October 4, 2024 • 8 mins
In this episode, we delve into microphone techniques inspired by Danny Brown's video, offering practical tips for achieving high-quality audio without a professional studio.
We also share key differences between condenser and dynamic microphones, as well as effective strategies to help you achieve a consistent mic technique to make every episode sound great!
Products Used for Be a Better Podcaster
Note: these may contain affiliate links, so I get a small percentage of any product you buy when using my link.
Equipment:
Recommended resources:
Be a Better Podcaster is a tips and growth podcast brought to you by Jamie and Jaayne. These are AI hosts - their voices are auto-generated, reading content created by Danny Brown, host of One Minute Podcast Tips and 5 Random Questions.
If you enjoy the show, we'd love for you to leave a rating or review on your favourite podcast app!
Please let your friends know they can listen for free on Spotify, Apple Podcasts, as well as their preferred podcast app, or online at Be a Better Podcaster.
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Jaayne:
All right, so ready for this deep dive. You sent in this Danny Brown video, (00:01):
undefined
Jaayne: the two quick tips for better mic technique. (00:05):
undefined
Jaayne: And honestly, who doesn't want like super clear audio? Am I right? So let's jump right in. (00:08):
undefined
Jamie: And you picked a great one. Honestly, Danny Brown, his channel is like mic technique 101. (00:13):
undefined
Jaayne: Yeah. (00:18):
undefined
Jamie: But, you know, actually fun to watch. (00:18):
undefined
Jaayne: Totally. Yeah. And I love how he doesn't like assume you've got this crazy pro studio happening. (00:20):
undefined
Jaayne: Like, yeah, he's got the cool acoustic panels and all that. Yeah. (00:25):
undefined
Jamie: Yeah. Which, I mean, they do make a difference. (00:29):
undefined
Jaayne: Oh, for sure, for sure. (00:31):
undefined
Jamie: Don't get me wrong. (00:32):
undefined
Jaayne: Oh, absolutely not. But he really emphasizes that, like, mic technique by itself. (00:33):
undefined
Jaayne: Even if you're recording, like, in your closet right now, like, no judgment. (00:38):
undefined
Jamie: None at all. You know, I once heard this recording, and it was made in a professionally, (00:43):
undefined
Jamie: like, treated vocal booth, you know, the whole nine yards. (00:47):
undefined
Jamie: And the mic technique was so bad, it sounded like they were speaking from inside a fishbowl. (00:50):
undefined
Jaayne: No way. See, that's what I'm talking about. So you're telling me you even I (00:55):
undefined
Jaayne: with my like very basic setup can improve things just by What was his things (00:59):
undefined
Jaayne: speaking across the mic not into it? Have you tried that? (01:04):
undefined
Jamie: Oh, yeah, absolutely Felt (01:08):
undefined
Jaayne: Kind of it. (01:10):
undefined
Jamie: Feels a little unnatural effort natural, but there's a method to the madness Yeah, (01:11):
undefined
Jamie: especially when it comes to what we call plosives plosives, you know There's (01:16):
undefined
Jamie: little bursts of air like when we say words with P or B They create this like (01:20):
undefined
Jamie: popping sound and it can really mess with your audio. (01:24):
undefined
Jamie: It's like imagine someone like shoving a mini air cannon at your mic every time (01:29):
undefined
Jamie: they said Peter Piper picked. (01:35):
undefined
Jaayne: Okay, now I'm both grossed out. And D, I understand what you mean. Right. Okay. (01:37):
undefined
Jamie: So speaking across the mic is almost like creating a little sound barrier, right? (01:40):
undefined
Jamie: So those plosives, those little air bursts, they're not hitting your microphone (01:45):
undefined
Jamie: diaphragm directly. correctly, so you get a much smoother sound, (01:49):
undefined
Jamie: right? Much more pleasant to listen to. (01:52):
undefined
Jamie: It's the difference between like someone slamming a door versus gently closing it. (01:55):
undefined
Jaayne: I'm going with gently closing for sure. Yes. (01:59):
undefined
Jamie: Which one would you rather listen to? Exactly. Yeah. The one that doesn't make (02:02):
undefined
Jamie: me jump out of my skin. So this works for any type of mic, right? (02:05):
undefined
Jamie: Because he also talks about like condenser versus dynamic mics. (02:09):
undefined
Jaayne: Right. And that's where things get even more interesting, especially for, (02:12):
undefined
Jaayne: you know, if you're working with a condenser mic at home. (02:16):
undefined
Jamie: They're great. They're amazing at capturing detail. They're like the high-definition (02:18):
undefined
Jamie: cameras of the microphone world. (02:23):
undefined
Jaayne: Ooh, tell me more. I'm suddenly very self-conscious about my pores. (02:25):
undefined
Jaayne: But okay, so condenser mics, very sensitive. (02:30):
undefined
Jamie: Very sensitive. (02:34):
undefined
Jaayne: So they're like the super, super HD cameras of the microphone world, (02:35):
undefined
Jaayne: which sounds amazing, but maybe a little high maintenance. (02:40):
undefined
Jamie: A little bit, yeah. They can be. They're very sensitive. Okay. (02:42):
undefined
Jamie: Which is great because it means you can capture all those subtle details, (02:45):
undefined
Jamie: the nuances of your voice. Okay. (02:49):
undefined
Jamie: But it also means that it picks up everything else. (02:51):
undefined
Jaayne: Oh, okay. (02:54):
undefined
Jamie: So that whole thing that Danny Brown does in the video. Yeah. With the hang loose. (02:55):
undefined
Jaayne: Oh, when he's all like hang loose, like he's about to like catch a wave. (02:58):
undefined
Jamie: Yeah, exactly. (03:02):
undefined
Jaayne: I thought he was just like messing around. (03:03):
undefined
Jamie: No, no, no. He's actually, he's really onto something there. What? (03:05):
undefined
Jamie: Because that distance, like from your thumb to your pinky. Yeah. (03:09):
undefined
Jamie: When you make that hang loose sign. Yeah. (03:12):
undefined
Jamie: That's actually like a pretty solid rule of thumb. (03:14):
undefined
Jaayne: I see what you did there. (03:17):
undefined
Jamie: For how far you want to be from a condenser mic. (03:18):
undefined
Jaayne: OK, so not like breathing down its neck. (03:20):
undefined
Jamie: Less breathing down the neck and more like, you know, having a respectful conversation. (03:23):
undefined
Jaayne: OK, OK. (03:28):
undefined
Jamie: From a comfortable distance. (03:29):
undefined
Jaayne: I like it. So it can like do its thing. (03:30):
undefined
Jamie: Exactly. Let it breathe. Yeah. Capture the richness of your voice without being overwhelmed. (03:32):
undefined
Jaayne: It can breathe. I love that. OK, so condenser mics, the sensitive friend that (03:37):
undefined
Jaayne: you don't want to blast with an air horn. Got it. But what about dynamic mics? (03:41):
undefined
Jaayne: Because those seem to be like all the rage, you know, for podcasts and like (03:46):
undefined
Jaayne: live stuff and all that. Are those as high maintenance? (03:50):
undefined
Jamie: So dynamic mics, they're a little bit more like think about your trusty old landline phone. (03:54):
undefined
Jamie: Okay. You know, it can handle a little bit more volume. Yeah. (04:00):
undefined
Jamie: They're not as sensitive to every little bump or breath. (04:03):
undefined
Jaayne: So I could like whisper sweet nothings or like belt out a power ballad and it will be fine. (04:06):
undefined
Jamie: Maybe not whisper. (04:12):
undefined
Jaayne: Okay. (04:13):
undefined
Jamie: But, you know, they are designed for those higher sound pressure levels. (04:14):
undefined
Jaayne: Right, right. (04:17):
undefined
Jamie: Think about it. They're used a lot on stage where things can get really loud. (04:18):
undefined
Jaayne: Yeah, yeah. (04:22):
undefined
Jamie: They're built to handle that. (04:23):
undefined
Jaayne: Makes sense. Okay, so with a dynamic mic, I don't have to worry about the whole (04:24):
undefined
Jaayne: hang loose thing. I can get all up in there. (04:28):
undefined
Jamie: You want to be mindful of your distance. Okay. But you can definitely get a little bit closer. (04:31):
undefined
Jaayne: Okay, okay. But I'm sensing a butt. (04:35):
undefined
Jamie: Butt, butt. (04:37):
undefined
Jamie: Speaking across the mic still matters. (04:39):
undefined
Jaayne: Even if I can practically like kiss it. (04:41):
undefined
Jamie: Even then. Yeah. Because remember, it's not just about volume. (04:44):
undefined
Jamie: It's about directionality. Right. (04:47):
undefined
Jamie: You're still aiming those plosives away from that diaphragm. (04:48):
undefined
Jamie: Okay. And that's what's going to make your audio sound so much clearer and more professional. (04:51):
undefined
Jaayne: So no matter what, speaking across the mic is where it's at? (04:56):
undefined
Jamie: Always. (05:00):
undefined
Jaayne: Okay. I'm picking up what you're putting down. Anything else I need to know (05:01):
undefined
Jaayne: about that before I move on? Right. Okay. So speaking across, not into. (05:04):
undefined
Jaayne: Got it. But then Danny Brown, he also talks about like being consistent with your mic technique. (05:07):
undefined
Jaayne: It's like finding that perfect parking spot. You know, you don't want to just (05:13):
undefined
Jaayne: like admire it from afar. You got to pull in and hold it. (05:16):
undefined
Jamie: That's a great analogy because, yeah, it's one thing to find that sweet spot (05:19):
undefined
Jamie: where your voice sounds amazing. Right. (05:23):
undefined
Jamie: But the real magic happens when you can actually stay there. (05:24):
undefined
Jaayne: Yeah. Easier said than done, though, right? I will fully admit I've been guilty (05:27):
undefined
Jaayne: of like leaning in when I'm like super fired up about something where i back (05:31):
undefined
Jaayne: away when i'm thinking it's like my voice has its own gravitational pull to (05:36):
undefined
Jaayne: and from the microphone how do i stop that. (05:39):
undefined
Jamie: Well and even those tiny little movements you might (05:42):
undefined
Jamie: not even realize you're doing them yeah but they (05:45):
undefined
Jamie: can really really impact how your audio is perceived you know yeah think about (05:48):
undefined
Jamie: it how many times you've been listening to someone speak and you just you kind (05:53):
undefined
Jamie: of zone out oh all the time and it might not even be like the content itself (05:57):
undefined
Jamie: right it's those subtle There are subtle variations in the volume, the tone. (06:01):
undefined
Jamie: Our brains, they just pick up on that stuff. (06:06):
undefined
Jaayne: It's so true. Like when you're watching something, like a movie or whatever, (06:08):
undefined
Jaayne: and the audio is just all over the place, and you're so busy like messing with (06:11):
undefined
Jaayne: the volume, that you completely miss what's going on. (06:15):
undefined
Jamie: Exactly. Wow. (06:19):
undefined
Jaayne: Okay, so consistency is key. How do we get better at that? (06:20):
undefined
Jamie: Well, I mean, honestly, practice, you know, just start by recording yourself speaking. (06:24):
undefined
Jamie: Okay. And then really listen back and listen for those little things. (06:31):
undefined
Jamie: Do you lean in when you get excited? Do you back away when you pause? (06:34):
undefined
Jamie: And once you identify what your kind of like bad habits are, (06:38):
undefined
Jamie: you can start to break them. (06:42):
undefined
Jaayne: It's like becoming aware of your like nervous six. You know, (06:44):
undefined
Jaayne: once you see it, you can't unsee it. So you just got to work with it. (06:47):
undefined
Jamie: I love that. Exactly. The more you practice, the more it'll become second nature. (06:50):
undefined
Jaayne: Yeah. You know what I love about all this is that it's not about like having (06:54):
undefined
Jaayne: the most expensive microphone or this like fancy studio setup. (06:58):
undefined
Jaayne: It's really just about like understanding how to use what you've got to the best of its ability. (07:03):
undefined
Jaayne: Totally. It's like Danny Brown is giving us all the cheat codes. (07:09):
undefined
Jamie: Exactly. And you can use those cheat codes, whether you're recording a podcast, (07:12):
undefined
Jamie: giving up a presentation, even just leaving a voicemail message. (07:16):
undefined
Jaayne: It's true so good it's like a superpower but like for your voice yeah makes (07:19):
undefined
Jaayne: you wonder if something as simple as how we use our microphones can have that (07:24):
undefined
Jaayne: much of an impact what other areas of our lives could use a little optimization you know it's. (07:28):
undefined
Jamie: Something to think about right (07:33):
undefined
Jaayne: It really is well that is it for this deep dive huge thanks to danny brown for (07:34):
undefined
Jaayne: the amazing advice and remember speak across the mic not into it find that sweet (07:38):
undefined
Jaayne: spot and hold it until next time. (07:43):
undefined
Music: Music (07:45):
undefined
undefined
Jaayne: the two quick tips for better mic technique. (00:05):
undefined
Jaayne: And honestly, who doesn't want like super clear audio? Am I right? So let's jump right in. (00:08):
undefined
Jamie: And you picked a great one. Honestly, Danny Brown, his channel is like mic technique 101. (00:13):
undefined
Jaayne: Yeah. (00:18):
undefined
Jamie: But, you know, actually fun to watch. (00:18):
undefined
Jaayne: Totally. Yeah. And I love how he doesn't like assume you've got this crazy pro studio happening. (00:20):
undefined
Jaayne: Like, yeah, he's got the cool acoustic panels and all that. Yeah. (00:25):
undefined
Jamie: Yeah. Which, I mean, they do make a difference. (00:29):
undefined
Jaayne: Oh, for sure, for sure. (00:31):
undefined
Jamie: Don't get me wrong. (00:32):
undefined
Jaayne: Oh, absolutely not. But he really emphasizes that, like, mic technique by itself. (00:33):
undefined
Jaayne: Even if you're recording, like, in your closet right now, like, no judgment. (00:38):
undefined
Jamie: None at all. You know, I once heard this recording, and it was made in a professionally, (00:43):
undefined
Jamie: like, treated vocal booth, you know, the whole nine yards. (00:47):
undefined
Jamie: And the mic technique was so bad, it sounded like they were speaking from inside a fishbowl. (00:50):
undefined
Jaayne: No way. See, that's what I'm talking about. So you're telling me you even I (00:55):
undefined
Jaayne: with my like very basic setup can improve things just by What was his things (00:59):
undefined
Jaayne: speaking across the mic not into it? Have you tried that? (01:04):
undefined
Jamie: Oh, yeah, absolutely Felt (01:08):
undefined
Jaayne: Kind of it. (01:10):
undefined
Jamie: Feels a little unnatural effort natural, but there's a method to the madness Yeah, (01:11):
undefined
Jamie: especially when it comes to what we call plosives plosives, you know There's (01:16):
undefined
Jamie: little bursts of air like when we say words with P or B They create this like (01:20):
undefined
Jamie: popping sound and it can really mess with your audio. (01:24):
undefined
Jamie: It's like imagine someone like shoving a mini air cannon at your mic every time (01:29):
undefined
Jamie: they said Peter Piper picked. (01:35):
undefined
Jaayne: Okay, now I'm both grossed out. And D, I understand what you mean. Right. Okay. (01:37):
undefined
Jamie: So speaking across the mic is almost like creating a little sound barrier, right? (01:40):
undefined
Jamie: So those plosives, those little air bursts, they're not hitting your microphone (01:45):
undefined
Jamie: diaphragm directly. correctly, so you get a much smoother sound, (01:49):
undefined
Jamie: right? Much more pleasant to listen to. (01:52):
undefined
Jamie: It's the difference between like someone slamming a door versus gently closing it. (01:55):
undefined
Jaayne: I'm going with gently closing for sure. Yes. (01:59):
undefined
Jamie: Which one would you rather listen to? Exactly. Yeah. The one that doesn't make (02:02):
undefined
Jamie: me jump out of my skin. So this works for any type of mic, right? (02:05):
undefined
Jamie: Because he also talks about like condenser versus dynamic mics. (02:09):
undefined
Jaayne: Right. And that's where things get even more interesting, especially for, (02:12):
undefined
Jaayne: you know, if you're working with a condenser mic at home. (02:16):
undefined
Jamie: They're great. They're amazing at capturing detail. They're like the high-definition (02:18):
undefined
Jamie: cameras of the microphone world. (02:23):
undefined
Jaayne: Ooh, tell me more. I'm suddenly very self-conscious about my pores. (02:25):
undefined
Jaayne: But okay, so condenser mics, very sensitive. (02:30):
undefined
Jamie: Very sensitive. (02:34):
undefined
Jaayne: So they're like the super, super HD cameras of the microphone world, (02:35):
undefined
Jaayne: which sounds amazing, but maybe a little high maintenance. (02:40):
undefined
Jamie: A little bit, yeah. They can be. They're very sensitive. Okay. (02:42):
undefined
Jamie: Which is great because it means you can capture all those subtle details, (02:45):
undefined
Jamie: the nuances of your voice. Okay. (02:49):
undefined
Jamie: But it also means that it picks up everything else. (02:51):
undefined
Jaayne: Oh, okay. (02:54):
undefined
Jamie: So that whole thing that Danny Brown does in the video. Yeah. With the hang loose. (02:55):
undefined
Jaayne: Oh, when he's all like hang loose, like he's about to like catch a wave. (02:58):
undefined
Jamie: Yeah, exactly. (03:02):
undefined
Jaayne: I thought he was just like messing around. (03:03):
undefined
Jamie: No, no, no. He's actually, he's really onto something there. What? (03:05):
undefined
Jamie: Because that distance, like from your thumb to your pinky. Yeah. (03:09):
undefined
Jamie: When you make that hang loose sign. Yeah. (03:12):
undefined
Jamie: That's actually like a pretty solid rule of thumb. (03:14):
undefined
Jaayne: I see what you did there. (03:17):
undefined
Jamie: For how far you want to be from a condenser mic. (03:18):
undefined
Jaayne: OK, so not like breathing down its neck. (03:20):
undefined
Jamie: Less breathing down the neck and more like, you know, having a respectful conversation. (03:23):
undefined
Jaayne: OK, OK. (03:28):
undefined
Jamie: From a comfortable distance. (03:29):
undefined
Jaayne: I like it. So it can like do its thing. (03:30):
undefined
Jamie: Exactly. Let it breathe. Yeah. Capture the richness of your voice without being overwhelmed. (03:32):
undefined
Jaayne: It can breathe. I love that. OK, so condenser mics, the sensitive friend that (03:37):
undefined
Jaayne: you don't want to blast with an air horn. Got it. But what about dynamic mics? (03:41):
undefined
Jaayne: Because those seem to be like all the rage, you know, for podcasts and like (03:46):
undefined
Jaayne: live stuff and all that. Are those as high maintenance? (03:50):
undefined
Jamie: So dynamic mics, they're a little bit more like think about your trusty old landline phone. (03:54):
undefined
Jamie: Okay. You know, it can handle a little bit more volume. Yeah. (04:00):
undefined
Jamie: They're not as sensitive to every little bump or breath. (04:03):
undefined
Jaayne: So I could like whisper sweet nothings or like belt out a power ballad and it will be fine. (04:06):
undefined
Jamie: Maybe not whisper. (04:12):
undefined
Jaayne: Okay. (04:13):
undefined
Jamie: But, you know, they are designed for those higher sound pressure levels. (04:14):
undefined
Jaayne: Right, right. (04:17):
undefined
Jamie: Think about it. They're used a lot on stage where things can get really loud. (04:18):
undefined
Jaayne: Yeah, yeah. (04:22):
undefined
Jamie: They're built to handle that. (04:23):
undefined
Jaayne: Makes sense. Okay, so with a dynamic mic, I don't have to worry about the whole (04:24):
undefined
Jaayne: hang loose thing. I can get all up in there. (04:28):
undefined
Jamie: You want to be mindful of your distance. Okay. But you can definitely get a little bit closer. (04:31):
undefined
Jaayne: Okay, okay. But I'm sensing a butt. (04:35):
undefined
Jamie: Butt, butt. (04:37):
undefined
Jamie: Speaking across the mic still matters. (04:39):
undefined
Jaayne: Even if I can practically like kiss it. (04:41):
undefined
Jamie: Even then. Yeah. Because remember, it's not just about volume. (04:44):
undefined
Jamie: It's about directionality. Right. (04:47):
undefined
Jamie: You're still aiming those plosives away from that diaphragm. (04:48):
undefined
Jamie: Okay. And that's what's going to make your audio sound so much clearer and more professional. (04:51):
undefined
Jaayne: So no matter what, speaking across the mic is where it's at? (04:56):
undefined
Jamie: Always. (05:00):
undefined
Jaayne: Okay. I'm picking up what you're putting down. Anything else I need to know (05:01):
undefined
Jaayne: about that before I move on? Right. Okay. So speaking across, not into. (05:04):
undefined
Jaayne: Got it. But then Danny Brown, he also talks about like being consistent with your mic technique. (05:07):
undefined
Jaayne: It's like finding that perfect parking spot. You know, you don't want to just (05:13):
undefined
Jaayne: like admire it from afar. You got to pull in and hold it. (05:16):
undefined
Jamie: That's a great analogy because, yeah, it's one thing to find that sweet spot (05:19):
undefined
Jamie: where your voice sounds amazing. Right. (05:23):
undefined
Jamie: But the real magic happens when you can actually stay there. (05:24):
undefined
Jaayne: Yeah. Easier said than done, though, right? I will fully admit I've been guilty (05:27):
undefined
Jaayne: of like leaning in when I'm like super fired up about something where i back (05:31):
undefined
Jaayne: away when i'm thinking it's like my voice has its own gravitational pull to (05:36):
undefined
Jaayne: and from the microphone how do i stop that. (05:39):
undefined
Jamie: Well and even those tiny little movements you might (05:42):
undefined
Jamie: not even realize you're doing them yeah but they (05:45):
undefined
Jamie: can really really impact how your audio is perceived you know yeah think about (05:48):
undefined
Jamie: it how many times you've been listening to someone speak and you just you kind (05:53):
undefined
Jamie: of zone out oh all the time and it might not even be like the content itself (05:57):
undefined
Jamie: right it's those subtle There are subtle variations in the volume, the tone. (06:01):
undefined
Jamie: Our brains, they just pick up on that stuff. (06:06):
undefined
Jaayne: It's so true. Like when you're watching something, like a movie or whatever, (06:08):
undefined
Jaayne: and the audio is just all over the place, and you're so busy like messing with (06:11):
undefined
Jaayne: the volume, that you completely miss what's going on. (06:15):
undefined
Jamie: Exactly. Wow. (06:19):
undefined
Jaayne: Okay, so consistency is key. How do we get better at that? (06:20):
undefined
Jamie: Well, I mean, honestly, practice, you know, just start by recording yourself speaking. (06:24):
undefined
Jamie: Okay. And then really listen back and listen for those little things. (06:31):
undefined
Jamie: Do you lean in when you get excited? Do you back away when you pause? (06:34):
undefined
Jamie: And once you identify what your kind of like bad habits are, (06:38):
undefined
Jamie: you can start to break them. (06:42):
undefined
Jaayne: It's like becoming aware of your like nervous six. You know, (06:44):
undefined
Jaayne: once you see it, you can't unsee it. So you just got to work with it. (06:47):
undefined
Jamie: I love that. Exactly. The more you practice, the more it'll become second nature. (06:50):
undefined
Jaayne: Yeah. You know what I love about all this is that it's not about like having (06:54):
undefined
Jaayne: the most expensive microphone or this like fancy studio setup. (06:58):
undefined
Jaayne: It's really just about like understanding how to use what you've got to the best of its ability. (07:03):
undefined
Jaayne: Totally. It's like Danny Brown is giving us all the cheat codes. (07:09):
undefined
Jamie: Exactly. And you can use those cheat codes, whether you're recording a podcast, (07:12):
undefined
Jamie: giving up a presentation, even just leaving a voicemail message. (07:16):
undefined
Jaayne: It's true so good it's like a superpower but like for your voice yeah makes (07:19):
undefined
Jaayne: you wonder if something as simple as how we use our microphones can have that (07:24):
undefined
Jaayne: much of an impact what other areas of our lives could use a little optimization you know it's. (07:28):
undefined
Jamie: Something to think about right (07:33):
undefined
Jaayne: It really is well that is it for this deep dive huge thanks to danny brown for (07:34):
undefined
Jaayne: the amazing advice and remember speak across the mic not into it find that sweet (07:38):
undefined
Jaayne: spot and hold it until next time. (07:43):
undefined
Music: Music (07:45):
undefined
Popular Podcasts
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.
Therapy Gecko
An unlicensed lizard psychologist travels the universe talking to strangers about absolutely nothing. TO CALL THE GECKO: follow me on https://www.twitch.tv/lyleforever to get a notification for when I am taking calls. I am usually live Mondays, Wednesdays, and Fridays but lately a lot of other times too. I am a gecko.
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.