E.T. the Extra Terrestrial (1982)

When it comes to the greatest films of all time, few are as universally beloved as E.T. the Extra-Terrestrial. In this E.T. the Extra-Terrestrial Review, Whitey and Gow take a deep dive into Spielberg’s sci-fi classic, joined by a special guest to tackle “The Good, The Bad, and The Ugly” in true Born to Watch style. Whether it’s your first time experiencing this heartwarming tale or a nostalgic revisit, this episode breaks down why this film has cemented itself as one of the greatest family movies ever made.

A Story That Strikes a Universal Chord

It’s impossible to talk about E.T. the Extra-Terrestrial without diving into its emotional core. Whitey and Gow agree that the story’s success lies in its simplicity. At its heart, it’s about a boy and an alien—two lost souls searching for connection. Spielberg’s ability to layer this story with humour, wonder, and gut-punch emotion is unmatched.

The film opens with E.T., a stranded extraterrestrial, evading shadowy government agents and hiding out in the suburbs. Enter Elliott, a lonely boy played with astonishing emotional range by Henry Thomas. As Whitey points out in the episode, Elliott’s arc mirrors the journey many children face growing up—grappling with loneliness, searching for purpose, and discovering the power of friendship.

Gow brings his trademark sharp eye to the family dynamics, pointing out how Spielberg subtly grounds the story in a post-divorce home. The absent father looms in the background, adding an emotional layer that makes Elliott’s bond with E.T. feel even more profound.

Henry Thomas: A Performance for the Ages

Speaking of Elliott, let’s say it outright: Henry Thomas delivers one of the greatest child performances in cinematic history. Whitey and Gow are in complete agreement on this one—Thomas deserved an Oscar. From the raw vulnerability of the “They’re going to cut him open” scene to the uncontainable joy of the flying bike sequence, his range is simply extraordinary.

Whitey highlights how Thomas’ performance isn’t just about hitting emotional beats—it’s about making the audience believe. Elliott’s connection with E.T. feels real because Thomas makes it real. As Gow puts it, “You forget this is a kid acting. He becomes the film's emotional heart, and you feel every beat with him.”

Drew Barrymore as Gertie also gets her due in the Born to Watch breakdown. Her comedic timing and natural charm bring levity to some of the film’s heavier moments, proving that Spielberg had a knack for getting the best out of his young cast.

Spielberg’s Direction: Pure Magic

It wouldn’t be a Born to Watch review without a deep dive into the director’s craft, and Spielberg’s touch is nothing short of magical in E.T. the Extra-Terrestrial. Whitey breaks down how Spielberg uses the suburban setting to ground the film in reality, making the extraordinary feel believable. The lighting, camera angles, and pacing all work together to create a sense of intimacy that draws you into Elliott’s world.

Gow can’t help but gush about the iconic flying bike scene, which he calls “one of the greatest cinematic moments of all time.” With John Williams’ soaring score and Spielberg’s seamless blend of practical effects and storytelling, it transcends generations.

Whitey points out how Spielberg also masterfully builds tension and wonder, from E.T.’s glowing finger to the government agents lurking just out of sight. There’s a reason why Spielberg is a household name—he knows how to tell a story that sticks with you long after the credits roll.

A Legacy That Shines Bright

It’s hard to overstate the cultural impact of E.T. the Extra-Terrestrial. Whitey and Gow break down how the film became a phenomenon, from its record-breaking box office success t