Brandon Sánchez Mejia stood at a giant wall in UC Berkeley’s Worth Ryder Art Gallery and couldn’t believe his eyes. In front of him were 150 black-and-white photos of men’s bodies in all sorts of poses and from all sorts of angles. It was his senior thesis project, "A Masculine Vulnerability," and it was out for the world to see.
"It came from this idea that as men, we are not allowed to show skin as scars or emotions or weakness," said Sánchez, who will graduate from Berkeley this May with a bachelor’s degree in art practice.
Sánchez’s cohort is part of the Department of Art of Practice’s 100th year, a milestone that department chair Ronald Rael said is cause for celebration.
"There have been moments in art practice’s history when it was unclear that art should be at a university at all," said Rael, a professor of architecture and affiliated faculty in art. "And here we are, at 100 years, and it’s one of the most popular majors on campus."
Listen to the episode and read the transcript on UC Berkeley News (news.berkeley.edu/podcasts).
This is a companion podcast to a feature story about Sánchez, published earlier this month on UC Berkeley News. There, you can view more photos and read about about how Sánchez's mom made him stay inside for a year as a teenager in El Salvador out of fear he'd join a gang. And how, against his mom's wishes and without any money of his own, he decided to pursue an education — no matter what it took.
UC Berkeley photo by Keegan Houser.
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