Episode Transcript
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(00:03):
Welcome to After Wine School, the podcast that demystifies wine and makes it approachable for everyone.
Join Keith Wallace and Alana Zerbe, two of the nation's leading wine experts, as they uncork everything you need to know about wine, from picking the right bottle to mastering unforgettable food and wine pairings.
This isn't about stuffy lectures or confusing jargon.
(00:26):
It's about enjoying wine the way it's meant to be.
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And let's dive in.
Don't forget to subscribe to After Wine School today.
Welcome to the After School Podcast.
This is the Wine School Podcast.
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And I'm Keith Wallace.
(00:49):
This is Alana Zerbe.
.999And we're going to be talking about the wines of France today.
That's exactly right, Keith.
But before we do, we'd like to thank our sponsor, the National Wine School.
And we also want to put a disclaimer right away to say, That anything we say in this podcast does not represent the views or opinions of the National Wine School.
(01:09):
They are solely our own.
Yeah, yeah, yeah, So I just, anarchy, that's right.
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fits with France.
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It does, yes, it does.
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Also beheading, also monarchy, also elitism.
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Wow.
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Yeah, so why are we talking about France today? Today I am teaching a class called Classic France, and so behind you are some of the wines that we'll be trying in today's class, and basically we do a nice little tour around the hexagon, as they call it.
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Yeah, and I like it, because it is actually something like some of the, just your good standards of what French wine is.
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Mm-hmm So yeah, you, you are doing a, oh, let's just, well, first off, burgundy.
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Burgundy, I mean, I love Yes.
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You're doing a, a good from the coats, the bone.
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That's right.
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And you're also doing a, if I could just stop you, Keith.
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Sorry.
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Since we're doing a podcast.
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Yes.
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I'm gonna say.
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Yeah, I shouldn't be there.
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Coat.
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I know.
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actually worth, I mean.
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it is, it's really important.
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But it actually is helpful.
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C O T E S is pronounced coat.
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So.
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That's true.
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And, you know, cause I have to get that through my head Because there are, you know, one C O T E is one hill.
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Coats is many hills.
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But they're pronounced the exact same way.
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Which drives me crazy.
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I always want to differentiate because there was the original, like, when you're talking about Rhone, there was the original Côte de Rhone, like, when it was basically one hill.
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But then when it expanded it became the Côte de Rhone, many hill, but how, but when you say that, It makes no sense.
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Exactly.
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Unless you're French.
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Yes, exactly.
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And maybe not even then.
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But, when we do Italy, you can definitely give me notes on my pronunciation.
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So, I've opened myself up to that.
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All right, okay, that's true that's true, okay, okay, so but a nice from the bone region I love that you're also doing your first wine will be a chablis, I think simply good, which is another fantastic like so burgundy pushing in strong there is that, why is so much burgundy? Why is there so much burgundy? Well, it's interesting because Burgundy is becoming more and more difficult to source, especially for education purposes.
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But really, Burgundy is one of the first places, I think, where French wine identity reaches its peak.
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In Bordeaux, of course, we have the home of the luxury wines, the colt wines.
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But Bordeaux is interesting in its history as we talk about in the advance.
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Class together that there's really a confluence of cultures.
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The Dutch, the British all have a big role to play.
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Burgundy is really this quintessentially French area and it's beautiful.
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It's pastoral.
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It's everything you would imagine in.
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Oh, that's an interesting way of putting it.
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Yeah, because Burgundy really is that, starts with the monks, and then it goes into the, into the dukies.
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Yes! And then, and you, it is very French, and like, kind of like the Loire Valley is.
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Yes.
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But yeah, but Bordeaux is very much this confluence of cultures.
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Yes.
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And which is wonderful.
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Yeah, they're very much night and day, which is really fascinating having that in the same class.
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And here's the thing about, I will bring up about purchasing.
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Because everyone, you know, when you do a class like this, they have, people have the same problem we have.
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Like, how do you afford these things? Now, For me, it's a little easier because I don't really, I can spend a lot of money.
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And if I want to buy a great burgundy, I can, you know, because that sort of diffuses across the tens of thousands of dollars we spend on wine.
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But I have a trick of how I buy.
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And it's very important for folks to when you're looking to buy French wines.
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And the best case example is actually one you have on your class tonight.
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Yes.
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And so Okay.
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Now I love Gigandos.
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I know you do too, so whenever we have it, I try to have it, but the hard thing is, is that it's now become so famous, it's as expensive as Chateau de Paupe.
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So often times it's like, why would I get Gigandos when, especially for a class where people, it'd be better suited for people to know Chateau de Paupe if you're spending the same price point, So here's where, how I buy.
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And it's very, it's, When I find, I don't buy it all the time.
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And I only buy it when one thing happens.
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When the prices get dropped down.
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And, to the point where it's about 30 percent lower than Shatner for the Pop.
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Oh, okay.
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Yeah, and so this is what, that's what I'll buy.
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G& S wants to have an elite, it is an elite wine region, and they do push their own prices up to where Chateau de Ftepalpe is, because that is their vision of their wine region.
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They're very close together, by the way.
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They're very, very close.
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And I tend to prefer Giganas.
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Most people know and love Chateau de Paupe.
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So, here's this tension.
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But once in a while, because they can't sell enough wine, the Giganas can't sell enough wine, their prices will drop.
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Only for a short period of time.
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Every year you'll see this small little dropping, and, where the prices, and then they, then the suppliers, you know, The distributors here in the United States, in the wine shops, they all drop their prices for a short period of time.
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Push out inventory and then the prices go back up to maintain that elite price point.
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Okay.
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I just wait.
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I don't buy, just because I love something, I just don't buy it.
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I know enough about the, you know, the economy, economics of the wine trade, that I wait.
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And it's one thing you can always do, if you know something that you love, Wait, there's going to be a point where if people aren't buying it, it will dip.
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That won't happen in Burgundy.
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It won't happen in Chateauneuf du Pape usually.
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But it will in all the other places that are almost as famous, but not quite.
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The satellites.
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Exactly.
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So that's why, so as soon as this bottle It's usually like 35.
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It came into our state, into our local wine shop for 20.
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Really? Yeah, so I just bought it up.
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Wow.
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And that's what I'll do.
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And then I'll sit on it for like six years.
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And I'll pull them out once in a while for classes.
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right now.
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It's a little too young, but in the next six years or so, it'll be perfect, but that's because I have a large wine cellar and that's so allows us to do that.
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But that's one of my tactics for buying wine is not is to actually hold my horses and wait for the economics to catch up with.
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And so in the calculus of data, when you're looking at making a purchase.
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you're not thinking so much about producer or vintage.
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You're looking at place as the prime data point.
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Yeah.
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So my prime, absolutely.
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So my prime data point is the place in France, especially France.
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There's so much.
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Riding on quality levels within each wine region that there's a push towards very high level production very high quality production But what I also do is then my secondary piece of information is History of that producer.
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Are they consistently doing great stuff? I that's my second piece I will consider that once I see but it's you know, I want to make sure that I'm buying Wine region, the price point is really good, and three, you also have to have a history of really high quality production.
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If I have those three that I'm buying it, consistently.
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Now, as a fourth, if I need, if I don't have those three points of data, the fourth piece is actually like, if there's wine reviews, if there's some reviews somewhere out there from a reputable, Agency like Wine Spectator, Wine Advocate.
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Yeah, then I'll consider those as well.
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Like, oh, okay.
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That's another good data point.
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Okay.
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that's how I do it.
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But vintage, you're not really? No, I'm not.
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Burgundy, yes.
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Burgundy, absolutely yes.
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Anything that's really cool weather, I will.
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But, you know, but not for Bordeaux.
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Not for anywhere else.
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Largely because modern winemaking is such that There's vintage variations, but we use so much technical acumen.
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We have so much knowledge now that we don't really have bad vintages.
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And because bad vintages really are if it's watery and it's underripe and diseased.
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We don't have those problems anymore.
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We have sorting tables, we have so much technology, so many controls in place that I don't worry about that.
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The only time I worry about that is if there's like some, like, really small rinky dink wine operation in a very in a band of really questionable weather patterns.
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Other than that You just don't come across bad wines anymore.
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And so that's why I don't really worry about good vintage, bad vintage.
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Because at the other hand also is you have to realize that in the wine trade when we say something's a bad vintage, bad vintage doesn't mean it's a bad wine.
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It means we're making less wine.
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And for a winery, that's bad.
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You know, a good vintage is when we're making a lot of things.
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So you have to see if they're saying it's whether they're talking about quality or quantity.
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And this is where you have to know where those numbers are coming from and where those that's for me and for anybody.
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Okay, I do have another question for you.
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A couple of the wines that we have today are biodynamic.
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Oh, yes.
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Libio.
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Yes, I know, I know.
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It's hard to say that with a straight face, Libio.
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Actually, I'm sorry, that is organic.
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Biodynamic is biodynamic.
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That's right, that's right.
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Does that come into your calculus at all? It doesn't, but that that's a knock on, because here's the thing about whether you're organic or biodynamic, if you're able to pull that off and you also have a consistency of high quality, that is just a flex.
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That is just saying, look at what we can do, who we are, and that just shows a really great level of my favorite kind of winemaking, which is somewhat non interventionist.
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Right.
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You're skilled enough where you're not having to manipulate.
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Yeah.
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Or, that's really good for me, but that's a, that's a secondary, but when I see that, I will look at that, I'm like, oh, cool.
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Well, I was excited because today, the Southern Rhone White, Yes.
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That I'll be showing, which, don't sleep, we're talking Pape, and everybody assumes red wine, Yeah.
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But do not forget about the white wines of the area, they are outstanding.
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one of the bottles I'm showing tonight is from Domaine Monterius in Baccarat, which I have beautiful memories of, and I think the thing that strikes you when people are organic, sustainable, biodynamic, they have such a close relationship with the land, and you can really feel it if you're there, and That's what excites me a lot about wine.
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Oh, yeah.
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And you're right about that.
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Because it is, it is really a focus of being a closed loop.
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And being a closed loop also means, as a person, you're paying a lot of attention.
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you're not sourcing grapes outside of what you're making and growing.
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It really forces your hand to be very narrow.
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And sometimes being narrow is not being narrow minded.
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Being very narrow means you really are having a Consideration of every single input and output.
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And That's really hard.
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That means, there are no shortcuts at all.
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And that just makes you better at it.
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That's what I like about it.
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It does force you to be exceptionally good.
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Yes.
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Yes.
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So if you were going, I feel like I'm quizzing you today.
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But I actually very rarely get this opportunity to just have you answer a bunch of questions for me.
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If you had.
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the whim right now to buy a top shelf wine.
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What region in France would you pick? Where would you go if you were going to buy something that, you know, breaks the bank a little bit? is it my money or someone else's money? That's both.
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00:14:00,71.201 --> 00:14:08,387.73433333
if it's not my money that I am, you know then Latash Gervais, Chambartin, and that's really where I, I That's not my money.
198
00:14:08,672.73433333 --> 00:14:13,52.73433333
And I don't have to pay attention to any kind of quality or value 'cause I just really wanna try that.
199
00:14:13,57.73433333 --> 00:14:15,872.73433333
Mm-hmm Mm-hmm And let me say lat is Yeah.
200
00:14:15,872.73433333 --> 00:14:17,462.73433333
A famous monopole.
201
00:14:17,492.73433333 --> 00:14:17,732.73433333
Yeah.
202
00:14:17,942.73433333 --> 00:14:19,352.73433333
Owned by Romani Conti.
203
00:14:19,362.73433333 --> 00:14:23,312.73433333
Sits next to Famous Romani Conti Vineyard.
204
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Yes.
205
00:14:23,552.73433333 --> 00:14:25,592.73433333
And so that is, yes.
206
00:14:25,592.73433333 --> 00:14:27,692.73433333
That is a unicorn wine, if ever there was one.
207
00:14:28,232.73433333 --> 00:14:28,712.73433333
Yes.
208
00:14:28,802.73433333 --> 00:14:31,532.73433333
And that is what I really would love.
209
00:14:31,537.73433333 --> 00:14:32,427.73433333
Mm-hmm But if you know.
210
00:14:33,337.73433333 --> 00:14:40,337.73383333
And the hard thing is, is that all the other wines I've had, so you know, honestly, I would really want to try some older Petrus.
211
00:14:40,397.73383333 --> 00:14:42,687.73383333
You know, if it was my money, it would be Petrus.
212
00:14:42,687.83383333 --> 00:14:43,687.63383333
Oh.
213
00:14:43,697.73383333 --> 00:14:44,227.73383333
Yeah.
214
00:14:44,227.83383333 --> 00:14:44,527.63283333
Interesting.
215
00:14:44,527.73283333 --> 00:14:48,797.73283333
That side of, you know the right bank of Bordeaux is just one of my favorite places.
216
00:14:48,797.73283333 --> 00:15:00,657.73183333
And it's just cause it's, It seems so sedate, where the other side, the left back, is so over the top, and sometimes just a little too much.
217
00:15:00,667.73283333 --> 00:15:01,907.73283333
It's a lot.
218
00:15:02,757.73283333 --> 00:15:04,787.73283333
Over there, it's just so quiet, and you just drive through.
219
00:15:04,797.73283333 --> 00:15:09,87.73283333
It was just one of those, you know, I just remember driving, looking, and like, Oh, that's Patruse.
220
00:15:10,237.73283333 --> 00:15:12,437.73183333
So is Patruse something you would spend your money on? I would.
221
00:15:12,487.73283333 --> 00:15:14,477.73283333
yeah, LaToshe is someone else's money.
222
00:15:14,507.73183333 --> 00:15:14,797.73183333
yes.
223
00:15:14,847.73183333 --> 00:15:16,147.73383333
Yeah, And Patruse.
224
00:15:16,227.73183333 --> 00:15:17,387.73283333
Patruse is where I spend my money.
225
00:15:17,387.83283333 --> 00:15:20,877.73283333
What about high end champagne? Yeah.
226
00:15:21,217.73283333 --> 00:15:22,527.73283333
300, 400, No.
227
00:15:22,677.73283333 --> 00:15:23,257.73283333
Yeah, yeah.
228
00:15:23,257.73283333 --> 00:15:48,467.73383333
No, because, you know, I, this is the thing about, I mean, I've had such, we, and I'm lucky to have such great champagne, but the truth is, is that there's only you know, once you hit like two, three hundred dollars, everything after that is just elitism and not, and even then, like even a lot of those, sure, I love those vintage champagnes, but they're weird because they smell like the most expensive old sock you've ever had.
229
00:15:48,767.73383333 --> 00:15:54,787.73283333
I love those wines, but what I really, but what I really, no, they are, they're just weird and lovely.
230
00:15:54,787.83283333 --> 00:16:00,207.73383333
Cashmere socks? Yeah, yeah, yeah, yeah, cashmere socks worn by a homeless man for a few years.
231
00:16:00,247.73383333 --> 00:16:00,487.73383333
Unhoused.
232
00:16:00,727.73283333 --> 00:16:01,27.73283333
Unhoused.
233
00:16:01,107.73383333 --> 00:16:01,617.73383333
Unhoused.
234
00:16:02,687.73383333 --> 00:16:03,257.73383333
Sorry.
235
00:16:04,322.73383333 --> 00:16:06,632.73383333
Yes, alright, I'll have to change my tasting notes.
236
00:16:07,162.73383333 --> 00:16:11,12.73383333
My offensive tasting notes, now I have to, yeah, they're going to be politically correct now.
237
00:16:13,672.73383333 --> 00:16:14,692.73383333
Like, anybody cares.
238
00:16:16,382.73383333 --> 00:16:17,802.73283333
I've already offended everybody.
239
00:16:19,912.73383333 --> 00:16:26,292.73283333
Okay, the truth is, is that there's so much great champagne that I've had in that 40, 50 grower champagne set.
240
00:16:26,342.73283333 --> 00:16:30,402.73283333
I'm not that curious about the more expensive.
241
00:16:30,662.73283333 --> 00:16:35,332.73383333
I'm just more curious about trying as many of these grower champagne producers as possible.
242
00:16:35,702.73283333 --> 00:16:40,167.7328333
Those aren't like, Those are 40, 50, maybe 70 at most.
243
00:16:40,177.7328333 --> 00:16:44,117.7328333
Still expensive, but not, you know, because there's so much great stuff at that price.
244
00:16:44,137.7328333 --> 00:16:46,387.7328333
I mean, like, just life changing.
245
00:16:46,387.7328333 --> 00:16:48,267.7328333
So I don't, that's not where I want to go.
246
00:16:48,897.7318333 --> 00:16:52,337.7318333
So in this class today, We are doing Chablis.
247
00:16:52,337.7318333 --> 00:16:54,137.7318333
And then we are doing the Southern Rhone.
248
00:16:55,332.7318333 --> 00:16:55,692.7318333
wine.
249
00:16:56,352.7318333 --> 00:17:00,582.7318333
Then we move into the Haute Dubon, our Pinot Noir from Burgundy.
250
00:17:00,622.7318333 --> 00:17:03,762.6318333
And then we're doing a Cab Franc called Samour.
251
00:17:03,762.7318333 --> 00:17:04,342.7318333
Classic.
252
00:17:04,352.7318333 --> 00:17:04,842.7318333
Classic.
253
00:17:05,42.7308333 --> 00:17:15,132.7318333
And then we move into We do have a Gigondas, as we were talking about it, an Haute Madoc Bordeaux, and we're ending with Roussillon Village.
254
00:17:15,882.7318333 --> 00:17:28,352.7318333
If I could make this 20 wines to taste instead of 7, maybe a little less than that, I'm just going to throw out some things that I would love to have on there and see if you agree.
255
00:17:29,82.7318333 --> 00:17:30,432.7318333
Number one Muscadet.
256
00:17:30,572.7318333 --> 00:17:35,802.7318333
Absolutely hard to pick whether or not, yeah, like, yeah.
257
00:17:36,567.7318333 --> 00:17:39,647.7318333
When we were talking about this earlier, Muscadet was really high on the list.
258
00:17:40,517.7318333 --> 00:17:41,537.6318333
Chenin Blanc.
259
00:17:41,537.7318333 --> 00:17:42,537.7318333
Of course, yes.
260
00:17:43,127.7318333 --> 00:17:44,317.6318333
Alsatian Riesling.
261
00:17:46,672.7318333 --> 00:17:50,742.7318333
I would love to show people, well, Tavel Rosé, one of my favorites.
262
00:17:50,742.8318333 --> 00:18:02,842.8318333
if you're gonna have other rones, you know, then how do you, you know, how do you, I mean, it's geeky and lovely, like, Tavel is, it has that very unique way of how they make it, it's a very specific kind of rosé, it's a rosé that doesn't drink like a rosé.
263
00:18:03,552.8318333 --> 00:18:06,382.8318333
Champagne, obviously, we don't have time for that.
264
00:18:06,732.8318333 --> 00:18:10,532.8318333
But I'd also, I would love to show a white Bordeaux.
265
00:18:10,672.8318333 --> 00:18:12,702.8318333
That's the unique thing, I love white wines.
266
00:18:12,722.8318333 --> 00:18:17,237.8318333
And white Bordeaux, the mix of Saint Myan Blanc, And then end maybe with a Sauternes.
267
00:18:17,747.8318333 --> 00:18:19,497.8318333
yeah, oh yeah, but there's Saint Myan Blanc again.
268
00:18:19,497.8318333 --> 00:18:20,417.8318333
I know, I know.
269
00:18:20,687.8318333 --> 00:18:29,732.8308333
well this is why, you know when we teach the For sommeliers like the advanced France program that is It takes eight weeks.
270
00:18:29,972.8308333 --> 00:18:34,392.8308333
It takes eight weeks eight wines Eight weeks and we're still not there yet.
271
00:18:34,402.8308333 --> 00:19:06,657.8808333
Like you we still have to make choices Like there's so many choices you have to make Like, you know, I want to really focus on, when I'm talking about France, I really want to focus on, like, the origin of Bordeaux, I want, so that requires you, you're talking about these really weird areas in the south, southwest, you know, when you're talking about Loire Valley, yeah but it's not just Chenin Blanc, but old Chenin Blanc, like, right now, like, I have a couple of things for our next advanced Somali program including like a, a Chedin Blanc from 94.
272
00:19:06,977.8808333 --> 00:19:13,537.8808333
Like you really want to be able to taste that some really important of all the old wines that people want to try in France.
273
00:19:13,537.8808333 --> 00:19:18,417.8808333
I think that's one of the most important ones because it actually does get so interesting and beautiful with age.
274
00:19:18,677.8798333 --> 00:19:21,77.8798333
Unlike most wines, most wines kind of deteriorate.
275
00:19:21,497.8798333 --> 00:19:23,207.8798333
That just is beautiful.
276
00:19:24,387.8798333 --> 00:19:30,147.8798333
So, it's nice because when you're not dealing, when you're dealing with the public, like this is a public class, we have to kind of have wines that are showstoppers.
277
00:19:30,147.8798333 --> 00:19:30,297.8798333
Right.
278
00:19:30,497.8798333 --> 00:19:32,457.8798333
You want wines that people will wow at.
279
00:19:32,477.8798333 --> 00:19:37,547.8798333
But then, when you're in a sommelier program, we get to do like the real nitty gritty.
280
00:19:37,567.8798333 --> 00:19:40,77.8798333
The really cool, really cool intricate stuff.
281
00:19:40,87.8798333 --> 00:19:40,937.7788333
Yes, yes.
282
00:19:40,937.8788333 --> 00:19:41,957.8793333
Which I love a lot.
283
00:19:41,957.8793333 --> 00:19:42,187.8788333
Yes.
284
00:19:42,227.8798333 --> 00:19:44,827.8798333
But yeah, I know, oh no, you're 100 percent right, there's so many.
285
00:19:46,112.8798333 --> 00:19:50,672.7798333
Yeah and for Bordeaux, I mean the Sauvignon Gris, like that really weird one.
286
00:19:51,342.7798333 --> 00:19:59,822.7778333
That's just like this variation which comes in once a year and I'll grab a bunch of it And they'll squirt away, you know, and I actually It's like usually every couple three years.
287
00:19:59,822.7788333 --> 00:20:07,357.7788333
I'll find those wines I'll Like a little squirrel hide them away, and then we'll use them So like that too.
288
00:20:07,357.7788333 --> 00:20:14,257.6788333
I'm like I want to show that but yeah Oh, yeah, but definitely and definitely semi on like the classic semi on I have to show that yes.
289
00:20:14,257.7788333 --> 00:20:14,667.7788333
Yeah.
290
00:20:14,837.7788333 --> 00:20:31,707.7788333
Yeah, it's hard it's hard to bring it down to seven wines and Yeah and I like this list because it goes from like a high acid beautiful to really rich voluptuous white wines are the same and then going in then building, you know, and then building out into bigger and bigger structurally wines until you get the end.
291
00:20:32,27.7788333 --> 00:20:41,17.7788333
A wine that people don't really know, Roussillon, which I think, please you, more people need that in their life and then, yeah, finish it off with like just.
292
00:20:41,902.7788333 --> 00:20:42,272.7788333
Boom.
293
00:20:43,582.7788333 --> 00:20:46,572.7788333
Well, yeah, let's finish off with a boom.
294
00:20:48,602.7788333 --> 00:20:52,652.7788333
I know I got to fly because I got to go outside right now and check everyone in for your class.
295
00:20:52,652.7788333 --> 00:20:53,572.7788333
That's exactly right.
296
00:20:53,582.7778333 --> 00:20:55,802.8778333
This is after school rewind podcast, It is.
297
00:20:57,382.8778333 --> 00:20:58,642.8778333
thank you so much, folks.
298
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We hope you enjoyed this.
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If you have any suggestions, additions, let us know.
300
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Hit us up in the comments and we'll see you next time.
301
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Cheers.
302
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Thanks for spending time with us on After Wine School.
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