March 3, 2024 • 103 mins
tep into the Fierro Time Machine with Toscano & Chang as they transport you back to the electrifying era of the 1980s! Today on Back to the 80s Radio, buckle up for a journey to the pinnacle of music history as our dynamic duo ventures to the year 1985.
In this special episode, join Toscano & Chang as they embark on an unforgettable quest to witness the greatest concert of all time! Feel the pulse of the neon-lit decade as they immerse themselves in the vibrant atmosphere, surrounded by iconic sounds and timeless melodies.
From the infectious beats of pop icons to the raw energy of rock legends, our hosts will guide you through a kaleidoscope of musical brilliance, capturing the essence of a bygone era that continues to shape modern music.So tune in, turn up the volume, and let us take you on a nostalgic odyssey through the golden age of music, right here on Back to the 80s Radio!
Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.
In this special episode, join Toscano & Chang as they embark on an unforgettable quest to witness the greatest concert of all time! Feel the pulse of the neon-lit decade as they immerse themselves in the vibrant atmosphere, surrounded by iconic sounds and timeless melodies.
From the infectious beats of pop icons to the raw energy of rock legends, our hosts will guide you through a kaleidoscope of musical brilliance, capturing the essence of a bygone era that continues to shape modern music.So tune in, turn up the volume, and let us take you on a nostalgic odyssey through the golden age of music, right here on Back to the 80s Radio!
Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:26):
And a happy week to every singleone of you listening. This is the
one and only back to the Eightiesprogram. Today is a very special show,
ladies and gentlemen, because Chang andI are going to be taking the
Fierrero. You know what, CarlI'm talking about. You know what I'm
talking about. We're going to betaking the time machine and today and only
(00:50):
today in the history of broadcasting,we're taking you along for the ride.
And we're not just going anywhere.We're gonna be no bad see drivers.
And by the way, Chang,unfortunately you're not allowed to be driving.
You know you've got a suspended license. You know that's a driver. Yeah,
well you know you keep you keepblowing smoke in the officer's face.
(01:11):
Well, I'm going to take alicense. Got glaucoma Okay, anyway,
welcome aboard. We are going tobe taking a ride to nineteen eighty five
and we are literally going to takeyou along for the ride because we have
front row tickets to live a Ohwell, now, Toscano, we have
(01:36):
to get down to pick up thevehicle. The mechanic. The mechanic just
called. They said they sent anuber and the guy's name is tavier.
He's supposed to be in a blackPrius. He might be outside of the
studio right now. Let me seeif sure, Well, let me call
Chip, see if Chip can goout and look through the window. Chip,
(02:00):
Yeah, yeah, Chip, canyou go out front and see if
hobby areas out there? He's ina black Prius. Chipper and oh,
bring me a lighter from A andPM across the street. Of course,
changes the battles lighter. Also tokeep in my one point five billion people
watch LIVEY in nineteen eighty five,and it was held in two places at
the very same time. Oh tuscano, Chip said, there is a Prius
(02:23):
outside and we can get this studioequipment and and sow in the backpacks because
we got a roll. We gotto go pick up the car. Yeah.
Absolutely, don't forget to join ushere back to the eighties when we
come back, because we're going tobe taking you to both Wembley Stadium and
John F. Kennedy Stadium as Philadelphiatakes part in Live AID nineteen eighty five.
(02:46):
I'm back to the eighties. Radioten, nine, eight and seven
six five. Lady and gentlemen inRock and Roll on TV has in heralded
as fresh and innovative and criticized forbeing shallow. When MTV first hit,
(03:07):
this was the biggest talk in theuniverse. MTV drop of grenade into our
world. Everybody was watching MTV.People had to oline the radio. TV
made international stars almost overnight. Wehad no idea what was going to happen.
Because of MTV gave a visual representationto the artist that they did not
(03:30):
have before. But you never lookedat music the same way. Again,
ladies and gentlemen, I'm shadowing Stevensand you must listen to Back to the
Eighties Radio. It's the law.Welcome back to Back to the eighties Radio
(04:03):
with Tiscano and Chang. We areback. And that's right. We're going
to live a today some of youall. It's going to be magnificent.
Anyway, we just got to themechanic shop. We're gonna go in right
now. Tiscana was wrestling around thewas his wallet because being Italian, he
(04:24):
is very very guarding of his wallet. Okay, let's go on a tuscano.
Look at that. Look at thosetrophies. Long. I mean,
these guys are the real deal.And you know what, I like that
every time we come in, there'ssome very nice scent and doesn't smell like
an ordinary mechanic chock much. Ican see our fierro back there waiting for
(04:45):
us. It's nice and yeah,shined up. You know what, have
you noticed all the female calendars upin there? I guess not too many
field male customers. You know?You know what, I'm going to ring
that bell. See if somebody comesto the economy. Yeah, hey,
anybody back there? Anybody back there? Yeah, hold your horses, Hold
your horses. I'm coming. Oh. Oh that sciatica. Oh oh,
(05:14):
sorry about that. What can Ihelp you for? You fine, gentlemen?
Oh, we came to pick upthe fierro. I guess we never
met personally. I'm Chang. Thisis my partner, Tiscona. Oh you
must be. Oh you are theyou are the infamous chain. Wow.
I tell you. You know whatI told I told my my house assistant,
(05:39):
her name is Guadaloupi, and Itold her about you, and she
told me. You know what shegets there? She told me Silencio scio,
now rusty right, no, no, the rusty he's over there.
My brother, my friend, mycompatriot. I'm Zeke. Oh well you
(06:00):
guys sound the same, oh zeke, Yeah, we came to pick up
the Fiero. We had to tuneup. Uh, we're taking a trip
today, So is that bad boyready to take a trip back in time?
It's ready to go. But Ilet you know, you know,
I put all your guys and stuffright behind there, the little compartment because
last time, don't tell, don'ttell, Rusty, I told you what
(06:21):
you saying over there. Hey goddamnit and Sam city slickers all reckon,
Hey, hey, hey, howyou fail as doing man? You bought
if we get a selfie in frontof the shot with UQ exquizing gentleman and
he's an honor doors to work onyour vehicle. That is bad making us
(06:42):
look bad. You probably smell likebud Wise there maybe bud Live. Nope,
Nope, nope, no more bludWise are here on my strike.
But I was gonna tell these finegentlemen that we took the Fierro for a
spin last time. He was prettygood. Man. Man, That son
(07:03):
of a monkey can fly and literallyfly. Hell, we thought he was
just a regular little party at Pero. You know something on the stream,
like a little spider. You wantto sit on in the corner. But
this thing pick up and we wouldfly across. We were up there with
c HP helicopters. Man, we'rehere to pick up the Fierra. I'm
(07:27):
gonna be driving Chang unfortunately. Changunfortunately can't be driving for a while.
He's got his license suspended. Guys, you boys are gonna have a great
time. Fierra is good to go, just generally polished here by my compider
here. And uh, don't trustanything this Rusty tells you. He's always
putting stuff in the global compartment.Just give us the key so we can
(07:48):
go. All right, Rusty,quit dreaming and get to work before you
end up like last time, goingto the emergency room with a black eye
that I have to give you.Anyway, all right, boys, here's
the keys. Hold on, wait, hold on, I got some stuff
from my pocket here. No,no, let's just change what what what
(08:11):
the hell? Loose seals lingerie?How'd that get in there? I got
some of your sister's lingerie? Andright here? Anyway, let's get these
boys out in their car. Whereare you boys fixing to go today?
Well, actually, guys, we'regonna be taking the fear. We're gonna
be going to nineteen eighty five toa big concert. It's called Live Aid.
(08:33):
Have you guys heard of it,because that's where we're going. Oh,
I don't know. I was atthe US Festival in San Bernard.
I heard of it, Alifornia.I heard of it. Rusty went to
the other one, the one withall the bad sound and all the mistakes
the engineers are making. Even quietright, couldn't even get their riot going
(08:54):
anyway? Boys, Oh man,it was I was d railed anyway.
You fellas better get the hell outof here. You've gotta go somewhere because
it's me and his sisters. Oh, it's our anniversary, and you know
we gotta not boots to die,if you know what I'm talking about,
my skate boots. Gosh, dang, Rusty, that's it. I can't
(09:18):
stand no more. That's it.Come here, boy, you boys better
get the hell out of here andget back to the eighties. Mane God,
let's go. You better not putyour heads on me and dad is
my body. I want to betaking your sister downtailed when we thought eighties
(09:39):
paties were laying, that's because wehad lived through this decade yet you're listening
to Back to the eighties. II changed that. These guys left the
funeral running perfectly. We look,we're already here, the seventy two thousand
people here. I'm the state inthis place. Man, Jesus passed.
(10:00):
Where we're gonna park this thing.We can park anywhere. We're in the
sky. They don't even know we'reup here. We pulled down there behind
those trucks. You know what,there's a by those porta potties. I'm
gonna park right behind them. Dothat all right? Uh, well,
do you know what. Let's uh, let's go check in. We got
we got our press passes. Wegot to go see where all that's Yeah,
(10:20):
got everything in order. Yeah,we look legit. Oh yeah,
there's the bouncers over there. Yeah. I think we're good to go.
Man, we're ready to go.All right, we gotta let's go.
Let's that's that guy. Excuse me, chap uh tis Kano and chang back
to the eighties radio. We haveour backstage passes and we're with uh uh
the media. Oh, brilliant boysfrom United States. Brilliant this way they
(10:46):
there's the whore. There's a whojeez, stage We recognize that here anywhere.
Look at the size of this placeand look how many people are here.
Yeah, this place is gonna park. You know what, what does
that sign say? Thirteen military satellitesare transmitting this concert to people across the
(11:11):
Wow, it's going to be seen. It says here by one point five
billion people around the globe? Isthat Adam ant is a Look at that
guy he's got Look at that guy? How could you miss that guy?
Can you believe that guy? I'vegot more women dressed like a colonial Indian
(11:31):
and who knows what? So Ithink we made it just in time,
man, we made just in time. I think he's about to perform this
first song. I guess you knowwhat, he's not my favorite, man,
He's not my favorite, but hey, we're here. I love it.
Lady and gentlemen, I can't believeyou're here for the ride. So
just to enjoy what we're enjoying.You know what, man, why don't
(11:54):
we go ahead and just said everybodylistening to this right now? Adam,
I'm going to take this stage.You are listening to Back to the eighties
radio with Tuscano and Chang, andwe are back to nineteen eighty five.
Yere at Live eight backstage. We'regonna go ahead and take you via to
the backstage for the show. Here'sadamant. Don't you go nowhere. I'll
(12:39):
try to tell you, but youjust don't understand. You got my hands
out in your mind. You don'tknow Roger, don't you gotcha? Don't
know what it got? He's beingto see each way be smart playing about
(13:05):
a d day. People live aride, Peter live ride. Don't know
what you listen. I don't knowwhat you got rock? Come on on
(13:33):
me to the rock and then I'ma friend. It's not a no,
it's Johnny. He's calling your blood. People love rock, people love right.
Don't know what you doing. Youdon't know what it is what the
(14:05):
rock MAPA frock is gonna sell?Say thank your tae did not to too
(14:33):
funny passing bag Bay, Thank youdid not to two? I bet you
b bunny myss name he stretch yourNklet you want me scratch your mom?
I gave me cheese just a pickleTa ta be lot of scoll I tell
(14:58):
a feeling same Bay to Tad Jayback to turn and Dad about sabag Bay
(15:20):
on you dang it, sad getback to tell dead him by savage to
the morriments out of the world.There you a I wanted to help me
(15:54):
sing this old Northern English folk song. There's nothing you can do the camp
and din there's nothing you can seeyour campus sun, nothing you can say,
(16:15):
but you can learn how to playthe game. See say, I
you need is love? I inneed is love? I in need is
love? That song to be?There's nothing you can make the camper made.
(16:47):
There's nothing you can say. Thecampas saved. There nothing you can
do, but you can learn howto be in time. See you said
I in need is love? Arein need? This lave I need is
(17:10):
loave love I love A song inneed love love love love love love,
(17:36):
no lod love love loved. There'snothing you can know that, this is
no nothing you can see that thisshow no way you can eat it.
(17:59):
It's away supposed to be. Seesay, I you need this, sir,
I I you need us? Thatus all here? A you need
(18:30):
this? No thats all why youneed it? Ah you need this?
All you need is lost? Iyou need ah you need It's a love
(19:07):
us. Welcome back to back tothe eighties. We are live and alive
here backstage in nineteen eighty five atLive AID and you just listened to Adam
and Elvis Costello. We are sittinghere looking at history. I mean in
(19:33):
nineteen eighty five. Uh man,I was barely out of high school two
years you know, as a matterof fact, nineteen eighty five, when
we were going back in time likewe did right now. One thing I
would love to do save my rainmy buddy Rainy's life. He died in
nineteen eighty five in a motorcycle accident. And man, he would love this
(19:53):
place. Look at that. Lookat there's Judas Priest o world. Look
at that. The priest isge isman. It's look look as a Look
WHA's arriving, Billy Ocean's arriving.Paul McCartney next to them. Oh my
gosh, it's this is gonna begreat. Man. I'm so excited.
I can't believe I'm actually here withyou and with everybody listening to us from
(20:15):
around the world from the future.This is incredible. I mean, you
know what, Tuskana, We're goingto have to try and get some interviews.
I mean, bottom line, we'regonna have to yeah, I think,
who's that coming up on? Oh? Shoot, we are live in
Live aide. Black Sabbath is takingthis stage. Don't you dare go anywhere?
(20:40):
Tuscana is going to be drinking holywater shots after this, then Black
Sabbath right here at Live a don'tyou go nowhere? We are live and
alive in nineteen eighty five. Backto three eighties radio set. Tres fine
(21:18):
a man, God see, God'llplease you. Anybody you don't think I'm
excited? We got die from anothertime. I think you got me got
(21:41):
say five notting six term says,but we can see ninety fine, don't
find something turn back? But canyou help me? Thank you? Whoa
man? Why someone to something youdon't think to another? I don't say
(22:19):
so dow shot off? Oh nowI'm gonna show me off. I not
(23:37):
joked, know, sorry you willthen do so don't be live? Oh
no, that's so so nasty,said, Why don't you don't pos cod
(24:07):
b I do not bless able less. It's as my cats love bad sound.
(25:21):
But that's really about a mon Iam all out, so I came
aloud in a new line. That'smy side as a man. Ris My
(25:45):
cats bad sound now but a proudlook like sad feel all it nobody,
I say, oh need you asRay saying I'm onside saying this morn is
(26:14):
a rack back to Ray every nineteenbocat like ye now I fill it's true.
(27:11):
As Alex slocking it out, Isaid, my sn but you want
star sny. That's bad to adult. That's a man nicing my bad t
(27:51):
a Dolts. Welcome back. Thisis back to the eighties radio. We
(28:26):
are here live, ladies and gentlemen, for the first time in the history
of broadcasting, in the history ofthe world. We are in nineteen eighty
five thanks to our time machine,the Fuerrero, and we are here at
Live AID. Nineteen eighty five isthe year you're listening to us from the
(28:47):
future. That was Black Sabbath andoh yes, Chang's ultimate favorite band,
Judas Priest, And you know whatchanged. I just can't believe all the
people that are here. I mean, look at that look look at that
chick. She no longer has clotheson, and they're just bouncing her off
of the people and oh my gosh, you just ate it. She was
(29:10):
on the shoulders of that guy.She just fell backwards. Oh shoot,
man back if you catch compete withus right now? Oh my god.
If I was a member of thevice squad, everybody here would be arrested.
I have not. It looks likeit is snowing on some of these
tables if you know what I mean. I mean backstage, it smells like
(29:34):
it's my living room, doesn't it? To gosh? And I thought,
and look at the size of hislips. Holy cow, man, look
at that, No wonder he landsthe women. Look at those lips.
Sheeees Jesus. I haven't seen lipslike that, only on a bass when
I went fishing. It looks likehe sucks on baby pacifiers for a living.
(29:57):
Holy smoke. Well, man,just call him. I mean,
I could change, Honestly, Icould not have asked for. This is
the best thing that I've ever beento ever in my entire life. This
is final. This is a drink. I'm true. I gotta agree with
you, man. I mean,oh you know what, tonight, ladies
(30:17):
and gentlemen, we're gonna be kindof short. We're gonna have to dodge
in and out because there are somany acts coming up, and they're not
going to wait. Just to listento a couple of bozos. They don't
even know who the hell we areback here anyway, Coming up, we
are going to bring out a newgame for back to the eighties. We're
(30:41):
gonna see if maybe we can tossout the game on some of the artists
out here. The game we're goingto bring to you. We're going to
invite all of you to get involvedon social media right us here? Uh.
And the question is where were youin nineteen eighties? And what it
(31:03):
is all about? We're asking youwhere were you? Where'd you live?
What were you doing? We'll giveyou a quick example to scannell, where
were you in the nineteen eighties?On metal, glam or heavy? What
did you prefer? Where were youat? I can tell you definitely I
preferred glam back then. Heavy heavymetal was actually a little bit scary just
(31:26):
because of everything that was going on. Hold on, hold on, I'm
gonna ask hey, guy, canI have a coke? Yeah, cherry
coke. Put a little bit ofa yeah, yeah, put some of
the adult juice in there, allright. So yeah, I was preferring
glam metal because everything that was goingon, especially in this year nineteen eighty
five. You know, there arepeople scared of all the designs of the
(31:52):
hardcore metal shirts, and they wouldjust say this stuff, that it was
all satanic, and so that gotme a little afraid back then, but
I definitely preferred and I had noidea. Man, I had never taken
the time to actually listen. Soit was my ignorance as a kid.
But now that I'm an adult,I get to enjoy a lot of what
I missed out on. I tellyou, man, you you spent too
(32:14):
many years wetting yourself and drinking holywater when you were missing out on some
of the most fass kicking metal ofall time. My brother, I did,
But I did enjoy me that glammetal, of course, even though
I agree and I concur with themajority of the people that glam metal came
to destroy rock as we know,Yes, sure as hell did. Of
(32:36):
course I did. Ladies, gentlemen, here back to the eighties. We're
set up for another act. Thisis Ario Speedwagon, and I can see
Rick Springfield in the back here onthe one and only show that's gone back
to nineteen eighty five. Here Liveeight Back to the eighties Radio. I
(33:04):
can't fight this feeling many longer,and yet I'm still afraid to let it
fly. What started out is stretchhas grown stronger. I only wish I
had the strength to let it show. I tell myself that I can't home
(33:30):
that forever. I say, thereis no reason for my feeling, because
that is secure. When we're together. You give my life direction. You're
making everything. So I'm keeping youin sight. You can't in the wind,
(34:01):
the cold winds by agetson, andI can't putting the speed, and
(34:22):
I forgotten no started find col It'stime to bring this shipmen to the shoulder,
throwing the store it as. Ican't fight this speed, and in
(34:44):
mole I forgotten what I started by. And if I have control floor from
questioning, Oh God, maybe Ican't fight the speed and any anymore.
(35:29):
Now I don't have to flee sucha otter win. Since I saw you,
I'll been running around in circles inmy mind. They ain't all the
seats. It'll fin out in you, girl, Could you take me to
(35:49):
the places let alone? Nine millfive even else world, I'm keeping you
in sight. You can't live thewind, oh god, winds by my
(36:19):
way. I can by this speed, I forgot, but I started five.
It's started to bring this shipmen tothe shore and throw away yourverse forever.
(36:44):
Because I can't buy this speed.I've forgotten a lot started five fall
and if I have to crawl ona don't crashing in the adult. Maybe
(37:05):
I can't find this speed and animal. I can't find this feeling anim for
me. This guy, it's sogood, it's go amount of favorite.
(37:44):
He can a rock your right.I thought the worst break for you,
(38:30):
So s sis suppose s he hadlive and live here of man no other
(41:22):
than live at the benefit Here it'sall about humanity. Music is the one
thing that creates unity, such ascomedy, and boy, you are in
the right place. You are gettingsome of the best music live and of
course some of the kings of comedy, as in Tuscano and myself. That
(41:43):
was some a Reo speedwagon. Ohman, that's a story for another time.
I pissed that guy off at aMark and Brian golf event and I
called him I thought he was MattDavis. Man. He climbed up my
ass like a terminor a kick ona dog. But here's the thing,
Chang, you did not mistaken forsomebody else. You did that quiet on
(42:07):
purpose? Hold on, hold on, they're delivering means something here in a
little bad that's a little green bag. What's in here? No? Oh
shoot you know what? Yeah,that's this is yours. Yeah here,
it's not it's not fine. Heretake that. Take that that's yours.
Hold on, yeah, no,thank you, thank you. I appreciate
it. Oh for me, forme? Okay, he said, take
(42:28):
a Bible with inside. So herewe go. I you know, it's
to that ship. Couldn't fit inthe fire. But he did go with
some jays, So that's going tobe nice. It's going to be really
nice. Yeah. Wow, Hey, thanks a lot, buddy. Really
good. Whatever this is that they'regiving me takes pretty good anyway. So
I just found out. I justfound out that a backstage more than seventy
(42:54):
artists. We're we're going to beperforming here. Wow, they're going to
be performing over sixteen hours. Okay, but a lot of the artists that
were announced in the press conference reallythey weren't were not even booked for live
aid. So basically, four weeksago they had a lineup. The artists
(43:16):
didn't even know they were going tobe performing. So when they found out.
They were all shocked. So alot of people here they're going to
be performing today, had no ideafour weeks ago that they were going to
be here. So I guess there'ssome some big mix up. I don't
know what happened, you know,but that's some of the stuff that was
going down. The power of music, bro, especially if it's for a
great cause, just like this concerttonight. It's for a great cause.
(43:38):
It's a benefit other than the listenerfor the listener, but it's also getting
two people in need. I mean, that's what we should all be doing.
Man, I'll tell you anyway.You know what, Here we go.
We've got to go back to thestage coming up. Oh man,
we've got contruck between a pop OhLord, have mercy like a verge.
(44:00):
Madonna has chosen the stir is sogood. God, get get some grease
because man, she's gonna be soapingup the stage. You were listening to
Back to the eighties radio with Tuscanoand Chang Live and Live that Live Aid,
and here is Madonna coming at you. So remember, Oh, it's
gonna be a odd when I'm gonnaneed a cigarette when I'm done one day.
(44:54):
Lie it would be sun that's we'regonna have a rage. What for
(45:15):
you's not even it's not cons forgetYeah, one day to making better.
We need to have a day returneda half day, Oliah, Oliah,
(45:39):
you do, said her? Noone right? One day black hello day
it would be Sunday. We canturn this world fall and bringing back all
(46:15):
those help me down, which yourchims down? Come on? No time,
said up n shop and bring youwill? Oh wait you count get
(46:36):
makes pay better we need. Ifwe took your husband took some time to
come fen wap you, you wouldbe done. Aliah, Oliah, the
(47:05):
fuck that fan of ride. Igot to to day. I was gonna
(47:46):
take this time and thank everybody forcoming here today. You don't have major
quote unquote stars here playing by Youknow. It doesn't matter who you are.
It's why you're here. And I'mglad you're here. But do you
(48:08):
want to use the more? Iknow you be the bad so right?
(48:31):
So everyson has that spread just wonderpace you gracious, never use very coday
(49:01):
tell you fred joke. Don't yougot no rid read not to the to
(49:27):
the sap takes no time to justone day? I lie? Oh yeah
you will be. So we wannaask this one thing, and that is
(50:04):
if you have a light tonight,we want you to light it up and
show the world that you care becausethey'll be seeing this. So when you
join me and say hello Philadelphia,say hello London and say hello world,
(50:31):
just don't happen that you don't havea light. Want you to raise your
hands there anyway. Can't you dothat? Feel it in your heart tonight?
We love you too, because rightnow we wood alie to share,
(50:51):
to die getting tired with all ofyou to night, share a lie?
Yes we good lies. Shall youdie with all love you shaving a lie?
And if you sitting down we sayit. Say every greatbody stand,
(51:15):
dumb man see, come at abouta car and just say I love you.
Say do it with me, God, every greatbody stand, dumb man
see And to say I love you. Don't say we just singing with me
(51:37):
and say I love you, Ilove you, I love you, my
God, I love you, Ilove you. Oh yes, we do
with me, say I love you, I love you, I loved you,
people, I love you, Ilove you. Oh yeah, oh
(52:10):
my god. I have never seenMadonna the way I just saw her today.
That was Madonna. Here back tothe eighties radio. Thanks for joining
us here as we have traveled backto nineteen eighty five. Here live Aid
Chang. Can you believe it?And we just heard Cool and the Gang
as I have never heard it before. I've never seen it. Look how
young they are. Look how youngthey're That's what surprises me most. By
(52:32):
the way, it's ladies not allover again. Oh look at there's the
Prince, Prince Charles. But nowyou know in regular time. Wait,
sir, is there way we canyeah back there? Can we speak with
the Prince? Yeah, it's JascontolandChang, Prince Charles, Prince Miss Hello,
(52:58):
Prince, your majesty, how doI call you? Prince? Mister
Prince you could refer to me asCharles. I don't think we met previously.
Who are you two gentlemen? Wellthis is we are a duo from
the radio. From Hold, I'llbe right there. Mother, my mother
(53:21):
talk for her to get around.Well, that's funny, I did see
Princess Diana. By the way,one you are one lucky son of a
biscuit. Anyway, Prince, youknow, just we are just going to
win Chang from a radio show inLos Angeles and we're just here. What
do you think of live aid?I think it's a royal evening to everyone
(53:46):
to come together for such an event, a giving of themselves and dropping the
schedules and showing up. It justshows you what the United Kingdom, the
UK United Kingdom is all about.And these great performers that I would night
(54:08):
all on my own, but unfortunatelythey're using the sword to chop up lines
of cocaine backstage. Okay, Chris, great, well are you Americans so
rude? You asked me a questionI must, but now please finish my
(54:34):
answer. I will be king oneday, all right, do you understand
me? Okay, you'll have yourpast that's gonna be short lived, take
it away and brought up in peace. Anyway. Oh the hell listen,
since this is now, as Iwas saying, such a great, great
evening of music, and oh yes, it's a joy to be here.
(54:58):
It was. It's a joy tohave you Americans here taking in these festilities.
Here, you boys, take iteasy, Bob, all right,
Prince tutelu to you, all right. I was just going to tell the
Prince Chain that ten percent of thesales of every ticket. Okay, just
(55:19):
today here in at Live eight aregoing to be donated to the Trust to
support the ongoing global efforts to helpout the humanitarian crisis in Ethiopia. And
you know, I think they're scheduledto they're going to raise over one hundred
and forty million British pounds, sothat that should be good. That should
(55:43):
be good. Anyway, Hey herelook at that. It's oh it's not
my favorite band. Oh no,anyway, ladies and gentlemen, this is
back to the eighties radio. Hereare the pretenders. Un back to the
eighties. We hat turned the worldthat night and this in the past.
(56:07):
We then pastime and now back inthe baes, back on the tape,
back on the train. Game simplesince beyond our control. Oh the TV
(56:39):
is a use in the world.Got in the house like a ligion of
house. Oh just send in myeyes and just said that fies. It
was back on the train, backon the chain. Gain. How was
(57:31):
it forced us to live? That? They do bring me some money?
When I see what they're done todo downs us down to today the deep
(57:51):
in my heart, don't go towin one day go by as I start
chilling you because with the happiest daysin the line the King, the line,
(58:19):
what's her past? Wretched life?Oh love back, all the change
that, all the shaken excise mesee you again. I don't mind you
(59:21):
coming here, wasting all my time, because I understanding now. So yeah,
I try to lose my mind.It's not the book you're got too
well, it's not a rhymings inyour health. And I don't know you
(59:42):
coming here. Don't wasting all mytime. I don't know you hang it
(01:00:04):
out. I'm talking in your sleep. It doesn't matter where you're been,
as long as the steep. Youalways need to worry well, and you
look so fancy. I can tell. And I don't want you hang it
(01:00:24):
out. I'm talking in your sleep. And if you just want to need
that, I need you someone thefreeze. How is you just want to
need that? I need you someonethe lead? Yeah? How will you
(01:01:02):
come me here? The boy?Still know my DoD. It's when you're
standing out so I kind of losemy mind stopping not to well it's nobles.
No, I don't know what you'regoing here. Just keep it about
(01:01:28):
home. I just want just nothing. I need a so to fee.
I just don't just want to leavethat. I need you so much to
sad you just let back to theeighties Live and the Live of Live Aid
(01:02:24):
backstage, chang here, Tiscott nowinchang And that was Chrissy Hind and the
Pretenders at all Man and the Cars. What a great band. This,
This is a band I wish Iwould have gotten to see in my own
past in the future. Unfortunately twoof these guys die. I don't want
(01:02:45):
to say, and you know,break anybody's bubble, but we are back
in the past. The Cars,what a great band the Cars was.
I don't know. I never likedthem. I never could you not like
the Cars? Wait? Sorry,I the Cars, I like the Tenders.
I never liked I never liked theband, The Pretenders, Chrissy Hind,
great fire, exactly hard, poorrock and roll band. I couldn't
(01:03:08):
stand. Just like right now,I had you saw me afraid. I
went backstage. I went backstage andI had me another sandwich, had me
a couple of drinks because I couldn'tstand her voice, and you know,
more power to her. But theYeah, the Cars are fine. You
are afraid of Chrissy afraid of what? No, I am not afraid of
(01:03:30):
chrissy like voice. It wasn't myit was her and Fleetwood Mac and no,
don't say what you have problem?And you call me the hater.
Oh my god, well you arethe hater. I am not the hater
you were. I'm not a fan. You are not a fan. Not
(01:03:52):
a fan. Hate is a strongword. We've gone over this. You
like to paint a pretty picture ofme being the negative at where I'm not.
Oh no, I'm a hater too, but I'm there. I said
it, you monkey exactly. You, You and the Fleetwood Mac drummer have
(01:04:13):
a lot of come wait a minute, you're way eight miles worth. Yeah,
you know what. Yeah, that'sa lot of time. Eight miles
goal line monkeys. This is backto the eighties radio. You know.
Let's take a quick break while theyget ready to perform again, and we're
(01:04:35):
going to be back. Let's justenjoy. Hey, I'm taking in the
sights and what I'm hearing, andit just I can't believe that I'm here
at Live now. Conneld, whatwere you doing in nineteen eighty five?
Let's see, I was masturbating.No, no, no, oh,
(01:04:56):
I was I was actually in SantaFe probably Uh, I was going to
the Santa Fe Springs Mall on thefree tram and with my friend Mark Hernandez.
A big shout out to Mark inthe future. Hey, Mark,
what's up, buddy? Catch youin the future. Oh man, this
is great. Just listen, Justtake a take a moment and just listen
(01:05:17):
to the sounds I'll put out theatmosphere phenomen put on these rock stars.
You know. The sad thing isme and just kindo have been very fortunate
to talk to a couple of youknow, the rock stars here, but
uh, we are not able togo live with them because we don't have
(01:05:41):
any forms filled. Yeah, let'sjust call it, you know. I
know, we'll I know, we'regoing to try to talk to Sting later
on, you know, and maybewe'll try to talk to one of the
members of Zeppelin. We'll see whowe can talk to, but a lot
of them will not go on airwith us. So just letting you guys
(01:06:02):
know, we're meeting some cats andkiddies. But you know, we got
to watch out for those legalities.Hell, I walk around smell and smoking
dope like it's legal. Anyway,you're listening to back to the eighties radio
with Tuscano and Chang, And weare live and alive at Live AID in
nineteen eighty far hard, and weare about ready to witness no other than
(01:06:29):
mister Eric Clapton is taking the stageand he is going to play that sixth
ring and take your soul. Don'tgo nowhere. Here's Clapton Live and Alive
at Live AID in nineteen eighty five. Was back to the eighties radio.
(01:07:02):
Or I'm a love. She's beenwaiting for love to love her someone that
sheen shoulder to her heart, butshe find it, finds a storm.
(01:07:24):
Your whole world's gone a fall thepart she's wading or about love? She's
why bad? Or a man?A love? You can't amusing her before
(01:07:48):
to love? I'm not a king. She don't know. She rid in
ther mother. Really soon you'll beone. You'll be hard or why or
(01:08:23):
a love? I've seen the houndthe bird in all yes, but see
(01:08:53):
that something you keep return doctor,But I'm mo. She worried, She
(01:10:18):
worry, she worried. She worddon't have z It's what you do for
(01:11:02):
many many years. From San Francisco, California. What're you welcome? Please?
Sad turn up who did all around, roll around around, brother all
(01:13:04):
around from the hood, because youone another brother, be kind. You
can't see one another brother who hadNow why now I'm a politics forty domination,
(01:13:28):
coll a hood or Greek. Pleasestand back, come out the father,
(01:13:50):
but not that's the seven Pa,come my whole past. Welcome back.
(01:14:33):
This is back to the eighties.Radio here in nineteen eighty five at
Live Aid. Listen to the sounds, Listen to the people. Take it
in as you are here with us. Oh, I can't believe we're actually
here. You heard Eric Clapton andmister guitar man himself, mister Carlos Santana.
(01:14:57):
But you would have thought a kidfrom Tijuana selling gum to patrons coming
in and out of the border wouldbecome the great Carlos Santana. Oh and
interesting stories. A lot of theserock starters got some interesting stories. One
that I'm sure you know I'm gonnatell everybody right now. We're going to
(01:15:18):
witness led Zeppelin getting back together.But you know, of course John Bonham
is above the sky watching all ofthis. It's going to be none other
than Jimmy Page, John Paul Jonesand Robert Klant with the Sun Jason Bonnham
that is later on here. ButGod, power station, what a great
(01:15:41):
band. Power Station, the leadguitar player of Duran Durant hooked up with
none of them, mister Robert Palmer, mister soul himself. Oh what a
great band. And there's more bandslike that all over the place. We're
going to try to get and seeif we can to Bob Geldolf. Maybe
we're going to see if we cantalk to one of the novelers of Diers
(01:16:05):
Traits. There's so many people.I'm hoping we can grab Freddie Mercury and
kiss his hand. Who let alonetalk to the guy anyway. We have
a couple more bands going to takethe stage to just gonad. Why don't
you tell the boys and girls whois about to take the stage right now?
(01:16:26):
And then we will see you ina flash after that, I think
the powitation's about to come on.And then a little bit later on,
I see Phil Collins and sting aroundthere. And by the way, for
those of you who didn't know,and for those of you who are listening
here, nineteen eighty five, PhilCollins is about to play. And then
he's gonna take a plane and goto Philadelphia at Live Aid there and he's
(01:16:50):
gonna play there. So I don'tknow how he's gonna do it, but
he's gonna take a plane and bein two places on the same day.
That's just fantastic. Neil Young comingup La Zeppeline as you mentioned, and
the Who. So you got tostick around here. Back to the Eighties
Radio. We'll be right back withmore Live Aid from nineteen eighty five,
the one and only show that bringsyou back to the past and back to
(01:17:14):
the future. Back to the EightiesRadio. Welcome Eighties fans. I have
been expecting you. You no longerneed to listen to any other podcast.
(01:17:34):
You won't the eighties, don't you? The longing for it is swelling.
You now feel the memories coming toyou and listen to Back to the Eighties,
giving to nostalgia. With each passingmoment, you make yourself more of
(01:18:01):
a nighties fat. It is unavoidable. It is your destiny. I don't
know the power of back to theeighties. You like your childhood are now
(01:18:26):
bade. You want to get alongwith ustream mister, that's week to thank
(01:19:50):
that week or so and she forgethow you do this? You get it
go, get get it all down, just get don of talking? Do
(01:20:30):
you give the shop? Were youthat's a keep with your paws, the
durnsy get it all word getting bya dog? Let it all getting dog
(01:21:28):
by a dog? Yet I knowyou would need rock you got the bloozing
and shoe using your side. Youwould need a light dough you like a
cop you got at doting. Someshow the lack of flock getting dog get
(01:23:20):
ye want a long one world bythe dog. The holidays nights, it
(01:25:56):
was holding all excited. It wasthe field until it a little while away,
it was not. I saw thatit was nothing to say when the
bad say away, say so said, say says. And then she stopped
(01:26:33):
moment when I saw the spot acrossthe crowning room after hours away. So
(01:27:33):
yes, she said, she waswelcome back to back to the eighties radio
(01:28:58):
with Tuscano Chang Live and Alive atLive Aid. And that was the Hooters.
Oh no way was that the Hooters? The Hooters? And they weren't
boobs in orange shorts either, werethey? Tuscana Man, we are we
are in grace of some great bandstonight Tuscano, Jesus, you know what
(01:29:24):
I'm gonna tell the boys and girlsout there now, There is so much
show and so much talent out thereto pack in one evening alone. What
they're doing is a miracle. Butunfortunately tonight Tuscano and I cannot perform miracles.
So we're gonna have to take thisto a two part show, Tuscana.
(01:29:45):
What do you think of the PowerStation? Man? I was sitting
there just you know, I lovethat band. You know, I love
Robert Palmer. Yeah, and Iactually like Robert Palmer. I really like
everything about about the music and hisperformance the Hooters as well. By the
way, did you know that inthe audience, you know, we're looking
(01:30:06):
at so many people. First ofall that that you know in back into
in twenty twenty four, We knowwhere we come from, a lot of
these people are no longer with us, but here in nineteen eighty five.
You know, one of the peoplethat I just saw in the audience,
and this is going to be alittle sad note for everybody, but you
(01:30:26):
know, I got to tell youis a comedian. One of the comedians
that's here here at Live Aid isRichard Lewis. And you know, I
just got word right before we tookthe fierrero that Richard Lewis had just passed
away on February twenty eighth, twentytwenty four. So but here in live
(01:30:49):
aid the year nineteen eighty five,he is alive and well, and we're
just going to you know, I'mgonna, I'm gonna go over there and
just to introduce myself. You probablyknew him. I don't know. Uh
No, I never got to meethim. When I was doing stand up.
I did watch him, you know, of course, back where we're
at now in the eighties. Hiscomedy was very dry, story like but
(01:31:15):
what one liners? But very dry. He had to really listen to him
to find his humor in there.Me personally wasn't a big fan. But
you know, hell man, helooked like any money. Why wouldn't you
like the guy? That's right?He does look at like Eddie. He's
got that mullet, you know,a big, bushy, dark brown hair,
(01:31:41):
and you know, but he lookslike he's having a good time.
So you know, maybe I'll justleave it, let him be. But
you know what, I see acouple, actually I see three performers about
to get on as we leave,and I just want to remind everybody listening
add back to the eighties in twentytwenty four, that we have to make
this a two part show. Wejust don't have enough space to fit everything
(01:32:03):
because remember we're using you know,it's a big technological feat that we're doing,
bringing this show from the past andtaking it into the future. So
we have to do it in atwo parter. You know. I know
there's bands, as we mentioned,like led Zeppelin, we got Simple Minds,
Thompson Twins, and a lot morecoming in and we'll be here in
(01:32:28):
nineteen eighty five, but we'll haveto leave it for a two part show
in the meantime, Chain, Iknow that you're looking at people from backstage
as well. Oh yeah, look, I mean there's staying, there's Phil
Collins, Neil Young is back there. You know what, Oh man,
I'll tell you. I got tosee one night at the Greek Theater.
(01:32:54):
I got to see the four ofthem. You know who I'm talking about.
They're playing tonight too, CROs Gill's, Nash and Young. I got
to see him. What a greatband. I mean, they come from
an era of the sixties, likeSantana the Peace Movement. Uh, you
know, great, great bend.You know what, We're gonna go ahead
and step aside because we got anothergreat artist coming to you. Right now.
(01:33:18):
You are listening to Back to theEighties Radio Live and Live from Live
eight. Don't you go anywhere?We'll see you right after this take it
away? Will Phillip be joining usin a minute? Really, Rocks,
(01:33:42):
you don't have to put a Youdon't have to sebody too. The Knights
rock sne You don't have to learnthat dress to night? Where does she
(01:34:02):
swim? Monare you joky? Ifit's run not? The fit's right,
Rocks. You don't have supplot onthe Red Life rock Son. You don't
have support on the Red Life.I love you since I'm new Yah,
(01:34:29):
I'm talking to you. I haveto tell you just hoping I'll share you
with another board. You know myman is made up. Support away me,
Joe Tolly wants. I'm wanna tellyou again it's Soday rock Son.
(01:34:58):
You don't have support on the RedLine rock sign. You don't have sumpoot
a red line. This is Branfordrusssell Us on the Saxophone Rock. So
(01:35:43):
you don't have to poot on thered line. Rock so you don't have
support red lines. I love yousince New York. I'll want to talk.
I have to tell you just howI feel. I'm a shame with
(01:36:06):
the love of bod. You knowmy b is made up. Suboo me
again, Tony Bos. I won'ttell you. We'll get into survived rock
Sid. You don't have some foodof the red line Rock Sid. You
(01:36:34):
don't have the food of a redline looks look sad, look sad workstad
rock stide loopside. Thank you Walterlaughing, remember laughing in Philandelphia and the
(01:37:24):
world. Oh it's want to getthis this this is called against the odds.
Mm hmm. How can I justsay that you are a way to
(01:37:48):
stick? You leave without the treeswere not stelling tapping with you. You're
the only one who really knew meat all? How can you just swall
(01:38:12):
who wave me? When all Ican do is watch you leave? Because
we shared the love to run upNavn shared that Jeeves, you're the only
one who really knew me all.So take a look at me now,
(01:38:39):
will has nanty space. There's notthe lady to remind me, just the
Marypace take a look at me now. Will has a munty space and you're
(01:39:00):
coming back to me. Is againstthe odds, and that smile not to
me. I was shocking to space. But turned around, turn around the
(01:39:21):
CEV card. There's so much hneed to say to you. It's so
many of the son's why you're theonly one really love me? All tick
(01:39:42):
do me now? Will? It'schance to empty space and there's nothing lady
to remind me. Just so manyare in face tuticka, do me now?
Is this just a MENTI space?But to wait. It's all I
(01:40:10):
can do. And that's why I'vegot to face Take a good look at
me, Nah, because I stillthe standing here. You're coming back to
me. He's against the odds,and that's why I've got to face.
(01:40:32):
Oh, take good looking me now. This is the one and only back
(01:40:59):
to gadies radio that you are listeningto. Tuscano and Chang have come in
the Fierrero the time machine back tonineteen eighty five. We are live aid
the greatest concert event in the historyof the world. Two concerts one day
Wembley Stadium in London and also inPhiladelphia at John F. Kennedy Stadium.
(01:41:21):
You know, Chang, this eventso far has blown me away. So
far, the acts that we haveseen we can't bring. We can't unfortunately,
bring every single act to everybody becausethat would be what it's a sixteen
hour show, and so we're bringingyou what we can. But we're mingling.
We're making a lot of connections forthe future, definitely, but more
(01:41:43):
than anything, man, just listen. Listen to that. Just listen to
that for a second. You knowthat it's just incredible, man. And
I don't think I've ever experienced thethrill of what Live Aid was until now.
And I hope that you guys areenjoying it just as much as we
are. We are going to beback here, back to the eighties radio
(01:42:04):
don't forget to join us, andwe are going to stay here in nineteen
eighty five. And when we bringthe show back to you, we're going
to continue with a lot more performances, a lot more music of the greatest
decade to ever be bestowed on us. On behalf of myself, Tuscano,
I wish you nothing but the best, and I wish you were here with
(01:42:27):
Tscano and Chang here Live eight,nineteen eighty five, Back to the eighties
radio. You guys, before Irelease you, we release you to another
changtastic week. Remember, remain tobe you. Don't let nothing get you
down. Always go out there andspeak up. Don't ever settle yourself down
until next week and we're back righthere again with more of this incredible show.
(01:42:53):
A vid you an asta lavista sayannada adriva erche adi dato. I'm
all my homies in the hoods ohI know. And to all my people
down by the water side, leatherballs,
And a happy week to every singleone of you listening. This is the
one and only back to the Eightiesprogram. Today is a very special show,
ladies and gentlemen, because Chang andI are going to be taking the
Fierrero. You know what, CarlI'm talking about. You know what I'm
talking about. We're going to betaking the time machine and today and only
(00:50):
today in the history of broadcasting,we're taking you along for the ride.
And we're not just going anywhere.We're gonna be no bad see drivers.
And by the way, Chang,unfortunately you're not allowed to be driving.
You know you've got a suspended license. You know that's a driver. Yeah,
well you know you keep you keepblowing smoke in the officer's face.
(01:11):
Well, I'm going to take alicense. Got glaucoma Okay, anyway,
welcome aboard. We are going tobe taking a ride to nineteen eighty five
and we are literally going to takeyou along for the ride because we have
front row tickets to live a Ohwell, now, Toscano, we have
(01:36):
to get down to pick up thevehicle. The mechanic. The mechanic just
called. They said they sent anuber and the guy's name is tavier.
He's supposed to be in a blackPrius. He might be outside of the
studio right now. Let me seeif sure, Well, let me call
Chip, see if Chip can goout and look through the window. Chip,
(02:00):
Yeah, yeah, Chip, canyou go out front and see if
hobby areas out there? He's ina black Prius. Chipper and oh,
bring me a lighter from A andPM across the street. Of course,
changes the battles lighter. Also tokeep in my one point five billion people
watch LIVEY in nineteen eighty five,and it was held in two places at
the very same time. Oh tuscano, Chip said, there is a Prius
(02:23):
outside and we can get this studioequipment and and sow in the backpacks because
we got a roll. We gotto go pick up the car. Yeah.
Absolutely, don't forget to join ushere back to the eighties when we
come back, because we're going tobe taking you to both Wembley Stadium and
John F. Kennedy Stadium as Philadelphiatakes part in Live AID nineteen eighty five.
(02:46):
I'm back to the eighties. Radioten, nine, eight and seven
six five. Lady and gentlemen inRock and Roll on TV has in heralded
as fresh and innovative and criticized forbeing shallow. When MTV first hit,
(03:07):
this was the biggest talk in theuniverse. MTV drop of grenade into our
world. Everybody was watching MTV.People had to oline the radio. TV
made international stars almost overnight. Wehad no idea what was going to happen.
Because of MTV gave a visual representationto the artist that they did not
(03:30):
have before. But you never lookedat music the same way. Again,
ladies and gentlemen, I'm shadowing Stevensand you must listen to Back to the
Eighties Radio. It's the law.Welcome back to Back to the eighties Radio
(04:03):
with Tiscano and Chang. We areback. And that's right. We're going
to live a today some of youall. It's going to be magnificent.
Anyway, we just got to themechanic shop. We're gonna go in right
now. Tiscana was wrestling around thewas his wallet because being Italian, he
(04:24):
is very very guarding of his wallet. Okay, let's go on a tuscano.
Look at that. Look at thosetrophies. Long. I mean,
these guys are the real deal.And you know what, I like that
every time we come in, there'ssome very nice scent and doesn't smell like
an ordinary mechanic chock much. Ican see our fierro back there waiting for
(04:45):
us. It's nice and yeah,shined up. You know what, have
you noticed all the female calendars upin there? I guess not too many
field male customers. You know?You know what, I'm going to ring
that bell. See if somebody comesto the economy. Yeah, hey,
anybody back there? Anybody back there? Yeah, hold your horses, Hold
your horses. I'm coming. Oh. Oh that sciatica. Oh oh,
(05:14):
sorry about that. What can Ihelp you for? You fine, gentlemen?
Oh, we came to pick upthe fierro. I guess we never
met personally. I'm Chang. Thisis my partner, Tiscona. Oh you
must be. Oh you are theyou are the infamous chain. Wow.
I tell you. You know whatI told I told my my house assistant,
(05:39):
her name is Guadaloupi, and Itold her about you, and she
told me. You know what shegets there? She told me Silencio scio,
now rusty right, no, no, the rusty he's over there.
My brother, my friend, mycompatriot. I'm Zeke. Oh well you
(06:00):
guys sound the same, oh zeke, Yeah, we came to pick up
the Fiero. We had to tuneup. Uh, we're taking a trip
today, So is that bad boyready to take a trip back in time?
It's ready to go. But Ilet you know, you know,
I put all your guys and stuffright behind there, the little compartment because
last time, don't tell, don'ttell, Rusty, I told you what
(06:21):
you saying over there. Hey goddamnit and Sam city slickers all reckon,
Hey, hey, hey, howyou fail as doing man? You bought
if we get a selfie in frontof the shot with UQ exquizing gentleman and
he's an honor doors to work onyour vehicle. That is bad making us
(06:42):
look bad. You probably smell likebud Wise there maybe bud Live. Nope,
Nope, nope, no more bludWise are here on my strike.
But I was gonna tell these finegentlemen that we took the Fierro for a
spin last time. He was prettygood. Man. Man, That son
(07:03):
of a monkey can fly and literallyfly. Hell, we thought he was
just a regular little party at Pero. You know something on the stream,
like a little spider. You wantto sit on in the corner. But
this thing pick up and we wouldfly across. We were up there with
c HP helicopters. Man, we'rehere to pick up the Fierra. I'm
(07:27):
gonna be driving Chang unfortunately. Changunfortunately can't be driving for a while.
He's got his license suspended. Guys, you boys are gonna have a great
time. Fierra is good to go, just generally polished here by my compider
here. And uh, don't trustanything this Rusty tells you. He's always
putting stuff in the global compartment.Just give us the key so we can
(07:48):
go. All right, Rusty,quit dreaming and get to work before you
end up like last time, goingto the emergency room with a black eye
that I have to give you.Anyway, all right, boys, here's
the keys. Hold on, wait, hold on, I got some stuff
from my pocket here. No,no, let's just change what what what
(08:11):
the hell? Loose seals lingerie?How'd that get in there? I got
some of your sister's lingerie? Andright here? Anyway, let's get these
boys out in their car. Whereare you boys fixing to go today?
Well, actually, guys, we'regonna be taking the fear. We're gonna
be going to nineteen eighty five toa big concert. It's called Live Aid.
(08:33):
Have you guys heard of it,because that's where we're going. Oh,
I don't know. I was atthe US Festival in San Bernard.
I heard of it, Alifornia.I heard of it. Rusty went to
the other one, the one withall the bad sound and all the mistakes
the engineers are making. Even quietright, couldn't even get their riot going
(08:54):
anyway? Boys, Oh man,it was I was d railed anyway.
You fellas better get the hell outof here. You've gotta go somewhere because
it's me and his sisters. Oh, it's our anniversary, and you know
we gotta not boots to die,if you know what I'm talking about,
my skate boots. Gosh, dang, Rusty, that's it. I can't
(09:18):
stand no more. That's it.Come here, boy, you boys better
get the hell out of here andget back to the eighties. Mane God,
let's go. You better not putyour heads on me and dad is
my body. I want to betaking your sister downtailed when we thought eighties
(09:39):
paties were laying, that's because wehad lived through this decade yet you're listening
to Back to the eighties. II changed that. These guys left the
funeral running perfectly. We look,we're already here, the seventy two thousand
people here. I'm the state inthis place. Man, Jesus passed.
(10:00):
Where we're gonna park this thing.We can park anywhere. We're in the
sky. They don't even know we'reup here. We pulled down there behind
those trucks. You know what,there's a by those porta potties. I'm
gonna park right behind them. Dothat all right? Uh, well,
do you know what. Let's uh, let's go check in. We got
we got our press passes. Wegot to go see where all that's Yeah,
(10:20):
got everything in order. Yeah,we look legit. Oh yeah,
there's the bouncers over there. Yeah. I think we're good to go.
Man, we're ready to go.All right, we gotta let's go.
Let's that's that guy. Excuse me, chap uh tis Kano and chang back
to the eighties radio. We haveour backstage passes and we're with uh uh
the media. Oh, brilliant boysfrom United States. Brilliant this way they
(10:46):
there's the whore. There's a whojeez, stage We recognize that here anywhere.
Look at the size of this placeand look how many people are here.
Yeah, this place is gonna park. You know what, what does
that sign say? Thirteen military satellitesare transmitting this concert to people across the
(11:11):
Wow, it's going to be seen. It says here by one point five
billion people around the globe? Isthat Adam ant is a Look at that
guy he's got Look at that guy? How could you miss that guy?
Can you believe that guy? I'vegot more women dressed like a colonial Indian
(11:31):
and who knows what? So Ithink we made it just in time,
man, we made just in time. I think he's about to perform this
first song. I guess you knowwhat, he's not my favorite, man,
He's not my favorite, but hey, we're here. I love it.
Lady and gentlemen, I can't believeyou're here for the ride. So
just to enjoy what we're enjoying.You know what, man, why don't
(11:54):
we go ahead and just said everybodylistening to this right now? Adam,
I'm going to take this stage.You are listening to Back to the eighties
radio with Tuscano and Chang, andwe are back to nineteen eighty five.
Yere at Live eight backstage. We'regonna go ahead and take you via to
the backstage for the show. Here'sadamant. Don't you go nowhere. I'll
(12:39):
try to tell you, but youjust don't understand. You got my hands
out in your mind. You don'tknow Roger, don't you gotcha? Don't
know what it got? He's beingto see each way be smart playing about
(13:05):
a d day. People live aride, Peter live ride. Don't know
what you listen. I don't knowwhat you got rock? Come on on
(13:33):
me to the rock and then I'ma friend. It's not a no,
it's Johnny. He's calling your blood. People love rock, people love right.
Don't know what you doing. Youdon't know what it is what the
(14:05):
rock MAPA frock is gonna sell?Say thank your tae did not to too
(14:33):
funny passing bag Bay, Thank youdid not to two? I bet you
b bunny myss name he stretch yourNklet you want me scratch your mom?
I gave me cheese just a pickleTa ta be lot of scoll I tell
(14:58):
a feeling same Bay to Tad Jayback to turn and Dad about sabag Bay
(15:20):
on you dang it, sad getback to tell dead him by savage to
the morriments out of the world.There you a I wanted to help me
(15:54):
sing this old Northern English folk song. There's nothing you can do the camp
and din there's nothing you can seeyour campus sun, nothing you can say,
(16:15):
but you can learn how to playthe game. See say, I
you need is love? I inneed is love? I in need is
love? That song to be?There's nothing you can make the camper made.
(16:47):
There's nothing you can say. Thecampas saved. There nothing you can
do, but you can learn howto be in time. See you said
I in need is love? Arein need? This lave I need is
(17:10):
loave love I love A song inneed love love love love love love,
(17:36):
no lod love love loved. There'snothing you can know that, this is
no nothing you can see that thisshow no way you can eat it.
(17:59):
It's away supposed to be. Seesay, I you need this, sir,
I I you need us? Thatus all here? A you need
(18:30):
this? No thats all why youneed it? Ah you need this?
All you need is lost? Iyou need ah you need It's a love
(19:07):
us. Welcome back to back tothe eighties. We are live and alive
here backstage in nineteen eighty five atLive AID and you just listened to Adam
and Elvis Costello. We are sittinghere looking at history. I mean in
(19:33):
nineteen eighty five. Uh man,I was barely out of high school two
years you know, as a matterof fact, nineteen eighty five, when
we were going back in time likewe did right now. One thing I
would love to do save my rainmy buddy Rainy's life. He died in
nineteen eighty five in a motorcycle accident. And man, he would love this
(19:53):
place. Look at that. Lookat there's Judas Priest o world. Look
at that. The priest isge isman. It's look look as a Look
WHA's arriving, Billy Ocean's arriving.Paul McCartney next to them. Oh my
gosh, it's this is gonna begreat. Man. I'm so excited.
I can't believe I'm actually here withyou and with everybody listening to us from
(20:15):
around the world from the future.This is incredible. I mean, you
know what, Tuskana, We're goingto have to try and get some interviews.
I mean, bottom line, we'regonna have to yeah, I think,
who's that coming up on? Oh? Shoot, we are live in
Live aide. Black Sabbath is takingthis stage. Don't you dare go anywhere?
(20:40):
Tuscana is going to be drinking holywater shots after this, then Black
Sabbath right here at Live a don'tyou go nowhere? We are live and
alive in nineteen eighty five. Backto three eighties radio set. Tres fine
(21:18):
a man, God see, God'llplease you. Anybody you don't think I'm
excited? We got die from anothertime. I think you got me got
(21:41):
say five notting six term says,but we can see ninety fine, don't
find something turn back? But canyou help me? Thank you? Whoa
man? Why someone to something youdon't think to another? I don't say
(22:19):
so dow shot off? Oh nowI'm gonna show me off. I not
(23:37):
joked, know, sorry you willthen do so don't be live? Oh
no, that's so so nasty,said, Why don't you don't pos cod
(24:07):
b I do not bless able less. It's as my cats love bad sound.
(25:21):
But that's really about a mon Iam all out, so I came
aloud in a new line. That'smy side as a man. Ris My
(25:45):
cats bad sound now but a proudlook like sad feel all it nobody,
I say, oh need you asRay saying I'm onside saying this morn is
(26:14):
a rack back to Ray every nineteenbocat like ye now I fill it's true.
(27:11):
As Alex slocking it out, Isaid, my sn but you want
star sny. That's bad to adult. That's a man nicing my bad t
(27:51):
a Dolts. Welcome back. Thisis back to the eighties radio. We
(28:26):
are here live, ladies and gentlemen, for the first time in the history
of broadcasting, in the history ofthe world. We are in nineteen eighty
five thanks to our time machine,the Fuerrero, and we are here at
Live AID. Nineteen eighty five isthe year you're listening to us from the
(28:47):
future. That was Black Sabbath andoh yes, Chang's ultimate favorite band,
Judas Priest, And you know whatchanged. I just can't believe all the
people that are here. I mean, look at that look look at that
chick. She no longer has clotheson, and they're just bouncing her off
of the people and oh my gosh, you just ate it. She was
(29:10):
on the shoulders of that guy.She just fell backwards. Oh shoot,
man back if you catch compete withus right now? Oh my god.
If I was a member of thevice squad, everybody here would be arrested.
I have not. It looks likeit is snowing on some of these
tables if you know what I mean. I mean backstage, it smells like
(29:34):
it's my living room, doesn't it? To gosh? And I thought,
and look at the size of hislips. Holy cow, man, look
at that, No wonder he landsthe women. Look at those lips.
Sheeees Jesus. I haven't seen lipslike that, only on a bass when
I went fishing. It looks likehe sucks on baby pacifiers for a living.
(29:57):
Holy smoke. Well, man,just call him. I mean,
I could change, Honestly, Icould not have asked for. This is
the best thing that I've ever beento ever in my entire life. This
is final. This is a drink. I'm true. I gotta agree with
you, man. I mean,oh you know what, tonight, ladies
(30:17):
and gentlemen, we're gonna be kindof short. We're gonna have to dodge
in and out because there are somany acts coming up, and they're not
going to wait. Just to listento a couple of bozos. They don't
even know who the hell we areback here anyway, Coming up, we
are going to bring out a newgame for back to the eighties. We're
(30:41):
gonna see if maybe we can tossout the game on some of the artists
out here. The game we're goingto bring to you. We're going to
invite all of you to get involvedon social media right us here? Uh.
And the question is where were youin nineteen eighties? And what it
(31:03):
is all about? We're asking youwhere were you? Where'd you live?
What were you doing? We'll giveyou a quick example to scannell, where
were you in the nineteen eighties?On metal, glam or heavy? What
did you prefer? Where were youat? I can tell you definitely I
preferred glam back then. Heavy heavymetal was actually a little bit scary just
(31:26):
because of everything that was going on. Hold on, hold on, I'm
gonna ask hey, guy, canI have a coke? Yeah, cherry
coke. Put a little bit ofa yeah, yeah, put some of
the adult juice in there, allright. So yeah, I was preferring
glam metal because everything that was goingon, especially in this year nineteen eighty
five. You know, there arepeople scared of all the designs of the
(31:52):
hardcore metal shirts, and they wouldjust say this stuff, that it was
all satanic, and so that gotme a little afraid back then, but
I definitely preferred and I had noidea. Man, I had never taken
the time to actually listen. Soit was my ignorance as a kid.
But now that I'm an adult,I get to enjoy a lot of what
I missed out on. I tellyou, man, you you spent too
(32:14):
many years wetting yourself and drinking holywater when you were missing out on some
of the most fass kicking metal ofall time. My brother, I did,
But I did enjoy me that glammetal, of course, even though
I agree and I concur with themajority of the people that glam metal came
to destroy rock as we know,Yes, sure as hell did. Of
(32:36):
course I did. Ladies, gentlemen, here back to the eighties. We're
set up for another act. Thisis Ario Speedwagon, and I can see
Rick Springfield in the back here onthe one and only show that's gone back
to nineteen eighty five. Here Liveeight Back to the eighties Radio. I
(33:04):
can't fight this feeling many longer,and yet I'm still afraid to let it
fly. What started out is stretchhas grown stronger. I only wish I
had the strength to let it show. I tell myself that I can't home
(33:30):
that forever. I say, thereis no reason for my feeling, because
that is secure. When we're together. You give my life direction. You're
making everything. So I'm keeping youin sight. You can't in the wind,
(34:01):
the cold winds by agetson, andI can't putting the speed, and
(34:22):
I forgotten no started find col It'stime to bring this shipmen to the shoulder,
throwing the store it as. Ican't fight this speed, and in
(34:44):
mole I forgotten what I started by. And if I have control floor from
questioning, Oh God, maybe Ican't fight the speed and any anymore.
(35:29):
Now I don't have to flee sucha otter win. Since I saw you,
I'll been running around in circles inmy mind. They ain't all the
seats. It'll fin out in you, girl, Could you take me to
(35:49):
the places let alone? Nine millfive even else world, I'm keeping you
in sight. You can't live thewind, oh god, winds by my
(36:19):
way. I can by this speed, I forgot, but I started five.
It's started to bring this shipmen tothe shore and throw away yourverse forever.
(36:44):
Because I can't buy this speed.I've forgotten a lot started five fall
and if I have to crawl ona don't crashing in the adult. Maybe
(37:05):
I can't find this speed and animal. I can't find this feeling anim for
me. This guy, it's sogood, it's go amount of favorite.
(37:44):
He can a rock your right.I thought the worst break for you,
(38:30):
So s sis suppose s he hadlive and live here of man no other
(41:22):
than live at the benefit Here it'sall about humanity. Music is the one
thing that creates unity, such ascomedy, and boy, you are in
the right place. You are gettingsome of the best music live and of
course some of the kings of comedy, as in Tuscano and myself. That
(41:43):
was some a Reo speedwagon. Ohman, that's a story for another time.
I pissed that guy off at aMark and Brian golf event and I
called him I thought he was MattDavis. Man. He climbed up my
ass like a terminor a kick ona dog. But here's the thing,
Chang, you did not mistaken forsomebody else. You did that quiet on
(42:07):
purpose? Hold on, hold on, they're delivering means something here in a
little bad that's a little green bag. What's in here? No? Oh
shoot you know what? Yeah,that's this is yours. Yeah here,
it's not it's not fine. Heretake that. Take that that's yours.
Hold on, yeah, no,thank you, thank you. I appreciate
it. Oh for me, forme? Okay, he said, take
(42:28):
a Bible with inside. So herewe go. I you know, it's
to that ship. Couldn't fit inthe fire. But he did go with
some jays, So that's going tobe nice. It's going to be really
nice. Yeah. Wow, Hey, thanks a lot, buddy. Really
good. Whatever this is that they'regiving me takes pretty good anyway. So
I just found out. I justfound out that a backstage more than seventy
(42:54):
artists. We're we're going to beperforming here. Wow, they're going to
be performing over sixteen hours. Okay, but a lot of the artists that
were announced in the press conference reallythey weren't were not even booked for live
aid. So basically, four weeksago they had a lineup. The artists
(43:16):
didn't even know they were going tobe performing. So when they found out.
They were all shocked. So alot of people here they're going to
be performing today, had no ideafour weeks ago that they were going to
be here. So I guess there'ssome some big mix up. I don't
know what happened, you know,but that's some of the stuff that was
going down. The power of music, bro, especially if it's for a
great cause, just like this concerttonight. It's for a great cause.
(43:38):
It's a benefit other than the listenerfor the listener, but it's also getting
two people in need. I mean, that's what we should all be doing.
Man, I'll tell you anyway.You know what, Here we go.
We've got to go back to thestage coming up. Oh man,
we've got contruck between a pop OhLord, have mercy like a verge.
(44:00):
Madonna has chosen the stir is sogood. God, get get some grease
because man, she's gonna be soapingup the stage. You were listening to
Back to the eighties radio with Tuscanoand Chang Live and Live that Live Aid,
and here is Madonna coming at you. So remember, Oh, it's
gonna be a odd when I'm gonnaneed a cigarette when I'm done one day.
(44:54):
Lie it would be sun that's we'regonna have a rage. What for
(45:15):
you's not even it's not cons forgetYeah, one day to making better.
We need to have a day returneda half day, Oliah, Oliah,
(45:39):
you do, said her? Noone right? One day black hello day
it would be Sunday. We canturn this world fall and bringing back all
(46:15):
those help me down, which yourchims down? Come on? No time,
said up n shop and bring youwill? Oh wait you count get
(46:36):
makes pay better we need. Ifwe took your husband took some time to
come fen wap you, you wouldbe done. Aliah, Oliah, the
(47:05):
fuck that fan of ride. Igot to to day. I was gonna
(47:46):
take this time and thank everybody forcoming here today. You don't have major
quote unquote stars here playing by Youknow. It doesn't matter who you are.
It's why you're here. And I'mglad you're here. But do you
(48:08):
want to use the more? Iknow you be the bad so right?
(48:31):
So everyson has that spread just wonderpace you gracious, never use very coday
(49:01):
tell you fred joke. Don't yougot no rid read not to the to
(49:27):
the sap takes no time to justone day? I lie? Oh yeah
you will be. So we wannaask this one thing, and that is
(50:04):
if you have a light tonight,we want you to light it up and
show the world that you care becausethey'll be seeing this. So when you
join me and say hello Philadelphia,say hello London and say hello world,
(50:31):
just don't happen that you don't havea light. Want you to raise your
hands there anyway. Can't you dothat? Feel it in your heart tonight?
We love you too, because rightnow we wood alie to share,
(50:51):
to die getting tired with all ofyou to night, share a lie?
Yes we good lies. Shall youdie with all love you shaving a lie?
And if you sitting down we sayit. Say every greatbody stand,
(51:15):
dumb man see, come at abouta car and just say I love you.
Say do it with me, God, every greatbody stand, dumb man
see And to say I love you. Don't say we just singing with me
(51:37):
and say I love you, Ilove you, I love you, my
God, I love you, Ilove you. Oh yes, we do
with me, say I love you, I love you, I loved you,
people, I love you, Ilove you. Oh yeah, oh
(52:10):
my god. I have never seenMadonna the way I just saw her today.
That was Madonna. Here back tothe eighties radio. Thanks for joining
us here as we have traveled backto nineteen eighty five. Here live Aid
Chang. Can you believe it?And we just heard Cool and the Gang
as I have never heard it before. I've never seen it. Look how
young they are. Look how youngthey're That's what surprises me most. By
(52:32):
the way, it's ladies not allover again. Oh look at there's the
Prince, Prince Charles. But nowyou know in regular time. Wait,
sir, is there way we canyeah back there? Can we speak with
the Prince? Yeah, it's JascontolandChang, Prince Charles, Prince Miss Hello,
(52:58):
Prince, your majesty, how doI call you? Prince? Mister
Prince you could refer to me asCharles. I don't think we met previously.
Who are you two gentlemen? Wellthis is we are a duo from
the radio. From Hold, I'llbe right there. Mother, my mother
(53:21):
talk for her to get around.Well, that's funny, I did see
Princess Diana. By the way,one you are one lucky son of a
biscuit. Anyway, Prince, youknow, just we are just going to
win Chang from a radio show inLos Angeles and we're just here. What
do you think of live aid?I think it's a royal evening to everyone
(53:46):
to come together for such an event, a giving of themselves and dropping the
schedules and showing up. It justshows you what the United Kingdom, the
UK United Kingdom is all about.And these great performers that I would night
(54:08):
all on my own, but unfortunatelythey're using the sword to chop up lines
of cocaine backstage. Okay, Chris, great, well are you Americans so
rude? You asked me a questionI must, but now please finish my
(54:34):
answer. I will be king oneday, all right, do you understand
me? Okay, you'll have yourpast that's gonna be short lived, take
it away and brought up in peace. Anyway. Oh the hell listen,
since this is now, as Iwas saying, such a great, great
evening of music, and oh yes, it's a joy to be here.
(54:58):
It was. It's a joy tohave you Americans here taking in these festilities.
Here, you boys, take iteasy, Bob, all right,
Prince tutelu to you, all right. I was just going to tell the
Prince Chain that ten percent of thesales of every ticket. Okay, just
(55:19):
today here in at Live eight aregoing to be donated to the Trust to
support the ongoing global efforts to helpout the humanitarian crisis in Ethiopia. And
you know, I think they're scheduledto they're going to raise over one hundred
and forty million British pounds, sothat that should be good. That should
(55:43):
be good. Anyway, Hey herelook at that. It's oh it's not
my favorite band. Oh no,anyway, ladies and gentlemen, this is
back to the eighties radio. Hereare the pretenders. Un back to the
eighties. We hat turned the worldthat night and this in the past.
(56:07):
We then pastime and now back inthe baes, back on the tape,
back on the train. Game simplesince beyond our control. Oh the TV
(56:39):
is a use in the world.Got in the house like a ligion of
house. Oh just send in myeyes and just said that fies. It
was back on the train, backon the chain. Gain. How was
(57:31):
it forced us to live? That? They do bring me some money?
When I see what they're done todo downs us down to today the deep
(57:51):
in my heart, don't go towin one day go by as I start
chilling you because with the happiest daysin the line the King, the line,
(58:19):
what's her past? Wretched life?Oh love back, all the change
that, all the shaken excise mesee you again. I don't mind you
(59:21):
coming here, wasting all my time, because I understanding now. So yeah,
I try to lose my mind.It's not the book you're got too
well, it's not a rhymings inyour health. And I don't know you
(59:42):
coming here. Don't wasting all mytime. I don't know you hang it
(01:00:04):
out. I'm talking in your sleep. It doesn't matter where you're been,
as long as the steep. Youalways need to worry well, and you
look so fancy. I can tell. And I don't want you hang it
(01:00:24):
out. I'm talking in your sleep. And if you just want to need
that, I need you someone thefreeze. How is you just want to
need that? I need you someonethe lead? Yeah? How will you
(01:01:02):
come me here? The boy?Still know my DoD. It's when you're
standing out so I kind of losemy mind stopping not to well it's nobles.
No, I don't know what you'regoing here. Just keep it about
(01:01:28):
home. I just want just nothing. I need a so to fee.
I just don't just want to leavethat. I need you so much to
sad you just let back to theeighties Live and the Live of Live Aid
(01:02:24):
backstage, chang here, Tiscott nowinchang And that was Chrissy Hind and the
Pretenders at all Man and the Cars. What a great band. This,
This is a band I wish Iwould have gotten to see in my own
past in the future. Unfortunately twoof these guys die. I don't want
(01:02:45):
to say, and you know,break anybody's bubble, but we are back
in the past. The Cars,what a great band the Cars was.
I don't know. I never likedthem. I never could you not like
the Cars? Wait? Sorry,I the Cars, I like the Tenders.
I never liked I never liked theband, The Pretenders, Chrissy Hind,
great fire, exactly hard, poorrock and roll band. I couldn't
(01:03:08):
stand. Just like right now,I had you saw me afraid. I
went backstage. I went backstage andI had me another sandwich, had me
a couple of drinks because I couldn'tstand her voice, and you know,
more power to her. But theYeah, the Cars are fine. You
are afraid of Chrissy afraid of what? No, I am not afraid of
(01:03:30):
chrissy like voice. It wasn't myit was her and Fleetwood Mac and no,
don't say what you have problem?And you call me the hater.
Oh my god, well you arethe hater. I am not the hater
you were. I'm not a fan. You are not a fan. Not
(01:03:52):
a fan. Hate is a strongword. We've gone over this. You
like to paint a pretty picture ofme being the negative at where I'm not.
Oh no, I'm a hater too, but I'm there. I said
it, you monkey exactly. You, You and the Fleetwood Mac drummer have
(01:04:13):
a lot of come wait a minute, you're way eight miles worth. Yeah,
you know what. Yeah, that'sa lot of time. Eight miles
goal line monkeys. This is backto the eighties radio. You know.
Let's take a quick break while theyget ready to perform again, and we're
(01:04:35):
going to be back. Let's justenjoy. Hey, I'm taking in the
sights and what I'm hearing, andit just I can't believe that I'm here
at Live now. Conneld, whatwere you doing in nineteen eighty five?
Let's see, I was masturbating.No, no, no, oh,
(01:04:56):
I was I was actually in SantaFe probably Uh, I was going to
the Santa Fe Springs Mall on thefree tram and with my friend Mark Hernandez.
A big shout out to Mark inthe future. Hey, Mark,
what's up, buddy? Catch youin the future. Oh man, this
is great. Just listen, Justtake a take a moment and just listen
(01:05:17):
to the sounds I'll put out theatmosphere phenomen put on these rock stars.
You know. The sad thing isme and just kindo have been very fortunate
to talk to a couple of youknow, the rock stars here, but
uh, we are not able togo live with them because we don't have
(01:05:41):
any forms filled. Yeah, let'sjust call it, you know. I
know, we'll I know, we'regoing to try to talk to Sting later
on, you know, and maybewe'll try to talk to one of the
members of Zeppelin. We'll see whowe can talk to, but a lot
of them will not go on airwith us. So just letting you guys
(01:06:02):
know, we're meeting some cats andkiddies. But you know, we got
to watch out for those legalities.Hell, I walk around smell and smoking
dope like it's legal. Anyway,you're listening to back to the eighties radio
with Tuscano and Chang, And weare live and alive at Live AID in
nineteen eighty far hard, and weare about ready to witness no other than
(01:06:29):
mister Eric Clapton is taking the stageand he is going to play that sixth
ring and take your soul. Don'tgo nowhere. Here's Clapton Live and Alive
at Live AID in nineteen eighty five. Was back to the eighties radio.
(01:07:02):
Or I'm a love. She's beenwaiting for love to love her someone that
sheen shoulder to her heart, butshe find it, finds a storm.
(01:07:24):
Your whole world's gone a fall thepart she's wading or about love? She's
why bad? Or a man?A love? You can't amusing her before
(01:07:48):
to love? I'm not a king. She don't know. She rid in
ther mother. Really soon you'll beone. You'll be hard or why or
(01:08:23):
a love? I've seen the houndthe bird in all yes, but see
(01:08:53):
that something you keep return doctor,But I'm mo. She worried, She
(01:10:18):
worry, she worried. She worddon't have z It's what you do for
(01:11:02):
many many years. From San Francisco, California. What're you welcome? Please?
Sad turn up who did all around, roll around around, brother all
(01:13:04):
around from the hood, because youone another brother, be kind. You
can't see one another brother who hadNow why now I'm a politics forty domination,
(01:13:28):
coll a hood or Greek. Pleasestand back, come out the father,
(01:13:50):
but not that's the seven Pa,come my whole past. Welcome back.
(01:14:33):
This is back to the eighties.Radio here in nineteen eighty five at
Live Aid. Listen to the sounds, Listen to the people. Take it
in as you are here with us. Oh, I can't believe we're actually
here. You heard Eric Clapton andmister guitar man himself, mister Carlos Santana.
(01:14:57):
But you would have thought a kidfrom Tijuana selling gum to patrons coming
in and out of the border wouldbecome the great Carlos Santana. Oh and
interesting stories. A lot of theserock starters got some interesting stories. One
that I'm sure you know I'm gonnatell everybody right now. We're going to
(01:15:18):
witness led Zeppelin getting back together.But you know, of course John Bonham
is above the sky watching all ofthis. It's going to be none other
than Jimmy Page, John Paul Jonesand Robert Klant with the Sun Jason Bonnham
that is later on here. ButGod, power station, what a great
(01:15:41):
band. Power Station, the leadguitar player of Duran Durant hooked up with
none of them, mister Robert Palmer, mister soul himself. Oh what a
great band. And there's more bandslike that all over the place. We're
going to try to get and seeif we can to Bob Geldolf. Maybe
we're going to see if we cantalk to one of the novelers of Diers
(01:16:05):
Traits. There's so many people.I'm hoping we can grab Freddie Mercury and
kiss his hand. Who let alonetalk to the guy anyway. We have
a couple more bands going to takethe stage to just gonad. Why don't
you tell the boys and girls whois about to take the stage right now?
(01:16:26):
And then we will see you ina flash after that, I think
the powitation's about to come on.And then a little bit later on,
I see Phil Collins and sting aroundthere. And by the way, for
those of you who didn't know,and for those of you who are listening
here, nineteen eighty five, PhilCollins is about to play. And then
he's gonna take a plane and goto Philadelphia at Live Aid there and he's
(01:16:50):
gonna play there. So I don'tknow how he's gonna do it, but
he's gonna take a plane and bein two places on the same day.
That's just fantastic. Neil Young comingup La Zeppeline as you mentioned, and
the Who. So you got tostick around here. Back to the Eighties
Radio. We'll be right back withmore Live Aid from nineteen eighty five,
the one and only show that bringsyou back to the past and back to
(01:17:14):
the future. Back to the EightiesRadio. Welcome Eighties fans. I have
been expecting you. You no longerneed to listen to any other podcast.
(01:17:34):
You won't the eighties, don't you? The longing for it is swelling.
You now feel the memories coming toyou and listen to Back to the Eighties,
giving to nostalgia. With each passingmoment, you make yourself more of
(01:18:01):
a nighties fat. It is unavoidable. It is your destiny. I don't
know the power of back to theeighties. You like your childhood are now
(01:18:26):
bade. You want to get alongwith ustream mister, that's week to thank
(01:19:50):
that week or so and she forgethow you do this? You get it
go, get get it all down, just get don of talking? Do
(01:20:30):
you give the shop? Were youthat's a keep with your paws, the
durnsy get it all word getting bya dog? Let it all getting dog
(01:21:28):
by a dog? Yet I knowyou would need rock you got the bloozing
and shoe using your side. Youwould need a light dough you like a
cop you got at doting. Someshow the lack of flock getting dog get
(01:23:20):
ye want a long one world bythe dog. The holidays nights, it
(01:25:56):
was holding all excited. It wasthe field until it a little while away,
it was not. I saw thatit was nothing to say when the
bad say away, say so said, say says. And then she stopped
(01:26:33):
moment when I saw the spot acrossthe crowning room after hours away. So
(01:27:33):
yes, she said, she waswelcome back to back to the eighties radio
(01:28:58):
with Tuscano Chang Live and Alive atLive Aid. And that was the Hooters.
Oh no way was that the Hooters? The Hooters? And they weren't
boobs in orange shorts either, werethey? Tuscana Man, we are we
are in grace of some great bandstonight Tuscano, Jesus, you know what
(01:29:24):
I'm gonna tell the boys and girlsout there now, There is so much
show and so much talent out thereto pack in one evening alone. What
they're doing is a miracle. Butunfortunately tonight Tuscano and I cannot perform miracles.
So we're gonna have to take thisto a two part show, Tuscana.
(01:29:45):
What do you think of the PowerStation? Man? I was sitting
there just you know, I lovethat band. You know, I love
Robert Palmer. Yeah, and Iactually like Robert Palmer. I really like
everything about about the music and hisperformance the Hooters as well. By the
way, did you know that inthe audience, you know, we're looking
(01:30:06):
at so many people. First ofall that that you know in back into
in twenty twenty four, We knowwhere we come from, a lot of
these people are no longer with us, but here in nineteen eighty five.
You know, one of the peoplethat I just saw in the audience,
and this is going to be alittle sad note for everybody, but you
(01:30:26):
know, I got to tell youis a comedian. One of the comedians
that's here here at Live Aid isRichard Lewis. And you know, I
just got word right before we tookthe fierrero that Richard Lewis had just passed
away on February twenty eighth, twentytwenty four. So but here in live
(01:30:49):
aid the year nineteen eighty five,he is alive and well, and we're
just going to you know, I'mgonna, I'm gonna go over there and
just to introduce myself. You probablyknew him. I don't know. Uh
No, I never got to meethim. When I was doing stand up.
I did watch him, you know, of course, back where we're
at now in the eighties. Hiscomedy was very dry, story like but
(01:31:15):
what one liners? But very dry. He had to really listen to him
to find his humor in there.Me personally wasn't a big fan. But
you know, hell man, helooked like any money. Why wouldn't you
like the guy? That's right?He does look at like Eddie. He's
got that mullet, you know,a big, bushy, dark brown hair,
(01:31:41):
and you know, but he lookslike he's having a good time.
So you know, maybe I'll justleave it, let him be. But
you know what, I see acouple, actually I see three performers about
to get on as we leave,and I just want to remind everybody listening
add back to the eighties in twentytwenty four, that we have to make
this a two part show. Wejust don't have enough space to fit everything
(01:32:03):
because remember we're using you know,it's a big technological feat that we're doing,
bringing this show from the past andtaking it into the future. So
we have to do it in atwo parter. You know. I know
there's bands, as we mentioned,like led Zeppelin, we got Simple Minds,
Thompson Twins, and a lot morecoming in and we'll be here in
(01:32:28):
nineteen eighty five, but we'll haveto leave it for a two part show
in the meantime, Chain, Iknow that you're looking at people from backstage
as well. Oh yeah, look, I mean there's staying, there's Phil
Collins, Neil Young is back there. You know what, Oh man,
I'll tell you. I got tosee one night at the Greek Theater.
(01:32:54):
I got to see the four ofthem. You know who I'm talking about.
They're playing tonight too, CROs Gill's, Nash and Young. I got
to see him. What a greatband. I mean, they come from
an era of the sixties, likeSantana the Peace Movement. Uh, you
know, great, great bend.You know what, We're gonna go ahead
and step aside because we got anothergreat artist coming to you. Right now.
(01:33:18):
You are listening to Back to theEighties Radio Live and Live from Live
eight. Don't you go anywhere?We'll see you right after this take it
away? Will Phillip be joining usin a minute? Really, Rocks,
(01:33:42):
you don't have to put a Youdon't have to sebody too. The Knights
rock sne You don't have to learnthat dress to night? Where does she
(01:34:02):
swim? Monare you joky? Ifit's run not? The fit's right,
Rocks. You don't have supplot onthe Red Life rock Son. You don't
have support on the Red Life.I love you since I'm new Yah,
(01:34:29):
I'm talking to you. I haveto tell you just hoping I'll share you
with another board. You know myman is made up. Support away me,
Joe Tolly wants. I'm wanna tellyou again it's Soday rock Son.
(01:34:58):
You don't have support on the RedLine rock sign. You don't have sumpoot
a red line. This is Branfordrusssell Us on the Saxophone Rock. So
(01:35:43):
you don't have to poot on thered line. Rock so you don't have
support red lines. I love yousince New York. I'll want to talk.
I have to tell you just howI feel. I'm a shame with
(01:36:06):
the love of bod. You knowmy b is made up. Suboo me
again, Tony Bos. I won'ttell you. We'll get into survived rock
Sid. You don't have some foodof the red line Rock Sid. You
(01:36:34):
don't have the food of a redline looks look sad, look sad workstad
rock stide loopside. Thank you Walterlaughing, remember laughing in Philandelphia and the
(01:37:24):
world. Oh it's want to getthis this this is called against the odds.
Mm hmm. How can I justsay that you are a way to
(01:37:48):
stick? You leave without the treeswere not stelling tapping with you. You're
the only one who really knew meat all? How can you just swall
(01:38:12):
who wave me? When all Ican do is watch you leave? Because
we shared the love to run upNavn shared that Jeeves, you're the only
one who really knew me all.So take a look at me now,
(01:38:39):
will has nanty space. There's notthe lady to remind me, just the
Marypace take a look at me now. Will has a munty space and you're
(01:39:00):
coming back to me. Is againstthe odds, and that smile not to
me. I was shocking to space. But turned around, turn around the
(01:39:21):
CEV card. There's so much hneed to say to you. It's so
many of the son's why you're theonly one really love me? All tick
(01:39:42):
do me now? Will? It'schance to empty space and there's nothing lady
to remind me. Just so manyare in face tuticka, do me now?
Is this just a MENTI space?But to wait. It's all I
(01:40:10):
can do. And that's why I'vegot to face Take a good look at
me, Nah, because I stillthe standing here. You're coming back to
me. He's against the odds,and that's why I've got to face.
(01:40:32):
Oh, take good looking me now. This is the one and only back
(01:40:59):
to gadies radio that you are listeningto. Tuscano and Chang have come in
the Fierrero the time machine back tonineteen eighty five. We are live aid
the greatest concert event in the historyof the world. Two concerts one day
Wembley Stadium in London and also inPhiladelphia at John F. Kennedy Stadium.
(01:41:21):
You know, Chang, this eventso far has blown me away. So
far, the acts that we haveseen we can't bring. We can't unfortunately,
bring every single act to everybody becausethat would be what it's a sixteen
hour show, and so we're bringingyou what we can. But we're mingling.
We're making a lot of connections forthe future, definitely, but more
(01:41:43):
than anything, man, just listen. Listen to that. Just listen to
that for a second. You knowthat it's just incredible, man. And
I don't think I've ever experienced thethrill of what Live Aid was until now.
And I hope that you guys areenjoying it just as much as we
are. We are going to beback here, back to the eighties radio
(01:42:04):
don't forget to join us, andwe are going to stay here in nineteen
eighty five. And when we bringthe show back to you, we're going
to continue with a lot more performances, a lot more music of the greatest
decade to ever be bestowed on us. On behalf of myself, Tuscano,
I wish you nothing but the best, and I wish you were here with
(01:42:27):
Tscano and Chang here Live eight,nineteen eighty five, Back to the eighties
radio. You guys, before Irelease you, we release you to another
changtastic week. Remember, remain tobe you. Don't let nothing get you
down. Always go out there andspeak up. Don't ever settle yourself down
until next week and we're back righthere again with more of this incredible show.
(01:42:53):
A vid you an asta lavista sayannada adriva erche adi dato. I'm
all my homies in the hoods ohI know. And to all my people
down by the water side, leatherballs,
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