Mark Feuerstein

Episode 134:  Modi and Leo sit down with Mark Feuerstein during a recent trip to Los Angeles to discuss everything from Royal Pains to his cameo in SATC. Check out his most recent project "Hotel Cocaine" on MGM+!

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Episode Transcript

Speaker 1 (00:03):
Welcome to Andy's Modi.

Speaker 2 (00:09):
What you both do it.

Speaker 3 (00:12):
Do what?

Speaker 2 (00:12):
The podcast.
Yeah, I thought it was justModi.
I didn't know.

Speaker 3 (00:15):
Oh no, you're stuck with me, bitch.

Speaker 2 (00:16):
Are you filming?

Speaker 1 (00:16):
I don't know.
I love it.
It's running, so we're in thepodcast and now you're only
finding out that Leo's a part ofthe podcast.
I don't know.
No, you don't know anything.
I didn't know.
Who do you think clicks?

Speaker 3 (00:26):
upload.

Speaker 1 (00:27):
Where do you think I'm down?
How do you think this ishappening?

Speaker 3 (00:30):
Do you think Modi knows how to unzip an MP3 file?

Speaker 2 (00:34):
No, but Do you?

Speaker 3 (00:35):
know how to unzip an MP3 file.

Speaker 2 (00:36):
Do you have any idea how many emails go into one
podcast, the knowledge of how tothe MP3 file does not
necessarily ipso facto make youa part of the comedy Abbott and
Costello here.

Speaker 1 (00:46):
Ipso facto.

Speaker 2 (00:47):
Would you ever say that again?

Speaker 1 (00:48):
Yeah, I know Latin, I'm going to smash out the mic,
I took Latin.

Speaker 2 (00:50):
Yeah, ipso facto, Semper ubi sub ubi.
Always wear underwear.

Speaker 1 (00:54):
Okay, my bubi told your bubi.
That was quick that was quick,you're very quick.
Thank you very, god.
You look good, you look good.

Speaker 2 (01:02):
That's so nice, so do you.

Speaker 1 (01:03):
So I guess we've started the podcast, you should
know.

Speaker 3 (01:06):
We sound okay, we sound okay.

Speaker 1 (01:07):
Everybody's good.
Thank God, baruch Hashem,that's great.
You're a nice engineer, verynice engineer.

Speaker 2 (01:17):
Is it okay that I have beverages around?
No, you brought the.
What do you mean?
I'm a big a cooking show later.

Speaker 3 (01:21):
Nothing from Yeti.
Why don't you intro us in ModiHi?

Speaker 1 (01:24):
everybody, shulam Aleichem.
We are in the studio in LosAngeles.
We are in Los Angeles doing apodcast here with the, and
here's Modi, and we have in theaudience, in the audience.
I am, it's an honor to be inyour audience always.
Oh my God, Mark Feuerstein.

Speaker 2 (01:47):
Nody.

Speaker 1 (01:48):
Rosenfeld, do we discuss it?
How did it begin?
How did we meet?
I'm going to tell how we met,if you have a different version,
because years have passed, somany years, so people remember
things differently.
But I met you.
I was living on the Upper EastSide for the summer.

Speaker 2 (02:06):
You were like a medical technician.

Speaker 1 (02:08):
Yes, I was an EMT working at a— EMT is a doctor
who went to medical school.

Speaker 2 (02:14):
I was an.

Speaker 1 (02:14):
EMT working at a—I was at New York Hospital,
Cornell.
I had a little place and thatwas my summer and you were
working as a waiter in a delicalled Seagull's Deli.

Speaker 2 (02:27):
I believe it was 76th and 2nd.
And the guy who ran it theowner and the manager was a
little abyssal cheap, and so Iwas the one waiter for probably
12 tables which I wasn'tequipped to wait on two 12
tables which were always empty,empty.

Speaker 1 (02:48):
There wasn't mice didn't visit this deli, I'm
telling it was so empty, and Isaid it's a kosher deli.
Look at this, I'm going to goin and I'm going to get a soup.
Which is?
I just love soup.
I sit down.
It's just me and MarkForresting in this restaurant.
You understand, down, it's justme and mark forest in this
restaurant.
Yes, now there's nobody else.
It's not a human being.

(03:08):
There isn't even a Spanish guyin the back screen another.

Speaker 2 (03:13):
There is a machine.
I mean, if I had nothing to do,he had even less.
No, he's looking at letters,quiet, looking at letters from
looking at letters.
They check the letters.

Speaker 1 (03:23):
Yeah, yeah so yeah, so that's it.
We're in a deli.
There's me, mark Forrestine, amashgiach, who's staring at deli
, sitting next to the toilet,and I ordered soup and he
brought the soup and it was coldand I said to you, sit down.

Speaker 2 (03:43):
I don't remember this .
This is amazing.
Sit down.

Speaker 1 (03:46):
Sit down.
I said to you what did I dowrong to you in a past lifetime
that you're serving me?

Speaker 2 (03:51):
This is actually ringing a bell, like it actually
feels how do you serve me coldsoup?

Speaker 1 (03:56):
Amazing, there isn't a human being in this place, and
that's when it began.
He sat down and we.
Is it appropriate to blame thewaiter for the cold soup?
Yeah, because you took it andyou put it in that machine where
there's a number next to it.
Oh really.

Speaker 2 (04:10):
I did that.

Speaker 1 (04:11):
You gave me like a two instead of like a five.

Speaker 2 (04:12):
Look at what a waiter I was.
Look at the many responses.

Speaker 1 (04:18):
He was a waiter.
Like I'm a gynecologist, he wasno waiter.

Speaker 2 (04:22):
It was horrible, horrible, my father came once to
see what Mark is doing.
He brought Lynn and CarolRatner.
They sat the four of them, andI may have had two other tables
that I had to serve.
Yep, I was so inept that myfather gets up and grabs his own
food from the delivery area.

Speaker 3 (04:44):
Of course he did Under the lamp, or whatever.

Speaker 2 (04:46):
He takes his food Mark, I got it, don't worry, oh
my.

Speaker 3 (04:48):
God.
Well, thankfully, the food andbeverage service was not your
true calling.

Speaker 2 (04:52):
No, no, thank God, it was just transitory.

Speaker 1 (04:54):
Those of you who don't know, and I know, you know
, Mark Feuerstein is an actorextraordinaire.
Oh, thank you.
First of all, they know youfrom the.
I mean, it developed sobeautifully.
He was in little parts andfirst he was in movies where as
soon as they brought him on,they shot him Right Everything.

Speaker 2 (05:12):
Yes.

Speaker 1 (05:12):
As soon as he came on , I would sit there praying and
please don't kill my friend MarkForrest.
This movie is so nice.
Look at all the actors, thesefamous people.

Speaker 2 (05:25):
Ten minutes in dead.
Do you know what's so funnyabout you saying that?
Can I just share a very randomconnection?
Yes, this is a littlepretentious because I'm going to
drop that.
I applied for a scholarship incollege, which I got.
But in my video to apply forthis scholarship I had footage
of me as a wrestler in highschool pinning every guy, and
then I had footage of me intheater at Princeton getting
stabbed, kicked, beaten and Isaid in my little bow tie at

(05:47):
Nassau.

Speaker 3 (05:50):
Hall theater's a tough sport.

Speaker 2 (05:51):
And I got a Fulbright to go study in London because
of that video.
And then what you're pointingout is that it was a premonition
that I would later get kicked,stabbed and killed in everything
I did professionally.

Speaker 1 (06:03):
But then you healed everybody.

Speaker 2 (06:05):
Yes.

Speaker 1 (06:06):
Then you were the doctor of the Hamptons.
Yes, oh, everybody shippednachas from this.
Yes, everybody.
No one could get over it, theHamptons.

Speaker 2 (06:13):
It was amazing no one had ever heard of a concierge
doctor.

Speaker 1 (06:16):
Now every rich person on the other side has one, you
have one, we had ours on ourpodcast.

Speaker 2 (06:21):
You had your concierge doctor.
Is it from that company that isnow on both coasts?

Speaker 3 (06:26):
No, he's a one-man show.
Salas, salas.

Speaker 1 (06:30):
Yeah, I know, salas, that's the big one, that's the
one.
No, no, my brother's a memberof Salas, is he?
Oh sure, your brother?

Speaker 3 (06:40):
They'll fly an x-ray machine to machine In Jagaponic.

Speaker 2 (06:44):
No, I talked to the first doctor of Salas Healthcare
on Fire Island once and he wastelling me how like they would
be.
Like this guy can't have, can'tgo into the city to a hospital,
he needs an x-ray machine onFire Island right now.
And this guy wasn't prepared tokiss all the.
So they fired him because hewas like no, you have to make it
so comfortable for everybody.
Anyway, sorry, that's insane.

(07:07):
So I was the first one on TV, aconcierge doctor.

Speaker 1 (07:09):
For Royal Pay For Royal Pay.
Royal Pay, yes, and I've seenepisodes of that show, but did
they discuss how Jewish theHamptons were?
Was that a theme?
We were Jewish.

Speaker 2 (07:23):
I mean me and my brother and I, were eventually
identified as Jewish, if not, ifit wasn't so obvious.
The truth is, paulo Costanzo isonly a little Jewish, but when
we were auditioning together,testing for the show he was
testing, I already had the part.
It was so obvious.
He was supposed to be my bestfriend, but he was so Jewish-y

(07:49):
and looking like me that theymade us brothers.
And so then, by the time wewere at the grave of our mother
in a scene we were wearingyarmulkes, but that was probably
season four or five.

Speaker 1 (07:53):
It was July.
Yes, it was July.
A hint abyssal, but did theydiscuss how Jewish the Hamptons
is Not really?

Speaker 2 (08:01):
no, I mean in the pilot, you have Ms Newberg with
her flat tire.
Her breast has fallen and Ihave to repair it, and my
brilliant idea is to justflatten the other one and make
them even.
But she was Ms Newberg, so yeah, like right out of the gate we
have a Jew who's rich in theHamptons those of you who
haven't seen the show and don'tknow, Hamptons is this area of
Long Island.

Speaker 3 (08:21):
That is just the wealth I'm almost sure anyone
listening to this knows what theHamptons is, and it's so Jewish
.

Speaker 1 (08:29):
It's so Jewish, it's so Jewish.

Speaker 2 (08:31):
But gorgeous, and you grew up like a half hour, 45
minute drive away.
It didn't begin Jewish.

Speaker 1 (08:38):
The Hamptons when you're there and you look around
, you see this did not beginJewish.
I'm dying to know the first Jewthat came to the Hamptons.

Speaker 2 (08:46):
Oh well, actually I have a funny story about a Jew
who was halfway there by beingin Huntington Gardens, long
Island.

Speaker 3 (08:54):
That's not the Hamptons, not the.

Speaker 2 (08:55):
Hamptons.
No, but he was the first Jew toplant a flag out there, and it
was not Leo Frank Otto Kahn.

Speaker 1 (09:07):
He was a major industrialist, so could you
imagine this guy.
So now imagine the hamptons arebeing hamptons, all the guy
we're doing their stuff.
Yeah, yeah, playing in the dirtright they left, oh, my
hydrangea, your hydrangea, thetomatoes, where are they busy
with this?
And the first jew comes in ottowell, so the reason and they
knew he was jew?
Of course, not because of whathe looked like or his name,
because of what he asked.

(09:28):
What did he ask?
Excuse me, this entire propertyit's all yours.
You own all of it.
You own all of it.

Speaker 2 (09:39):
All the acreage, how many acres?

Speaker 1 (09:41):
Are you using all this acreage?
Right, and he bought the firstthing and before you know it,
there's a Chabad house everyfour blocks Right.
It's insane.

Speaker 2 (09:51):
You're reminding me of Jackie Mason's bit about Jews
and boats.
Right, Because you're in theHamptons, Every Jew now has a
boat.
They're all competing for whodoes the best tour of the Long
Island Sound.
And Jackie Mason used to readthere's no greater schmuck than
a Jew with a boat.
I sleep two, you sleep four, Isleep six.

Speaker 1 (10:06):
I sleep eight, I sleep.
I sleep by the goyim.
They're traveling all over theworld by the Jews.
They're a dormitory Right.
Exactly, that was the bit.

Speaker 2 (10:16):
But Otto Kahn, just because it's a fun Jewish fact.
He got rejected by everycountry club in all of Long
Island because they were notallowing Jews.
So he built the castle whereRoyal Pains was set.
Ohika Castle is his home and hebuilt it just higher than all
those country clubs to say fuckyou.

Speaker 1 (10:37):
That's amazing.
There's so many country clubsthat were Jewish, that didn't
let Jews in, and Jews bought thewhole property and the whole
area Seawing Country Club inLong Island.
They would never let Jews in.
And Jews bought the wholeproperty and the whole area
Right right Sea Wayne CountryClub in Long Island.

Speaker 2 (10:46):
They would never let Jews in oh my God, when we would
go to the Catalina Beach Clubin like Long Beach, atlantic
Beach, which was where I used togo to visit my grandparents.
They lived in Long Beach as akid.
We were the Beatles.
Like nowhere else were we thatsignificant in the world, right,
but when we went to Catalina,these Jews and Long Islanders

(11:07):
would collect and I was likePaul McCartney.
Walking on to it was thegreatest.

Speaker 1 (11:11):
Catalina Beach.
Catalina Beach Club, right inAtlantic Beach.
Next to.

Speaker 2 (11:16):
Sunny Atlantic where we went.
We would collect hundreds ofpeople while we're shooting some
medical scene on the beach.
It was the greatest.

Speaker 1 (11:21):
They volunteered, they didn't yeah.

Speaker 2 (11:29):
Yeah, there would the greatest.
They volunteered.
They didn't.
Yeah, yeah, they would bebackground and they would be.

Speaker 1 (11:32):
Yeah, they didn't just like, it was just where it
was the epicenter of where wethrived, because it was like
jesus returning to jerusalem,like jesus returning to
jerusalem from the royal pains.
Mark ladies and gentlemen,exactly, oh my god, and you're
sin, and you know, we have tomention your first of all, your
father, who is like, so so,throughout the years that we've
known each other, since 1990.

Speaker 2 (11:49):
This has got to be 94 .
What?

Speaker 1 (11:51):
94?
I already graduated.
This is while I was in college.
Oh really, this is 1990.

Speaker 2 (11:57):
Because it must have been a summer while I was in
college.
Then 92, 91, could have beenthat.

Speaker 1 (12:02):
Yeah, yeah, okay, so since then, you know, then I
began doing comedy and when Istarted doing like the synagogue
circuit, your father'ssynagogue and if Arthur Schneier
ever heard me say your father'ssynagogue Arthur Schneier's
synagogue was like.
I've done all these events andthe best part about getting to
the event is seeing your fatherA smile from ear to ear.

Speaker 2 (12:25):
Modi, he loves you so much.

Speaker 1 (12:27):
He's the cutest man on earth.

Speaker 2 (12:29):
He's so proud of you and let me just say he's seen me
develop.

Speaker 3 (12:33):
Of course, he's seen me.

Speaker 2 (12:35):
I mean you may have met him at that deli, I mean we
may have known you that long.

Speaker 1 (12:40):
No, I had Shabbat dinners with you guys, yeah.

Speaker 2 (12:43):
At that time when we met, yeah, yeah, yeah, and we
were friends.

Speaker 1 (12:45):
This is my husband, leo.
We got married, just in caseyou weren't.
No, we're catching up, yeah.

Speaker 2 (13:02):
Leo, I'm sorry if we're excluding you.

Speaker 1 (13:04):
No, no, it's fine, I just want to take with it.
You are I have nothing to dowith it, it's all Leo.
It's all Leo.
Leo comes up with all the jokes.
Leo comes up with all the jokes.

Speaker 2 (13:10):
You are so brilliant and everyone in New York, in my
world they randomly will send meInstagram videos of your bits.
You are so brilliant and I'm soproud and happy.
Thank you so much, because Iknow how funny you are from
knowing you back in the day andI knew you were just starting
out.
And then you're selling outarenas around the world.

Speaker 1 (13:33):
The Wiltern March 20th.
Tickets are available onmodilivecom.
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Speaker 2 (13:42):
Hold on.
This is real.
This is a real thing.
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Speaker 2 (13:48):
You never had such hot dogs.
No, I like a nice HebrewNational, but okay, a Hebrew
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Speaker 3 (13:53):
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(14:17):
philanthropic and we love youvery much for being one of our
sponsors.

Speaker 2 (14:21):
You're not even reading this off a teleprompter.
No, I know them.
This just comes from your brain.

Speaker 1 (14:26):
Yeah, our sponsors, we love them.
Do you understand us?

Speaker 2 (14:27):
idiot actors.
We need it right there on ascreen in a teleprompter.

Speaker 3 (14:32):
Do you really have a teleprompter?

Speaker 2 (14:33):
For everything.
Wait on sets For everything.
Okay, let's ask a question,okay you're an actor.

Speaker 3 (14:39):
you've worked on movies, tv shows.
Are there telepro?
This is a stupid question.
No, no, no, not for filming,not for filming.

Speaker 2 (14:44):
Of course, we learn our lines.

Speaker 3 (14:46):
Do you really though For a?

Speaker 2 (14:47):
scene between two people.
But if you're doing any ofthose promotional shit, that you
do for a network USA, theywould put.
They would just roll the things.

Speaker 3 (14:55):
This is episode like 120-something, so I would hope
to God, he knows.
No, it took me forever.

Speaker 1 (15:01):
It was horrible.
I was horrible, andintroductions I stink at too.
You did it great.

Speaker 3 (15:06):
So is it true that, when you get to a certain level,
though, that there are peopleon set who are just like line
and they just show up rawdogging it?
Oh my God.

Speaker 2 (15:13):
There are so many different levels of proficiency
with your lines.
And it is a pet peeve of minewhen people aren't prepared.

Speaker 3 (15:22):
I mean, if you're just getting a little older,
it's a little harder to remember.

Speaker 2 (15:26):
I completely understand, but when you don't
come prepared, it's just abummer.

Speaker 3 (15:30):
Wow, not everyone's a Fulbright scholar like you.

Speaker 2 (15:33):
Thank you, I thought it should be thrown back in my
face.
Did you see how he?

Speaker 1 (15:36):
massaged that in the beginning.

Speaker 2 (15:38):
And I while I was this was the vehicle.

Speaker 1 (15:40):
Fulbright.
This was, it's like me saying,and when I went to my interview
at Harvard, after what they saidto me, I knew I wasn't going to
go there.
What'd they say?
We don't want you, but that'show you would.

Speaker 2 (15:52):
We don't want you.

Speaker 3 (15:53):
If I was a full bride scholar, it would be every
other sentence.

Speaker 1 (15:56):
Tattooed on my forehead.
I would tattoo it on myforehead.

Speaker 2 (16:00):
It's relevant In the context of getting killed and
beaten in every movie, which yousaid, which I said in my video,
and you're right, because evenin Practical Magic, the first
movie I ever did, I get run overby a truck First time out of
the game.

Speaker 3 (16:11):
Well, that was it was so funny because we were on a
flight.
Modi was like hey, next weekwe're getting bagels and coffee
with Mark Feuerstein.
I was like, okay, cool, andthen we get on the flight.
I turn on Practical Magicbecause I heard they were
remaking it.

Speaker 2 (16:22):
Yes.

Speaker 3 (16:22):
And I was like oh, mark's in this.
And then I go oh, mark's dead.

Speaker 2 (16:26):
Yep, but they're witches, so they could possibly
bring me back in the sequel.

Speaker 3 (16:30):
I know what do you think.
I think they should.

Speaker 2 (16:32):
Chalker, channing and Diane Weiss can just whip
something up.

Speaker 3 (16:35):
Is it Sandra Bullock?

Speaker 2 (16:36):
Yeah, she's in it, I'm or reprising their roles,
but then just to bookend mycareer of getting killed and
beaten and stabbed, I then am inone of the great Jew movies I'm
so proud to be in it Defiancewith Daniel Craig.
The largest rescue of Jews byJews during the Holocaust.
1,200 Jews saved the partisansin the forests of Belarus.

(16:57):
And how do I die there?
I'm throwing a grenade at whatI perceive to be the Nazis
coming at us and as I throw it,athlete that I am or my
character, drop the grenade,blow myself up.

Speaker 1 (17:10):
You blow yourself up.
Blow myself up With these roundglasses on.

Speaker 2 (17:13):
Yeah, I couldn't see.
I just dropped the grenade onmyself.

Speaker 1 (17:17):
Yeah, but that was an amazing movie and I met the two
guys that that was based off of.

Speaker 2 (17:20):
You did yeah, yeah, yeah, tuvia Bielski.
And there's the brothers Soil,zush and Ariel.

Speaker 3 (17:27):
Where did you film that?

Speaker 2 (17:30):
In Vilnius.
Oh, so you were like legit, itwas the same forest but not
exactly the same country it wasnear Belarus, but it was
Lithuania.
Wow, yeah, it was a greatexperience.
I mean, ed Zwick is an amazingdirector, liev Schreiber a great
actor.
Daniel Craig was so much fun towork with.

Speaker 1 (17:48):
It was great.
Everything you're in the castis unbelievable.

Speaker 2 (17:51):
But it's great to be, you know, because there's a lot
of issues with portrayals ofJews in anything, because we're,
you know, all nudniks and weall want to be represented well
and tell our story in differentways.
And I'm in one unassailablygreat story about the Jews, the
Jews right.

Speaker 1 (18:06):
A heroic, badass, tough Jew.
Yes, usually the Jews aren'tthe heroes in these stories.
No, no, Usually the Jews aren'tthe heroes.
There's always somebody elsethat saved them or hid them.
Schindler, he was the hero.
It wasn't the Jews, that'sright, yeah, yeah, yeah.

Speaker 2 (18:19):
But this is.
They go willingly to slaughterand it's horrible to watch and
it's part of the story of theHolocaust.
But this is one of badass Jewsand I'm thrilled to be in it.

Speaker 1 (18:29):
Yeah, it's a great one.
And what are you doing now,like what's happening now?

Speaker 2 (18:32):
So I just did a show called Hotel Cocaine for the
family.
It's a family show.
It's set in Miami in 1978.
It's a hotel where all thefamous celebrities used to do
their drugs and all the drugdealers sold their drugs.
I play the coke snorting hippieowner of the Mutiny Club, which
was a real hotel in Miami inthe seventies.

(18:53):
It was like the Studio 54 ofMiami.

Speaker 1 (18:56):
Okay.

Speaker 2 (18:57):
And it was created by the guy who created Narcos and
it's a great show.
We are still waiting to hear ifwe get to do a season two.
Nothing's guaranteed, but wehad a great first season.
You said you filmed it in greatshow.
We are still waiting to hear ifwe get to do a season two.
Nothing's guaranteed, but wehad a great first season.

Speaker 3 (19:06):
You said you filmed it in a hotel.

Speaker 2 (19:08):
We filmed it in the Dominican Republic.

Speaker 3 (19:10):
Because it looked like it was still 1970.

Speaker 2 (19:13):
Yes, exactly, the DR is still in 1977.

Speaker 3 (19:17):
They didn't have to do much set.

Speaker 1 (19:18):
Architecturally speaking, that's like when you
walked into the Catskills Hotels.

Speaker 3 (19:21):
Right.

Speaker 1 (19:26):
Did you ever work at Catskills?

Speaker 2 (19:27):
I walked into the Catskills Hotel my first time
ever into the that's an actualhotel.
The Catskills, no, there'skutcher's and grossingers Right,
did you guys go up there?
I never went up there.
No, I went up there when I was-.

Speaker 1 (19:38):
The daughter of grossingers on TV came to a club
, said hey, kid, you want towork the mountains?
Said call me Moses.
I went to this place called theConcord Hotel.
Sure, yeah, I walked in.
I go wow, you guys did thisentire place in a 70s motif.
Where'd you get the 70s motif?
It was from the 70s and theygave me a room where I called
the manager.

(19:59):
I go hey, I got a leak in thesink.
He said go ahead.
Amazing that joke was left forme in the room from the comedian
.

Speaker 2 (20:07):
That's amazing.
It was a gift from the it was1970.

Speaker 1 (20:10):
It was 1970.

Speaker 2 (20:12):
And are they still like that?

Speaker 1 (20:13):
I mean, they haven't renovated the sinks with the hot
water and the cold water fromdifferent faucets.
Right, it's like it was butthey don't Do.
Comedians still go to the?
No, there are like homes, likevillage, like a homeowner stuff,
but there's no hotels likethere used to be right yeah, you
guys didn't do that.

Speaker 2 (20:29):
No, you guys had money.
I mean Philip Roth wrote aboutit and I remember reading and
like imagining what it was likefor those.
I mean that's where all thelike survivors came after the
war and they were living thereand they I I mean it was what a
scene it must have been.
There was a great movie withLiev Schreiber, set at that time
with Tony Goldwyn.
I forgot what it was called.
He directed it, I think, but itwas anyway.

Speaker 1 (20:52):
That's a great story.
So this is coming out now.
You're hoping for a season two.

Speaker 2 (20:55):
Yeah, we hope for a season two.
I'm writing a show for Maxthat's in the vein of the shows
like Royal Pains.
We pitched it, we sold it.
We're right.
Me and my writing partner arewriting it.
Uh, there's talk of a RoyalPains reunion.
I don't want to get ahead ofmyself or promote something that
may not exist, but we areactually in real serious talks
about it, so that would beamazing to go back out there.

Speaker 1 (21:18):
Um and I just loves you in that.

Speaker 2 (21:21):
It would be great and I just had the uh experience of
filming a part in my wife'spilot that she created for cbs,
set at the perfect place for acomedy the most miserable place
on earth, in the vein of theoffice and parks and rec.
It's called dmv oh, wow right,miserable, where I mean I can

(21:42):
only imagine the experiencesyou've had at the DMV.

Speaker 1 (21:44):
I know I actually, by the way, the DMV in New York
City.
They're amazing.

Speaker 3 (21:50):
Oh really.

Speaker 1 (21:50):
If you have your stuff together.
And if you have it, she told meyou got your stuff together, I
got my stuff together, Right,and she figured it out.

Speaker 2 (21:58):
By the way, that is the opposite of what I thought
I'd be hearing from you no, theDMV.
I thought I'd be hearing astory about a woman who was,
like you know, drunk on herpower, telling you to step
behind the line and no, they gotto keep it together.

Speaker 1 (22:10):
Yeah, because everybody's coming in there with
all their different.
But if you have your stufftogether, this is my this,
that's that.
That's what you need.
You can't give because that,donnie, just they'd love to just
not be in their face.
That's all they really want.
Just don't be in my face.
So do this and this, then youcan come back in my face.

Speaker 3 (22:27):
So what was it like working on your wife's project?
Oh my god, the funny thingabout working with your wife.

Speaker 2 (22:32):
I mean, I love it and I honestly I'm so proud of her.
It's crazy.
She works so hard, like she'sgoing to feed to the actors so
they can get different versionsof jokes and whatnot, and she's
keeping it all together till 11o'clock at night, when then she
has to go over the alts for thenext day and prepare for another

(22:55):
day of shooting it was a dinnerfor you yeah, never never, that
is not an issue?
No, but we order out.

Speaker 1 (23:03):
Order dash yeah.

Speaker 2 (23:04):
Yeah, but it was great and I got to play that
like type A asshole.
By the way, this defiance wasgood for the Jews, my character
not so good for the Jews.

Speaker 1 (23:14):
This was no good one.
He just comes in and he's likea fucking asshole.

Speaker 2 (23:16):
Has no sympathy for the guy at the desk.
Oh wow.

Speaker 3 (23:20):
Yeah, wow, wow, wow, wow.
So your character doesn't workat the DMV.

Speaker 2 (23:23):
No, my character is demanding that the DMV give him
satisfaction.

Speaker 3 (23:28):
Have you seen the clips of when the celebrities
out here in LA have to go renewtheir driver's license and they
bring?

Speaker 1 (23:33):
a full glam squad, I have.
Yes, the Kardashians havepeople patting their face.

Speaker 3 (23:39):
Victoria Beckham.

Speaker 1 (23:40):
That's it.

Speaker 3 (23:41):
Yeah, and she's like can I redo it?
And she's like, can I?

Speaker 2 (23:43):
redo it and she's like no oh that's yes, I saw
that in the documentary, but whydo they have a camera crew
following her to the DMV?

Speaker 3 (23:48):
Because it's good television.
It's good TV.

Speaker 1 (23:51):
They want to see everything, everything people
want to see.

Speaker 2 (23:55):
By the way, moody, I just had the experience of doing
a little stand-up and I have totell you I heard it oh we had
lunch with a Dan Levy today, youdid tell me everything he said
no, he said you were great,that's nice.

Speaker 3 (24:12):
He said you were not great he was great he was great.

Speaker 1 (24:17):
He's a full comic, solid comedian.
But he told me you were inparking lot going over your
lines.
Well, yeah, Wait you wrote itout like a script.

Speaker 2 (24:28):
What was the thing I was watching where they say why
don't you set the scene a littlebit?

Speaker 3 (24:31):
What are we talking about here?
Okay, set it up, set it up.

Speaker 2 (24:34):
So we have friends.
My daughter just started atDuke University.
She's so happy, mazel tov, mazeltov, she's having the greatest
time and we have friends who areinvolved in the Jewish
community there.
There's a Freeman Center.
Our friend Danielle is, like,very involved, and so she asked
if we could help organize acomedy night.
So we did, and my friend, joelMcHale, for a fraction of what

(24:57):
he normally gets to perform,performed and he was the sort of
master of ceremonies with threeother comedians Dan Levy, ariel
Elias and Leslie Liao.
Okay, all great, they were allfabulous.
And now I have been offered tojoin the—I was at first the

(25:17):
emcee but Joel would take onthat mantle.
But like I'm part of it andI've organized it, it and I'm
going to do a little few, a fewminutes, a five minute shtick.
And so now I've set myself upfor I'm going to do a comedy bit
and I write a bit.
But you know, unlike comedianswho do it a hundred, 200 times,

(25:37):
this is my first I get one take.

Speaker 3 (25:40):
It's my first take, and that's it.
And what was your gradeyourself?
It's my first take, and that'sit.
And what was your gradeyourself?
What was it?
And?

Speaker 2 (25:44):
I had good schtick.
Let's hear it.
Let's give a premise.
Can I give you a little of it?

Speaker 1 (25:47):
100% you can give it to me.

Speaker 2 (25:49):
Okay.
So the first part was I told mydaughter I wouldn't embarrass
her, but I just wanted to say,lila, we are so proud of you,
you're a dookie, a dook aboutthe application process.
So I said, guys, I was walkingaround today, it reminded me of
the admissions process and Iremembered that question why,

(26:10):
duke, on the application?
And I was kind of curious whatyou guys had said.
So I went to the admissionsoffice, I got some of your
applications, I looked throughthem, did a little research on
you and I was struck by thedifference between what you
wrote, what you said you woulddo when you were here and what
you've actually done now thatyou're here.
So, john Siegel, have youreally taken a walk through the

(26:30):
Duke Gardens every day betweenclasses?
Sorry, I'm screwing it up.

Speaker 1 (26:35):
Missy Stein, missy.

Speaker 2 (26:36):
Stein.
Missy Stein, you lover of books, have you gone to the Perkins
Library and had a librarianbring out a copy of Kafka's
Metamorphosis so you could, asyou wrote, bathe in the dust of
19th century Prague?
I don't think so, missy.
Anyway, she wrote that on herthing, you made it up, I made it
up.

Speaker 1 (26:55):
That's very funny.
That's very funny I have onemore.

Speaker 2 (26:57):
I have one more, and then some Jewish name, david
Stein, you community serviceactivist, have you really built
that community garden indowntown Durham like you said
you would?
We're all still waiting for theheirloom tomatoes and I said and
there was one brave student whowrote who gave an honest answer

(27:18):
to the why Duke question.
Peter Hillman, you bastion ofintegrity.
Peter wrote that he could thinkof no better place than Duke to
live off his parents for thenext four years, drink and smoke
anything put in front of himand live in his blue and white
overalls.
Anyway, it was like that was myshtick.

Speaker 1 (27:38):
But they were buying it, they would laugh.

Speaker 2 (27:40):
Yes, but you can feel how tight I am because it's
like I'm trying to remember itas I'm doing it, whereas these
comedians like you, who is sobrilliant, you have the patience
and the confidence to wait andlisten and know the timing of
your I'm just fucking pushing itout there, yes, and praying, do

(28:02):
you?

Speaker 1 (28:03):
hear this and schvitzing.
It's so hard.
Do you hear what he's saying,why?
Why Do you hear what he'ssaying?
Why Do you hear what?

Speaker 2 (28:07):
he's saying Am I right?

Speaker 1 (28:08):
100%, 100%.

Speaker 2 (28:10):
Yeah, it takes so much time to get comfortable
with your bit.

Speaker 1 (28:15):
Leo.
Now, it's not because I'm cheap, but an opening act my audience
doesn't want.
My audience does not want anopening act.
They don't want to listen toany.
They came to see me, they wantto see me.
They don't want to see who hassomebody to open.
I have an opening act.
Love him, ilan Omen.
But now on the road, leo opensthe show.

Speaker 3 (28:32):
Oh my God, yes, it's more just doing housekeeping
announcements.
Keep your phones away.

Speaker 2 (28:37):
But you have a little shtick.

Speaker 1 (28:46):
I try to get a I should A little stickler, but he
doesn't let them laugh.
He was pushing through.

Speaker 2 (28:49):
Yeah, let them laugh, give them that beat
Ta-ta-ta-ta-ta-ta-ta-ta-ta-taBeat.

Speaker 3 (28:53):
It's hard, it's scary .
Well, you did theater, so likeI mean, you're in front of I'm
just not used to being in frontof people in general, so I don't
know.

Speaker 2 (29:02):
It's hard, I have one more bit I forgot to share.

Speaker 1 (29:04):
Let me hear it no, it's true.

Speaker 2 (29:05):
I was talking about family weekend and how we
embarrassed Lila and I'mapologizing to her, but your
mother, is there anything sadderthan a middle-aged tri-delt
yenta trying to relive her glorydays by taking three lemon drop
shots and riding the bulletshooters?
Because they okay, thank you,but that's a joke that they get.
They get because they go to thebar and shoot us.
They go to the place and shootand Dana did ride the bull Right

(29:26):
, that's a specific area.
And the real tragedy was shelost $15 and Lila spent a half
hour trying to find it in themats by the bull oh, that is,
which she never found.

Speaker 3 (29:35):
Modi says I'm not allowed to ride a mechanical
bull, I've never ridden amechanical bull.

Speaker 1 (29:47):
Just because you, you want us to just face cross
Every time crazy I don't know,moisturize into this and that
would get One of those bullsmashes you in the face.

Speaker 3 (29:48):
I just feel like I'd be good at it.
You know, I got this thighstrength.
Gotta put it to use.

Speaker 1 (29:54):
You Thighs.
When that thing smashes you inthe face, what are your thighs
gonna do?
Well, I'll never know.
Mechanical bull is Too guyish.
Even for you, it's too guyisheven for you.

Speaker 3 (30:05):
That's on the next season of Royal Pain.
Someone gets impaled on amechanical bull.

Speaker 2 (30:09):
That's good, we could do that.
We could try to get shooters.

Speaker 3 (30:11):
You can use that.

Speaker 2 (30:13):
People give you advice.

Speaker 1 (30:14):
People give you advice on what shows.

Speaker 3 (30:16):
What do people come up to in the street?
What is their main?

Speaker 1 (30:19):
When they recognize it's Mark Foyerstein.

Speaker 3 (30:21):
This is Modi's.
I'll give you an example I'mAshkenazi, my husband's
Sephardic, so you're a bit it'slike our life.
That's good.
And they think they're thefirst and only person who's ever
said this, and they're verysweet.

Speaker 2 (30:35):
But the way.

Speaker 3 (30:36):
They're so genuinely like.
No, it's like did you call mymom?
How did you write that bit?
It's insane.

Speaker 1 (30:50):
What's their thing where they?

Speaker 2 (30:50):
come up and they're like, they recognize it's you
and they come.
What do they say to you?

Speaker 3 (30:53):
one of the themes of my getting recognized.
Yes, that I'm that guy fromthat thing, because it's not
always immediately perfectidentifiable.

Speaker 2 (30:57):
So I'm not.
You know that I'm not superman,I'm not spider-man, I'm, were
you, the guy in the glasses withthe anime so one time, one time
I was on the plane and it waslike, would you just tell me,
what do I know you from?
And then you get that greatexperience of listing your
resume for a stranger whodoesn't have a good memory or

(31:20):
any, or really recognize youfrom something specific.
So you're like Royal Pains no.
Recognize you from somethingspecific.
So you're like Royal Pains no.
What women want?
No.
And then they're like wait, areyou David Schwimmer?

Speaker 3 (31:28):
I'm like no, are you David?

Speaker 2 (31:30):
Schwimmer.
One time I was at a hotel Ithink it was the Bacara here in
Santa Barbara and a woman saysexcuse me, I know you.
What do I know you from?
And I'm like Royal Pains no.
What women want Royal Pains?
No, what Women Want no Sex.
And the City no.
Wait a second.
Are you Harvey Feuerstein's son?

Speaker 1 (31:47):
I'm a member of Park East.
Oh, of Park East.

Speaker 3 (31:49):
Wait, wait, so people we were on the flight recently
and someone came up to you.
We hadn't landed yet.
They came up to your pod and,knocking, you, slide open the
little door of your pod.
They go.
Excuse me, are you the gay Jew?
Are you a gay Jew?

Speaker 2 (32:04):
How do they say it?
Is that an?

Speaker 1 (32:06):
identifiable thing for you, I guess now yeah.

Speaker 3 (32:11):
My audience has opened up to Goyim Gays and Gays
.
We're on a transatlantic flightand someone is coming.
Goyim Gays and Gays have openedup into our audience.

Speaker 2 (32:19):
That's fantastic.

Speaker 1 (32:19):
The gays, and Jewish gays especially.
Oh, my husband's alsonon-Jewish and so it's it's that
.
But when people used to do thatto me where do I know you from?
I would give them things Iwasn't on amazing.
So they'd be like we saw you on.
I go the tonight show fallon,you call me.
You saw me on letterman, yousaw me, no, no.
And then the husband goeskutches.

(32:40):
We saw him in kutches.

Speaker 3 (32:41):
We saw him in kutches that's what him wait Sex and
the City oh my god, what wasyour?
What was your storyline?
Because we just rewatched itfor like the second time the
whole series.

Speaker 1 (32:52):
I stood up and yelled when he was, when we just
remind me, just remind me Sexand the City, I played.

Speaker 2 (32:57):
I think his name.
His name was Josh and I was anophthalmologist who was so bad
in bed that Miranda had to fakeher orgasms.
So I'm in this episode and myfather.
I've been on sitcoms, which aregreat and fine.
I was on NBC terrific, but nowI'm on a cool show and I'm
psyched.

Speaker 3 (33:15):
And my father's psyched.

Speaker 2 (33:17):
So he's telling all of New York Mark's on Sex and
the City.
Mark is on Sex and the City.
He's telling the building,everybody in my building, he's
telling the building, everybodyin my building, he's telling
everyone at the synagogue right,and now it's on.
And in that episode there is abit of dialogue with Miranda
where she says to me, josh, youknow where the clitoris is?
And I say yeah, and she goeswell, it's two inches from where

(33:38):
you think it is.
The second.
The episode ends.
Harold Einseidler, who coachedme for my bar mitzvah, is
calling Harvey.
How could you let me watch?
I'm watching with my daughter,sarah and Rivka, this horrible
show Klitoris, klitoris, whatare you?
How could you tell me to watchthis?

Speaker 3 (33:57):
I mean it doesn't have sex, I know what you're
talking about.
Sex is in the title.
I mean, he was not thrilled, mythrough my father.

Speaker 2 (34:04):
Like you know, it's just a question of like it's,
like he couldn't cash it on thatone, because it was, it was, it
was, it was brutal.

Speaker 3 (34:12):
I such an iconic show .

Speaker 1 (34:13):
It's the most iconic show in the world.
Wait one second.
I have never done this beforein a podcast.
I have to pee, go pee, I haveto pee.

Speaker 3 (34:21):
I know why you have to pee by the the way, I'm not
going to say it on the podcastDaphne.

Speaker 1 (34:25):
Pischer.

Speaker 2 (34:27):
He's never done this.
We'll keep talking.

Speaker 3 (34:31):
This is where we get the pee body.
This is where we get the peebody award.

Speaker 2 (34:36):
Right here.

Speaker 3 (34:37):
We really go in and we talk that we go deep.

Speaker 2 (34:41):
But Leo, seriously this is so weird.

Speaker 3 (34:43):
This has never happened.
We're on episode 120 something.
This is a gift.

Speaker 2 (34:47):
Wow this is not like something to wade through A
power rush?
We don't have to, we get to.

Speaker 3 (34:53):
I'm getting a power rush of like.
This is my show now.

Speaker 2 (34:56):
And I'm actually going to ask you a question,
bring it on Because he's makingjokes about your listening.
For the laughter.
Yeah, yeah, for the laughterand the but how is it to step
into doing like opening for him?
It's funny because people kindof know me.
Is it something you ever wantedto do?
I'm sorry to cut you off?

Speaker 3 (35:10):
No, never.
Okay, never in the realm ofpossibility.

Speaker 2 (35:13):
Okay, so now you're doing this.
How is that going?

Speaker 3 (35:15):
But then it's because it's progressed, because, like,
first we started this podcastand I wasn't even on the camera,
I was sitting on the couch justin the room and it got to the
point where Modi was alwaysspeaking off camera to me asking
me questions.
So then, a few episodes in, wewere like I should just sit here
and if you need me I'll talk.
Yeah, and then I slowly becamepart of the podcast and then
people you know were recognizingme and knowing me, so like, and

(35:40):
I'm still working the shows.
You know when, when, the whenwe're in a theater and there's a
show about to happen, I'mrunning around, I'm checking on
security, I'm checking on the onthe box office.
Our guest list got on, his momis in the right seat.
I'm running around doing laps,and then, more and more recently
, people are stopping me and belike I want a picture.
We love the podcast and it's meand I'm like in work mode,
right.

Speaker 2 (35:57):
But then you're also working, getting it all set and
then running onto the stage.

Speaker 3 (36:00):
And then I run onto the stage and I go so much
responsibility.
It run onto the stage and I go.
So much responsibility.
It's.
It's fun, people are liking it.
They like knowing who I am andthen they like seeing me on
stage.
That was quick, we were talkingabout me.
You can go the section withoutyou was the best it stole the
show.

Speaker 2 (36:19):
It was unbelievable.

Speaker 3 (36:20):
We're going to cut that it killed.
I was going to, I was tellingyou about that.
As you put that as its ownepisode, leave me alone.

Speaker 1 (36:26):
It's called.
Duff Game Pishing.
Duff Game Pishing.

Speaker 2 (36:28):
This is what it is.

Speaker 1 (36:29):
By the way, such a great pish, such a great, do you
know there's a blessing thatyou say after you pish.
I didn't know that, I didn'tknow that that's too long.

Speaker 2 (36:48):
That's too long.
Can I translate it?
Yes, Oy did I have to pee.
That was good, Oy did.

Speaker 3 (36:54):
I have to pee.
Oy, did I feel the pressure.
That's inefficient.
If you pee so many times a day,you have to say that huge, long
prayer.
I say that when I come out ofthe bathroom.

Speaker 1 (37:02):
I don't scream it out , I just brrrr in my head, isn't
there a?

Speaker 3 (37:05):
different one for a number two.
It's the same one, it's thesame one Same same.
But I knew I go really weird.

Speaker 2 (37:11):
La hokey for one second like new agey.

Speaker 3 (37:14):
Of course yes.

Speaker 2 (37:15):
Love to met.
I'm a meditator and I love it,and mindfulness is like
something I'm into, but like thefact that we are supposed to,
as Jews which I don't do prayover every item of food that
we're eating and beverage thatwe're drinking, and dafgayn
pishen, dafgayn pishen.
It's so beautiful because it'slike a kind of a version of

(37:35):
mindfulness which is just payattention and show appreciation
that you're alive and that youget to do that, and it's the
same thing.

Speaker 1 (37:42):
So can I tell you something that's very strange
from other people?
Yeah, okay, so there's ablessing.
You say before you drink waterShahako Baruch atah, adonai
shahak l'anadvo, do you know?

Speaker 2 (37:51):
when I say no, that's to wash the water, right,
that's hand.

Speaker 1 (37:54):
But do you know when I say the blessing?

Speaker 2 (38:02):
If I'm pulling out of the faucet, folks.
You're the princess.
Turtles are dying everywhere.

Speaker 1 (38:08):
When I watch the water fill in my cup.
That's when I make the blessing.
The fact that I'm in myapartment, able to pick up a
little lever and water shows uplike this, that's when I make
the blessing before I drink.

Speaker 2 (38:19):
And you actually have that thought of wow, am I lucky
.
What a miracle that I can justget water at any moment.
I want Exactly Good for you,Not everyone a lot of people
walking around on planet Earthdon't have.

Speaker 1 (38:31):
That's what I'm saying.
Most people actually don't havethat Great Majority of people.

Speaker 3 (38:35):
What other new age, la hocus, pocus, hocus, are you
into?
I'm into all of it.

Speaker 2 (38:39):
Oh my God, literally this week a buddy from, like
another dad at the school thatwe send our kids to, is telling
me about a guided mushroom triphe's doing with a therapy and a
guy no, but it's like one thingto like have a fun weekend or
somebody at a concert doing that, but this was like guided with
a therapist and all that.

Speaker 3 (39:01):
Are you going to do it?
No, but I've been to Burningman.

Speaker 2 (39:04):
I would love to see you doing comedy at Burning man?
That would be one of the greatscenes.

Speaker 3 (39:09):
When did you go to Burning man?

Speaker 2 (39:10):
It was probably five to six years ago, dana and I
planned to go to this camp.
It was organized.

Speaker 3 (39:18):
Yeah, we have friends who go.

Speaker 2 (39:19):
We know the culture a little bit it was not like
close friends, it was friendsfrom school who we love a dad,
and then his community hadinvited us and we were like this
is a once-in-a-lifetime thing.
So my wife and I go to thevintage store.
I did not own, before this tripto the vintage store, three
onesies.
One was velour, leopard print.

(39:39):
One is a US Postal Serviceguy's outfit, One is like neon
blue camouflage onesies Wow.
And I have them all packed.
Dana has her outfits packed.
We're about to leave Hermother's here to watch the kids
and Dana felt a little tickle inher throat and she saw her mom
in the bed and they could justcuddle and watch reality TV and
she bailed 20 minutes before shebailed on Burning man.

Speaker 3 (40:01):
But you went but.

Speaker 2 (40:02):
I went baby Wow.
I'm sure you looked adorableBecause it was a carpe diem
moment You've got to go?

Speaker 1 (40:07):
Did your friends have a normal camp with all the
accessories?

Speaker 2 (40:11):
Yes, well, no, not like the New York or Russian
oligarchs who have amazing sets.

Speaker 1 (40:15):
That's what we want to do, otherwise we're not going
.
No.

Speaker 2 (40:17):
I was showering with a drippy thing, with aurt.
That's like foil and you try tostand up.
I bang my head every singlenight.
I come in from watching thesunrise at 6 in the morning
banging my head on the yurt.

Speaker 3 (40:35):
So did you have an epiphany or a moment at Burning
man?
No, it was just beautiful.

Speaker 2 (40:37):
There were these art trucks that drive through the
desert.
It's gorgeous.
It's a once-in-a-lifetime thing.

Speaker 1 (40:42):
We go to raves.
It's a once in a lifetime thing.
We go to raves, we go to seeDJs, we do it all.
We live on the Lower East Side.

Speaker 2 (40:48):
You know exactly where that's where my father
grew up, right Norfolk, andRivington.

Speaker 1 (40:51):
So we're on.
Not where we are, it doesn'tmatter.
So we right over theWilliamsburg Bridge, we go right
over, go to any of theseamazing warehouses, have the
size of Sunset Boulevard on theway home into our shower.

Speaker 2 (41:07):
Meaning you're all the guy's waiting there?
Yeah, I am not Burning manthere's no.

Speaker 3 (41:13):
Burning man.

Speaker 1 (41:14):
No, Well, you yeah.
But if some crazy Russianoligarch says, hey, we have
trucks and vans and this and allkinds of RVs, we would do it.

Speaker 2 (41:23):
Not to make light of anything related to October 7th,
but you were in Israel at thattime and you got out, and I
don't remember your story aboutgetting out of Israel.

Speaker 1 (41:31):
Right, you were there when it happened.

Speaker 2 (41:33):
Yeah, and I'm just remembering you getting out of
there as quickly as you could,out of Israel.

Speaker 1 (41:39):
Yes, well, we had shows to get to.
We were always.
Oh, it wasn't just like you,were always no, we had to get to
shows.
We were always scheduled toleave Four sold out shows in
Paris and we're sitting in theairport.

Speaker 2 (41:50):
Oh my god, sold out shows in Paris.
Did you perform right after?

Speaker 3 (41:54):
Right.
In the wake of it, we performedon Monday, monday after Monday.

Speaker 1 (41:58):
Monday Crazy, crazy Monday.

Speaker 2 (42:01):
How is it for you Navigating comedy in this time,
in this?
Last year, because I know youdon't make a lot of jokes of
politics, right, but, liketalking on a podcast, you can
give me a little bit of whatit's like to navigate all that.

Speaker 3 (42:15):
Do you see how he's asking you questions?

Speaker 1 (42:17):
Yeah, that's what you're supposed to be doing.

Speaker 2 (42:21):
No, I don't have anything interesting to say and
I love my friend Modi.
I'm curious.

Speaker 1 (42:25):
He's asking.
You never feel like a biggerneed in the world for anything
that you're doing.
You're like wow.

Speaker 2 (42:33):
To laugh to make people laugh.

Speaker 3 (42:35):
We were just in.

Speaker 1 (42:36):
Zurich.
We did the Palladium in Londonand then before that, we picked
up a Zurich community centerwith 700 people Jews that live
in Zurich and they got togetherin this building that looks like
you don't know what.
It is Very nondescript, verynondescript.
And there's a kosher restaurantthere and this one guy, this
guy named Ezra, who runs likethere was no co-chairs and schmo

(42:57):
chairs made this night and allthe Jews in Zurich came together
and had the laugh of theirlives.
Imagine living in Zurich beingJewish.
Imagine living in Paris beingJewish.
Imagine living anywhere inEurope being Jewish.
And all of a sudden, comedyshows up.
Jewish comedy shows up, andthey're like, oh my God, there's
a guy on stage yelling thathe's Jewish.

Speaker 2 (43:17):
Right, it's like being in the desert and getting
a glass of water.

Speaker 1 (43:20):
That's one of the worst comparisons I could have
imagined, because they're notfunny.
They don't have funnycomparisons I could have
imagined, because they're notfunny.
There's nobody funny inSwitzerland.
You're in the sea with thesharks.

Speaker 2 (43:27):
They need to laugh and you show up and they get to
laugh.
It's a machaya.

Speaker 1 (43:33):
You're a machaya.

Speaker 2 (43:34):
We met with a mashkiach, and now you're a
machaya.

Speaker 1 (43:38):
We met with cold soup Correct.

Speaker 2 (43:41):
That you made me go heat up, Diva yeah so there's
that, there's that need.

Speaker 1 (43:44):
You made me go heat up.
Yes, diva, diva, yeah.
So there's like there's that,there's that need for it and
Leo's with me throughout all ofit and it's amazing.

Speaker 3 (43:53):
It was crazy.
I mean going from Tel Aviv toParis for shows, flying on the
evening of October 7th.
Landing in Paris, we had tohave a meeting with the
promoters Do we still do theshows?
We had to meet with Parispolice department.
What's the security going to be?
There's protests happening onthe streets, there's tear gas
happening.
The monuments in Paris aredraped in Palestinian flags.

(44:16):
It felt like very frenetic andyou still did the shows and
people still came out and theywere appreciative.
But it was crazy.
And then the for the monthsafter that, you know, when you
performed in Brussels, peoplewere the, I would say, of all
the European cities Brussels,and followed by Amsterdam, which
showed its true colors recently, brussels they were the most

(44:39):
scared to come out.

Speaker 2 (44:40):
They were terrified to come out to a Jewish event.
So what do you do?
How do you deal with that?
So you get on your Instagramand get on the radio and go,
come, come.

Speaker 1 (44:51):
No, we advertise that the show's happening.
They know the security's there.
There's no, there's this policeand there's people inside the
theater.

Speaker 3 (44:57):
The question.
In Brussels I had policedepartment inside and outside in
plain clothes and armed guardsoutside.

Speaker 2 (45:06):
Because you have a genuine fear that there's going
to be an event.
There's never been a call.

Speaker 1 (45:11):
There's never been an incident to call, but we are
preventative.

Speaker 3 (45:15):
Yeah, but part of doing that is you can just say
there's going to be security.
They don't want you to divulgethat.
There's going to beplainclothes police officers in
the crowd.
So people are messaging me beinglike do you have the show room
or whatever the the Jewishsecurity is?
They weren't there.
I just had to reassure themthat there was going to be

(45:36):
security, but it wasn't thesecurity they knew from their
synagogues and their schools andtheir other, their schools, the
security they knew from theirsynagogues and their schools.
So that was the big questionmark.

Speaker 1 (45:46):
And then there was like this big fight or flight,
even now in San Diego, san DiegoJewish Federation.
We just did a show for them.
They have their own security,they have the Jewish security
and they were armed to the teethfor this event.
It's a different world.
Yep, it's a different world.
I mean even here in HancockPark.

Speaker 2 (46:00):
I mean I was.
I did a movie called Guns andMoses.
I am Moses in a movie about arabbi in a desert town who has
to find the killer of the bigpatron played by that great Jew,
dermot Mulroney who played thepatron of our congregation, but
I'm forgetting the name of thesecurity force here in Hancock

(46:20):
Park.

Speaker 1 (46:21):
Shomim I'm forgetting the name of the security force
here in Hancock Park Shomim,shomim or Shmira, or one of
those, the Mahat Sala.
I know what you're thinking.
No, it's a specific one.
Okay.

Speaker 2 (46:27):
And I'm sorry I can't remember it, but our director
of the movie, sal Litvak, is amember of them and they had,
like.
They taught us how to useweapons for this movie and they
protect the Jewish community,all the Chabadniks in Hancock
Park here and the Jews arebuying guns, Mark.
The Jews are buying guns.

Speaker 3 (46:44):
The Jews in New York are buying guns.

Speaker 2 (46:46):
You mean right now.
It's crazy, yeah, I want a gun.
Oh God, I would love a gun.
Okay, great, yeah, I can't helpyou with that.

Speaker 1 (46:54):
No, he's LA whatever.
Yeah, he has crystals.
So your kids go to school.
Do they go to Jewish school?

Speaker 2 (46:59):
No, no, but they go to a very progressive school and
the kids are doing great.
The parents have a lot moreagita than the kids and I find
myself on the front linesbecause I am both the head of
Jewish affinity, like our parentbody of 250 Jewish parents with
other people, 50 Jewish parentswith other people, and then I'm

(47:26):
also on the DEI committee ofour school because I've been
part of, like, the meetings forthe white anti-racist group,
which is great.
It's all great learning.
It's all peeling the onion ofour own.
You know, various prejudice andwhatnot.

Speaker 1 (47:36):
But I find myself what's DEI, diversity, equity
and Inclusion?
Okay, it's a major hot buttonissue here in these times.
It's huge DEI, diversity,equity and Inclusion Okay, it's
a major hot button issue here inthese times.

Speaker 2 (47:46):
It's huge DEI, yeah, and so it's about, like you know
, like basically learning aboutyour own prejudice and
entitlement and privilege versushow to include everybody, how
to bring everybody to the partyand make everybody feel included
.

Speaker 1 (48:00):
Moshiach energy.

Speaker 2 (48:02):
Moshiach energy, moshiach energy.
It's what you do, it's whathappens at a Modi show.

Speaker 1 (48:06):
When there are non-Jews in the audience, you
feel the Moshiach energy.
They're laughing.
When non-Jews are laughing withus, they can't kill us, they
don't hate us.

Speaker 2 (48:14):
Right.

Speaker 1 (48:16):
So it changes the vibration.
Yeah, everything should beginwith comedy.
That's what I said in theSenate, in the Congress, in all
of government.
When they begin, they shouldhave someone do five minutes of
comedy Just so.
You have a few jokes and thenyou start it.
Now you're already in adifferent place.
You don't hate each otherbecause you've just laughed
together, right, and that's likethat's the energy of comedy.

Speaker 2 (48:35):
And it's true, like, the quality I love most in
people is that they not takethemselves too seriously.
That is truly the like definingquality I look for in people is
that they can laugh and makefun of themselves, and I'll
never forget.
Oh, I just have to.
I'm just remembering when I wasasked to be the MC and I put
that in quotes because never wasthere a less funny MC for a

(48:57):
Park East benefit that Modi wasperforming at, and I remember I
had been very busy at that time.
I was maybe doing Royal Painsand I had five minutes to come
do this event and of course theywere all so thrilled that Modi
was coming and I have this isI'm going to.
I'm embarrassed to admit this,but I'm like, dad, whatever the

(49:18):
tribute to Park East and EshyDay School and everything, can
you just write my shtick?
I don't have, I can't, I can'teven think about it.
I'm so learning lines to play adoctor and say you know
metacarpal bone, I can't learnhow to give tribute to
Congregation Zichron Ephraimright now.
Yes, so my dad writes the mostHarvey Feuerstein, which is he's

(49:41):
not looking to be funny, he'slooking to honor the
congregation and.
Rabbi Schneier and RabbiEinsidler, and it's just a
little dry, let's be honest, anda little long, and I'm doing
this thing where it's wonderfulfor the kids and my mother was
on the board of four and thenModi comes out.

Speaker 3 (49:59):
And destroys.

Speaker 2 (50:00):
And he destroys yeah.
He takes this audience in thepot.
He's telling a story about howhe he went through security with
a, with a shofar yes, yes, youknow that's a great story.
It killed.
And then I come back up andthen when in my bar mitzvah we
did a short film happy PovomLady, they were so happy to see

(50:21):
you.
They loved you so much, I wasfine.

Speaker 1 (50:24):
You weren't there to be.
This was people.

Speaker 2 (50:27):
This was 1,200 people at the Waldorf Astoria.

Speaker 1 (50:31):
That's right this isn't like a congregation of 150
people.
This is 1,300 people.
In Waldorf, astoria, they hadthe cantor Cantor.
They had the cantor cantorHelfgott.
Yes, he sang Nessun Dorma, thisVerdi opera.

Speaker 2 (50:44):
How do you remember that I?

Speaker 1 (50:45):
remember that, because my opening line was I
think you've been hanging outwith the Pope too much, because
the rabbi always meets with thePope when the Pope comes to town
.

Speaker 2 (50:53):
And now this chazen, my father.
We have a picture on our pianoof my father shaking the Pope's
hand.
Yeah, because he the publicdidn't know what hit him.

Speaker 1 (50:59):
Yeah, and so that was that night.
Yeah, that was unbelievable.
The other time at thatsynagogue was the host was being
honored and then he decided hewanted to be host.
I was supposed to be the hostand the comedy and the whole
thing, and then the guy beinghonored decides he wants to be
the MC too.
And I forgot his name, but heowns a football team, not the

(51:20):
night we did, but another night.

Speaker 2 (51:22):
It was another night, so what do you do in that
situation?

Speaker 1 (51:24):
So they were on the stage.
At one point it was RabbiArthur Schneier talking about
the Holocaust, this guy's fatherwho survived the Holocaust and
the guy who's the son of thesurvivor of the Holocaust, all
talking about the Holocaust for20 minutes.
The only thing missing was likevideos of trains.
Oh God, there was the onlything missing Piles of glasses,
and then Benny Roganitsky, whoruns the synagogue over there,
right so he says Modi, get onstage, end this.

(51:47):
I walk on stage, I walk on stageto the podium and all of them
are in the middle, you know,holocausting.
And then the rabbi turns to meand goes Modi, I go hello, rabbi
, he goes hello and they allbegin to walk off.
Fantastic, fantastic.

Speaker 2 (52:03):
This is a great development.

Speaker 1 (52:04):
Now the room is still , and what am I going to say now
?
I said, ladies and gentlemen, Iam neither the grandchild or
son of a survivor.
In the early 1930s, mygrandparents then living in
Eastern Europe looked around andsaid this doesn't look good.
We're getting out, morris, grabyour valise.
Grab your valise.

(52:26):
And the audience just crackedup Amazing, but it could have
gone.
They could have been like,because they were all fully in
In the Holocaust.
In the Holocaust, those momentswere like oh my God.

Speaker 2 (52:37):
Well, it's funny, you should say Benny Ragosnitsky,
because I am doing an event inNew York.
I never thought I'd bepromoting it right now, but this
couldn't be a better place topromote it.
Yeah, this Sunday night atParky's Synagogue.

Speaker 3 (52:53):
Oh, this is not airing for a few weeks.
Oh, okay then forget it.

Speaker 1 (52:56):
So what's the event?

Speaker 2 (52:58):
Well, I mean, the goal for Parky'sagogue is to
like build up its youngercontingent.
Yeah, so I'm 53-year-old.
Mark Feuerstein is meant to beentertainment to get younger
people in there.
So I'm having a conversationwith a kid named Izzy Carton,
who's the son of a great patronof Parkey Synagogue and a great
kid, and we're doing aconversation there which brings

(53:19):
me back to like when I was 13and doing the.
A 2000 year old man with Arthurroses for the benefit, for
probably it's like the samething, I like nothing changes.

Speaker 1 (53:31):
It's so amazing.

Speaker 2 (53:32):
It's so amazing, it's just in different stages of
your life, you're still a partof that.

Speaker 1 (53:34):
It's all to honor my father, who's a huge member and
a great contributor and I callmy dad and say dad, is this
something we should do?
He believes in community.

Speaker 2 (53:42):
You do it.
He's a pillar of that community, of every community he's a part
of, and if I can do anything tohonor him at any point, I do it
.

Speaker 1 (53:49):
You know we were going to call this podcast Duff
Gay Pistons, but now we're goingto call it Harvey Forresting.

Speaker 2 (53:54):
For sure, yes, the story he would tell about me and
this is a random story becauseit's not actually that funny.
But Morton Downey Jr, do youremember that guy Of?
Course he was like a poor man'sJerry.

Speaker 1 (54:05):
Springer, he looked like a horse, correct.

Speaker 2 (54:08):
Correct, he came to my high school to speak.
I'm doing this instead of myfather, who would do it if he
were here.
This is basically me channelingHarvey, who would like this
story to be told?
Yes, because we're talkingabout honoring my dad.
I'm telling Harvey who wouldlike this story to be told?
Yes, Because we're talkingabout honoring my dad.
Okay, so he's talking.
He says in my career I'velearned that all politicians are

(54:28):
crooks and the word lawyershould be spelled L-I-A-R.
And I'm sitting there thinkingabout my dad, who's a great
lawyer in Manhattan for 40 years, and I raise my hand and Morton
Downey calls on me.
I say Mr Downey, you have justsaid that about lawyers and my
father is a lawyer in Manhattanand he is the most honorable
person you could ever hope tomeet.

(54:48):
So would you please redefineyour spelling of the word lawyer
?
And it ends with Morton DowneyJr getting so upset at my
question and my confrontationwith him, giving the finger to
the entire student body ofDalton.
Our coach, our coach AlanBoyers, is yelling back at him.
He's yelling back at him and heleaves, runs out of the theater

(55:09):
into his limo and drives off.
Wow, yes, it was a disaster.
That's dramatic.

Speaker 3 (55:14):
For him, but we Wow yeah.

Speaker 1 (55:16):
Good for you, but that's how much.
They weren't paying him much.
They weren't paying him much.
They weren't paying himanything, no, but they sent a
car.

Speaker 2 (55:23):
Yes, they sent a car.
That was it.
They sent a car, that was it.
He thought it was a goodpromotion.

Speaker 1 (55:27):
Oh my God.
So you have kids here now.
So the kids, they don't go toJewish school.
Well, you didn't go to Jewishschool, you went to Dalton, I
went to Dalton.

Speaker 2 (55:36):
Yeah, went to Jewish school and you still no, I went
to.

Speaker 1 (55:40):
We began with Solomon Shechter, then we went to
Hewlett High School.

Speaker 2 (55:43):
Okay, Finished at Hewlett High School.
Did you think you would stillbe?

Speaker 1 (55:47):
observant, which you are now.
I'm more observant than myfamily.
I'm more.
I love this stuff.
I love it.

Speaker 2 (55:51):
I absolutely love it.
You don't perform on.

Speaker 1 (55:53):
Shabbos or you do.
I keep Shabbos in my own way,but I keep Shabbos, we do, we do
.

Speaker 2 (55:59):
That's the amazing thing about Jews is the way we
can adjust from reform toconservative to orthodox, like
it's a big container and peoplecan, you know, be Jews in the
way that they feel comfortable.

Speaker 1 (56:14):
There's 15 million Jews and 15 million ways to be
Jewish.
Yes, yeah, correct, it's notthe chosen people, it's the
choosing people.

Speaker 2 (56:21):
Yes.

Speaker 1 (56:21):
This works for me.
This works for you.
Don't work?
So don't wear a hat.
So don't wear a hat.
No one asked you to wear a hat.
Thank you very much.
Okay, so you can, yes, thebranzino's fine Eat the branzino
, 100%.

Speaker 2 (56:35):
but it's complicated because, like here, I sit on the
Jewish affinity group and thereare things about a progressive
high school that upset certainJews in the community, and I see
their point.
What's this Jewish affinitygroup?
It means like we're because ofidentity politics.
These days, it is safer to havegroups of a certain ethnicity

(56:59):
gather amongst themselves totalk in a safe environment about
race and identity.
Because if you mix it too much,it could brew something
offensive, and it's not upon theother ethnic groups to teach
you how to behave with them.
It's something we can talkabout amongst ourselves, and
then there are ways to interact.

Speaker 1 (57:21):
Wow, that's so LA, that's so LA that's so LA, did
you hear?
That, and the groups, thewooden groups, no, okay okay, so
now okay, okay, so the affinitygroup.
But but a minion.
There's a minion when youraffinity minion gets together
there are, there are.

Speaker 2 (57:39):
Well, it's, it's it.
It's it's like what are theyupset about?
We are living in everything.

Speaker 3 (57:44):
Literally everything.
No, because he said it thatthey're, they're upset.
So what are they upset about?

Speaker 2 (57:49):
There were episodes last year where, during an art
show, kids in the school put upsigns that said free Palestine.
And suddenly it's like adiscussion Like how are you
going to make them pay fordesecrating art made by students
in a public space?
Oh, that's not cool, are?

Speaker 3 (58:04):
you going to?

Speaker 2 (58:05):
punish them, and are we going to know how you punish
them and the teachers who wereinvolved and allowing that to
happen?
What are you going to do?
Oh my God.
And because we are at aprogressive school and there's
restorative justice meansmeaning they center the students
and they have a this is too-.

Speaker 3 (58:21):
Wait, wait, wait.
How are they center thestudents and they have a this is
too-.
I think the kids need to how?

Speaker 1 (58:24):
are you restoring justice?
Restorative justice?
What are we on a class?
Are we on the Lord of the Rings?
Over here?

Speaker 3 (58:31):
They gotta spank the kids, bring back corporal
punishment.

Speaker 2 (58:35):
It's a whole part of progressive education, which is
that there's a process by whichyou talk to the kid and you
don't immediately give himcorporal punishment or a
consequence.

Speaker 1 (58:45):
You talk about what?

Speaker 2 (58:46):
was going on.
You don't know what I'm talkingabout.

Speaker 1 (58:48):
This is all like gobbledygook.

Speaker 2 (58:50):
I think they need that A little more punishment.

Speaker 3 (58:52):
They need a little more.

Speaker 2 (58:53):
Well, that's the constant conversation.
That's what's going on.

Speaker 3 (58:57):
I think you're coddling the kids you guys want
heads to roll.
Did your parents ever hit you?
This is why we don't have kids.

Speaker 2 (59:04):
One time, my father started spanking me and I didn't
.
It was only until I realizedthat he was spanking me that I
started crying, but it didn'thurt.
He wasn't like a tough smack.

Speaker 1 (59:15):
Yeah, today there's no hitting the kids.

Speaker 3 (59:17):
My mom would flick me in the mouth.

Speaker 2 (59:19):
Oh yeah, that was a choice.
Okay, so now these kids haveSomeone flick me in the mouth.

Speaker 1 (59:23):
Oh yeah.
Okay, that was a choice, butokay, so now these kids have
restorative justice.
I didn't have restorativejustice.
They barely knew I was dyslexic.
Okay, so that's a lot.
So what's?
Interesting though about themultiplicity of our people is
that there are many— how manypeople are this infinity group?

Speaker 2 (59:44):
They say, two Jews, three, five, whatever five
opinions, right?
So that's what we have and it'shard to deal with sometimes
because some people are muchmore aggro and I am the nice guy
who just wants everybody to getalong.
Isn't that easy?
And I like that, we are—I likebeing on the diversity and
equity and inclusion committee.
But then I also see the Jewishpoint of view and I find myself

(01:00:05):
constantly in the middle wherecertain people are like grabbing
their pitchforks and ready to,you know, exact blood.
It's hard.

Speaker 3 (01:00:12):
You got to find the middle ground we have comedy
We've got the light.

Speaker 1 (01:00:18):
We have to wrap this up Comedy.

Speaker 2 (01:00:21):
Do you get the light when you're in the middle of a
stand-up show?

Speaker 1 (01:00:23):
No, when it's my own.
No, I know my time, I know howto look at my watch, I know how
to you know when your bit iscoming together.
Yeah, yeah, yeah.

Speaker 2 (01:00:30):
Because when we were doing this comedy show at Duke,
I was like do you want to be thelight to be waved off exactly
when it's eight minutes, andthen I'm done Anyway.

Speaker 1 (01:00:40):
No, there's certain times, yeah, certain times no
Right.

Speaker 2 (01:00:43):
But yeah, well, we've gotten the light.
We've gotten the light, sowe've got to wrap this up An
hour flies by.

Speaker 1 (01:00:47):
Okay, so tell everybody listening to this
podcast where can they find you,how can they see you, how can
they go watch your movies?

Speaker 2 (01:00:54):
Okay, none of you have MGM Plus, get it.
I know you don't need anotherstreaming service, but get it
immediately because we'd like tobe making a season two and
watch Hotel Cocaine, somethinglight, yep, watch.
Well, hopefully you'll be ableto watch DMV when it comes out,
my wife's show on CBS.
We'll see If we do a reboot.

(01:01:15):
You're going to watch RoyalPains, but you can watch it now
on Netflix.
Fantastic For you youngerpeople who are not in this
audience.
You can watch the Babysitter'sClub.
Where can they follow you?
They can follow me at MarkFeuerstein on Instagram.
Thank you, that was helpfulSpell that.

Speaker 1 (01:01:30):
Yeah, spell it.
You don't know how to spell itright off the bat, they would
shoot me in the head right nowAt M- going to be very helpful
for my public persona.

Speaker 2 (01:01:44):
I actually have to post things now.

Speaker 3 (01:01:46):
We'll give you clips from here.
We'll give you clips, he'llgive you.

Speaker 2 (01:01:49):
Can I say what to come from Siegel's Deli, where
we sat, and he told me that yoursoup was cold.
To be here today talking aboutour careers I'm quelling.

Speaker 1 (01:01:58):
No, it's Mashiach Energy.
That's Mashiach Energy.
That's Mashiach Energy.
It's unbelievable.
And speaking of Mashiach Energy, create Mashiach Energy and get
tickets to my show.
I'm on tour.
Pause for laughter comedy tour.
This is airing, probably soonerrather than later.
So there's shows in Denver,denver.
We're going to be thereDecember 5th.
We are going to be in theBeacon Theater Three shows.

(01:02:20):
There's the Beacon Theaterthree shows.
This ticket's still availableon the 17th mark.
The other two shows are soldout at the Beacon Theater on
December 17, 18, and 19.

Speaker 2 (01:02:27):
This is on the Upper West Side of Manhattan yeah,
you're kidding the Beacon.

Speaker 1 (01:02:34):
Where's the Beacon?

Speaker 2 (01:02:36):
on the Upper West Side of Manhattan.
Yes, you're right.
He was right.
Excuse me, I just said itcorrectly.

Speaker 3 (01:02:40):
I thought he was kidding.
Alright, there's lots of showscoming up.
I love that theater it'samazing, it's amazing.

Speaker 2 (01:02:46):
I can't wait.
I can't believe he made thathappen.
I would like to come.
I would like to be there.
When is it?

Speaker 1 (01:02:51):
17, 18, and 19 of December.
And then we have other showsall deep into 2025 Fort
Lauderdale and many, many places.
Texas is coming up too.

Speaker 3 (01:03:01):
There's so many cities we don't even know how to
promote anymore.
They're all on ModiLive.
Go to.

Speaker 1 (01:03:04):
ModiLivecom and be the friend that brings the
friends to the comedy show.
Get a few tickets for a fewfriends and we'll see you all
there, mark.

Speaker 2 (01:03:12):
I can't thank you.
I have one more thing I wantedto share, which is not a name
you necessarily need to mentionon here, but maybe you've
travels.
This great writer, neil labute,wrote a short for me and my
friend from ps158 new york,michael rapaport, and we're
going to shoot that in new paltz, new york, over the
thanksgiving break.
So that's fun michael rapaport,my love love, love, love, love,

(01:03:34):
that anger, I love him, I lovehim thank you all very much for
listening.

Speaker 1 (01:03:38):
Thank you so much for doing this.

Speaker 2 (01:03:39):
I'm so happy to see heaven, heaven, I loved it thank
you all very much.