Episode Transcript
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Speaker 1 (00:11):
Good evening, good
evening.
Good evening, I'm your host,zach Batista, along with my
co-host, brandon May.
Speaker 2 (00:19):
What is going on, you
guys?
How's everybody doing?
Speaker 1 (00:25):
We've been getting
some good feedback on the, on
the guests we've been bringingon, so I appreciate all that.
We've been getting goodfeedback in general.
Have you heard anything bad yet?
Speaker 2 (00:34):
um, yeah, I talk too
much.
Yeah, I heard sometimes I talktoo much.
Yeah, um, but that's a podcastand that's part of what we're
doing.
So, yeah, but I don't know ifthat's negative.
You know, that's not negativeto me, that's not negative to me
.
It's a balanced situation, whichis good.
I like that type of feedback.
Um, it's interesting, thoughcoming back just me and you
(00:57):
after having guests on it feelsa little bit different.
It was a little bit comfortable.
It's kind of like being homeagain.
It's like after a trip, youknow, like all right, we're home
yeah, take your shoes off.
Speaker 1 (01:07):
Yeah, yeah, so we get
in this bed, throw everything
in the laundry, let's go.
Speaker 2 (01:10):
Yeah, exactly, get
back to square one again, right,
right there's, there's pressureoh yeah, there's pressure to um
be successful with theinterviewees.
Speaker 1 (01:23):
Interviewers or
interviewees interviewees and
and you've been doing a verygood job at getting me to bring
my a game.
I hope I'm doing the same foryou.
But you, you do wrap me upusually the night before he
gives me a call, or he'll sendme a start off by sending me a
text be like you ready, yeah,and then he'll.
He'll kind of get me a littlenervous.
(01:43):
He's like, this one's going tobe a tough one tomorrow.
Speaker 2 (01:46):
Yeah, yeah.
Speaker 1 (01:47):
Or this one's, I
don't know.
I don't know how you're feelingabout this one tomorrow.
Yeah, it gets you thinking, itgets me riled up and then we end
up pulling it off.
Speaker 2 (01:54):
Right, yeah, I feel
like you do a lot of the work,
the physical work.
So mentally preparing us andkeeping us in a positive mindset
towards the, the people thatI'm bringing on.
It's important too, you know,and I know them too, so I feel a
little bit of responsibility tomake sure that everybody has a
(02:16):
good uh rapport from the event,including you.
You know what I mean.
No, absolutely right right, soyeah, but it's been fun.
Um feedback what kind offeedback are you getting?
Speaker 1 (02:29):
uh, everything from
the what, what, uh what we've
been posting on on social mediasome some people like it more
than others uh, trying to makeit more, more mainstream, yeah,
more.
Sometimes it's a little vanilla, right, yeah, because I'm just
trying to make it more, moremainstream.
Yeah, more.
Sometimes it's a little vanilla, right?
Speaker 2 (02:47):
Yeah, cause I'm just
trying to make it.
Somebody said Landon said itwas whitewashed.
Whitewashed, yeah Right.
But, he's white yeah.
Speaker 1 (02:53):
So so what?
What does that mean?
And I like, I like how wedescribed it so this to any type
of really art.
I was always verymathematically, scientifically
focused, and in the militaryit's very strategically focused
A lot of math too.
I did a lot of math in myprofession in the military.
(03:15):
I never got to pursue any typeof art, so you kind of said
something that cracked me up.
It was I have a virgin eyetowards the art industry, so
it's almost almost like a like,like like a newer, a newer step
into it.
Some people may not, somepeople may not like my, my, my
(03:36):
step so far, but but that's,that's what we're doing.
Speaker 2 (03:38):
We're going forward
yeah, it's uh, just like I.
You know, it's a perspective,it's a different way of thinking
.
I feel like, a lot of the timewhen excuse me, I'm not in the
mic uh, it's a perspective, it'sa different way of thinking.
I feel like, a lot of the timewhen excuse me, I'm not in the
mic it's a perspective thing.
I feel like, a lot of the time,when people approach these
things, they often come with ananalytical approach to art and
that's limiting the creativejuices.
(04:01):
So keeping an open mindset isimportant as you evolve into the
artist that you want to be, asyou create your own visuals and
you become more particular aboutthe things that you want.
You know, yes, there will bethose defining moments where I
don't like this, and this is.
I like my shapes, like this.
I prefer a triangle over acircle.
I like to draw this over this.
(04:22):
I like black over orange.
There are those defining things, but I feel like, in order to
get to them, naturally you haveto keep it open uh, easel, oh
yeah, an open easel and spreadyour paint around and have happy
mistakes, right yeah yeah, soum a growth overall.
Speaker 1 (04:39):
I do I see growth oh,
my goodness I know you, you've
it out.
You said you've seen a lot ofgrowth too in this and our
podcast in general.
Speaker 2 (04:48):
The content and
everything is getting better.
The podcast is getting better,the sound is getting better.
We have a photographer in heretoday.
Speaker 1 (04:55):
Yeah, we got my buddy
, Sebastian, in here.
Speaker 2 (04:57):
Sebastian over here.
Speaker 1 (04:58):
I met him through
Working Dogs for Warriors.
Speaker 2 (04:59):
Photographer for the
stars Fucking with us, you know.
For the stars fucking with us,you know, making me feel like
I'm hot today.
Speaker 1 (05:05):
Yeah, no, I'm making,
making us feel like celebrities
.
I'm feeling pretty good aboutthis.
Speaker 2 (05:09):
Crazy thing is is
this he doesn't know that.
He came in and said somethingabout Gino.
That's one of my favorite blackand gray artists, yeah, and
that's, like hands down, one ofmy favorite mural artists as far
as tagging and all that stuff.
I would love to have him on theshow.
So if you can make that happenfor me, that would be great.
You feel me.
He's dope, dope, dope, dope,dope.
(05:31):
I think he does it all withlike a three or something, you
know, but he has a differentperspective on his shadows and
stuff like that.
His work is really, really dope, so it's cool that he's coming
from that lineage.
Um, feedback, my dad watchedthe episodes, you know.
He ran through the episodes andhe said he liked them.
(05:51):
He I like to hear that peopleare laughing.
Yes, um, that makes me happy.
So keep laughing, guys.
You know, I keep telling peopleI'm funny.
You know what I'm saying.
I've been telling people I'mfunny for fucking years and shit
like that.
But I years, but I can't justbe funny.
Speaker 1 (06:07):
Speaking of watching
and listening, we threw a couple
of videos up on YouTube, partof the Zach Peacock episode and
our episode with Nick.
I threw it up there unedited,so yeah, if you guys want to go
check that out, see a little bit, and we're planning.
I threw it up there unedited,so yeah, if you guys want to go
check that out, see a little bit, and we're planning on putting
(06:28):
more up there.
Speaker 2 (06:30):
As far as the guests
that we brought on so far, how
do you feel that we've done withthem?
Like, give me a little rundownof the guests and give me a line
after them, a sentence afterthem.
So the first one was Mike yeah,Michael Wells, Working Dogs for
.
Speaker 1 (06:42):
So the first one was
Mike, yeah, michael, welsh
working dogs for warriorsworking dog with warriors, ptsd
dogs and um dog service dogs.
Speaker 2 (06:49):
The, the trainer of
service dogs, out of what city?
Speaker 1 (06:52):
Uh, he's out of
Fontana at a Fontana.
Yeah.
Speaker 2 (06:54):
How'd you feel about
that episode I?
Speaker 1 (06:56):
just uh special, uh,
especially coming off.
We just did his first annualptsd walk and you, you were, you
were providing a lot of supportfor that too, along with myself
and uh man, it was.
It was a great event and, man,that dude brings community.
So something special, somethingthat brings community together,
(07:17):
that's mike yeah yeah andnumber two was spike, spike,
spike.
Spike Moore.
Yeah, Spike Moore man.
Speaker 2 (07:26):
Owner of Captain
Tattoo.
Owner of Working Class TattooSupply.
Speaker 1 (07:30):
How about just
diligence, man and drive.
Speaker 2 (07:35):
Yeah, he surprised me
with how eloquently and that's
fucked up to say not surprisedme, but I was excited.
Speaker 1 (07:41):
Oh, he brought his A
game yeah.
Speaker 2 (07:42):
With how well he
delivered his story.
Speaker 1 (07:44):
Yeah, I was excited
with how well he delivered his
story.
Speaker 2 (07:49):
Next one was Ronnie
Ronnie.
Speaker 1 (07:51):
Yeah.
Speaker 2 (07:51):
Ronnie, ronnie, yeah.
Youth group Self-taughttattooer.
I got a lot of feedback fromthat episode as far as being
funny, Him talking about how youput the needle in your ass, you
know on and stuff like thatpeople thought that was funny.
Um, I like that.
And uh, I asked ronnie if hewas getting some feedback and
(08:13):
stuff like that.
He said that they were sayingwe were funny.
They didn't really say muchabout him.
No, sometimes you're not theguy you know what I'm saying.
Speaker 1 (08:20):
You know what I'm
saying ronnie but I'll stop and
say a little bit, talk a littlemore.
Say it with your chest.
Speaker 2 (08:24):
Yeah, no, I'm just
fucking with you, ronnie.
Speaker 1 (08:26):
But I will say in the
middle, we are planning on, so
to chime in on this too.
Land in the comments, land inthe DMs.
Oh, and I put up a new portionto our episodes.
You can message us directly onthat on our website.
I just put that up, you click.
You can message us directly, uh, on that on our, on our website
(08:46):
.
I just I just put that up, youclick that link.
Um, let us know, uh, whatguests you'd like to see on
again, because we are planningon on asking some of the the
same guests to come on again.
Yeah, um, next was zach peacockzach peacock, my boy uh living
legend um, and he already saidhe wants to tell one about his
uh, his uh semi semi truckhitting him when he was on the
bike.
He wants to have a three-hourepisode on that.
Speaker 2 (09:07):
Yeah, we're figuring
out how to.
What's happening is as we'regoing through these interviews.
They're a lot deeper than evenwhat we anticipated.
So you know a lot of the timewe're not able to get everything
within one episode or whatnot.
So you know we'll work onbringing some of these
individuals back and stuff likethat.
Speaker 1 (09:26):
So just stay tuned
for that stuff and then, yeah,
our latest, uh, nicholas dickyeah, uh, the I felt like that
was a very fun episode stigma ofbeing heavily tattooed.
Speaker 2 (09:36):
Yeah um father,
single father of uh reagan
especially a little man being inhere he just had a birthday,
the other day.
Speaker 1 (09:44):
Yeah, yeah, shout out
to a little man.
Speaker 2 (09:46):
Right yeah.
Speaker 1 (09:47):
He was slapping that
pinata.
He's cracking me up.
Speaker 2 (09:49):
Thank you everybody
for supporting the episodes,
logging in and subscribing.
If you guys haven't, you know,if this is your first time here,
man, please go back and checkout the episodes We've been
talking.
You know we're going to try andkeep it lively.
There's some things that we'rereally hard on ourselves about
as far as keeping it upbeat andjust something fun to listen to
so we don't become monotonous.
(10:09):
You feel me, as soon as we dothat, that's when you guys get
to stab us in the back and sendone of those comments through
the feedback section.
Be like yeah, yeah, that wasshit.
You feel me We'll be like allright, you're shit too, your
shit too, but we appreciate yourfeedback, so, um, today though
can I bring us into our topic.
(10:30):
It makes me feel so good to beon the west coast these days.
If you guys haven't heard this,these battle raps um from drake
and kendrick lamar as ofrecently I thought it was too
big not to talk about rightthey've been going at it.
It started with J Cole.
He opted out, so we're going tobring in today's episode with
music, the art of music, culture, battle, rap, the influences of
(10:54):
music on your life, mentalhealthness, and all of that good
stuff.
So, first off, I think Kendrickwon, absolutely Hands down,
destroyed homeboy with visualsand then lyricist wise, my
favorite track was probably meetthe grams, just because it was
just so direct you know what Imean and so serious.
(11:16):
And then how to how it built up.
Speaker 1 (11:19):
I dug euphoria too.
Speaker 2 (11:20):
Yeah, I was waiting
for Kendrick to come back.
I was like man if this dudedon't come back like he's
letting this Canadian dude geton him right now, like we can't
have this you heard, we'll putan end to it, right what's that?
Speaker 1 (11:31):
that drive-by that.
Speaker 2 (11:33):
So there's more on
that that supposedly put an end
to it that's a lot of.
That's a lot of supposedly theysaid that it was Drake that set
that up, because the rental carwas under his name.
But see, now we're getting intoconspiracies and all of that
bullshit.
Speaker 1 (11:46):
I don't want to turn
that around.
I'm not interested in that shit.
Speaker 2 (11:49):
We talk about the
Grams, where Kendrick was
talking to this little boy, thisman's son.
Yeah, yeah, and then put ashelf life on it, Like when you
get to 18, listen to this.
Speaker 1 (12:01):
So that means when he
gets to 18, gonna listen, do it
again yeah yeah so ah man, Ithoroughly enjoyed every bit of
it.
Speaker 2 (12:08):
I know everybody's
like oh you know, that's war,
two black bit going at eachother.
It's horrible, that's fuckingrap that's motherfucking rap.
That's what it used to be about.
You knew back in the day 90s,2000s.
Speaker 1 (12:20):
I feel like they were
all about that.
Speaker 2 (12:21):
The cypher was all
you know.
The dozens was all talkingjokes and cracking jokes and
getting on people and this andthe other, and it was for fun.
You know it's and that's what arap beef is.
You know, a lot of the timethey take this shit too far and
they get robbed and they do allof that stuff, which makes me
happy that Kendrick Won the bestI think the best rap battle of
(12:46):
all time.
You know, you got Nas Jay-Zyeah, you feel me, you got
Eminem's and the Machine.
Guns, which that shit don't evencount.
Speaker 1 (12:53):
Nah, you feel me.
Hey, he pretty much createdthem.
I feel like yeah, Sorry, yeah.
Speaker 2 (12:59):
And then you have
Pusha T with Drake.
Which Pusha T?
I went back and looked at PushaT's diss track and he was going
in on Drake too, so he did agood job.
So I don't know.
As far as music, though, man,like when you hear these diss
tracks and stuff like that, doesit amp you up, Does it make you
want to go?
Speaker 1 (13:23):
So I will tell you,
and I'll tell you the reason why
I think Kendrick won.
I don't feel, although Drake isa very talented lyricist, he
doesn't have that dog for me.
He doesn't strike me as someonethat is going to fucking follow
through with any of thoselyrics.
Kendrick 100%, 100%.
Kendrick will spit a fuckingline and I'll be like I can see
Kendrick doing that, I can seemy fucking self doing that.
(13:43):
So, yeah, so I'd fuck with that.
Speaker 2 (13:45):
When Drake came in
and said I just want to keep it
PG.
I was like you want to keep it?
What?
Go back to the grassy.
You want to keep it?
Pg.
Speaker 1 (13:52):
Remember that little
show you had man, was he in a
wheelchair on that fucking show?
Yeah, like, yes he.
That was like some bubble.
Speaker 2 (14:00):
That was Nickelodeon,
you know what I mean and you
was older.
Speaker 1 (14:03):
I can never see him
different.
Speaker 2 (14:04):
I can't hate on
actors.
You know I worked in the filmindustry for a long time and I
would definitely take one ofthem checks and sit in that
wheelchair, be a little Timmy orwhatever his name was, and roll
around and all that stuff.
Speaker 1 (14:16):
You feel me Talk
about Jesus, talk about whoever,
you want the dro drool on theleft?
Speaker 2 (14:27):
yeah right, yeah, you
know right, both gotcha gotcha
gotcha watch this.
Yeah, you know um, what musicdid you guys listen to going out
, um to detonate, uh like, whenyou were leaving, what kind of
music did you guys listen to?
Speaker 1 (14:38):
I will.
I actually have one of the beststories for that my driver, my
gunner too, rob Carrier, and hedidn't co-sign for this, but my
driver had one of the old 128iPods and just downloaded
(15:01):
anything and everything.
So we had days of stuff.
So we had days where it, uh, sowe had.
We had days where fucking hiphop day uh, we had.
Bro, we got blown up one timeto fucking weird.
I'll Yankovic.
Speaker 2 (15:12):
Yeah.
Speaker 1 (15:13):
Blown up.
Yeah, I got fucking weird.
I'll Yankovic playing in myfucking head.
Speaker 2 (15:17):
That's a horrible
song, horrible.
Speaker 1 (15:19):
Some weird yeah, yeah
.
So, but, as I'm saying, we haddays where and there was just so
much music and there was a lotof time during missions where we
(15:42):
were hunting someone, fuckinglooking for a fucking looking
for a suspect.
Yeah, so we were just listeningto music, just having a good
time.
War music is some of the bestfeeling type of music there is
out there.
Yeah, that world war um Vietnamera 60s, 70s.
Speaker 2 (15:55):
Yeah yeah, that stuff
Like that's kind of good.
Speaker 1 (15:58):
Yeah, yeah, yeah,
yeah, no no, so I'll, I'll swing
it back to you Something.
Uh, you introduced me to a lotof new music all the time.
You usually always love music.
Speaker 2 (16:10):
Love it.
I wish I could play.
I don't play any instruments.
I did have a music studio atElsinore for a little bit and we
recorded music there.
I enjoy the creative process ofof music.
Yeah, for sure I.
I I don't study it, but, man, Ilove me some good music, you
know, because it's somethingthat you really don't have to
think about whether you're goingto like it or not, it's just
(16:31):
instant.
Yeah, it's like oh, that's fire, oh, that's not.
You know what I mean.
So I like that.
I like that it touches uponyour feelings rather than how
does this taste?
You know what I mean?
It's, it's not a physical thing.
It's sound, right, it'svibration in a rhythmic tone to
(16:53):
make you feel happy or sadness,to control one's emotion.
Like what the fuck like whenyou clean on sunday, what do you
listen to?
Speaker 1 (17:03):
so I so right now do
you clean on sundays?
Uh, I probably clean every twoor three days his house.
Speaker 2 (17:10):
Clean is clean as
hell y'all.
Speaker 1 (17:11):
I just have a weird
tix.
His house is clean as hell.
It's like damn this house On anOCD tix.
Speaker 2 (17:15):
Man, it looks like a
military house.
I appreciate that.
He had boots sitting in thecorner.
Yeah, all shined up.
Speaker 1 (17:27):
I've been going
through phases lately, so
instead of changing up my musicto the different places I go, I
just change my mindset.
So I've been on a Zach Bryanradio station that's country and
that's country.
But everything comes on itBecause Post Malone has been
dipping his toes in the country.
Post Malone goes on that.
Speaker 2 (17:44):
I'm not feeling his
country.
Speaker 1 (17:45):
Not as much as I do
his rap and regular music yeah.
Speaker 2 (17:49):
I like the.
I like when he sings.
Speaker 1 (17:51):
Yeah, his little
balance, yeah yeah.
Speaker 2 (17:54):
Yeah, it's kind of.
It's kind of weird to say yeah,I like when Post Malone sings
you know what I mean.
Like that shit is tight, yeah,like, no, like we won't say that
again, yeah.
Speaker 1 (18:05):
Now, he is good
though.
He is good though.
Speaker 2 (18:08):
He came a long way
from White Iverson to doing
country music.
Now you know what I mean.
But that was always my problemand I've always found it very
(18:30):
weird how these mainstreamartists get in the career rather
than being somethingindividually different from the
beginning.
You know that's not necessarilyhow it works out.
You got to have that.
You know I'm Slim Shady moment,or you know Some definitive
yeah, like the NWA moment,something catchy it can't just
be well written?
(18:50):
It can't be well-written, youknow it's got to be with a
gimmick.
That pisses me off about rap.
I mean, I don't listen to a lotof new rap, you know.
Speaker 1 (18:59):
Same yeah, not
anymore.
Speaker 2 (19:01):
I try I listen to
everything new that comes out
with it.
Man, there's a cadence Like Idon't care for the drill rap out
of the East Coast, I didn'tlisten to Pop Smoke, I'm not
interested in motherfuckersgrowling at me through the Like.
Man, how about you?
You talking like that, don'tmake the situation any more
intense or harder.
(19:22):
Like tell me a dope story andthen let me feel that.
But if you're like, oh, theonly person that could do that
is DMX.
Man, yes, and we all know thatDMX was about that shit or Ja
Rule.
Speaker 1 (19:34):
He could do it.
He could do it I like it whenhe go on his flow, when he growl
into his flow.
Yeah, that was one of myfavorite ones.
Speaker 2 (19:42):
I like Ja Rule.
I hate to admit it.
I like Ja Rule, I hate to admitit, just because 50 made him
look like such a gimmick man.
He still is I mean he did likethe little, like the fire thing,
and that didn't go through.
Like it's just, you know, himand Irv Gotti just look like two
big hustlers.
They look really sloppy now.
Speaker 1 (20:02):
Yeah, yeah, they had
a moment.
Speaker 2 (20:06):
Yeah, I feel like
they had a good moment.
You'll see John Rue in a swapmeet shirt.
You feel me Like that's what,like yeah.
Speaker 1 (20:14):
That's how you know
it's gone downhill, yeah, like
with paisleys and his burgundy.
Speaker 2 (20:19):
Then he got them
fucking loafer slippers on that
are velvet.
You feel me Like all for theswap meet.
He hit one tough corner to theleft.
The bitch is scuffed.
You feel me?
Speaker 1 (20:31):
he hit one tough
corner to the left.
Speaker 2 (20:31):
The bitch is scuffed.
Did you ever get those corduroyhouse slippers for the swap
meet back in the day?
Speaker 1 (20:36):
and they used to
leave fucking streaks all over
you.
Speaker 2 (20:39):
I think everybody did
or you'd be outside trying to
play basketball, you'd turn andthen tear off half of it we used
to get the ninja shoes too fromthe swap meet.
I don't know if you know aboutthe ninja shoes.
They had like the little brownbottom.
It was plastic and the top wascameras.
Ooh, hold the fire.
You couldn't tell me shit Afterwe went to the swap meet and I
(21:01):
got my little foam nunchuckswith the ninja shoes.
Oh yeah, sick Shoot, I got myfirst pair of Reebok pumps from
the swap meet store.
I remember that man.
Speaker 1 (21:12):
I was still a little
country when I was a kid, so we
used to get cowboy boots at thefucking swap meet every time we
went one pair fresh ass cowboyboots.
Speaker 2 (21:21):
I missed getting
those all the time and I wore
them to Gardena, to my, to myuncle's house, and he was on our
helmets he's like what the hellis this?
He's like.
You tripped him out.
You gotta be a cowboy I mean Ilove cowboy shit like as a
little boy growing up, you knowlike who didn't like cowboy
horses.
Speaker 1 (21:39):
Anyone's telling you
different.
They never wore a good pair ofcowboy boots before.
Speaker 2 (21:43):
Cowboy boots are
fucking fire I had the homie um
make me a cowboy hat okay right.
I always wanted a cowboy hat,like a nice custom one.
Yeah, probably never gonna wearit, but I like hats, so I'm a
collector of hats and he wasdoing custom hats so I was
supporting his business.
He hooks me up with this dopeass, big fucking, you know.
Speaker 1 (22:02):
Sexy cowboy hat and
shit like color black fuck I
knew it.
Yeah, you know I had to looklike get the posse version.
Speaker 2 (22:09):
You feel me so then I
had to get a whip and a shooter
to go with it.
Speaker 1 (22:12):
Shut the fuck up.
No, I'm just fucking with you.
I should just switch it up.
Get a whip, let's get a whip.
Do you know any Westerntattooers?
We got practice with a whipanyway.
Yeah, we should start getting awhip.
Speaker 2 (22:22):
There's a guy at the
fucking liquor store and he
sells them.
But, man, whenever I see a whipman, I just want to beat his
ass.
There's some things that whitemen shouldn't carry, you feel me
?
Nooses and whips.
That's an insta-fade, bro.
Speaker 1 (22:35):
Like I just want to
get you cuz.
Yeah, I don't blame you.
Speaker 2 (22:38):
Yeah, it just
immediately.
It's like ooh.
Speaker 1 (22:41):
You're thinking roots
right away what you doing
making that shit.
Speaker 2 (22:44):
You know why you
making that.
It was cool as shit.
Speaker 1 (22:47):
It was cool.
Speaker 2 (22:48):
But what you doing?
Making that shit Just thefeeling, knock it off.
Speaker 1 (22:56):
How fucking dare you
wear that on your hip right now.
No, I like that shit.
It was like all colorcoordinated.
You, indiana Jones, put thatshit down, oh dude Indiana Jones
.
Speaker 2 (23:04):
Come on, now we talk
about whip game.
The first one with the whipgame, right, indiana Jones man.
Best Indianaones scene is whenhe golly and he grabs dudes hard
out of his chest that shit.
I remember watching as a kidthat shit yeah uh, harrison ford
lost it, though, man, Iremember the last, uh indiana
(23:28):
jones was so trash with the, the, the crystal skulls and stuff.
Speaker 1 (23:32):
Oh my god, the prop
was horrible.
I was like that's plastic youknow like we did get off topic a
little bit, but music onSundays what do you listen to
when you're cleaning?
Speaker 2 (23:47):
I'm on this band name
and I told you about them.
I was cleaning today.
Speaker 1 (23:50):
I was outside, uh my
name had my head for a bang
caravan caravan, caravan,caravan, something like that.
I don't know how to know.
I've been putting some of theirmusic in some of our posts, man
, yeah there's another bandcalled salt.
Speaker 2 (24:03):
Um, I've been into a
lot of instrumental things
lately, yeah, um, rather thanwords.
You know what I mean.
Words are so powerful and Ijust don't feel like people are
using the platform enough toreally be definitively different
.
You know, that's why I enjoykendrick shit so much.
You know, like it was almostlike a serial killer was talking
to him, you know well, he wasgetting it all out there, man.
Speaker 1 (24:26):
I mean, that's,
that's what rap was.
To me, it was not just a fewbars, it was a fucking story.
As a kid I guess the 90s, 2000sit was the story you were
fucking listening to and Ireally did enjoy that.
Speaker 2 (24:41):
And that's what it
reminded me of.
I mean that lyrical wordplay.
Hip-hop is so different.
Now People don't freestyle nomore.
You know they write so muchthat they're pulling from their
written and and you know, Iunderstand that is a form of
freestyling and whatnot.
But back in the day I remember,you know, like a motherfucker
just going off and being likedamn this motherfucker's dope.
(25:03):
You know, and just you know youknow, on the table and I don't
know that.
I don't think that sense isthere in hip hop anymore.
And it comes to.
It brings me to the question,you know, because hip hop is so
flamboyant, flashy and um, um,um rebel-ish or a revolutionary,
(25:24):
now everybody wants to be thisweird old thing.
Is it part of the cultureanymore, so, or has it become an
extreme of the culture andpeople can't relate to it
anymore?
Speaker 1 (25:33):
You brought that up
earlier about how we're watching
Kanye.
We're doing, we're seeing a lotof the rappers kind of going
more in designer uh type, uhwearing dresses and shit wearing
wearing purses and shit.
Speaker 2 (25:47):
You know, like back
in the day when a rapper had
influence over culture,everybody was wearing tims
because they wanted to be on theeast coast.
You know, diddy had everybodywearing shiny pants.
Missy elliott had everybodydancing.
Alia had everybody, you know,with the open shirts and all of
that stuff.
Uh, nelly had everybody in airforce ones.
(26:08):
Uh yeah, trendsetters Right,run DMC, my Adidas.
Oh yeah, you know what I mean,mc Hammer parachute pants.
Yeah, you see a small amount ofpeople running around with
purses and stuff like that, butI don't see it as culturally
acceptable or such an influenceon culture anymore, or
achievable.
Speaker 1 (26:27):
Right, yeah, because
if you're going into some of
those designs, I don't know alot of people that have a couple
grand to drop on a bag.
Speaker 2 (26:37):
Now, a couple grand
drop on a tattoo.
Yeah, and it's stupid, though,like logically, it's just the
stupidest fucking thing to doit's possible.
It's just the dumbestmotherfucking thing to do like.
So this has been part of myproblem is my logical mindset.
It's just, you know, like whenpeople twerk or they shake their
ass and stuff like that, for meit's just like damn.
They're so excited about apiece of fat trapped in skin
jiggling upside like up and down.
(26:59):
Yeah, you know, like that'scrazy, that humans are attracted
to that shit.
Yeah, you know.
And where was I going with this?
I don't want to lose my, mymotherfucking.
Speaker 1 (27:08):
Yeah, cause you lost
me a little bit now I can't
think of.
I think of fucking somebodytwerking right now yeah, um, I
was.
I was trying to relate howstupid it was that people are
thinking that designer bags arethe way to go okay.
Speaker 2 (27:22):
So, like because
people have this ability to make
this thing look a certain way,um, even though it's made out of
the same materials, it has adifferent value.
There is no artistic value.
There might be a color schemeand stuff like that, but for
behind these bags and thesethese things, and for me, it's
just like damn, that's ahorrible way to spend thousands
(27:44):
of dollars.
That's a horrible way.
I'm not rich, so I see it alittle bit more clearly.
And even if you are fuckingrich, you're stupid as fuck to
spend all that money on afucking bag.
You know what I mean.
Like because she fucking wantsit, okay.
So the fuck what?
She's probably not even gonnacarry that lotion in the bag for
you when you need a lotion foryour ashy ass, you feel me?
Speaker 1 (28:05):
she's probably not
even carrying a gun carrying
anything, not one, none of thatshit.
Carrying a wallet in there.
You feel me tell you the realfacts, right?
Speaker 2 (28:12):
because we don't want
to get it all stained up and
all that shit like man.
I be seeing people walk aroundwith all of this like, and I
used to be in the designer likeI used to work in the film
industry.
I used to work with this lady.
She was dope as fuck katherinemorrison on tv show called lost
and a lot of the brands thatthey bought were couture brands.
I spent a lot of time in thewardrobe trailer kicking in with
(28:33):
her because she was so cool andI learned a lot about
everything.
And there is literally nomotherfucking difference between
these fucking garments exceptfor these labels that people put
on them.
But humans give theseinfluences to these things, just
like music.
You know, what I mean.
We attach ourselves on theshittiest fucking music.
You know, I don't even know.
(28:53):
Don't let my daughter listen toit, no more.
I can't let her listen to nofemales and rap today.
Name one female and rap that Ican let my daughter listen to.
Name one.
There are no motherfuckingQueen Latifahs, no MC lights.
You feel me?
Yo-yo was fucked up back in theday but there was also like foxy
browns.
She was kind of dirty too, yeah, but you know, like it's so
(29:15):
fucked up and it's so blatantlyshitty and don't get it twisted
I'm with some fuck shit too.
I'm with some freaky shit.
I'm with some fucking weirdoshit.
I like to fucking have fun andall of that shit too.
Yeah, you feel me.
But man, like classless isclassless.
No talent is no talent it's.
You know, they letting.
It's kind of like that tattooindustry.
(29:36):
They just letting everybodycome in and it's easier to do it
because they're on theseprograms.
Nobody plays instruments,nobody practices their cadence.
You know, half of these peopledon't even write their shit.
It's a team that orchestratestheir fucking thing and they get
them out there to perpetrate.
And we're still talking aboutthe same bullshit in rap, same
(29:57):
old bullshit, like literally.
Doesn't it feel like we'recaught up in a loop?
Y'all Money Like I'm 40 now?
The premise has been the same.
Speaker 1 (30:10):
Same with country
music too, though that's yeah,
it's going through a whole othersame with rock music too.
Speaker 2 (30:18):
You know like when is
there a definitive change
within the style?
And then the breaking, thecreation of a new rhythm, the
creation of a new algorithm of anew rhythm, the creation of a
new algorithm of a new writing.
You know like I don't know, itjust becomes all so monotonous
now, and that's why I don'tlisten to shit with words, or if
(30:39):
I do, it's in French.
I'll listen to French jazz.
So I can't understand what thefuck she's saying and I'm just
fucking feeling it.
Just feeling it, right.
Speaker 1 (30:47):
Give me a.
Give me an artist, uh that youreally like, artist or group
back uh back in the day and thengive me uh other than the ones
you mentioned.
Give me an artist or group nowand I got a question next.
Speaker 2 (30:58):
All right, cool, this
a group or artist or group.
Speaker 1 (31:01):
Now, now an artist
group when you're a kid.
Speaker 2 (31:03):
I just just ask me
one um the the first artist I
fucked with one of my firstrecords ever and it was a record
was cool modi and it was calledthe wild wild west.
Okay, fucked with.
One of my first records everand it was a record was Kool Moe
D and it was called the WildWild West.
Speaker 1 (31:14):
Okay.
Speaker 2 (31:15):
So that's one of my
all-time favorites.
That's one of the first recordsI've ever got.
You know what I mean.
After that it was Bush withBill.
You know what I mean.
I think it was Lords of theUnderground and that was on tape
.
Yeah, was Lords of theUnderground and that was on tape
.
Yeah, you know what I mean.
And now, man, as far as what itis that I'm listening to, I'll
(31:35):
just do Cautious Clay.
Is it hip hop wise, ben Staples, kendrick G Perko, e-40, still
YBN Cordae, whatever his name,ghost style, speed jay, the kiss
, dave east.
(31:55):
I mean, I, I man, I go through,I listen to everything.
Speaker 1 (31:59):
That's what I do, I
work, yeah, I listen to
everything I put the album on.
Speaker 2 (32:02):
I tell my client like
hey, that's like this shit
could suck.
Yeah, I've never heard it, butwe're gonna listen to it.
That's why I asked you we goabout it and then we review this
shit sometimes it's good,sometimes it's not, you know.
Yeah, I'm not making it, soit's just the journey.
You know, a lot of people justonly play the same shit over and
over again.
Man, that fucked up loop.
Speaker 1 (32:22):
Creatures of habit,
right yeah, sometimes you gotta
break out of that a little bitmy question for you.
Speaker 2 (32:27):
You got a chick
coming over and you finna tear
that ass up okay what?
What r&b music?
Okay, are you gonna put on theset to move?
Speaker 1 (32:39):
oh shit, yeah yeah,
let me see, I'll.
I'll tell you so I'll.
I'll pull up one of my stationsright now.
We'll see.
We'll see what the last R&Bstation I was listening to.
That's kind of an interestingone for me too, because it
depends on what I'm If I'm goingto tear that ass up, it may not
(33:00):
be R&B.
Speaker 2 (33:02):
Right, yeah, some
Guns N' Roses.
What is it going to?
Speaker 1 (33:05):
be.
Oh, okay, yeah.
Speaker 2 (33:06):
That's new to me.
Speaker 1 (33:07):
I've never I'll get a
little wild with it.
I'm flipping through.
I got all these what kind ofrock like Avenged Sevenfold
that's a little.
Speaker 2 (33:17):
That's rough, rough,
yeah, yeah, yeah, if we do
Avenged Sevenfold.
Speaker 1 (33:21):
That's getting rough,
rough.
Oh what, like techno type stuff?
Like I'll drop?
I'll drop to that too.
Yeah, especially if I liketechno type stuff.
Like, uh, I'll draw, I'll dropit to that too.
Yeah, especially if I'm doing.
Speaker 2 (33:34):
I've been known to do
a strip teasing now, now and
then too, yeah, yeah.
Speaker 1 (33:37):
Yeah, chip and Dale's
action, you know what I'm
saying, rescue Rangers.
Speaker 2 (33:40):
Yeah, getting a
little, getting a little wild,
that I'm not doing, but I'll getstripped, it stripped down, you
feel me.
Speaker 1 (33:49):
You can.
I think the last one I had onwas just was just my post Malone
station.
Yeah, that's a.
That was the last.
You didn't answer that question.
Speaker 2 (33:57):
They got on me and
they said feedback, feedback
rule, that's act, don't beanswering questions.
So we're going to wait for ananswer to that question.
What is the R and B song thatyou?
Put on and even if it's not thesong, you gotta give something
out there.
Speaker 1 (34:11):
One of my favorites
is Pony by Genuine.
Okay, there it is.
Oh yeah To get it to.
Oh man, yeah, I'm one of thosetraditional lovers, you know
yeah.
So I got slow Right as far asmusic, making art out of it, the
R&B brothers don't last well,nah, nah man Right.
Speaker 2 (34:30):
As far as music, make
an art out of it, the R&B
brothers don't last well, no, noman no I like the silk shirts,
show the belly too much.
Speaker 1 (34:38):
Yeah, what were you
replacing?
Boys and men?
Hip hop age is better than R&B.
Speaker 2 (34:42):
I see the hip hop
dudes and I'm like whoa, Like
they look rough, they all gotbellies and dad bods and shit.
The hip hop they be like.
Oh, you know, they wear ahoodie, yeah, but I don't know
man.
So jazz is still wild.
There's a shelf life for R&B?
Yeah, there is.
There's a shelf life for this?
Yeah, and that goes on bothspectrums.
Speaker 1 (35:06):
That goes white or
black.
I've seen both of them turn outbad this white or black.
Speaker 2 (35:12):
I've seen both of
them turn out bad.
Yeah, you had to see a recentgenuine uh performance and
that's why I'm saying that theyfunny as fuck.
I bet yeah or uh aaron hallwell, you looked at me like that
.
Speaker 1 (35:20):
You asked me straight
.
That was that was.
That was immediately came to mymind right, wait, what do you
think?
You think?
Uh, we're sitting, we'resitting at 35, what do you think
?
Speaker 2 (35:30):
what?
What you cut it.
Speaker 1 (35:32):
Or roundup time.
No, I feel like asking you morequestions because they had
feedback.
Speaker 2 (35:36):
Give me another
question and now I feel like I'm
going to start asking questions.
Speaker 1 (35:40):
Okay.
Speaker 2 (35:41):
You feel me.
Yeah.
What are you working out to?
What kind of music are youworking out to?
Speaker 1 (35:48):
So I'm working out
cleaning.
If I'm stuck in a phase, I'mstuck in a phase.
So if uh, sublime, uh, 90s, uh,I'll keep it on gym cleaning
and just my, my regular drivingaround music so you're stuck in
a loop too.
I stuck in a loop yeah, noimmediately and that's yeah.
And then, like I said I did, Irecently switched to zach bryan
(36:10):
just to get some country inthere.
Yeah, but then I'll switch itagain, but then that'll be my
go-to.
It never used to be like that.
I used to have real hard rockand rap that I used to listen to
in the gym.
The playlist I used to have theplaylist and that was fire
playlist.
Shoot my playlist, bro.
I remember that the iPod.
I remember that the iPod theNanos.
Speaker 2 (36:30):
Let me hit that with
the Sharpie real quick.
Girl Number six is the hitter.
Speaker 1 (36:37):
Number three is the
banger Throw that in the boom
box.
Throw that CD, that mix.
I just made.
All this shit I just downloadedoff LimeWire.
Speaker 2 (36:46):
Have you ever dated a
musician?
Speaker 1 (36:50):
I actually, I got a
funny one for you.
I dated a musician.
I actually, okay, I got a funnyone for you.
I dated a stripper that was anaspiring musician.
Speaker 2 (36:57):
Yeah, she played the
harmonic.
Speaker 1 (37:04):
She had her own
little band.
She was playing at breweriesand stuff.
Her pitch was a little rough.
She was cute yeah, I thinkthat's how she got away with it
and the band was real solid,like the.
The instrumentals were realgood, but her singing was.
Her singing was fucking dogshit.
I'm not even gonna lie, yeah,yeah.
I took Jolene I took Jolene toone of those performances.
Speaker 2 (37:26):
It's always a little
odd, right.
When somebody's like fuckinggiving up, like oh, I'm devoting
my life to this shit, but I mether at a strip club.
And then they doodoo and it'sjust like yeah, I told somebody
their music wasn't good one timein a studio session and it
didn't go well In session.
He was very upset.
What did you say?
I said I don't like the song.
What?
Speaker 1 (37:46):
did he say?
Speaker 2 (37:48):
He said why.
I said I don't like it at all.
I said it just doesn't soundgood, I just don't like it.
Yeah, I didn't have enoughinformation, like I don't make
music, but I definitely know agood song on that shit, wasn't
it?
Yeah, yeah, and he was upsetand I took the room, I took the
energy out of the room, yeah, itwas fucked up that creative
process.
(38:08):
Yeah, but I assume that it waslike tattooing and tattooing
they will tell you your shitsucks I've seen and I I've seen
you do it.
Speaker 1 (38:16):
I've seen you do it a
nice way.
I've seen you do it in a not sonice way, telling people,
critiquing people.
Yeah, I've seen it oh shit, youknow, I've seen it yeah well,
because then I start, becausethen I start joining on that too
yeah, I try not to critiqueartists, man, I really I try not
to.
Speaker 2 (38:31):
I try and be um
understand the angle.
Speaker 1 (38:36):
I would say the
reception was well.
I don't think any of them hatedyou or that you deflated the
air out of the room, the same aswith that I'm sure you did with
that poor fucking singer.
Was he fucking rap artist?
Speaker 2 (38:53):
he was a rap artist,
yeah sometimes they need to be
told he was good.
He was good just didn't likethe song yeah, the song was
trash, bro, I got an ear forthis shit.
You, you can.
You gotta tell people.
Yeah, hey, man, if I'm goingdown the wrong road, tell me
where to go.
You know what I mean, and thatday I had the directions.
It's like, hey, you're going tomake a left and exit, cause
(39:15):
this isn't it.
Speaker 1 (39:17):
We, uh, we talked to,
we touched on this a little bit
earlier too, and we were justtalking um, how does the music
tie into your, to your, yourwind down, your mental health?
Like you're saying the, you'relistening to French jazz.
Speaker 2 (39:30):
Everything I do is to
music.
Yeah, everything is.
Um.
Unless I'm just working and Ineed silence, everything I do is
to music.
When I draw some music, it'sall.
The music is always picked bymy mood, um, not by the artists
that I want to hear.
Speaker 1 (39:49):
And you're not stuck
in a.
You're not stuck in a funkeither.
No, you mix it up.
Speaker 2 (39:54):
Life is too short to
listen to the same shit over and
over and over.
Every day, something new hasbeen created, and that's fire,
and I like to harness the newthings before everybody has them
.
You know what I mean.
So that is my love in the musicis finding something that's
going to be firing me.
Like, oh, you ain't heard thisshit yet, though.
Speaker 1 (40:15):
like listen to this,
though, like you got me laughing
because I use you as like aguinea pig in that situation,
because you're the one that putsme on a lot of this fire shit,
yeah, and I appreciate you forthat, and I and I will say I got
about a hand.
Uh, that's probably less than ahandful.
It's probably you and two otherpeople that do that for me.
I come up with different stuffthat I'm not accustomed to hear,
(40:37):
and they'll turn me on to someother really good music.
Yeah, one of them my massagetherapist does it too.
Speaker 2 (40:42):
He'll throw some some
crazy music my way too yeah, if
you guys are listening to this,please go to the feedback
section and put an artist inthat we should be listening to.
That is absolutely fire.
Speaker 1 (40:58):
I'll put up a post.
I'll put up a post for this.
Speaker 2 (41:02):
I also have an iTunes
account too that I put up my
playlist that I play in thestudio.
Ok, because I feel like thereis a big gap of shit that's
missing within the tattoo studioworld.
You know what I mean.
It's hard to fill all of thegaps for all the artists and
stuff like that, but so I'm justworking on my little piece of
(41:23):
the pie.
There's a lot of uh, backpackrap, uh, tranquil stuff, chill
things, you just all things thatyou can listen to and not be
affected by them or beinfluenced by the words.
It's just mode music and vibemusic.
So check me out on iTunes,y'all.
Oh, we got stickers too, guys,you feel me?
(41:44):
You want a sticker?
You guys holler at us.
Also, did you talk to anybodyabout the contact contest?
Is this contest going to beover by the time that they hear
this?
Speaker 1 (41:55):
no, no, this is a
yeah, this is a uh, so anyway,
that's that three by five tattoo.
I mean you gotta this is.
This is a pretty generous gift,that uh, that brandon's
raffling off here and I don'tshit away.
Speaker 2 (42:09):
This is the first
time I've ever given anything
away, and he even kind of made abig deal too.
Speaker 1 (42:14):
He was.
He was like hey man, this isthe first time he's like, but
I'm willing to offer it becauseI like how this this is going.
I like how this this show isgoing.
So three by five tattoo Ifyou're not familiar with the
tattoo industry, bare bonesbasic, you know 150 bucks right
out the gate, anywhere to youcan double that If you've got a
(42:34):
cool three by five inch tattoo.
That could be upwards of 300bucks.
Speaker 2 (42:37):
So I mean really palm
size, top of the hand really
really, really take advantage ofthis.
Speaker 1 (42:42):
And the only entry is
you know, like and share.
Like and share a post and thenjust start following us.
Start following the Instagrampage.
Speaker 2 (42:49):
Yeah, show some
support.
Speaker 1 (42:50):
I'll start writing
all your names down.
You know what I want to findinteresting.
Speaker 2 (42:55):
We'll have the
drawing live.
Since these motherfuckers ain'tlistening anyways, I could go
ahead and speak about it.
Oh shit, I find itmotherfucking interesting that
most of the support comes frommotherfuckers that I don't know,
rather than the individualsthat I do know, rather than the
individuals that I do know.
So if you're on my page and youfuck with me, tap in man.
What the fuck is y'all waitingfor?
Tap in Like, go check this shitout.
(43:16):
I'm not asking you to listen toall of them.
You feel me.
If you don't like this shit,then don't listen to it, you
feel me.
But at least subscribe to thisshit to show some support.
There you go.
It baffles me that I've beentattooing you motherfuckers.
I got 3,000 something followerson Instagram and get a tough 10
likes on a photo.
Speaker 1 (43:37):
Y'all just nosy?
Yeah, that's not.
I think that's what it is.
Speaker 2 (43:41):
So show some support
I should show some love.
And if you want me to supportsomething, let me know.
I'll do that for y'all, as longas it's not some bullshit,
cause I can't help you with that.
Speaker 1 (43:49):
And so you know, um,
I will some.
Some people have been uhreciprocating.
Some people have been wrotepre-posting our stuff that we
don't even fuck with.
Like I don't even know some ofthese uh Boulevard studio,
they're over in uh LA, you know,through a couple lines our way.
Just nice.
(44:10):
We've been getting some reallycool people.
Speaker 2 (44:12):
Just so you guys know
, Zach runs all the social media
and all that stuff too.
So if you guys are reaching outto him, that is exactly who you
guys are talking to.
You're talking to Zach.
A lot of the things I get whenI get the episode if we haven't
talked about it in conversation.
So that's new, that's dope.
I didn't know we were gettingshares and stuff like that.
Speaker 1 (44:29):
Yeah, yeah, and it's
nice because that is what you're
talking about.
I was showing other pages lovethat I didn't.
I didn't really know, I didn'tknow who they were, but I saw
their art, like their art.
Some good.
(44:51):
Some good black and gray work,different things, some good.
What's my?
Speaker 2 (44:55):
call what's, what's,
what's that?
What's that style like thatcholo type style, black and gray
realism yeah, some real goodstuff.
Speaker 1 (45:00):
But yeah, yeah, I got
some good feedback on that cool
yeah, man, this shit has beenfun.
Speaker 2 (45:09):
It feels good to get
an episode with just me and you.
Speaker 1 (45:11):
It's light yeah, we
gotta mix it up a little bit.
It's tomorrow.
Oh, tomorrow we got a heavy one, so this is good.
Yeah, let me get you that,since it finally loaded what's
that?
I'm gonna give you that that at.
I think they're worth aBoulevard Studio and they are.
(45:34):
It's underscore BLVD StudioS-T-U-D-I-O.
Underscore.
Oh, they're off SunsetBoulevard, Los Angeles.
Yeah, go ahead and give thoseguys a follow.
Let me see.
Yeah, check them out.
Speaker 2 (45:49):
Okay, that's right.
Yeah, check them out.
Okay, that's right.
Thanks for the support guys.
Yeah, boulevard studios, let'sgo.
What's your Instagram, boss?
You can go ahead and say it outloud too.
Okay, yeah, you're going to beable to check these pictures out
(46:10):
on my Instagram at B-MayingStudios B-Maying Studios, the
shop page, b2z Podcast and allthe other things.
So if you guys are interestedin getting some photography done
, we can give you all theinformation to our photographer.
He's really low key when you'redealing with people that take
pictures of celebrities.
(46:30):
A lot of the time they don'twant to give their information
up so that you guys won'tfucking bug them.
Speaker 1 (46:37):
I got a couple quotes
for you, if you're ready for a
roundup yeah.
I want to see how you, so I gotthis really cool one.
I remember we were talkingabout your monk friend, dave
Keneally, so we're trying to getsome really cool people on the
show.
I remember we were talking aboutyour, your monk friend, dave
Keneally.
Yeah, we're trying.
So we're trying to get somereally cool people on the show.
So this one is from TheloniousMonk musician.
(47:00):
He said all musicians aresubconsciously mathematicians.
What do you think about that?
I hate it.
I know you do, because you justsaid how they weren't alike
earlier.
I hate it.
That's why I picked it.
Yeah, I, I hate it.
I know you do, because you justsaid how they weren't alike
earlier.
I hate it, that's why.
That's why I picked it fuckinghate it.
Speaker 2 (47:17):
I mean, why take
something that's rhythmic and
then, uh, boil it down tosomething so dry as numbers?
Oh, numbers ain't gone, youknow?
Yes, I guess nor numbers createharmonies as well right If you
take a scientific approach to it.
Speaker 1 (47:33):
yeah, Anything could
be math.
Speaker 2 (47:35):
In a homo sapien
world, because numbers are
things that we've created andall of this other stuff.
But sound music is natural,yeah Right, so it shouldn't be
equated to numbers.
Speaker 1 (47:49):
You said, leave the
numbers out of it.
Huh, then I got another one byDuke Ellington.
Speaker 2 (47:55):
You hear a good song,
you're like damn, that equation
was amazing.
Speaker 1 (48:00):
I will tell you this.
Certain music used to help meremember physics equations and
math equations.
Yeah, certain types of musicused to, and I used to re-sing
that song back during the test,and it would help if any of you
guys are taking a test or stillin school.
Speaker 2 (48:19):
Interesting.
Speaker 1 (48:19):
If you want to mess
with some music therapy, it
works.
But I got another one from DukeEllington.
It says you'll like this one.
The wise musicians are thosewho play what they can master.
Speaker 2 (48:32):
The wise musicians
are those who play what they can
master.
The wise musicians are thosewho play what they can master.
Speaker 1 (48:39):
Yeah, duke Ellington.
Yeah, do you think what?
Do you think that's just abullshit quote, or do you think
that that's pretty?
Speaker 2 (48:44):
deep.
I mean that is a wise choice,it's a no brainer.
Speaker 1 (48:47):
Yeah.
Speaker 2 (48:47):
Yeah, duke Ellington,
yeah, I, I mean, that seems
like one of those ones.
Because he's famous, they givehim a little bit more credit
than what he deserves.
On that, that's very logical.
Yeah, of course, fucking ofcourse.
Yeah, if I'm better at this,but I feel like.
Speaker 1 (49:00):
That goes back to
what we were saying earlier
about the different artistsgoing outside there, like post
malone.
Maybe you should go back tostick, which you mastered, the
white ivory song.
Yeah, you, you, you master, youmastered what?
You were aton, yeah, you, you,you mastered, you mastered what
you were at and you jumped inthe country.
Now was a couple was jumping inthe country just to get more
likes you know, just like, justlike how beyonce went country,
(49:22):
just like how you know.
So so what is that?
Speaker 2 (49:25):
it's kind of like
tattooing.
I look at it like that, right?
So if you, either youspecialize or you don't, right,
if you specialize in onespecific style of music, you're
going to master that style andbe very well rounded at that.
If you operate within allstyles and you'll probably be
well rounded, but you won't be amaster at one, yes, I can see
that.
So, um, that's such a hard onebecause they're creating for an
(49:52):
environment that is foreverchanging.
Um, so if you do the same thing, then you're going to fall
behind, but you also can't gotoo far off of the spectrum like
Andre 3000 and go with the flu.
Speaker 1 (50:04):
Ah, I tried to put
his music in the background of
one of my posts the other day.
Speaker 2 (50:10):
Did he kill it?
Are you fucking kidding me?
Background of one of my poststhe other day did he kill it?
Are you fucking kidding me?
This is one of the best mcs ofall time and you got your dumb
ass a flute.
If you don't put thatmotherfucker away and go write a
16 and just shit on everybodylike, oh, you've done all you've
wanted to and rap, fuck off, sonow you're on a flu.
No, you took some good drugs.
(50:31):
You feel me?
You you're.
You re-centered your life in adifferent position.
But stop bringing old shit intonew shit.
If you want to play the fuckingflute, play the fucking flute.
Speaker 1 (50:40):
He thought it would
hit, yeah he thought the flute
would hit.
Speaker 2 (50:43):
That's what happens
when you're a fucking star and
you think you could do whateverthe fuck you want and you have
these, uh, and then people werelike, oh, that's fucking amazing
, yeah, oh, oh, my god, it wasso groundbreaking this air
through the, through the woodentone of the and what I guess I
(51:03):
don't like elementary schoolrecorders.
Bro, like I'm not a fan of thatjust because it's too extreme.
You come from a mastery of oneand assume, because you're
famous and you're able to get towhere you need to be, that your
talent got you there.
You're you playing the flute.
If that was me playing thosesame songs as Andre 3000, do you
(51:27):
think?
Speaker 1 (51:27):
oh, the reception
would have been completely the
opposite.
Right, yeah, right, and it'sjust like but Erykah Badu fucked
him up 3,000, do you think?
Speaker 2 (51:32):
Oh, the reception
would have been completely the
opposite.
Right, yeah, right, and it'sjust like but Erykah Badu fucked
him up.
You know, after thatrelationship he was never the
same.
Yeah, another one Down.
Wild lady, I mean these womenout here.
Oh yeah, they'll kill himRelentless.
Speaker 1 (51:47):
Undefeated.
Any last minute shout outs.
Speaker 2 (51:52):
Last minute shout
outs.
I kind of want to talk aboutcontroversial episodes in the
next few.
Okay, you know, somebody was.
There was a therapist that Itattooed who wanted to talk
about sex.
Yes, yeah, she, I got her card.
We tapped on that a little bittoday.
Speaker 1 (52:06):
Which I thought was
fucking wild because she was
older.
Speaker 2 (52:07):
Oh yeah, I was
fucking wild because she was
older yeah, Older white lady ofcompletely different than like
what I would.
Who would ever talk to me aboutthe shit, what'd she?
Get.
She got a autism butterfly, ohnice.
And her husband got a key, Iknow a dog tag.
Okay, a dog tag, she's like,yeah, she's there.
(52:29):
But she said she wanted to talkabout that sex, which I do too.
So I find that a fun topic.
I want to continue to bring upsome fun topics.
I want to talk aboutrelationships again.
Speaker 1 (52:38):
Yes, you feel me that
one babies, yes, again you feel
me yeah, whenever we're readyfor that?
Yeah, wink, wink whenever we'reready for that.
Oh, I'm having, yeah, so yeah,I got a baby boy coming in
October.
Yeah, oh.
Speaker 2 (52:52):
They had to wait
until the end of the episode to
get that.
Oh, you got to see it.
Speaker 1 (52:55):
And I actually just
put the link on to the.
I never ask for handouts oranything, but I got the link to
my registry on my page.
If anyone wants to jump on that, yeah, go ahead.
Speaker 2 (53:06):
Feel free to jump on
that Use promo code.
Speaker 1 (53:07):
It's a bar Baby.
Speaker 2 (53:14):
don't use promo code,
it's a yeah, you, baby, baby,
yeah, yeah, yeah,congratulations to this man
right here.
Man, um, we've been goingthrough a lot, uh, to get these
episodes out for you.
We've been having fun doingthem, but we've also been
dealing with highs and lows,because we get so excited to
give you an episode and thenreality sets in and it kind of
jolts us back down and you knowwe're we're human beings too.
Um, we appreciate everybodythat's listening and, uh, thank
(53:34):
you you guys, um, from b to z toyou guys, if you're listening.
Thank you so much, zach, goahead and, uh, bring us on out,
brother yeah, absolutely.
Speaker 1 (53:44):
just to reiterate
that.
Thank you very much.
Um, I feel the same way.
Uh, brandon, I appreciate allthe support so far.
It's been a lot and I neverthought it would get this great
this fast.
So thank you again.
Like, subscribe, follow thepage if you haven't already, and
(54:28):
have yourself a great day.
Bye, thank you.