By the late 1960’s, folk was beginning to feel “scarred and battered”, so what came next in this tradition was less political, and much more personal. The world was changing politically, socially, and culturally. Some of the new generation of singers and songwriters felt that staying relevant meant they had to move away from folk, towards more personal themes. The ‘70s was the “Me” decade. Instead of drawing from what was happening in the outside world, one group of song-writers turned inward. Another group turned toward broader political issues, instead of the Hattie Carroll, situation-specific inspirations that had inspired writers in the early. ‘60s.
There’s no better artist to start with than Bob Dylan, the single artist without whom, this whole series may not have even been possible, his impact is so huge. And yet, even Dylan owes his position as the Mount Everest of rock music to the people who came before him. One very important inspiration was the great Woody Guthrie. And even Guthrie you have to put in context, amidst all of the other great artists we’ve been talking about since day one of the American Song podcast. It’s like Pete Seeger, the great folk musician and a closer friend and collaborator of Guthrie’s, said,
"All songwriters are links in a chain."
In This Episode
Interviews
Links to earlier American Song Episodes
Allman Bros. - Southern Rock: Coming to Terms with a Complicated Past
Folk Revival in England - The Second Folk Revival: A Passing of the Torch
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