gonna take the answer, I give you.
Speaker 4 (14:28):
Ready for.
Speaker 3 (14:29):
Yeah, but you know that I let the quiet giants, me,
me and Jesse put that together.
Speaker 4 (14:36):
I got a great pr team, I got a great manager, yeah, and.
Speaker 3 (14:40):
I got a legendary producer, so I can't lose the
whole city behind.
Speaker 1 (14:45):
Yes. Yes, a big following and it only continues to grow.
So it really excited about what is to come. Druma boy,
do you have a question for you because you mentioned
this a little bit earlier. You got to cater to
the ladies essentially in some way, shape or form. Right
right now with the rap industry, we see females, in
my my opinion, are taking over. They're just having their moment,
having their platform. Do you agree with that that females
(15:06):
are really more on top than the male artists, male
rappers right now because we have people like Lotto, Sexy Red,
I mean, Nikki.
Speaker 2 (15:15):
I think it's the industry. I think now we've seen
it as balanced as ever, you know, because guys like
Eminem still selling future selling Kendrick number one, yeah, you
know what I mean. So it's a lot of guys
that's still number one. But again you got Glow Realer
man with the yeah glow. You know what I'm saying.
We got myph it's anything. You know what I'm saying.
(15:36):
RP Gangstabou you know, keeping Memphis alive, you know what
I'm saying. And just seeing the energy of Houston. That's
our that's our sister city. You know what I mean.
That the way Meghan is Stallion embraced. You know what
I'm saying. Glow Reala is a beautiful thing. Mulatto and
atl stand up. You know what I'm saying. At A
(15:56):
represented so many you know, females. Man, Lola, your little
short little man, she coming through like an earthquake. When
she stepped, she stepped like an earthquake.
Speaker 4 (16:07):
Man.
Speaker 2 (16:07):
It's it's it's real heavy right now, you know what
I'm saying. So we enjoyed that, you know what I mean.
And this is like I said, it's balance. We got
more females who can get on records, and we need
that you know, feminine voice. We need the lady's voice,
you know what I'm saying to be able to answer
what we got going on. You know what I'm saying.
So sexy Red. We can't forget sexy Red like she
(16:30):
coming through this thing.
Speaker 1 (16:32):
It's just the energy after hit.
Speaker 2 (16:33):
Man, my little I mean my little niece. Man, she
loves sexy reds like mine. Man, we gotta go to
the sixty Red concert, so get it that.
Speaker 1 (16:43):
I love it. What are your thoughts as well on
the female rap right now? Where you know, are they
having their moment or you know, are they doing big
things or still got some work.
Speaker 4 (16:52):
To do.
Speaker 3 (16:55):
Putting that just as many as as you know, it's yeah, yeah,
Like he said, you gotta have a healthy balance and anything.
Speaker 4 (17:04):
The scale is pretty much even.
Speaker 2 (17:07):
I agree, it's wide over for good music, good energy.
Just make it. It don't matter who you are, male, female,
and everything in between. You know what I'm saying, But
just make it.
Speaker 1 (17:19):
Just make the hits. That's what we want. That's what
we want. So right now, we know that music has
been changing and it has been in this pattern for
a minute though, but where do you see the music
industry going within? Like the next three years either of
you guys.
Speaker 2 (17:31):
I mean, tech is always been the ruler of the
music and how we get it. You know, how it's distributed.
You know, it used to be distributed on vinyl, then
it went to tape, then it went to CD, then
it went to OS, you know what I mean. And
now everybody listening through you know what I'm saying, streaming.
So I think it's still gonna be a level of streaming.
It's gonna be more distributors. It's easier and easier to
(17:54):
distribute music, but it's harder and harder to market it.
It's harder to be seen. And it's big pluthro of music.
It's millions of artists dropping songs a day, you know
what I mean. So you just got to be strategic
and stay creative. You know, whether you're an influencer, whether
you're good with TikTok, if you're not good with talk,
(18:16):
you better get on it. Get on those ribs, get
on those YouTube shorts, get on them. Uh you know,
just your social media. Keep a cameraman or figure out
some homie who can work an iPhone, get the fifteen,
you know what I mean, Work those the plans you
ain't got the money to buy iPhone? Man, do the
finance plan. You know what I'm saying, get your credit together.
If you want a fund in your dream. You know
(18:38):
what I'm saying. You want to dam you gotta have hustle,
you know what I mean. And so you know, definitely
check out. We started a credit company, one dollar Analysis
dot Com. You know what I'm saying. Allow people to
get their credit together, get their credit check. You know
what I'm saying. Get get on the phone with somebody
who can help you understand the plan. And you know
what I'm saying. You'd be surprised what equipment you can get.
You know what I'm saying, new technology, to stay up
(19:00):
to date with today's sound, having fl studio and pro
tools and all these different dogs that people create music,
band lab, people making songs right on their phone. It's
no excuse, right, It's just.
Speaker 4 (19:20):
How strong is your hustle. Your hustle is strong for you.
Speaker 2 (19:24):
What's your live show look like? Perform live on Instagram,
perform live everywhere? You know what I mean? And you
a get fans so good good music, good energy is
always contacted.
Speaker 1 (19:34):
And you're talking about technology. How does AI play into
what you think with the music industry. Is it helpful?
Is it gonna be hurtful?
Speaker 2 (19:42):
Oh? I think it's gonna be a crutch for some
people because it's you know, people gonna rely on it
so much that they forget their actual creative process within themselves,
you know what I mean. So now I'm using AI's
soul to give me sound like you can make beats,
you know, give me a beat like this, give me
some sounds like this, D D D D like you
got AI that's making amples for you, you know what
I mean. And I've tried it, you know what I mean.
(20:04):
Some of them are glitchy, some of them are cool,
some of them are like eh. But it's like, you know,
at the end of the day, you got to pull
from here. So you know, you want to play with
it because it still could be you know, an asset
as well.
Speaker 1 (20:17):
So you know, it's just what about you. I have
you used AI at all for your music?
Speaker 4 (20:23):
I don't need to, ye, Yeah, my voice ain't nobody
copy my voice?
Speaker 1 (20:27):
Shit, I love it.
Speaker 4 (20:28):
I love it.
Speaker 1 (20:28):
But hey, you can be the one to put all
your sound into the mix if you really wanted to. So,
but a interesting for.
Speaker 2 (20:35):
Something like an atmost mix. Like everybody we know about
Adobe Digital Sound, that was the standard Adobe Digital Sound
that came in two thousands. Now is going in the atmost,
which is atmospheric sound. That's when you look at certain
songs that are released or big artists that have dropped,
you'll see atmos on it. And that's just the sound
of where we're going. Son AI software is something that
(20:56):
takes a regular mix. You got your songs mixed and mastered.
Imagine being able to just have an AI software transfer
your way far to an at most mix.
Speaker 4 (21:06):
And that's a thing like going big.
Speaker 3 (21:08):
Like you know, he's pretty much executive producer of my project,
so it don't matter whether he did the beat or
that everything to everything. Yeah yeah, you know, if he
don't approve it, then it ain't going you know what
I'm saying. So it don't matter who produced the beat
or whatever. Like and then you know it has to
be mixed a certain ways, to master a certain way
(21:28):
because you know, we care about the quality about sound.
Speaker 1 (21:33):
And you know, like you said, glitch's with AI, glitchs
with technology. There's nothing like having a person going through
everything piece by piece to really just make sure the
music and the project is where it needs to be exactly.
I'm here for that. Can I ask one political question though?
Speaker 2 (21:45):
Absolutely?
Speaker 1 (21:46):
Okay, I saw you drummer Boy by the Way that
you released earlier this year, this song to really, you know,
support Robert F. Kennedy and his presidential campaign. Is that right?
Speaker 4 (21:55):
Yeah?
Speaker 2 (21:56):
It was actually just a song for you know, helping him,
you know, raise funding. And at that particular time, you know,
we were like, this is one of the best shots
that we got with who were the candidates at the time.
Speaker 1 (22:09):
So I was gonna ask, now, is that still your
support lies or you know, since Kamala Harrist on the scene,
you know, are we thinking of other options?
Speaker 2 (22:17):
No? I mean it was no streams at text with
Robert F. Kennedy, like I created an idea for them.
I went to a Donner shout out to Angie Angela
Stanton King. She gave us an opportunity to meet Robert,
speak with him, see what his policies were and what
he had to offer as far as our community. We
heard him out, We spoke with him. As simple as that.
I said, Man, I could do some music for you
(22:38):
that would help bring our community together. I've never heard
bousy deliver verse the way he delivered on standing on business.
You know what I'm saying to be able to hear
Turk deliver that. You know, our young is need that
our youngest need the music. So it was more about
the music than anything. But you know, Kamala is where
we got our eyes set for sure. You know, I
(23:01):
don't have a problem speaking on that. It's hard voting
for you know, somebody who's already fumbled the ball a
few times, you know what I mean.
Speaker 1 (23:10):
From either go ahead now, either your perspectives, because we
see a lot of people in the industry. You know
they are voting one way because it makes sense for
their business or for whatever they have going on. Like
who's been vocal For instance, WALKA Flack has been very
vocal about where he stands. So coming from two people
in the music industry, you know, how important is it
for people in similar businesses to pay attention to who's
(23:35):
running for president and who they're going to vote for.
Speaker 3 (23:38):
I mean, going from what it was, either one of them.
I mean, that's what we got to choose from.
Speaker 4 (23:47):
I think Trump stand up comedy.
Speaker 1 (23:51):
He's funny, he'll make you laugh.
Speaker 2 (23:58):
Yeah, I mean, it's it's it's tough for Kamala because
you know, coming from that DA standpoint. You know what
I'm saying and what view she's had in the past.
But I think we've seen, we're seeing and have seen
and evolving Kamala hair. Yeah, you know what I mean,
some of the things that she viewed and stood on
(24:20):
then she has kind of altered. So you know, it's
gonna be interesting to see them the debate.
Speaker 4 (24:26):
Yep.
Speaker 2 (24:27):
And and you know, hey, man, Obama stamped it. I'm
with Obama man.
Speaker 1 (24:34):
You know he's always in the mix. You know, you
always do hear from him, see him. So we gotta
love you know, Obama still being on the forefront because
you know, we support our president. We support our president.
All right, any last words you want to leave with
the people. Any more things you guys are working on
or what did I miss? I know I grab a
lot of things from you guys. I want to know
it all, So let me know there's something I missed
that we haven't talked about.
Speaker 4 (24:52):
The Beautiful Struggle coming furth quarter.
Speaker 1 (24:55):
That's the name of the album. Okay, perfect, thank you, Okay,
I'll take the title. We know two people who are
featured on this anymore. We want to give one more okay, Drum,
I'm looking at you, one more feature on the side.
Speaker 2 (25:15):
And you know what I'm saying is he got quite
a few in the whole, so I can't even remember
which one gonna be actually on this.
Speaker 1 (25:22):
Project because you do make a lot of you know,
singles or excuse me, bodies of work before you put
it m Okay, I love it. I love it perfect.
Speaker 2 (25:32):
But I will say some of my recent work because
everybody be like on the old stuff. We just worked
with Pretty Bread. She dropped the project. I forget the
name of the damn project, but I did a song
on the car Fine with Trail and Pretty Bread. I
did another song on their car Homebody, Kouchie. You know
what I'm saying, So go check that out.
Speaker 1 (25:49):
You know you want to elaborate us a little.
Speaker 2 (25:50):
Bit, or she could tell you.
Speaker 1 (25:56):
I know, I just want to see what else I
can get from him about it.
Speaker 2 (25:58):
But you know what I'm saying, I.
Speaker 1 (26:05):
Love it, okay. So how can people follow you and
keep up with your music and everything you guys have
going on?
Speaker 4 (26:09):
You catch me anywhere and everywhere.
Speaker 3 (26:11):
Bowl Underscore came on the Gram on Twitter on the
book on TikTok everywhere.
Speaker 2 (26:19):
I love it already, man. You can follow me at
drummer Boy fresh Man on Facebook TikTok everything, Man. You
know what I'm saying.
Speaker 1 (26:28):
I love it, Trill. Yeah, you got to patrol out there,
got them edits? Yes, yes, yes, all right. Well, thank
you guys so much for coming into the studio once again.
Alexandria Cimoni in the studio with drummer Boy and bok
Hey
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