Time Travel to Live Aid 1985 Part 2

Join us as we revisit the magic of Queen's legendary set, witness the passion of U2's performance on both sides of the Atlantic, and groove to the infectious beats of Madonna's breakout moment. From Phil Collins' transatlantic dash to Eric Clapton's soulful rendition, every note and every riff will transport you back to that monumental day in July 1985.

But it's not just about the music; we'll also explore the behind-the-scenes stories, the humanitarian efforts, and the cultural impact of Live Aid. From Bob Geldof's vision to the outpouring of global support, discover how this unprecedented event brought the world together for a cause greater than any single artist or band.So tune in, turn up the volume, and let's continue our journey through time as we relive the magic of Live Aid 1985.

Don't miss "Time Travel to Live Aid 1985 Part 2," because this week, we're taking you back to the heart of the '80s like never before!

Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.

Episode Transcript

(00:00):
Hey, terrestrial radio, you wantthe real deal. Put your ears to
Back to the Eighties Radio hosted byTuscanawan Chang. There is no other,
There is no fucking competition. Weare not like anybody else. We copy
nobody else. We are the realdeal. And if you are recording this

(00:21):
to everybody out there in the broadcastinguniverse, we are the fucking real deal.
Sign us, pay us, andlet's roll there. I said it.
If they were a laxative, they'dbe so powerful you could stand on
your head and on the ceiling.That position would not only be unavailable,

(00:42):
but also undignified. And now backto the eighties with Tuscato and Chang.

(01:12):
Welcome back to Back to the EightiesRadio hosted by yours Julie Tuscano and Chang.
And we are coming to you liveand alive from the backstage of Live
eight and nineteen eighty five. WereTuscano and I be dazzled and dazzled our

(01:32):
ways in the fi arrow of allHieros, our own personal back in time
machine. We have great acts justlike we did last week. Oh my
god, tonight we have the greatled Zeppelin, David Bowie, the l

(01:53):
and John Duran duran. O,my god, Queen you two and yes,
everybody's favorite one hit Wonder Ryan Adamsand we are coming to you live
and alive from backstage here. Ohman at live aid in England. Tuscano,

(02:19):
My god, there's a Queen motherTuscana. We have to get an
interview. We got hold on,hold on. Could you do you want
to interview her right now? Yes? Could you get a hold of it.
Yeah, she's looking at me andshe's throwing her scarf at me.
That's okay, that's okay. She'sprobably showing you away. I look,
Queen Mother, I look more professional, Queen Weather. Queen Mother, come
here, excuse me, your yourmajesty, your magic. Yeah, right

(02:43):
up here. What's your step?What? Oh the little heels? I
see? I see. We'll puton these slippers. That's okay. Who
are you? You are delicious?You remind me of a Natalian meatball,
eye ball. Charles Child. Pleasecome with mummy. I'm going to talk

(03:06):
to these. Are you Americans?Well? Are you? Are you fourign?
Are you from Giirjuana? Quick?Queen Mother? Thank you well?
Actually, Queen Mother, Yes,I am Italian. This is Tuscano from
the Justiscano and Chain show back tothe eighties radio. We are from the

(03:28):
future, actually, but I wantto tell you something. What do you
think of the show so far?We've had acts such as Phil Collins and
Sting, We've heard acts such asGeorge Michael. I mean, what do
you think so far of Live Aid? And it is a wonderful cause as
we see these hundreds of thousands ofpeople all around the world. Oh,

(03:49):
Charlie, please get mommy any youbastard. I would love to rub my
hands to your Italian Hell all right, Queen Mother, will I have one
more question? How much are you? How much are you donating to this

(04:13):
event? In order to help millionsacross Ethiopia and Africa who are less fortunate
than you. I am donating asmuch money as it takes. I believe
every child has the need and necessityto never go us out, to have

(04:35):
a home cooked meal, a momentdad in a home, and to be
able to go to Tijuana whereverything isfun. July Chota cho cho cho.
All right, Well, ladies andgentlemen, that was the Queen Mother.
Thank you for joining us. QueenMother, have a great concert as we

(04:56):
are here joining everybody live, John'sget my on the a shot today.
Bye bye, okay, ladies andgentlemen. That was the Queen Mother.
Here on back to the eighties radio. Here's the next act. On back
to the eighties radio. This islead Zeppelin. You mean schooler away down

(05:33):
shine show maybe having the super letme land on the side. Don't get

(06:09):
an't to get it one home?M you jab out of the shirt?

(07:00):
Wait outside you Who can you giveme for ching a house? Who would
didn't? Father? Who would giveyou? Mother? W w hold w
hold on lok wo Dad, it'ssir. W geez me clear saying old

(08:11):
feel that's all made sure about you? Sure about sarels Clese. Give the
cool, the might, give thegood, the light, keep the gool

(08:33):
the maid oh coolim oh yeah yeah. Back to the eighties radio. That

(09:24):
was a mighty led Zeppelin. PhilCollins went from England to Philadelphia. Oh
and if you weren't there, youmissed it. Phil was obviously upset with
the sound, the direction of everythingin this soul called led Zeppelin Reunion.
Phil Collins looked almost like the Gerberbaby spitting up bad baby food. That's

(09:48):
how bad it went. But youhad to be here. Only Tuscnwin chang
backstage at Live Aid saw that nowbro Phil Collins, a mastermind in his
own correct playing the drums, beingthe lead singer, taking over Genesis after
Peter Gabriel left, sitting in withsuch great acts, setting off the tone

(10:11):
for Mike and the mechanics, settingoff the own tone for his own greatness
of his three smash LPs with Genesis, his own solo career, to sit
in with a mighty Zepp, whichI'm sorry, brother Zeppelin passed away the
day John Bonham died. Me andmy buddies were going to go to that
gig, but Bonham passed away andthere was never ever another led Zepp.

(10:37):
Sad that we saw it, butgood god, it was great to see
three of the surviving members of ledZeppelin get back on stage. Sadly,
it wasn't everything that I thought itwould be. I mean, you're a
Zeppelin fan, were you happy tosee that? This was the band's first
performance since the death of their drummerJohn Bonham, and it went poorly and

(11:00):
and all these tech problems entangled theirbest intentions. And by the way,
Jimmy's page Guitars was out of tune. Robert Plant's voice was hoarse and hardly
rock godlike. And and by theway, Phil Collins. Phil Collins shared
if we go back, when wego back to the future and you get

(11:20):
his book called Not Dead Yet thememoir, Phil Collins said he regrets the
Genesis Alum has a few so theled Zeppelin reunion proved to be a disastrous
reunion for him. On that day. You know what, bro it went
from the memory of Bonzo to Gonzo. That's what I can say. Led

(11:45):
zeppelz Gonzo, You're gone, You'reout of here, your you're past,
and it's over. Uh. RobertPlant goes sing with the honey Drippers.
Uh, you know, go makefolk rock, John Paul Jones, you
know, go down with the guyfrom the Queen's of the Stone Age in
the future. Because it was definitelyover. And it's sad for rockers like

(12:07):
me and yourself to really be hopingand praying and just waiting in such awe
to what was going to happen andto see the catastrophe disgusting. Hopefully the
rest of the acts, which Iknow, Phil Collins said, and I
quote it wasn't my fault. Itwas crap. I would have walked off

(12:33):
if I could have, but thenwe'd all be talking about why Phil Collins
walked off live aid, So Ijust stuck it out. That's what he
just said. Yes, and gentlemen, ladies and gentlemen, you have to
give it up to Phil Collins.I mean Phil Collins. Not only does
he look like the Gerber Baby,but Phil Collins is a musician. What

(12:56):
I'm not taking anything away from hisgreat time. He looks like the Gerber
Baby and you know it. Youknow, we're enjoying such a great concert
for you to bring up the hateand call the incredible Phil Collins, which,
by the way, if he didn'tpay attention when he was in England

(13:16):
a little while ago, a fewhours ago, he was at Wembley Stadium
and he was presenting with David Bowie. He was so nervous he even screwed
up his piano and he played thewrong notes. So you know, it
happens to the best of us.What can I say? But you know
what, I gotta admit this drinkthat the you know, the guy's backstage

(13:39):
gave us a drink and holy moldywas it strong. We're gonna be right
back. We're gonna take a littlecommercial break, but we're going to be
back with more. Back to theEighties live here at Live AID as you've
never heard it before, and thoseof you who have never been to Live
AID, you are getting a tastebecause we are actually here right now.

(14:01):
Don't go away Radio is so muchdifferent than it was in the eighties.
We had it all the music,the movies, the DJs and morning shows.
Back to the Eighties Radio is ashow from the eighties in podcast form.
We bring the memories from that awesomedecade back joined Tesscona and Chang every
Friday as they take you on aride back in time, sharing their experiences
and laughs. Stop on buying,discover some of the wacky things this crazy

(14:22):
duo comes up with. They talkabout it all the good, the bad,
and the ugly of the greatest decade. Don't miss the greatest Eighties podcast
in the world. Back to theEighties Radio, Live AID nineteen eighty five.
Ladies, gentlemen here, thank youfor joining us on Back to the
Eighties. If this is your firsttime, second time, or more times

(14:43):
that you've joined us, you knowthat we have traveled back in time,
and we have a special guest here. As we're here, you can hear
the audience in the background. Listento this, everybody, you listen White.
This is a Magnums snort. CanI get the doctory Goud? It's

(15:05):
hard to get good help with who'ssomon? This is a nice couch.
He Richard is here with us.Keith, thanks for joining us here,
you know, as we are goinginto a set from David Bowie here,
I like your glasses. All right, ladies and gentlemen, here back to
the indiesh Radio Week Back. We'vegot Keith. Richard's doing his own thing

(15:28):
in the background. He was supposedto be co hosting with us, but
welcome to Okay, let's just kickit out. This is David Bowie.
He's going on stage, man,David, David coming out the seat and
the sult in this beautiful leather.I'd like to Sam can introduce bad.

(15:58):
We go together so quickly to dothe show for me. I'm forever in
their dead lead guitar, Kevin Armstrong, bass guitar, Matthew Segment. I'm
percassin petro artist, I'm trans neocontent, I'm saxophone. Claire Hurst.

(16:22):
I'm vocals Lena and Julisa Smith.I don't set the sizes and boards the
very brilliant I'm in start with.I'd like to dedicate this song to my
son, to all our children,and to the children of the world.

(16:48):
I am I could be cute andyou you good nicknam queen, Oh my
bred good child. From my way, I'll be can beat them, just

(17:12):
go want to We're gonna be hereoff just my wont well, I'm a
fact swimming like talkings like talking steadswimming were lod I'm bad as that.

(17:44):
That just ware loud. I'm badas that. I'm not mad col keep
us together, but we can bejust a wante we can be sure us

(18:12):
just at that we come, Isaid, I love that. I don't

(18:49):
know why how to help us webut I'm a man of God's kid.
Become with girls, just want tobecome with girls. But I I can't

(19:27):
remember standing standing by the wall.I'm the girls. The girl shouted,
put my heads. I'm being kissed. The storm something good ball and the

(19:55):
shed and on the other side.I wouldn't just go my head. We
can't make your us know my dadwhat you say? Oh oh, just

(20:38):
no, my name said, whenmy head I'm gonna I'm no, Ma'm
okay. I said, just whatare your favorite what you back to the

(22:29):
eighties radio? You just heard DavidBowie. That was absolutely phenomenal and incredible.
I just got word backstage from theexecutives. Listen to this. The
concert is catching heat, and I'lltell you why. Because of the lack
of black performers. That's right.So there's a lot of talk that there

(22:56):
is a lack of black performers.So backstage already see run DMC that were
just called out. They were justcalled out to perform, and they're gonna
sing King of Rock live here anda live aid. But uh, that's
that's just something that was just broughtup. Because this is a late addition.

(23:21):
Run DMC is right backstage bringing adash of hip hop into the affair.
So and you know what, bro, that makes this entire event as
spectacular as it is to h tobring hip hop, which is a great
form of music and expression, tolive aid with some of these great,

(23:44):
great historical bands and acts and someof these one hit wonders, as you
can say, or hit wonders ofthe now. Let's put our ears together.
You are listening to back to theeighties with Tuscott and Chang and put
your ears and your vibe. Justrun d MC. We will come back

(24:06):
after this live performance. Don't yougo nowhere? Yah h no that time

(24:33):
I'm saying we have at end ofthe day, we got oh lacous best
stage to me. But do youknow who I'm a team over side?

(24:57):
You're super I was. I cantell Hobby time got correct all that long
time. They don't connected get youright so long. I'm gonna just say,
d you can't baby see. I'mjust telling you many come away from

(25:18):
you die. Let him do womandoes say oh one time, Tony my
man, let's getting email the onechip. It's not my head up this

(25:45):
one yet. I don't running inSae made was pulling the game from tolum
to a little girls. He's neversad like Conto. You can't up me.
You must be went boat and Ineed to make a double selfie it
up. You know what I think. Not gonna walls lie. We classed
the walls the blue bore, fussand sit and I ll door. We

(26:10):
an't contain you pressed out the boxto me and I said black simple lie
and then the post brandfather won't treespeaking togi ten years the free man play?
They don't know if it be?Can I tell y'allself? Yo,
what are we run know? It'sthe mast of the bag. Who go
stuff and tol up here and seeI wrap the roll and I'm rocking boom.

(26:33):
It's kind a trick a tree that'snot ain'tle pool, it's all brand,
dude. Never have a shoe yo, a d bank. They don't
want a body, you know,stuth? Hold up man, you know
telling what they got? Do youhave to do to hear it? Why
that you shan't where? Didn't anything? These more fakes? Then the game

(26:53):
nothing we want to people tell tothink they run up? Then see the
bad girl I said play see wehave no player, just your master change
see now wrong? Go up?I play my time in a pusson seth.
I still don't ministay itself many minetake a play fight and you try
you supp see yeah? Take pleaseand puny to a time I'm pulling down

(27:17):
please, got so so strong sunnyCounty in the heart, I won't be
the prosie and see kesey, Yeah, what's up? Really? Not here
my man? I'm put out thequeen. I'm a man go I I'm
from pot round Away. Can't runon the school every day and say please
the recu see has to play.Can't be dem time with no delay a

(27:42):
pie. I'm the one of feetand versus the rhymes and are you me
and chase us the record and heada week and we want to to that
can never be me, So don'ttry and be trying to be my friend.
Because empty chose today the ride besaved twenty because that demastading b he
we said, come on, everybody'sI'm better put their hairs. I'm like

(28:03):
my man, damn beef, likedam here I wore everybody, everybody like
dad. Every chair we play,we ate two needles, the three MOUs,
but we got some beetles by thistime. We call him, he's
on the time hip be calling TMC. People always say see him here up
three seas for another thirty. Isay, go on these leaves, let's

(28:26):
talk talk to tough. Let's certainpeople like the dmc P. The time
makes chash. You know, I'msaying twenty fi like what we say it
before we were frock call didn't runout the square I'm MC. I can
draw after name to a Chuck Corradesaying I O TV well right on the

(28:47):
pray when it comes to a ride, we got two B and C.
Really I want to take let theproper cop had the bread of the fresh
grab wool, blue cast. It'slike that. That's the way it is.

(29:08):
It certainly is a big fun.It's a very big fun, big
un It's a very big, fluffyfun. Where's the beef? Some hamburger
places give you a lot less beefon a lot of bun. Where's the
beet At Wendy's we save a hamburgerwe modestly call the single, and Wendy's
single has more beef than the whopperor a big knack. At Wendy,

(29:29):
you get more bean and less bun. Hey, I don't think you want
something better. You're Wendy is kindof beetle. Join is a sound celebration
and music Land and save on yourfavorite new releases. Pick up the latest

(29:53):
from Roger Daltrees Get Under a RagingMove featuring the hit song After the Fight,
on sale now just five ninety nine. A music Mine Under a Raging
Move on Mistake Roger Daltrey only fiveninety nine tot cerel b on Atlanta save

(30:18):
on items throughout the store during theSounds Celebration sale at Music Lion Say on
sale now at all area music Landlocations. Back to the eighties radio after

(30:40):
some commercial spots from the nineteen eighties. We're here, We're live at Live
aid here in nineteen eighty five,and we are having a ball Chang and
I. We've talked to the QueenMother. We've talked to Prince Charles.
We've talked to so many people backstage, you're not going to believe what
they have. We've talked to KeithRichards. There are so many things.

(31:03):
As a matter of fact, wejust found out, all right, We
just found out that Bruce Springsteen andthe EA Street Band was going to appear
before the end of the show.But unfortunately, the boss said he didn't
want to ask his band to playafter getting their first vacation in a very
long time, so they're not goingto be joining us. This is,

(31:23):
after all, an event that raisedmoney for less fortunate people around the world.
Pepsi, Chevrolet, at and Tand Eastman Kodak sponsored the concert,
but they opened up their sizeable walletswith Team Geldoff. As mister Geldoff requested,

(31:45):
they pony up seven hundred fifty thousanddollars along with the proverbial goods and
services to be part of the musichistory, and they did so. Ladies
and gentlemen, give it up forPepsi, Chevrolet, at and TS and
Codec for providing seven hundred and fiftythousand dollars to go to the less fortunate.

(32:07):
What a salesman, right. Youhave to give it up for Bob
Deldolf on his own though, too, my brother, I mean Galdolf,
to pull this off. The magnitudeof his word and his message to bring
in so many conglomerate industries and sponsorsand musical apps, all for the benefit

(32:28):
to betterment the life of somebody inneed. Unity, great music, togetherness
and everybody building for one major goal, help out those in need. And
if we did that on a dayto day basis, we would not suffer
half of the hell that we endurenow in eighty five. And I'm telling

(32:53):
you right now straight from the future, the hell we're going to endure later
on in life. So hopeful youlearn something from this past tense to take
it onto your future. Tuscano,my god, Hall and Oates. Do
you think these guys would get offendedand smack me if I went up to
them and told them, Hey,in the future, you guys are gonna

(33:15):
sue each other for musical rights.What do you think about that? What
do you think Oates would say?When I say, every time I look
at you, you remind me ofDavy Loakes, of the Los Angeles Dodgers
in the seventies. I mean,who would have thought, ladies and gentlemen,

(33:35):
We're going to take you on atrip. This is back to the
eighties radio Live and Live back inLive eight in nineteen eighty five. We
have some good, old down homeHal and Oates and Everybody's hot Mama.
Oh yeah, she is not withthat. Dev is old like Turner anymore.
Tina Turner, rock your ears andyour vibes to everything live right here

(34:00):
from Live A backstage with Tascona,with Chang and Live Aid. We've got
some holling Oats and some live TinaTurner smoking up for you. Everybody,
put your ears to the gears andlet's remember some of these back years back
in the eighties. Radio coming atyou else. Thanks about the time brothering

(35:15):
of you see when you waiting?She sit in the man of bone the
door many afraid to see. Whatdo you think you get the break the

(35:36):
mother of the wild, she containthe birth time mothers a mother you've got
in the mouth. You wanna gettoo far, Hannah, Oh watch I
want to change it up. She'smad. Here, watch out going trying

(36:05):
to give her O s the manhere, watch out, don't she doll?
She's dead man, she could createa rift. Well not of the

(36:28):
matter the beauty of fan. Buthe's to see her saying a hot day.
Not watch out to the man,O, what's out? Good to

(36:51):
turn up an a conscious man?Him, my child, chill to check
you up, Chill to stay down, my dom ble, take down y,

(37:58):
that's it? Sure you were shoojah, you man to many nine ships
on the cano, boling on theship. Tell your many say no ship's

(38:24):
ship. Let me take a manup. Oh my child, I tell
my child. Now, chill too, chill you up, jill too,
tell you that man, let's theship. Please that you look so bad?

(40:16):
Time at mister shock wow different nowplease made a fee to pleas matter

(40:39):
fad. I'm gonna tell you I'mgoing to I love to do. Sure
you don't better tip bang time youlook so bad? Time to say the
It couldn't be pay step suit shop, whoa stun shop stun shot stir shot?

(41:20):
No, no, no, no, you're going to do you can't
get tip to tip. But gota super SII it co super saw a

(41:43):
very stir fried a b no dotnoun conda. It's only around the road.

(42:15):
It's only it's so you're something.Oh god, it's all is not

(42:35):
how left the road? So theroad? It's so so back to the

(44:57):
eighties radio team that Turner lingering memoryof her live aid appearance. But the
funniest thing change is she landed onMick Jagger's foot with one of her heels
during its only rock and roll.So I'm sure, I'm sure Mick Jagger
is gonna feel that one in themorning. But I gotta tell you,

(45:21):
Mike, Mick Jagger has no ideawhat those legs of Tina Turner has done
to two countless teenagers and young menthroughout the nineteen ageress, wouldn't you agree?
I mean, Brooke, we justgot e Turner dragged across in front
of us. Yes, getting awayfrom get dragged away because he wanted to

(45:44):
fuck. He wanted some of hisTina Turner. But yet that son of
a bitch used to beat her andtalk down her, telling her she was
never going to be nothing. AndGod bless Tina Turner. Fuck you,
E Turner, go to prison.That's right, Rod bastard, fack you
all right, this is back tothe eighties radio. Thank you for joining

(46:04):
us. You heard previously. You'veheard Ron DMC, you heard Tina Turner,
Mick Shagger, you've heard Led Zeppelin. We are here live. We
even had David Bowie. We hadDavid Bowie here. This is Live eight
nineteen eighty five. So no newsis good news, ladies and gentlemen.

(46:27):
I got to tell you the HueyLewis and the news. Listen to this,
Listen to this. Now we're back. We're back in the past.
Right, yes, we are right. Okay, nobody can hear it but
you and me and our listeners.Nobody else. Old were you in nineteen
eighty five? Well for the listeners. And if I went to visit myself
here in nineteen eighty five, whatwas that? What was that? I

(46:51):
didn't hear it? What was thatokay, we'll waiting for your age in
my year, don't okay with Iwas fifty with your teen. I was
fifteen years old nineteen eighty five.And I can tell you no news is
good news because Huey Lewis and theNews were no shows for an interesting reason,

(47:12):
because they wanted to be sure thatthe money would be going to the
people who needed it at most,and without a firm guarantee, they weren't
comfortable show. Yeah, without doingwithout a guarantee, they weren't comfortable with
doing the show. So I thoughtthat was very interesting, admirable of Hugh
Lewis. I told you I metHuey right at You did not meet Huey

(47:36):
Lewis. Give me a break,you you know my buddy? Ol Wait
second of wait that second? Wickedral Me and Matt Al met Huey Lewis
at a seven eleven in Hollywood.Are you ready for this? Ready in
nineteen ninety? Oh? Well youdid it? WHOA, that's too far
into the future. No you Googleanu'syou fools yet future dwelogy. Yes,

(48:01):
we met Kweiye at a seven elevenin nineteen ninety in Hollywood. Chewey was
cool. He was getting a copHe told me. It was in the
news stand right at the front deskat seven eleven, true delight story.
Chewey gave us the news Chewey Lewis, I think is an artist that got

(48:25):
surpassed, much like a lot ofartists that we're going to play what we
got Paul Young coming on tonight right, Yes, yes, you do later
on today. Yes. The onlything I know of Paul Young is like
he looked pretty cool with a mulletand a leather jacket in his video.
Other than that woo whooo hoo whoto his music? But he is no

(48:45):
Brian Adams talking about one hit wonder. No, and by the way,
and Brian did not have a wonderingone hit wonder he was he red wonders.
Yes, I got my first sixstring oh at the five and dimes,
Yes he did, By the way, shall we so we tell the

(49:07):
audience what he was early about.He sucks, No, he doesn't suck.
He doesn't suck, by the way, ladies and gentlemen, let's take
a quick break to take a commercialbreak here from nineteen eighty five, Here
Live eighty Live AID nineteen eighty five, We'll be right back. Nobody has

(49:32):
the movie I want. Hey,if it's on video, Blockbuster probably has
it. I mean we have overten thousand videos. Wow, I'll watch
his pastor hap them back tomorrow,I promise. Relax a Blockbuster you can
keep your videos for three evenings,so take home plenty and use our twenty
four hour quick drop. Do youhave any children's videos or Blockbuster's America's Family

(49:52):
Video Store. You know we havemore kids videos than anyplace, Elsey,
more movies, more nights, morefun fuster video? What Dad? How
about this bond in the USA?I was bone in the USA. God,

(50:13):
and take a day off. That'sthe Boston. No, ladies and
gentlemen terrible. We do not condonedoing any impressions of the Boshington. I
can't tell you the updecks we've got. Duran, Duran's spand out La Pierre
live from the stages of Live AidWimbledon in England and in Pennsylvania. Nineteen

(50:36):
eighty five. I'm Black. I'mback to the eighties. Radio. Black
to the eighties, Back to theeighties radio Where we are back in the
eighties. Tuscano order us. Acouple of chablees and please ye let your

(50:58):
here do the dancing. Back tothe eighties radio the Scotto and Chang Vision
Live aid This one it's called thereflex. Got to fun chock what fun

(52:05):
too? So it's not some funsome o chock chock chock. Use me.

(52:54):
That's that's the chaos. This pssst. You won't spoke about We're not

(53:34):
at the time, said this guy. Sounds music, says chast sound jack

(55:29):
us, way to us past sissbeast knows what you say so true that

(57:44):
it sms always a time live fordreams. That's until to too, that
says the second No not s hesays a sign what comes into the world,

(58:07):
But now tume back today? Whydon't learning how to write the next
slide for while the you do yousaid you're not saying about with a friend

(58:45):
in my head and appeal on that. So this on the new such a
sneak up. Listen too fun man, how he says A soun noah,
myself says the sign want me sabrom my husband, Oh shut the chip

(59:10):
to say, y'll see sign outthe right the next sign all the treat
good mother, no BOTTI to thatI had to write next sign bo tes

(01:00:31):
the same Nos buetues to go busSpotties chip just too specchese too. The

(01:01:16):
spect just to speaks too. Whatmy mom, I know the Scotches cheese
spoches to this spects the spects too. I know the Scotches cheese just to

(01:02:00):
stist species. It's not chance speakspeakiest Spottista cheesy chest speciest spectaste it speches

(01:02:36):
too. We'll not be exciting verymuch, Tama better, welcome back,

(01:03:00):
go back to the eighties live andlive backstage at Live aid back in Time.
Oh hoh man, what hit wonders? What oh? That was none
other than spand no ballet The guysaddressed in a video like man they were
going to the prom in the ChangBook of Music. He is a one

(01:03:20):
It wonderful. There is no onehit wonder when you are talking about the
double name of Duran Duran and anyof our Facebook followers. You saw what
I posted out there, go backto the eighties with Duran Duran Duran Durant.
I'm sorry, bro. A prettygood band when you break it down

(01:03:43):
to musicianship, song, popularity,togetherness. But man, MTV made those
guys' icons if I would have wantedto be anywhere in the eighties, I
would have been going. Her nameis a real dances on the whatever.
But well, listen, I wantto tell you. I want to tell

(01:04:04):
you this change. For those ofyou who don't know. Geldoff assigned them
to sing in the US. Yes, he assigned them to sing in the
US at in the Philadelphia Stadium.Not everyone felt that they were good to

(01:04:26):
play, according to lead singer SimonLebon. Lebon recalls. Lebon recalls doing
line checks and getting interrupted all thetime by folk legend Steven Still's, who
auditioned to be a monkey but wasrejected in part due to his imperfect teeth.

(01:04:49):
Still's heard Duran Duran playing and demanded, will you guys shut the f
up? That's what Duran Duran singerLebron's Lebon said that stevens still had shut
up fuck up. Oh I didn'twant to. I'm sorry, Oh my
gosh, Steve would say that.My god, you all had to say

(01:05:11):
it. We got to be political, politically correct hereod back to the eighties
radio because we are incorrect radio andwe are not on a them, so
we can get away with some ofthe mishaps and the usage of vocabulary that
our children shouldn't hear past nine o'clock. What the fuck did he say?
Oh yeah, now you brother,before you go anywhere? Duran Duran,

(01:05:35):
We're talking Duran Duran. All ofthem great music, right, listen to
this? Then no shows for thisbig event were a few, but they
were notable. According to Geldoff,he unsuccessfully reached out to e Liza Minelli,
Yoko oh No, Cindy Lauper,the Eurythma, Dave Stewart, Rod

(01:06:02):
Stewart allegedly He allegedly couldn't rally enoughmusicians to accompany him for a set.
What also Depeche Mode echoing no,let yo yo, come on, listen
to this you hate her? DepecheMode, echoing Huey Lewis's concerns, feared

(01:06:27):
that the money wouldn't go to theappropriate targets. Jewey, hold on,
hold on, I'm almost done.Listen to this because the list goes on
now. Just gonna let me askyou, what about Michael Jackson, The
Perfectionist The perfectionist, Mister mister Jacksonsaid he was too busy on his music

(01:06:53):
to commit What about Diana Ross?While she was on tour, so were
the Pointer sisters. The most colorfulexcuse came courtesy of Frank Zappa, who
later told Howard Stern that the eventwas the biggest Are you ready for this?
King? You're all leal enjoyed thisFrank Zappa. Frank Zappa said to

(01:07:15):
Howard Stern that the event was thebiggest, was the biggest cocaine money laundering
scheme of all time. What that'sright? I would like to know where
all that cocaine is right now,because we've been drinking heavily and we've been
at this event for twelve hours straight. Where is that cocaine? And why

(01:07:35):
are such artists spelling such hate?But as we live in the world of
controversy, correct, my brother,we only got here in our time.
Yes, we fooled everyone at theEnglish Gate, did we not? And
got in here. We've had someshuns. We did, we did.

(01:08:00):
We're going to talk to Paul McCartneyright after he goes out and smokes weed
with the Wings Roadies, because Wingsdidn't want to be here with him.
But I mean, it's here tosay, ear to say, ear to
ear what is true and what isnot? All I can say is if
those individual musicians were true to whatthey say, does that mean every musician

(01:08:29):
and band aat that took the stagetonight and poured their heart out and gave
it all for a cause they thoughtwas real? Are they all doing cocaine?
And if so, who's bringing inthat cocaine? And who's flipping the
bill of that cocaine? So slappingthe face to the other arms. One

(01:08:49):
of the events, one of theevents workers would he to snag Kat Steve?
Was this for a possible appearance?Unfortunately, Kat Stevens changed his name
to Yusuf Islam after becoming a Muslim. He abandons, he abandons his pop

(01:09:11):
career, music or he abandoned hismusic career. So he's still consider it.
He's still considered appearing. However,he was offering to play and it
is like this is hilarious. Hewas offering to play at Live aid and
Islamic children's song at the event.Now, obviously, when that was denied,

(01:09:34):
the singer declined, but gave alarge donation to the cause. The
guy wanted to sing a children's song, an Islamic children's song come on at
Live eight because it was live aight, it wasn't It wasn't due just a
thing for children. It was foreverybody, right, So why you know

(01:09:56):
that's pretty Jack asked of whoever wantedto cut him out. I mean,
this is a celebration of unity,giving to individuals that are in need.
Yeah, but it wasn't interesting whenthe party giving a origin or anybody's song
catered to a certain age or afeeling be shut down. I mean,

(01:10:19):
that's kind of chaotic and ain'tal redundantof what this concert's all about. Now,
Cat Stevens, you know what Ilove. Cat Stevens grew up with
his music, A father to ason. That's a song that will forever
make me cry, even though we'reback in there, back in the past
and in the future, because thatis a song that reminds me of my

(01:10:42):
father and reminds me of my ownchildren. Although we're in nineteen eighty five
at Asian gentlemen, I don't havechildren yet. My sperm is all within
my own. But Cat Stevens isa great, a great, great artist,
a great folk song downhearted, truthful, loving singer. And for him

(01:11:06):
to be denied to play tonight orlast week or any time this week,
to come on, he wanted tosing a child's children's songs. It's a
child song, bro, Just you'retaking a religion or something that it wasn't
about you, that it was abouthim singing a kid's song. Sing there

(01:11:26):
it should have been allowed to ifthis is a in that case, pee
wee In that case, pee WeeHerman should have been allowed to be performed.
No, wait a minute, waita minute. Here there you go,
pee Wee Herman, jack and offin the future. No, it's
not that song. No, no, no, that's two different things.
Pee Wee Herman is not a musicalentity to go sing money make the black

(01:11:53):
Man. I mean, come on, bro, pee Wee Herman is a
long way from Kat Stevens. Allright, all right, you are Elton
John or Freddie Mercury. Let's keepit in context, Kat Stevens. You
know what, No, wait aminute, Kat Stevens is being hated because
he changed his name for a religiousbelief, which is hypocrisy at its finest.

(01:12:18):
You're talking free like everybody. Youare talking like every little of today.
I believe that he should be letwho he is, change who he
wants to be, follow whatever religionhe wants to be as long as it
is not deparmental to the youth orother living beings. There is only one

(01:12:45):
creator. Let's keep the music goingon with a Scott nin bang right back
to the eighties live and a liveand live age. Does conal Tell the
boys and girls who is praising uson that stage? Three amazing performers starting
with Howard Jones, Elton John standingin the backstage, Paul McCartney. That's

(01:13:08):
right, ladies and gentlemen, justas we head to the home stretch,
this is back to the eighties radio. It's a great pleasure to be here
with you today sharing this experience.Hello to everyone who's watching at home and
listening at home as well. I'mjust gonna do a little song at a
piano and I'd really appreciate it ifyou'd helped me out on the chorus bits.

(01:13:31):
Are you gonna thank you? What'sthe time? When there was nothing

(01:14:13):
at all? Nothing? God disturnest and her what's a being? And
he lived on? Soon he hadknowing to talk to and nothing to do.
He drew up the past, learnedto it well, the sad two

(01:14:39):
millions fats By and his work.It was time. That's supposed to be
these be fine everything everything that yousee? How the fining? Haven't everything

(01:15:02):
that you see? How fine?How be fine? Holy falling? So

(01:15:35):
she unbuilds her real labrary with itsups, and it's down straight at itself.
She decided, don't all worker,it's down time were fun? You
not again to face? Then it'spart of the game, slily of a

(01:16:00):
god. We're seeing it at astand I just spend the rest of the
time trying to find fine. I'mgonna sing a thing, hide, find
everything everything that you see. Yeah, everything that you see fine? Fine

(01:16:36):
by finding fine everything that you see? Everything everything nat see none love the

(01:17:06):
fee I'm going some days, thankyou very much. She's fat in the

(01:17:41):
bags and swell zero ninety an.I'm miss, I'm miss my wife.

(01:18:15):
It's only I speak. It's sucha time. Why let's you lie?

(01:18:35):
And I think it's gonna be alucky all the time to touch down and
breaks down around gonna get to I'mnot the man that they im out.
I'm now no, No, I'ma rocking bad I'm rocking back lest we

(01:18:56):
got here a long and I pickthe skin of be A long long time
to touch down brings they bind gettoo fine. I not the bad than
the kind, my holly lou nouloud. I'm a lucking man, locking

(01:19:21):
man bird, he's not there alaw marrows ain't the kind place to leasy
key if that is gonna sell andthe snowman bed if it did, I'm

(01:20:00):
done the science. I don't understand. It's just a job by stay me
locking, oh, king bad,and I don't think it's going to be

(01:20:30):
a long long time. Sometimes bringtheir out b camp a sign power.
I'm not the man they ben gotthat home. No, I don't know.
I'm a rocking bad rocking bad gotand I think it's not a long

(01:20:59):
time. He tuck down, bringsit out. I kinda find out I'm
cocking math. Then they got outof all. What do I don't know?
I'm I'm fucking bad. I'm knockingbad round us a mad along.

(01:21:20):
Yeah, I'm bound down down notshe's up there, I'm kind, she's
out. Well if I take theskin up you, I'm a a lot
of time. Think the skye onyou all a lot of time. Get

(01:21:49):
the starn on you your mother lottime belt at time stand Oh, I
think it started the sign you listento bath to the eighties. They'll find

(01:22:36):
yourself. Time for trouble. Motherthere comes to me speaking. Let you
I mean my daughters should be standingwith me. Gon me speaking. Let

(01:23:00):
it be, Let it be,Let it be, Let be, let
be speaking what quisdom? Let itbe? You know, bro call people

(01:23:33):
give me the five creep Dad.I don't be an answer. Let it
be. And though they maybe youfollowed him, they're still a child today.
Would see there I would be anoutswir Let be, oh, let

(01:23:59):
it be, Let it be andbe lit be yes still then that's all.
Let it be. And when thenight till the still a night and

(01:24:29):
shine off me shine this long,let it be. I'll wake up to
the shower. You see. Willthe many comes to me speaking the word
in wisdom. Let it be.Want together, let it be, Let

(01:24:55):
it be, Let it be,letty beer there will be. That's so,
And lady, oh, let itbe, let it be, let
be, oh, come home,let it be. There will be.

(01:25:17):
That's so. Let it be.Okay, don't you let it be,
prop there will be an answer.Let it be. B'mbo time winner dying

(01:25:41):
his cloud yell stood side from me. Shig talk tomorrow. There I'm waking
up through the sound of music.Mother many speaking, lad of wisdom.

(01:26:04):
Let me, oh, let me, let it be, Let me Lenedele
will be answer. Let it be, everybody, let it be. Let

(01:26:28):
had me let it be so thenit's gonna be answer, he said,
let me and he meant to tankmother, everybody to do this? Why

(01:26:51):
like my why let me let me? Yeah? When I thought that this

(01:27:29):
country, you've got to make themoney first. Then we get the money,
you get a power, Then weget a power, then you get
the woman. Ladies and gentlemen,I'm Shadow Stevens, and you must listen
to Back to the Eighties radio.It's the law. Back to the eighties

(01:27:51):
radio. Here at Live Age.Nineteen eighty five is the year where we
have landed with our time machine PontiacFierro. Both Chang and I had no
idea how incredible this night was goingto be. This day we're viewing both
here at Wembley Stadium and at JohnF. Kennedy Stadium in Pennsylvania, with

(01:28:15):
different acts, different performers, andwe just cannot believe that all this is
going on. You just heard HowardJones, Elton John and Paul McCartney and
Paul McCartney as he's getting off stage, is gonna come here right here,
Sir McCartney. Of course you havenot been knighted yet, but in the

(01:28:36):
future you will. Mister Paul McCartney, thank you for joining us here.
Back to the eighties radio. Well, hello, hello everybody, Alton.
Well, let me ask you,mister McCartney. Can you tell us how
did it feel performing up there?Why are you yawning? I find out

(01:28:57):
hottey rude jascona what you will it? Tell your name? But anyway,
today was much more enlightening than anyother consent I've done with Wings with my
own peace band, and uh itcould never ever eclipped anything I did with

(01:29:18):
with with the Beatles. Well,thank you, uh you know, Paul
McCartney, Thank you so much forbeing on the air. You talk way
too much. Chandler, Chandler,please chang, I'm sorry, but anyway,
thank you, mister McCartney, thankyou for being with I apologize mister
Tusker Pottle, But ladies, gentlemen, that was Paul McCartney here on along

(01:29:44):
with you here back to the eightiesradio. This is that Thompson twins waiting
for them. In the background isCrosby steals in nash Why why spends to

(01:31:28):
my words you look at I likenow starts to looking on yes question by

(01:31:50):
siding lights and it says and wecry and self stop my dream to the

(01:32:44):
position subero will I see my way? Snowden snow rod being so many us

(01:33:11):
now Stan stop stop snow stop.I think you think, thinking king,

(01:35:01):
what could I need to say?This is one of the most skins.
So you your song based on crimeexci give us a h on the ftpot

(01:35:29):
I'm start that simes stop stop,oh stop, oh thank you out there

(01:37:13):
alone? You need some way,they calls, we're very proud of being
here. Look at all your faces. You did this. This is song

(01:37:35):
that's most appropriate. I think,o t fe ten you see went on

(01:38:02):
the floor. Must call your coatthat you can't left by and so you
yourself because the path it's just agood bye cheef. The children, well

(01:38:29):
the fathers have and so they goby and feed them on your dream,
the one that picks the one you'llgo bye. Don't you ever rest down?

(01:38:51):
Why if they told you you wereby to just look at them downside?
Oh I ride pair. Can yousee must be faced to meat to

(01:39:28):
eat your ch with you be s, treat the bird and teacher parents?
Well? Is that childrens have whenso little envy and on your dreams?

(01:39:57):
The one days Puck Crosby, DavidCrosby, anybody that could have a mustache

(01:40:44):
like that and hold that much cocainein his nose? Wow, amazing,
amazing. But that was then.And to see them now on stage now,
at this time, especially to suchan extravagant giving event as this,
I mean, it's almost its textbook. Why wouldn't a band like this come

(01:41:08):
and give their talent, their timeon stage to entertain and enlighten the audience
of the now to a form anda belief that they believed in back in
the nineteen sixties. God blessed thenineteen sixties. I was born in sixty
five. I could be a flowerchild, a peace child. I don't

(01:41:30):
know, but I'm a child ofthe music tonight. This entire two nights
we've been here have been a religiousexperience for me my brother. Some of
the acts we have seen, thewords, the vibe, the feeling we
get back here hell. Talking tosome of the artists that we talked to,

(01:41:54):
even talking to some of the artistartists that didn't want to have you
know, their recording brought on airthat we're a bit negative. Left us
with a little bit of hope.What a great night, what a great
day, Tuscano. I know thisnext band is dear to your heart and
my heart, but more to yourheart. So why don't you lay it

(01:42:17):
upon our boys and girls out thereand bring out this next artist. Is
next band, which me and youhave discussed, is as great as the
Beatles were. That's all I'll say. Take it away to see. As
they get ready to sing and movielegend Jack Nicholson is about to introduce the

(01:42:40):
One and the Only quartet called Youtwo, and at one point in the
concert, I mean we are promised. We are promised by Jack as he
speaks, it is so hot downdown at the audience. Jack even said

(01:43:01):
already we're gonna hose you down,but unfortunately they weren't able to hose anybody
down. Funny note though, beforegoing on stage, Bono Bono got a
little emotional because Freddie Mercury backstage waschatting him up. If you know what

(01:43:26):
I mean, Bono had no ideaof Freddie Mercury's preferences, if you know
what I mean. And Freddie Mercurywas chatting Bono up, motivating him that
he was going to do a greatjob. And yes, this is the
greatest appearance in You two's career lifetime, and this is the one and only

(01:43:54):
You two. On the final stretchhere back to the eighties radio on Live
three, I'm live, I wasgonna say, Live three sixty five,
Live AID, Live AID three,Live AID nineteen Chandler, stop bringing this
guy shop, Live AID nineteen eightyfive. This is one of the greatest

(01:44:16):
bands of all time. This isyou two, and that fucking check after
them is the one on the onlyqueen here in a lot on Back to
the eighties radio, No more choppingto cotton Tandler. Okay, he smacks,

(01:45:05):
Let's see your side, says onShore, A body see your side.

(01:45:33):
Come, let's my back yard?So so so sure you specs go.

(01:46:05):
It's many last to tell me whichis gonna be house any of the
s sists, so sue, Soit's it's gonna go to a welcome to

(01:46:59):
check uses say you say she's al look at me, she's a lie.

(01:47:50):
Look for me s ss A,so so what sad said s I

(01:48:30):
fact this fiction to the man.Take you don't know that I let you
go to teams you show me saidyeah, so side star sons it sounds

(01:49:41):
I here said light those sad lightthe sad al if you twist turn away,

(01:50:56):
if if you said self in awould sun of the game you would,
If I col you are would,if I col I would do see

(01:51:33):
if I am cool full slide forslife. Let's go pray my sound said

(01:52:16):
you see pray. Let's see yousaid so and s same same STA S

(01:53:58):
s s S starts good and shortstopsong sad song shot a seconds shot as

(01:55:01):
stat tattine s s not sleep Osleep good bye. Will you get Sue

(01:59:10):
to say the storm had they callyou go by? Will get Sue to
say the storm okay, call youbye, good bye? You'm story Raise

(01:59:44):
me sir, you gets raise alicWow you get SI. Didn't do,
didn't do, didn't didn't do didanything? Dinner dinner do do Hollo ting

(02:00:23):
from my in the NFLA which shopsall the way across the USA. She
got Bee on the satellite and comehim down. Pretty soon she was in
Loping Town. We study a lotof people run do do do do do

(02:00:43):
do do, Thank you listen.Tuscan and Chang had embarked on history.

(02:01:03):
Yet boys and girls history, wewent back to a time to rejuvenate,
to reproduce unity, care and somethingfor a better cause than all of us.
Tuscano, what can I say aboutyou two? What would you say
about this performance? I'm I'm mystified. Yeah, the greatest, the greatest

(02:01:30):
performance you two has ever given andwill give in their career lifetime. As
a matter of fact, one ofthe women who heeded Bono's call to join
him on stage, her name wasElaine Hills. She recalls, she said,
that you that Bono's show affection.I mean the singer's forehead was really

(02:01:58):
big, and he gave her abig, wet kiss with all the stubble
he had and all the sweat.She could only think who who? She
loved it? That was Elaine Hills, And that was you two's greatest performance.
I gotta say of their lifetime career. That is reminiscent of the kisses

(02:02:20):
I bestow upon Missus Chang, missusChangs. Yes, although or me sometimes
way in the future, yes orme sometimes and you too. That's right,
and it's time to head home.And as we head home, Chang,
I just want to wish everybody thegreatest time ever. I gotta stop

(02:02:44):
because I know that the greatest bandever, Queen is coming on stage.
So until next week, ladies andgentlemen, on behalf of me, Tuscano.
I'm staying here in nineteen eighty fiveat Live Aid, God bless you.
This is Chang from Tuscana and ChangBack to the eighties Radio Live and
Life. How many you from thepast, Yes, that's right, God

(02:03:08):
is the greatest you will ever get. And remember there is no other like
those of another. We are goingto end our show. We are saying
good night two Live eight in nineteeneighty five, right here from back to
the eighties radio we took a blastof the path Tuscana and Chang. We

(02:03:29):
are going to end the night withthe greatest band of all time, the
greatest lead men of all time,the one and only from me and Tuscano.
I did you all on audios holdleave it there, shit Asta la
vista, aloha, and I leaveyou with the greatest band of all time,
Queen. Freddie Mercury take my soul. Good night, ladies and gentlemen.

(02:04:00):
Mamma to steal you that we goton against list that straight upsday my
mom has it just began fop,please please all time to begin this study,

(02:04:36):
to do carry on, do carryoff. There's nothing very bad,
too bad. That's how sugars stopstop. Don't say it all that's not

(02:05:28):
so sad. I said, Iwant your ad did see that? No

(02:06:47):
ill joy those songs on the songs. You also pray you bobos, your
pay, steal some feature sometime ofbrons, bands of bs, touch something,

(02:07:23):
dash train and to something when yougo on that at a time you
had that fine sound. Pray neverby all we pray your bad radio pray

(02:07:47):
are years pay your bad, payyour babus bay see heyo sia s you

(02:08:18):
watch the soles, you watch thesun, all fields, balls and out.
We have to use our how musicchanges for twenty that's all. You
never leave off second, not ayou on, you meet your back,

(02:08:43):
steak around. It's been a bush, wait me a time for all this
mission. At your time you hadyou get to the fire. All we

(02:09:05):
nears ready back ready pay up backall we nears ray back ray ray up
back a lady, happen ready helpyour most ray s No, no,

(02:10:20):
damn you, no, you don't. You don't battle battle alright, mm

(02:10:52):
hmm how is that? And wesaid it'll be fun mister read don't chare

(02:11:16):
made the bad, not the maid. But you must wan be bought tonight.
You know, waste no time thebeaut bell, but you answer the
call to you last two last time, and it's time mother out of ball

(02:11:43):
every night, every time a littlepiece of you's got up aware it's just
us. Then watch the most tellyou that nasty of colors at all to

(02:12:05):
my name man. Then it starta bot about a ball. You show
the balls to song say I knowwhat t don't come try this through you

(02:12:33):
ma don pay so yeah, youloose be tarning out in the shadow of

(02:13:07):
the mush down. Then we signICs can't be just start sleeping and and
fighting the surrendering mon at all.Just not time to save your face.
Then he signed the ever don't youcome waiting on the Yeah m m m

(02:15:20):
yeah. This next song is onlydedicated to beautiful people here tonight. It
means all of you, thank youfor coming alive. It's making this a
great location. Show them get here, show them getting around too. We

(02:16:00):
ain't away crazy listening a cloud ataint my lisse a chimes shakes all like
chezy, than goes my dad.She knows she wants to be training.

(02:16:33):
She know you goos like you gottabe cool, Lass get ahead again all
my flap save the back seat achild take all by creating. It's time

(02:17:31):
say at by today crazy thing.No, I don't n I don't fit,

(02:17:52):
but it's clazy crazy y tell youabout what is it? Why is

(02:18:39):
something? Music? Think this place? G what good? Time after time

(02:20:52):
after by sent but the bid inthe long time and by the stage.
I've got a fee over my shadside, but I do my friend,

(02:21:35):
it's time on the let's drop bymy chums. You brought me faith,

(02:22:05):
unfortunate everything that goes for it.I thank you all. It's been a
bad of a roses no logic us. I consider it out. That's as

(02:22:56):
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