BELOW THE LINE PODCAST

What happens when you build an action movie from the discipline, pain tolerance, and physical language of ballet? For Director Vicky Jewson, the answer became Pretty Lethal — a film where movement isn’t just style, it’s story.

This week on Below the Line, Skid is joined by Vicky Jewson and co-host Katie Carroll to go behind the camera on Pretty Lethal, the action thriller now streaming on Prime Video.

From the outset, Vicky approac...

Oscar night is almost here, and Below the Line closes out its 2026 Oscar series with a look at the Academy Award for Best Original Song.

This week, Skid is joined by returning guests Chris Molanphy, Louis Weeks, and Tom Peyton to break down the five nominees — a lineup that ranges from chart-topping K-pop to blues-infused cinematic spectacle, intimate indie folk, and even a rare operatic outlier.

As the ceremony approaches on March...

As Oscar night draws near, Below the Line turns to one of the most emotionally powerful — and hotly debated — categories of the year: the Academy Award for Best Original Score.

In Episode 11 of our 2026 Oscar series, Skid is joined by returning panelists Chris Molanphy, Louis Weeks, and Jennie Armon to break down the five nominees recognized at the 98th Academy Awards: Bagonia, Frankenstein, Hamnet, One Battle After Another, and Si...

Costume design defines character before a word is spoken — through silhouette, texture, and the quiet language of fabric.

For Episode 10 of Below the Line’s 2026 Oscar series, Skid is joined by Liz Vastola, Austin Wittick, and Allison Choi Braun to examine the nominees for the Academy Award for Best Costume Design at the 98th Academy Awards. Drawing on their experience across period drama, contemporary storytelling, and large-scale...

Cinematography is where intention meets execution — in the choice of lens, the placement of light, and the movement of the camera.

For Episode 9 of Below the Line’s 2026 Oscar series, we turn to the nominees for the Academy Award for Best Cinematography at the 98th Academy Awards. Skid is joined by cinematographers Patrick Cady and David Tuttman, who return to examine this year’s field from the inside — balancing technical precisio...

Best Director may not be the top prize — but it’s the category that sparks the loudest arguments.

In Episode 8 of Below the Line’s 2026 Oscar series, Skid is joined by Katie Carroll, Bill Hardy, and Shaun O’Banionto break down the nominees for the Academy Award for Best Director at the 98th Academy Awards. With years of shared on-set experience and a long-running panel dynamic, the conversation is sharp, occasionally irreverent, an...

Sound is where performance, environment, and emotion converge — shaped first on set and refined in the mix.

In Episode 7 of Below the Line’s 2026 Oscar series, Skid is joined by Steve Morrow (Production Sound Mixer) and Don Sylvester (Sound Editor) to examine the nominees for Achievement in Sound at the 98th Academy Awards. Together, they explore how production and post-production intersect to support performance, pacing, and drama...

Judging production design means considering not just what we see, but how an entire world was constructed to function on screen.

This week on Below the Line, Skid is joined by Bob Shaw (Production Designer), Regina Graves (Set Decorator), and Kerry Weeks (Leadman) to examine the nominees for Achievement in Production Design at the 98th Academy Awards. Representing three distinct roles within the art department, they offer a grounde...

Animated feature filmmaking is defined by endurance — years of development, constant iteration, and creative risks that often aren’t visible on screen.

This week on Below the Line, Skid is joined by Kent Seki and Camille Leganza to discuss the nominees for Best Animated Feature at the 98th Academy Awards. Drawing on their extensive experience in animation, they look closely at how different creative pipelines, production cultures, ...

Makeup and hairstyling are among the most visible crafts in filmmaking — shaping how an audience understands age, history, and identity before a word is spoken.

This week on Below the Line, Skid is joined by Yvonne De Patis-Kupka, Angela Nogaro, and Lynda Armstrong for an in-depth discussion of the nominees for Achievement in Makeup and Hairstyling at the 98th Academy Awards. Drawing on a wide range of experience across film and te...

This episode begins with a hypothetical question: what would it look like if Property Mastering were its own Oscar category? We explore it as part of Below the Line’s 2026 Oscar series.

This week on Below the Line, Skid is joined by Scott Buckwald and Gregg Bilson, Jr. for a deep dive into the craft of property mastering through the lens of the 98th Academy Awards. Using a fictional Oscar ballot as a framework, they explore how pro...

Continuing Below the Line’s 2026 Oscar series, the conversation turns to Visual Effects — a category that sits at the intersection of technology, craft, and storytelling.

This week on Below the Line, Skid is joined by Kent Seki and Chris Batty for a focused conversation about the Oscar nominees for Achievement in Visual Effects. Together, they look at how the category has evolved — and what separates technical accomplishment from s...

As the 98th Academy Awards approach, Below the Line returns for its seventh annual Oscar series — beginning with Film Editing, a category that quietly shapes every other craft recognized on Oscar night.

This week on Below the Line, Skid is joined by Amy Duddleston and Christopher Angel to open the 2026 Oscar series with a focused conversation about the nominees for Achievement in Film Editing. Together, they examine how editing cho...

Designing for television isn’t just about building sets — it’s about knowing when to preserve them, when to break them, and how to let them evolve over time. On Slow Horses, that long view shapes every creative decision.

This week on Below the Line, Skid is joined by Production Designer Choi Ho Man, with Gianni Damaia returning as co-host, to talk about the fifth season of Slow Horses, the Apple TV+ espionage series starring Gary O...

The stranger The Chair Company gets, the more seriously it has to be treated. Nothing about the show tells the audience when to laugh — its world looks ordinary, its people feel real, and that restraint is exactly what lets the absurdity land.

This week on Below the Line, Skid is joined by Costume Designer Nicky Smith and Cinematographer Ashley Connor to discuss their work on The Chair Company, the HBO series created by Tim Robinso...

Why do people who’ve spent their careers in the trenches of production take everything they’ve learned on set and turn it into something as quiet and lasting as a book? In this episode of Below the Line, three authors with deep roots in the industry talk about translating lived experience into storytelling on the page.

This week on Below the Line, Skid is joined by Melanie Ragone, Key Grip and author of Below the Line: A Film Crew ...

What happens when filmmaking becomes a marathon of collaboration — spanning years, thousands of shots, and the world of Oz itself? For Wicked: For Good, that was the daily reality for Film Editor Myron Kerstein and Visual Effects Supervisor Pablo Helman.

This week on Below the Line, Skid welcomes back Myron Kerstein and introduces Pablo Helman, who makes his Below the Line debut to discuss their shared journey on Wicked: For Good, ...

Before there were military consultants on movie sets, there were officers like Jon McBride — servicemen who understood how stories shape public perception. On this Veterans Day episode of Below the Line, we look at how the Navy’s storytellers helped connect the worlds of service and cinema.

This week, Skid is joined by Jon McBride, a former U.S. Navy officer whose service from 1964 to 1968 led him from the deck of the USS Kitty Haw...

What does it take to build a world that feels as authentic as the people it represents? On The Lowdown, that meant storytelling rooted in place — and departments working in harmony.

This week on Below the Line, Skid welcomes Makeup Department Head Sharon Tabb and Production Designer Brandon Tonner-Connolly, who reunite after three seasons of Reservation Dogs to discuss their latest collaboration with creator Sterlin Harjo on the FX...