June 26, 2024 • 24 mins
Ever wondered what it's like to relive your glory days on the basketball court only to be reminded of your age? Join us on the Absolute DMV Podcast as Ace Boogie recounts his latest round of hoops, sharing some laughs and hard truths about competing with the younger generation under the boiling DMV sun. We then shift gears to tackle the aftermath of Kendrick Lamar's Juneteenth concert, where Ace Boogie gives a no-holds-barred critique of Kendrick's unexpected decision to repeatedly play "Not Like Us." Was it an artistic statement or overkill? Listen in as we break down the high-energy event and its impact on the music scene.
Get ready for a fiery debate on Kendrick's bold move, where we dissect his influence on West Coast music and his ongoing rivalry with Drake. We draw comparisons to Drake's past beefs with Meek Mill and Pusha T, contemplating how these legendary showdowns stack up to Kendrick's charged performance. The conversation naturally flows to our own backyard, as we discuss the vibrant yet underrepresented local music scene. We highlight the need for more high-profile cultural moments in the DMV, tipping our hats to local heroes like Wale who continue to pave the way.
Finally, we get into the nitty-gritty of Maryland's regional identities, putting Baltimore under the microscope. From cultural nuances to the practicalities of travel, we explore what makes Baltimore distinct from the DMV. We wrap things up with an impromptu freestyle rap session, throwing down the gauntlet for local producers and singers to join our cypher. More than just a podcast, we're building a community—and you won't want to miss out. Tune in for an episode packed with energy, introspection, and a bit of friendly competition.
Get ready for a fiery debate on Kendrick's bold move, where we dissect his influence on West Coast music and his ongoing rivalry with Drake. We draw comparisons to Drake's past beefs with Meek Mill and Pusha T, contemplating how these legendary showdowns stack up to Kendrick's charged performance. The conversation naturally flows to our own backyard, as we discuss the vibrant yet underrepresented local music scene. We highlight the need for more high-profile cultural moments in the DMV, tipping our hats to local heroes like Wale who continue to pave the way.
Finally, we get into the nitty-gritty of Maryland's regional identities, putting Baltimore under the microscope. From cultural nuances to the practicalities of travel, we explore what makes Baltimore distinct from the DMV. We wrap things up with an impromptu freestyle rap session, throwing down the gauntlet for local producers and singers to join our cypher. More than just a podcast, we're building a community—and you won't want to miss out. Tune in for an episode packed with energy, introspection, and a bit of friendly competition.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:22):
DMV.
Welcome everybody to anotherepisode of the Absolute DMV
Podcast.
It's your man, ace Boogie.
I'm here with my man, mark.
Speaker 2 (00:37):
Hey, what's going on, y'all.
Speaker 1 (00:38):
And my man, ego, on the boards.
I'm on the boards.
What's going on, gentlemen?
How y'all feeling.
Speaker 3 (00:43):
I'm good.
I'm good, I'm straight.
Speaker 2 (00:44):
Can't complain.
I mean, I'm dealing with thishumidity and this heat bullshit
that we got going on right herein the DMV right now.
Speaker 3 (00:50):
but I think I'm domesticated.
I had the African blood, butnow I don't like this shit.
Speaker 1 (00:57):
Bro, I'm a fool.
I went out the other day andtried to play basketball.
Speaker 3 (01:02):
Ooh, yeah, yeah, yeah , Fuck that.
Speaker 1 (01:03):
Yeah, crazy, I had a good run.
I mean, we went 5-1.
So you know, last game that wasthe one we lost.
How did you lose?
Because you know we was tired.
I'm a little sore right now Alittle, you know, a little
tender, but I'm holding ittogether.
I played well.
My teammates pretty muchcarried me, but I think I played
well and I mean it was one ofthose things where it makes you
(01:26):
realize that you're old.
You know, just when you get outthere you start playing.
There's some young boys outthere.
I'm a little young buck.
You think that your body canmove.
I'm a little young buck.
I felt like what was it?
Will Smith and Ali, when he waslike, move, legs, move, and
they would not move.
(01:47):
Oh man, it was bad in certainsituations.
Did you have that old manstruck down the court?
No, man, I was good.
I threw on my ankle braces.
I did have to have those on,but I threw on my ankle braces.
No need braces needed.
But I had my ankle braces and Iwent out there.
I hooped, man, I shot somethrees.
(02:07):
I hit them with a couplehesitations, got to the lane, I
smoked a couple layups, but thenI got it together later on,
like I said, we won five gamesin a row, that's a lot.
We played six games.
We won five games in a row.
What did?
Speaker 3 (02:22):
your outfit look like you know black people.
You know what I'm saying.
Did you have a matching outfit?
Speaker 1 (02:27):
Of course, but I mean , I was chill.
I just had some black and grayLeBrons, some black and gray
Nike shorts, but did you haveAdidas and Nike?
No, no, no.
That's what I said.
That's why I'm getting to hispoint.
Check out the last podcast.
Black and gray LeBrons.
Black Nike socks.
Speaker 2 (02:48):
Gray Nike three quarter wait a minute is LeBron,
made by Nike, though of course.
Speaker 4 (02:55):
I just want to make sure because, I know Jordan is.
Speaker 3 (02:57):
I'm not big into shoes.
Speaker 1 (02:59):
I think a lot of the big names Nike shorts and the
only thing I didn't have Nikewas my shirt, because I was
repping my man's brand.
Shout out to Stressed OutGorillas S-O-G.
I was repping that brand, butyou know what I'm saying At the
time.
So, yeah, I was Nike-ed outexcept for the top.
But, like I said, it made merealize I was old.
(03:20):
And something else made merealize that I was old this
weekend.
Speaker 3 (03:25):
Wait, wait, wait.
Mark, do you have anything?
I mean, you just said, it washot.
Speaker 2 (03:29):
I mean, yeah, it's crazy hot.
That's why the studio here isset to like 62 degrees, like
it's as cold as it can go.
Speaker 3 (03:36):
And thank you.
Yeah, you're welcome, I figured, so my bad, sorry, ace.
Go ahead.
I'm sorry.
Speaker 1 (03:46):
No, no, no, yeah, yeah.
Something else that made merealize that I was old.
I mean, look, I don't want tohate on the whole thing, because
the whole thing was cool.
Kendrick threw Juneteenth partyor Juneteenth concert.
Yeah, the concert was dope.
I'm not going to lie, theconcert was dope.
Of course I didn't see thewhole thing, but I mean he
brought out a bunch of likeindependent unknown under.
(04:09):
You know, I'm sayingunderground artists from yeah
emerging artists from the westcoast.
Yeah, bloods crips.
It looked like everybody wasout there and the love,
everything was close.
Love, it looked amazing, likeit looked amazing.
So Tell me how you real feel,though.
That's why I don't want to hateon it, but I mean objectively
(04:30):
thinking, see because, this isthe whole thing, bro.
Everybody nowadays wants to saythat if you have an opposite
view, you're hating.
So if this is the case, I'mhating, hater, I'm hating.
And I never knew that I was aDrake fan until this beef
happened.
But the whole thing went great.
(04:52):
The concert was great untilKendrick played Not Like Us six
times in a row.
Speaker 3 (04:59):
Yeah, I'm not gonna play that track right now
because I don't wanna be flatBro, I love no, don't get it
twisted.
Speaker 1 (05:06):
I very much enjoy that song.
It's a classic West Coast song.
With a classic West Coast beatlike it, it cranks.
I love that song like.
Speaker 3 (05:18):
You know what it feels.
It gives me, it gives you thatTupac California love that's
what I'm trying to tell you,yeah it doesn't matter what
coast you were.
Speaker 1 (05:26):
it gives you that explosive from Dr Dre that's
what I think, yeah like it givesyou that it gives you that
classic west.
I just want to say it's aclassic west coast yeah, well,
it's the same thing.
Speaker 2 (05:36):
It's like exactly with that song you have the
repetitive piano, the dun,dundun-dun-dun-dun-dun-dun, and
here it's like with the chordprogression it stays more or
less the same, except for thebreak part.
So it's just, it's easy to bopyour head to, it's hard not to
bop your head to.
Speaker 1 (05:51):
Yeah and I mean, and, like I said, I very much enjoy
the song.
I want to say I love it becauseI really much enjoy that song,
not like us.
You heard it.
We almost got flagged for it.
I was dancing to it.
No, we got flagged.
Yeah, we got flagged to it.
We almost didn't get flagged, wegot flagged for it and I was
dancing to it.
But still, I really do enjoythat song.
(06:13):
But the fact that homie playedit six times in a row in that
current situation just kind ofmade me feel like he threw a
Super Bowl party to celebratebeating Drake through a Super
Bowl party to celebrate beatingDrake and why I think it was
justified.
Speaker 3 (06:29):
I mean, I think like again, this is me.
I give mad props, I'm breathinglike somebody, but anyway, wow,
I'm sorry, I just heard it.
Wow, I just heard it.
But anyways, I feel that likethe thing was a big up to West
Coast, the West Coast stepped itup and represented and he had
(06:50):
the whole West Coast pretty muchon his back that's what it is
and he needed to throw a concertand what brought it in?
All his other tracks were dope,but this is the track that put
the nail in the coffin and hehad to play this over and he had
Dr Dre.
Actually, dr Dre said I seedead people before he actually
(07:12):
that shit went hard.
Speaker 2 (07:13):
And for him to do that, that's fucking crazy well,
I think the the thing that wascool was that it was like, yes,
you know back in, what was itlike?
2013 or 14, or maybe evenearlier, 2012,.
He was basically crowned, youknow, and everyone sort of
passed the torch to Kendrick andthis is almost like a coming of
age, like he's now at the pointwhere he's crowning or putting
(07:34):
a stamp behind other emergingartists and like giving them a
time to shine, because it waslike a four-hour concert and not
all of it was him, like it wasa lot of other artists getting
like their chance to dosomething.
So then, like it sounds likewhen he brought it on, he like
you know, a lot of other peoplewho had been on stage before had
come back on and got a turn to,like you know, be part of the
(07:55):
event, which is maybe why I wason for six times in a row to
give everyone a chance Honestly.
Speaker 4 (08:00):
I think, it was like a grand finale.
Speaker 1 (08:02):
I have no problem.
The concert itself was dope,which, bringing out all the
artists, everything like that,was dope.
My biggest issue was justplaying it six times in a row.
Speaker 3 (08:12):
You're saying he was being extra.
That's what you're trying tosay.
Speaker 1 (08:14):
Not even that he was being extra.
It was like yo, you are themore lyrical rapper.
I'm sure you expected to win.
Why are you acting like youdidn't expect to win?
That's the only thing.
It's one of those things likeit's almost like act like you've
been there before.
Yeah but?
Speaker 2 (08:33):
But to be honest, can I tell you something?
I like Kendrick.
I like him more than Drake,objectively, and I like his
music more.
I did not expect him to winbecause I thought Drake was
going to be able to do whatultimately Kendrick did, which
is make a very poppy catchy notto say that not like us is poppy
, but it's very catchy song thateveryone will be dancing to in
(08:55):
the club and that's how youreally win this.
Speaker 3 (08:57):
He killed him on his own territory.
It's in the public court, thepublic trial.
Speaker 2 (09:00):
So Kendrick did his he killed him on his own.
I thought Drake was going to dothat, which he kind of did with
push-ups, but then Kendrickjust killed him again and again
and again.
There was no coming back.
Speaker 1 (09:09):
I'll Never expected Kendrick not to win, because if
this was the situation of, abattle is going to be won with
lyrics, regardless of what.
So if Kendrick can come out andbar that man to death like he
did, he was going to win.
The same way, pusha T came outand gave us some information
(09:29):
that we didn't know with thebars, to the point where Drake
couldn't even reply.
Like it messed up a businessdeal, it was impactful.
This is impactful because ofhow everybody is carrying it,
but it's not going to stop Drakefrom moving in any way.
Speaker 3 (09:49):
No, but if it was flipped, if it was on the other
foot, I think Drake would havedid the same thing.
Speaker 1 (09:54):
I disagree because, like I, said, when Drake beat
Mick Mill, he didn't do that andthat was his first win.
So he, like I said act likeyou've never been there, act
like you've been there before.
And Drake's never been therebefore, he's never been battle
tested with nobody.
He's only shot a couple shotsat Jay-Z Jay-Z, shot a couple
shots back, shot Shots at Jay-Z.
Jay-z shot a couple shots back,shot a couple shots at Common.
(10:15):
You know what I'm saying?
Things like that.
Speaker 2 (10:16):
Well, he did have you know it was a legit beef with
Meek Mill.
Speaker 1 (10:20):
Yeah, and that's what I'm saying.
He had a legit beef with MeekMill and even when he won that
one.
Speaker 3 (10:25):
He didn't go ahead and just be like hey, y'all, I
beat this track did Well, Idon't know, back to Back was
pretty big.
Speaker 2 (10:39):
Back to Back was big, but was it bigger than Well?
Not like us.
Speaker 1 (10:43):
But we are going to have to look back and see, okay,
okay, because I mean we aregoing to have to look back and
see, I just say people wereplaying it in the club for a hot
minute though.
That's what I mean.
Speaker 2 (10:53):
I don't know how long it was charting for, but Not
Like Us is really long.
Speaker 1 (10:57):
No, this one is going on for at least a month.
Yeah, bare minimum, yeah.
Speaker 3 (11:01):
And it's already charted yeah, top two, no, top
two singles of all.
Speaker 1 (11:06):
No, and I think, like I said, this is a great song.
Speaker 3 (11:17):
I love the song.
I just, I just don't understand.
It was a bit excessive.
I don't know.
I give, I give props, ride thatwave man.
He's doing it for west coast.
Speaker 1 (11:21):
That's what I say but once again, I want to see, I
wish we had something out herelike they, like that.
We're talking about dmv, yeah,I, I mean I, because we have
certain artists.
Iee a Wale, ie a Logic, logicyeah.
You know what I'm saying?
Those certain artists are bigenough to throw a concert.
(11:45):
I don't know.
Speaker 4 (11:48):
A concert like that this is what.
Speaker 3 (11:49):
I'm bitter about.
The DMV is so spread thatthere's no like.
The West Coast is the WestCoast.
Yeah, new York is New York, youknow.
Speaker 1 (11:59):
Miami.
That's a.
Do you know how many people areon the West Coast for them to
be more united than we are?
Speaker 2 (12:04):
well, I think part of the problem is, I think, that
all these cities that we'renaming have a big label presence
.
You, you know New York,california, atlanta, all these
places have big hubs so thatartists who get big and on an
international or a nationallevel don't have to leave there.
(12:25):
Here in the DC there's notreally a label presence, so
anyone who gets big usuallymoves to the West Coast or New
York, or New York or around theworld.
Exactly.
Idk Logic.
You know, like Cordae, they'reall doing really big things but,
like you know, their labels arenot here.
Well, yeah, exactly.
So that's the thing.
The labels are out there, theindustries are out there.
(12:45):
Sorry, you did say Cordae.
Speaker 1 (12:47):
I'm sorry, I forgot about Cordae.
Speaker 2 (12:48):
Yeah, Cordae, he's got records with Nas that.
Speaker 1 (12:50):
Nah, that's what I'm saying.
He is big enough to.
Speaker 2 (12:52):
Yeah, he's major and successful enough.
And Gold Link too Shy Glizzy.
No, I mean what I'm saying iswe have the talent.
Yeah.
Speaker 1 (13:02):
And we have the artists, like I mean Rico Nasty.
Yeah, we have plenty of peopleLike not even just those people,
because those people alreadyhave deals and are already kind
of on.
I'm talking about, yeah, theMark Therese.
I'm talking about rest in peace, the Felipe Droz, feel the
future type.
(13:23):
You know what I'm saying.
I'm talking about just Odyssey.
Speaker 2 (13:26):
Yeah Well, odyssey's major, this dude's international
.
Speaker 3 (13:30):
Yeah, Odyssey's been producer and slash writer.
Speaker 2 (13:32):
Yeah, I mean, there's so many artists, not just rap
artists, but you got RaheemDevon, you got people who are in
different categories.
I mean there's a lot of talentout there, lola.
Speaker 3 (13:47):
Yeah, monroe.
Speaker 2 (13:48):
And then you got people who've been doing stuff
for a hot minute too.
Speaker 1 (13:51):
Of course you would say Lola Monroe, hell yeah, big
ups to my Ethiopian.
I know I was about to say withyour Ethiopian, love this guy's
wild.
No, I mean but definitelythough Definitely, though.
I'm sorry you were saying.
Speaker 2 (14:03):
No, I was just going to say like, even there's like
OGs who have been doing it for ahot minute too.
Speaker 3 (14:15):
You know, like DJ Kool, dj Kool, even though
everybody thought he was allabout New York, he was a big
representative of the communityand then we got old school Go-Go
backyard junkyard.
We have Chuck exactly.
Speaker 2 (14:31):
We have our own genre here, which is cool and found
nowhere else.
Really, this is the birthplaceof Go-Go.
Speaker 3 (14:38):
Yeah, exactly you know we have our own genre here
which is cool and found nowhereelse.
Really, this is the birthplaceof Go-Go Manny Wells and we've
got some Afro beats.
Manny Wells is pretty muchanother Afro beat or Afro singer
, slash rapper.
He's also dope as hell.
I give props to him.
Speaker 2 (14:53):
Ed Lee Shine is really dope, you know, for the
reggae genre.
And then on top of that youhave Shoot.
What was I going to say?
You have Pusher T who livesaround here.
Speaker 1 (15:03):
No, he doesn't.
He lives in Bethesda.
We can't call him that.
I mean, maybe he lives inBethesda but he's not.
He's from Newport News, yeahhe's Virginia Beach or Virginia
Beach.
Speaker 3 (15:12):
excuse me me, I'm sorry not born, but lives he's
in Virginia, but it's not DMVyeah, he doesn't rep, he doesn't
rep DV he reps Virginia likethe same thing as Timbaland and
Missy Elliott and all them yeah,they say Virginia, but they
mean that southern yeah, that'slike yeah, I'm not gonna.
I mean, if they come and rep us, okay, but they don't.
(15:34):
That's what I know.
I just know that we're what 95.
Yeah, I'm not going to.
I mean, if they come in and repus, okay, but they don't.
That's what I know.
I just know that we're what 95?
It's 495.
Speaker 4 (15:44):
I know that, or the Metro, whatever Technical it's
not about being technical, it'sabout being factual.
Speaker 1 (15:49):
That's what it's about.
Yeah, dmv means DC.
Why am I lying?
When are we ever factual?
Speaker 2 (15:54):
yeah, maryland and virginia.
We're naming for someone invirginia and baltimore's in
maryland no, no, but they're nota part of dmv that's so
technical.
Speaker 3 (16:04):
The arbitrary lines do you want me to get, I'll put
a map up but what?
Speaker 2 (16:09):
what is the classification then?
Is it because we I know wealready ruled out the panhandle
it has to be in the DC metroarea?
Speaker 1 (16:16):
We've ruled out the panhandle.
Speaker 3 (16:18):
We've ruled out the mountains of Westminster and all
that other stuff If you can'treach it by Baltimore, if it's
$4.95, that circle or the metro.
Speaker 2 (16:31):
I'm willing to give it $4.95.
Speaker 1 (16:35):
Because the metro actually goes around $495.
Yeah, so if you have a Metrostation within about I'll even
give you 20 minutes.
Okay, so if you have a metrostation within—20 minutes might
be far in certain situations.
Speaker 3 (16:52):
Yeah, exactly, that's too far, that's too far.
Speaker 1 (16:54):
If you have a metro station within about 10 to 15
minutes— Of driving or walkingDriving, so how about this?
Speaker 3 (17:00):
You live in a DMV.
How about this?
Can you take a bus to Baltimore?
Yes, no, no, no, no, no, no.
A bus, like getting off themetro, taking a.
Speaker 1 (17:08):
No, no, no, no.
That's what I'm saying.
No, because it's not a part ofthat system.
That's what I'm saying, andthat's what I'm saying.
Speaker 3 (17:13):
So the Metro system has a system like a system that
goes to Metro busing 495 doesn'teven go to Baltimore At some
point.
Speaker 1 (17:21):
if you stayed on 495, you would never reach Baltimore
.
Speaker 3 (17:33):
Yeah, you got to say, yeah you.
Why do we keep having to gothrough this?
Gentlemen, we're the absoluteDMV.
We have to always have to.
Speaker 2 (17:35):
It's a debatable People will argue either way.
My question then is if we'regoing off of that time and it
has to be part of the systemthat connects to the metro or
the 495 loop, when the speedrail from DC to Baltimore is
connected and built, is it thengoing to be part of the DMV?
No, still.
Speaker 1 (17:56):
They still won't count it.
Speaker 4 (18:01):
You have to understand that Baltimore does
not want to be Listen.
Speaker 1 (18:10):
Baltimore does not want to be part of the DMV.
Baltimore does not want to be apart of the DMV.
They are Maryland and if we arejust saying okay.
Speaker 2 (18:19):
You're going to have to have some Baltimore people on
.
Speaker 1 (18:21):
No, no, no, no no, no , no, no, because if we're just
saying Maryland, then we includeBaltimore.
Speaker 3 (18:25):
Okay, you're saying it wrong, but if we're saying
the DMV, it's Maryland.
Speaker 1 (18:30):
That's what I'm saying.
If we're saying Maryland, thenit's just.
If we're saying Merlin, thenit's just Then Baltimore's
included, but if we're sayingthe DMV, then Baltimore's not
included, which makes it kind ofconfusing.
I got you, but that's just howthe breakdown of everything is.
Speaker 2 (18:47):
It's like saying it's just where they all meet.
Speaker 1 (18:51):
No, it's like saying that you're from New York City
because you live in Buffalo,just because it's all the same
state.
Speaker 3 (19:00):
Yeah, that is true.
Buffalo doesn't claim downtown.
Yeah, they don't claim it, it'sin New York State.
Yeah, but it's not, it'sBuffalo, new York, exactly.
And even though, like it's not,the city, it's not the city.
Speaker 1 (19:11):
It's like the city is the city and then anything
outside of it— and also Cali isthe same way, like California
has Sacramento right.
But they've opened it up towhere they just be like the Bay.
So, you understand what thearea is?
Yeah, the Bay, like LA ComptonI mean Compton's a big-ass city.
Speaker 3 (19:31):
No, no, no, the Bay has Oakland.
Oakland over the bridge isOakland, it is not San Francisco
.
Speaker 1 (19:36):
Do you understand?
But you got to think aboutpeople from—I could be
completely wrong here.
I don't know if Compton is thecity in Los Angeles.
I don't know how big the cityof Los—I don't know how big the
city of Los Angeles is.
Speaker 3 (19:50):
It's part of Los Angeles.
County, but it's divided, likeboroughs, like New.
Speaker 1 (19:54):
York.
So it's almost like the peoplefrom Baltimore County can claim
Baltimore yes.
Speaker 3 (20:03):
County and city depends on the culture right.
So the county has its ownculture than the city the city
has.
We're going to have to checkthis man.
Speaker 1 (20:15):
No, I used to live out there.
He doesn't sound too convincingright now.
Speaker 4 (20:20):
This guy, I will say, yeah, baltimore downtown city
is a very different vibe thanBaltimore county Towson is much
more rural houses, it's a county.
Speaker 3 (20:32):
The city has Dundalk.
You can get around, walk aroundthe city where all the
waterfront or whatever.
Speaker 1 (20:38):
Yeah, Out in the county it's like Catonsville All
those areas are in the county,so they can claim to a certain,
can't?
They claim Baltimore, yeah, sothat's what I'm saying.
So that's why I'm like it's thesame thing in certain
situations, but then to them.
Speaker 3 (20:52):
They will tell you different, though.
That's the thing about it.
Speaker 1 (20:55):
Man look when they get it.
Speaker 3 (20:57):
No, baltimore, I'm not part of the county, I'm city
.
You know what I'm saying.
That's why I like Compton isthe same thing.
Compton can say I'm LA, butit's I'm Compton or I'm what's.
Snoop Dogg is from Long.
Speaker 1 (21:12):
Beach.
Speaker 3 (21:13):
It's all the same county, or Orange County or
whatever.
It's different counties, but LAis LA.
The Bay is a Bay.
Speaker 1 (21:24):
I'm going to hit my Cali homeboys and they're going
to get me right.
Speaker 2 (21:30):
Absolute DMV to Cali baby, maybe it's just my view is
tainted because like inBethesda here, or like the you
know somewhere in like thesuburbs, like Rockville area,
like getting to Baltimore by caris about the same distance as
if it was to drive to like youknow, like Arlington or
something which is part of theDMV.
(21:50):
So it's kind of like for meit's kind of like maybe it's
just where I'm driving from.
Speaker 1 (21:56):
It kind of feels like it should be part of it,
because it's the same distance.
No, no, no See, but I thinkwhat you're the time frame I was
about to say, what you'respeaking of is the it's the same
closeness, you know, like 40minutes in the DMV, one's not.
Speaker 2 (22:10):
That's different, because the 40 minutes.
Speaker 1 (22:12):
The 40 minutes, the distance is different.
If we were to see whereArlington was in relation to
here, it'll be like 15 milesaway.
Speaker 2 (22:23):
Yeah, but that's the DC traffic fault.
But that's what I'm saying.
Speaker 1 (22:26):
We're holding it against the city of Baltimore
here.
Nah man, Stop trying to makethem DMV.
Speaker 3 (22:32):
They're Maryland man.
Stop trying to make them DMV.
They're Maryland man.
They already Maryland.
So we stray away from where westarted off.
I mean, we need the same kindof fell in love.
Speaker 1 (22:41):
Nah, I mean this absolute DMV.
We've been talking about thearea.
Fuck it what you talking about.
Speaker 3 (22:45):
We right where we need to be.
I'm talking about music, man.
Speaker 4 (22:47):
We were just or just, hey look hey once again cause I
was about to say somethingfucked up.
I was really about to saysomething fucked up, yo I was
really about to say somethingfucked up and and and you had to
catch me we might have to editthis out.
But yeah, uh, we might have toedit this out.
Speaker 1 (23:09):
We're editing shit, nigga, yeah so nah, I mean cause
, I'll be honest bro I don't.
We might have to edit this out.
We're editing Shut up, nigga,yeah.
So I mean because, I'll behonest, bro, I don't really
listen to too many DMV artists.
No, the DMV artists I listen toare all the old heads and the
top people.
You know what I'm saying?
Speaker 3 (23:26):
The Raheem Devons, the Wale's, how about we do this
, hey, we'll give big ups.
If anybody for the DMV artistswant to hit us up, hit us up so
we can give you some props andalso we will put you on the pod.
I want you on the pod.
We're absolute DMV.
We should do this shit.
Speaker 1 (23:42):
Look at this guy.
He's hey and he gonna want youto rap.
So come with a freestyle.
Speaker 3 (23:48):
Oh, I will do that shit I will call you out.
I won't call you out.
Speaker 1 (23:51):
He's going to give you an LOZ beat and you're going
to have to rap on it.
I got beats.
Speaker 2 (23:56):
Drop a 16.
Speaker 1 (23:57):
You know what I'm saying We'll make a cypher out
of it.
Speaker 2 (23:58):
It'll be fun.
Speaker 1 (24:00):
Let's have fun with this shit.
These guys are trying to bringme out of retirement.
I don't even rap, no more.
Speaker 4 (24:07):
I haven Cat in the Hat raps.
Speaker 3 (24:08):
And any producers, any producers.
Speaker 2 (24:10):
That could go viral though.
Speaker 3 (24:11):
Like any producers in a DMV, any singers in a DMV, I
want you.
You have an outlet here.
You have an outlet.
Speaker 1 (24:19):
Yo Like comment.
Subscribe Comment.
Let us know what you think.
If you want to hit us up, hitus in the comments.
We'll figure out how to youknow what I'm saying.
Get it to work, let's get it.
Speaker 2 (24:30):
Let us know your opinion about Baltimore and the
DMV.
Oh gosh this guy's crazy.
Speaker 3 (24:35):
All right, man, Absolute DMV hey we'll do better
next time.
Speaker 1 (24:37):
Y'all be easy, peace, peace.
DMV.
Welcome everybody to anotherepisode of the Absolute DMV
Podcast.
It's your man, ace Boogie.
I'm here with my man, mark.
Speaker 2 (00:37):
Hey, what's going on, y'all.
Speaker 1 (00:38):
And my man, ego, on the boards.
I'm on the boards.
What's going on, gentlemen?
How y'all feeling.
Speaker 3 (00:43):
I'm good.
I'm good, I'm straight.
Speaker 2 (00:44):
Can't complain.
I mean, I'm dealing with thishumidity and this heat bullshit
that we got going on right herein the DMV right now.
Speaker 3 (00:50):
but I think I'm domesticated.
I had the African blood, butnow I don't like this shit.
Speaker 1 (00:57):
Bro, I'm a fool.
I went out the other day andtried to play basketball.
Speaker 3 (01:02):
Ooh, yeah, yeah, yeah , Fuck that.
Speaker 1 (01:03):
Yeah, crazy, I had a good run.
I mean, we went 5-1.
So you know, last game that wasthe one we lost.
How did you lose?
Because you know we was tired.
I'm a little sore right now Alittle, you know, a little
tender, but I'm holding ittogether.
I played well.
My teammates pretty muchcarried me, but I think I played
well and I mean it was one ofthose things where it makes you
(01:26):
realize that you're old.
You know, just when you get outthere you start playing.
There's some young boys outthere.
I'm a little young buck.
You think that your body canmove.
I'm a little young buck.
I felt like what was it?
Will Smith and Ali, when he waslike, move, legs, move, and
they would not move.
(01:47):
Oh man, it was bad in certainsituations.
Did you have that old manstruck down the court?
No, man, I was good.
I threw on my ankle braces.
I did have to have those on,but I threw on my ankle braces.
No need braces needed.
But I had my ankle braces and Iwent out there.
I hooped, man, I shot somethrees.
(02:07):
I hit them with a couplehesitations, got to the lane, I
smoked a couple layups, but thenI got it together later on,
like I said, we won five gamesin a row, that's a lot.
We played six games.
We won five games in a row.
What did?
Speaker 3 (02:22):
your outfit look like you know black people.
You know what I'm saying.
Did you have a matching outfit?
Speaker 1 (02:27):
Of course, but I mean , I was chill.
I just had some black and grayLeBrons, some black and gray
Nike shorts, but did you haveAdidas and Nike?
No, no, no.
That's what I said.
That's why I'm getting to hispoint.
Check out the last podcast.
Black and gray LeBrons.
Black Nike socks.
Speaker 2 (02:48):
Gray Nike three quarter wait a minute is LeBron,
made by Nike, though of course.
Speaker 4 (02:55):
I just want to make sure because, I know Jordan is.
Speaker 3 (02:57):
I'm not big into shoes.
Speaker 1 (02:59):
I think a lot of the big names Nike shorts and the
only thing I didn't have Nikewas my shirt, because I was
repping my man's brand.
Shout out to Stressed OutGorillas S-O-G.
I was repping that brand, butyou know what I'm saying At the
time.
So, yeah, I was Nike-ed outexcept for the top.
But, like I said, it made merealize I was old.
(03:20):
And something else made merealize that I was old this
weekend.
Speaker 3 (03:25):
Wait, wait, wait.
Mark, do you have anything?
I mean, you just said, it washot.
Speaker 2 (03:29):
I mean, yeah, it's crazy hot.
That's why the studio here isset to like 62 degrees, like
it's as cold as it can go.
Speaker 3 (03:36):
And thank you.
Yeah, you're welcome, I figured, so my bad, sorry, ace.
Go ahead.
I'm sorry.
Speaker 1 (03:46):
No, no, no, yeah, yeah.
Something else that made merealize that I was old.
I mean, look, I don't want tohate on the whole thing, because
the whole thing was cool.
Kendrick threw Juneteenth partyor Juneteenth concert.
Yeah, the concert was dope.
I'm not going to lie, theconcert was dope.
Of course I didn't see thewhole thing, but I mean he
brought out a bunch of likeindependent unknown under.
(04:09):
You know, I'm sayingunderground artists from yeah
emerging artists from the westcoast.
Yeah, bloods crips.
It looked like everybody wasout there and the love,
everything was close.
Love, it looked amazing, likeit looked amazing.
So Tell me how you real feel,though.
That's why I don't want to hateon it, but I mean objectively
(04:30):
thinking, see because, this isthe whole thing, bro.
Everybody nowadays wants to saythat if you have an opposite
view, you're hating.
So if this is the case, I'mhating, hater, I'm hating.
And I never knew that I was aDrake fan until this beef
happened.
But the whole thing went great.
(04:52):
The concert was great untilKendrick played Not Like Us six
times in a row.
Speaker 3 (04:59):
Yeah, I'm not gonna play that track right now
because I don't wanna be flatBro, I love no, don't get it
twisted.
Speaker 1 (05:06):
I very much enjoy that song.
It's a classic West Coast song.
With a classic West Coast beatlike it, it cranks.
I love that song like.
Speaker 3 (05:18):
You know what it feels.
It gives me, it gives you thatTupac California love that's
what I'm trying to tell you,yeah it doesn't matter what
coast you were.
Speaker 1 (05:26):
it gives you that explosive from Dr Dre that's
what I think, yeah like it givesyou that it gives you that
classic west.
I just want to say it's aclassic west coast yeah, well,
it's the same thing.
Speaker 2 (05:36):
It's like exactly with that song you have the
repetitive piano, the dun,dundun-dun-dun-dun-dun-dun, and
here it's like with the chordprogression it stays more or
less the same, except for thebreak part.
So it's just, it's easy to bopyour head to, it's hard not to
bop your head to.
Speaker 1 (05:51):
Yeah and I mean, and, like I said, I very much enjoy
the song.
I want to say I love it becauseI really much enjoy that song,
not like us.
You heard it.
We almost got flagged for it.
I was dancing to it.
No, we got flagged.
Yeah, we got flagged to it.
We almost didn't get flagged, wegot flagged for it and I was
dancing to it.
But still, I really do enjoythat song.
(06:13):
But the fact that homie playedit six times in a row in that
current situation just kind ofmade me feel like he threw a
Super Bowl party to celebratebeating Drake through a Super
Bowl party to celebrate beatingDrake and why I think it was
justified.
Speaker 3 (06:29):
I mean, I think like again, this is me.
I give mad props, I'm breathinglike somebody, but anyway, wow,
I'm sorry, I just heard it.
Wow, I just heard it.
But anyways, I feel that likethe thing was a big up to West
Coast, the West Coast stepped itup and represented and he had
(06:50):
the whole West Coast pretty muchon his back that's what it is
and he needed to throw a concertand what brought it in?
All his other tracks were dope,but this is the track that put
the nail in the coffin and hehad to play this over and he had
Dr Dre.
Actually, dr Dre said I seedead people before he actually
(07:12):
that shit went hard.
Speaker 2 (07:13):
And for him to do that, that's fucking crazy well,
I think the the thing that wascool was that it was like, yes,
you know back in, what was itlike?
2013 or 14, or maybe evenearlier, 2012,.
He was basically crowned, youknow, and everyone sort of
passed the torch to Kendrick andthis is almost like a coming of
age, like he's now at the pointwhere he's crowning or putting
(07:34):
a stamp behind other emergingartists and like giving them a
time to shine, because it waslike a four-hour concert and not
all of it was him, like it wasa lot of other artists getting
like their chance to dosomething.
So then, like it sounds likewhen he brought it on, he like
you know, a lot of other peoplewho had been on stage before had
come back on and got a turn to,like you know, be part of the
(07:55):
event, which is maybe why I wason for six times in a row to
give everyone a chance Honestly.
Speaker 4 (08:00):
I think, it was like a grand finale.
Speaker 1 (08:02):
I have no problem.
The concert itself was dope,which, bringing out all the
artists, everything like that,was dope.
My biggest issue was justplaying it six times in a row.
Speaker 3 (08:12):
You're saying he was being extra.
That's what you're trying tosay.
Speaker 1 (08:14):
Not even that he was being extra.
It was like yo, you are themore lyrical rapper.
I'm sure you expected to win.
Why are you acting like youdidn't expect to win?
That's the only thing.
It's one of those things likeit's almost like act like you've
been there before.
Yeah but?
Speaker 2 (08:33):
But to be honest, can I tell you something?
I like Kendrick.
I like him more than Drake,objectively, and I like his
music more.
I did not expect him to winbecause I thought Drake was
going to be able to do whatultimately Kendrick did, which
is make a very poppy catchy notto say that not like us is poppy
, but it's very catchy song thateveryone will be dancing to in
(08:55):
the club and that's how youreally win this.
Speaker 3 (08:57):
He killed him on his own territory.
It's in the public court, thepublic trial.
Speaker 2 (09:00):
So Kendrick did his he killed him on his own.
I thought Drake was going to dothat, which he kind of did with
push-ups, but then Kendrickjust killed him again and again
and again.
There was no coming back.
Speaker 1 (09:09):
I'll Never expected Kendrick not to win, because if
this was the situation of, abattle is going to be won with
lyrics, regardless of what.
So if Kendrick can come out andbar that man to death like he
did, he was going to win.
The same way, pusha T came outand gave us some information
(09:29):
that we didn't know with thebars, to the point where Drake
couldn't even reply.
Like it messed up a businessdeal, it was impactful.
This is impactful because ofhow everybody is carrying it,
but it's not going to stop Drakefrom moving in any way.
Speaker 3 (09:49):
No, but if it was flipped, if it was on the other
foot, I think Drake would havedid the same thing.
Speaker 1 (09:54):
I disagree because, like I, said, when Drake beat
Mick Mill, he didn't do that andthat was his first win.
So he, like I said act likeyou've never been there, act
like you've been there before.
And Drake's never been therebefore, he's never been battle
tested with nobody.
He's only shot a couple shotsat Jay-Z Jay-Z, shot a couple
shots back, shot Shots at Jay-Z.
Jay-z shot a couple shots back,shot a couple shots at Common.
(10:15):
You know what I'm saying?
Things like that.
Speaker 2 (10:16):
Well, he did have you know it was a legit beef with
Meek Mill.
Speaker 1 (10:20):
Yeah, and that's what I'm saying.
He had a legit beef with MeekMill and even when he won that
one.
Speaker 3 (10:25):
He didn't go ahead and just be like hey, y'all, I
beat this track did Well, Idon't know, back to Back was
pretty big.
Speaker 2 (10:39):
Back to Back was big, but was it bigger than Well?
Not like us.
Speaker 1 (10:43):
But we are going to have to look back and see, okay,
okay, because I mean we aregoing to have to look back and
see, I just say people wereplaying it in the club for a hot
minute though.
That's what I mean.
Speaker 2 (10:53):
I don't know how long it was charting for, but Not
Like Us is really long.
Speaker 1 (10:57):
No, this one is going on for at least a month.
Yeah, bare minimum, yeah.
Speaker 3 (11:01):
And it's already charted yeah, top two, no, top
two singles of all.
Speaker 1 (11:06):
No, and I think, like I said, this is a great song.
Speaker 3 (11:17):
I love the song.
I just, I just don't understand.
It was a bit excessive.
I don't know.
I give, I give props, ride thatwave man.
He's doing it for west coast.
Speaker 1 (11:21):
That's what I say but once again, I want to see, I
wish we had something out herelike they, like that.
We're talking about dmv, yeah,I, I mean I, because we have
certain artists.
Iee a Wale, ie a Logic, logicyeah.
You know what I'm saying?
Those certain artists are bigenough to throw a concert.
(11:45):
I don't know.
Speaker 4 (11:48):
A concert like that this is what.
Speaker 3 (11:49):
I'm bitter about.
The DMV is so spread thatthere's no like.
The West Coast is the WestCoast.
Yeah, new York is New York, youknow.
Speaker 1 (11:59):
Miami.
That's a.
Do you know how many people areon the West Coast for them to
be more united than we are?
Speaker 2 (12:04):
well, I think part of the problem is, I think, that
all these cities that we'renaming have a big label presence
.
You, you know New York,california, atlanta, all these
places have big hubs so thatartists who get big and on an
international or a nationallevel don't have to leave there.
(12:25):
Here in the DC there's notreally a label presence, so
anyone who gets big usuallymoves to the West Coast or New
York, or New York or around theworld.
Exactly.
Idk Logic.
You know, like Cordae, they'reall doing really big things but,
like you know, their labels arenot here.
Well, yeah, exactly.
So that's the thing.
The labels are out there, theindustries are out there.
(12:45):
Sorry, you did say Cordae.
Speaker 1 (12:47):
I'm sorry, I forgot about Cordae.
Speaker 2 (12:48):
Yeah, Cordae, he's got records with Nas that.
Speaker 1 (12:50):
Nah, that's what I'm saying.
He is big enough to.
Speaker 2 (12:52):
Yeah, he's major and successful enough.
And Gold Link too Shy Glizzy.
No, I mean what I'm saying iswe have the talent.
Yeah.
Speaker 1 (13:02):
And we have the artists, like I mean Rico Nasty.
Yeah, we have plenty of peopleLike not even just those people,
because those people alreadyhave deals and are already kind
of on.
I'm talking about, yeah, theMark Therese.
I'm talking about rest in peace, the Felipe Droz, feel the
future type.
(13:23):
You know what I'm saying.
I'm talking about just Odyssey.
Speaker 2 (13:26):
Yeah Well, odyssey's major, this dude's international
.
Speaker 3 (13:30):
Yeah, Odyssey's been producer and slash writer.
Speaker 2 (13:32):
Yeah, I mean, there's so many artists, not just rap
artists, but you got RaheemDevon, you got people who are in
different categories.
I mean there's a lot of talentout there, lola.
Speaker 3 (13:47):
Yeah, monroe.
Speaker 2 (13:48):
And then you got people who've been doing stuff
for a hot minute too.
Speaker 1 (13:51):
Of course you would say Lola Monroe, hell yeah, big
ups to my Ethiopian.
I know I was about to say withyour Ethiopian, love this guy's
wild.
No, I mean but definitelythough Definitely, though.
I'm sorry you were saying.
Speaker 2 (14:03):
No, I was just going to say like, even there's like
OGs who have been doing it for ahot minute too.
Speaker 3 (14:15):
You know, like DJ Kool, dj Kool, even though
everybody thought he was allabout New York, he was a big
representative of the communityand then we got old school Go-Go
backyard junkyard.
We have Chuck exactly.
Speaker 2 (14:31):
We have our own genre here, which is cool and found
nowhere else.
Really, this is the birthplaceof Go-Go.
Speaker 3 (14:38):
Yeah, exactly you know we have our own genre here
which is cool and found nowhereelse.
Really, this is the birthplaceof Go-Go Manny Wells and we've
got some Afro beats.
Manny Wells is pretty muchanother Afro beat or Afro singer
, slash rapper.
He's also dope as hell.
I give props to him.
Speaker 2 (14:53):
Ed Lee Shine is really dope, you know, for the
reggae genre.
And then on top of that youhave Shoot.
What was I going to say?
You have Pusher T who livesaround here.
Speaker 1 (15:03):
No, he doesn't.
He lives in Bethesda.
We can't call him that.
I mean, maybe he lives inBethesda but he's not.
He's from Newport News, yeahhe's Virginia Beach or Virginia
Beach.
Speaker 3 (15:12):
excuse me me, I'm sorry not born, but lives he's
in Virginia, but it's not DMVyeah, he doesn't rep, he doesn't
rep DV he reps Virginia likethe same thing as Timbaland and
Missy Elliott and all them yeah,they say Virginia, but they
mean that southern yeah, that'slike yeah, I'm not gonna.
I mean, if they come and rep us, okay, but they don't.
(15:34):
That's what I know.
I just know that we're what 95.
Yeah, I'm not going to.
I mean, if they come in and repus, okay, but they don't.
That's what I know.
I just know that we're what 95?
It's 495.
Speaker 4 (15:44):
I know that, or the Metro, whatever Technical it's
not about being technical, it'sabout being factual.
Speaker 1 (15:49):
That's what it's about.
Yeah, dmv means DC.
Why am I lying?
When are we ever factual?
Speaker 2 (15:54):
yeah, maryland and virginia.
We're naming for someone invirginia and baltimore's in
maryland no, no, but they're nota part of dmv that's so
technical.
Speaker 3 (16:04):
The arbitrary lines do you want me to get, I'll put
a map up but what?
Speaker 2 (16:09):
what is the classification then?
Is it because we I know wealready ruled out the panhandle
it has to be in the DC metroarea?
Speaker 1 (16:16):
We've ruled out the panhandle.
Speaker 3 (16:18):
We've ruled out the mountains of Westminster and all
that other stuff If you can'treach it by Baltimore, if it's
$4.95, that circle or the metro.
Speaker 2 (16:31):
I'm willing to give it $4.95.
Speaker 1 (16:35):
Because the metro actually goes around $495.
Yeah, so if you have a Metrostation within about I'll even
give you 20 minutes.
Okay, so if you have a metrostation within—20 minutes might
be far in certain situations.
Speaker 3 (16:52):
Yeah, exactly, that's too far, that's too far.
Speaker 1 (16:54):
If you have a metro station within about 10 to 15
minutes— Of driving or walkingDriving, so how about this?
Speaker 3 (17:00):
You live in a DMV.
How about this?
Can you take a bus to Baltimore?
Yes, no, no, no, no, no, no.
A bus, like getting off themetro, taking a.
Speaker 1 (17:08):
No, no, no, no.
That's what I'm saying.
No, because it's not a part ofthat system.
That's what I'm saying, andthat's what I'm saying.
Speaker 3 (17:13):
So the Metro system has a system like a system that
goes to Metro busing 495 doesn'teven go to Baltimore At some
point.
Speaker 1 (17:21):
if you stayed on 495, you would never reach Baltimore
.
Speaker 3 (17:33):
Yeah, you got to say, yeah you.
Why do we keep having to gothrough this?
Gentlemen, we're the absoluteDMV.
We have to always have to.
Speaker 2 (17:35):
It's a debatable People will argue either way.
My question then is if we'regoing off of that time and it
has to be part of the systemthat connects to the metro or
the 495 loop, when the speedrail from DC to Baltimore is
connected and built, is it thengoing to be part of the DMV?
No, still.
Speaker 1 (17:56):
They still won't count it.
Speaker 4 (18:01):
You have to understand that Baltimore does
not want to be Listen.
Speaker 1 (18:10):
Baltimore does not want to be part of the DMV.
Baltimore does not want to be apart of the DMV.
They are Maryland and if we arejust saying okay.
Speaker 2 (18:19):
You're going to have to have some Baltimore people on
.
Speaker 1 (18:21):
No, no, no, no no, no , no, no, because if we're just
saying Maryland, then we includeBaltimore.
Speaker 3 (18:25):
Okay, you're saying it wrong, but if we're saying
the DMV, it's Maryland.
Speaker 1 (18:30):
That's what I'm saying.
If we're saying Maryland, thenit's just.
If we're saying Merlin, thenit's just Then Baltimore's
included, but if we're sayingthe DMV, then Baltimore's not
included, which makes it kind ofconfusing.
I got you, but that's just howthe breakdown of everything is.
Speaker 2 (18:47):
It's like saying it's just where they all meet.
Speaker 1 (18:51):
No, it's like saying that you're from New York City
because you live in Buffalo,just because it's all the same
state.
Speaker 3 (19:00):
Yeah, that is true.
Buffalo doesn't claim downtown.
Yeah, they don't claim it, it'sin New York State.
Yeah, but it's not, it'sBuffalo, new York, exactly.
And even though, like it's not,the city, it's not the city.
Speaker 1 (19:11):
It's like the city is the city and then anything
outside of it— and also Cali isthe same way, like California
has Sacramento right.
But they've opened it up towhere they just be like the Bay.
So, you understand what thearea is?
Yeah, the Bay, like LA ComptonI mean Compton's a big-ass city.
Speaker 3 (19:31):
No, no, no, the Bay has Oakland.
Oakland over the bridge isOakland, it is not San Francisco
.
Speaker 1 (19:36):
Do you understand?
But you got to think aboutpeople from—I could be
completely wrong here.
I don't know if Compton is thecity in Los Angeles.
I don't know how big the cityof Los—I don't know how big the
city of Los Angeles is.
Speaker 3 (19:50):
It's part of Los Angeles.
County, but it's divided, likeboroughs, like New.
Speaker 1 (19:54):
York.
So it's almost like the peoplefrom Baltimore County can claim
Baltimore yes.
Speaker 3 (20:03):
County and city depends on the culture right.
So the county has its ownculture than the city the city
has.
We're going to have to checkthis man.
Speaker 1 (20:15):
No, I used to live out there.
He doesn't sound too convincingright now.
Speaker 4 (20:20):
This guy, I will say, yeah, baltimore downtown city
is a very different vibe thanBaltimore county Towson is much
more rural houses, it's a county.
Speaker 3 (20:32):
The city has Dundalk.
You can get around, walk aroundthe city where all the
waterfront or whatever.
Speaker 1 (20:38):
Yeah, Out in the county it's like Catonsville All
those areas are in the county,so they can claim to a certain,
can't?
They claim Baltimore, yeah, sothat's what I'm saying.
So that's why I'm like it's thesame thing in certain
situations, but then to them.
Speaker 3 (20:52):
They will tell you different, though.
That's the thing about it.
Speaker 1 (20:55):
Man look when they get it.
Speaker 3 (20:57):
No, baltimore, I'm not part of the county, I'm city
.
You know what I'm saying.
That's why I like Compton isthe same thing.
Compton can say I'm LA, butit's I'm Compton or I'm what's.
Snoop Dogg is from Long.
Speaker 1 (21:12):
Beach.
Speaker 3 (21:13):
It's all the same county, or Orange County or
whatever.
It's different counties, but LAis LA.
The Bay is a Bay.
Speaker 1 (21:24):
I'm going to hit my Cali homeboys and they're going
to get me right.
Speaker 2 (21:30):
Absolute DMV to Cali baby, maybe it's just my view is
tainted because like inBethesda here, or like the you
know somewhere in like thesuburbs, like Rockville area,
like getting to Baltimore by caris about the same distance as
if it was to drive to like youknow, like Arlington or
something which is part of theDMV.
(21:50):
So it's kind of like for meit's kind of like maybe it's
just where I'm driving from.
Speaker 1 (21:56):
It kind of feels like it should be part of it,
because it's the same distance.
No, no, no See, but I thinkwhat you're the time frame I was
about to say, what you'respeaking of is the it's the same
closeness, you know, like 40minutes in the DMV, one's not.
Speaker 2 (22:10):
That's different, because the 40 minutes.
Speaker 1 (22:12):
The 40 minutes, the distance is different.
If we were to see whereArlington was in relation to
here, it'll be like 15 milesaway.
Speaker 2 (22:23):
Yeah, but that's the DC traffic fault.
But that's what I'm saying.
Speaker 1 (22:26):
We're holding it against the city of Baltimore
here.
Nah man, Stop trying to makethem DMV.
Speaker 3 (22:32):
They're Maryland man.
Stop trying to make them DMV.
They're Maryland man.
They already Maryland.
So we stray away from where westarted off.
I mean, we need the same kindof fell in love.
Speaker 1 (22:41):
Nah, I mean this absolute DMV.
We've been talking about thearea.
Fuck it what you talking about.
Speaker 3 (22:45):
We right where we need to be.
I'm talking about music, man.
Speaker 4 (22:47):
We were just or just, hey look hey once again cause I
was about to say somethingfucked up.
I was really about to saysomething fucked up, yo I was
really about to say somethingfucked up and and and you had to
catch me we might have to editthis out.
But yeah, uh, we might have toedit this out.
Speaker 1 (23:09):
We're editing shit, nigga, yeah so nah, I mean cause
, I'll be honest bro I don't.
We might have to edit this out.
We're editing Shut up, nigga,yeah.
So I mean because, I'll behonest, bro, I don't really
listen to too many DMV artists.
No, the DMV artists I listen toare all the old heads and the
top people.
You know what I'm saying?
Speaker 3 (23:26):
The Raheem Devons, the Wale's, how about we do this
, hey, we'll give big ups.
If anybody for the DMV artistswant to hit us up, hit us up so
we can give you some props andalso we will put you on the pod.
I want you on the pod.
We're absolute DMV.
We should do this shit.
Speaker 1 (23:42):
Look at this guy.
He's hey and he gonna want youto rap.
So come with a freestyle.
Speaker 3 (23:48):
Oh, I will do that shit I will call you out.
I won't call you out.
Speaker 1 (23:51):
He's going to give you an LOZ beat and you're going
to have to rap on it.
I got beats.
Speaker 2 (23:56):
Drop a 16.
Speaker 1 (23:57):
You know what I'm saying We'll make a cypher out
of it.
Speaker 2 (23:58):
It'll be fun.
Speaker 1 (24:00):
Let's have fun with this shit.
These guys are trying to bringme out of retirement.
I don't even rap, no more.
Speaker 4 (24:07):
I haven Cat in the Hat raps.
Speaker 3 (24:08):
And any producers, any producers.
Speaker 2 (24:10):
That could go viral though.
Speaker 3 (24:11):
Like any producers in a DMV, any singers in a DMV, I
want you.
You have an outlet here.
You have an outlet.
Speaker 1 (24:19):
Yo Like comment.
Subscribe Comment.
Let us know what you think.
If you want to hit us up, hitus in the comments.
We'll figure out how to youknow what I'm saying.
Get it to work, let's get it.
Speaker 2 (24:30):
Let us know your opinion about Baltimore and the
DMV.
Oh gosh this guy's crazy.
Speaker 3 (24:35):
All right, man, Absolute DMV hey we'll do better
next time.
Speaker 1 (24:37):
Y'all be easy, peace, peace.
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