... in which Carla and Brad talk about Krautrock, album by album, umlaut by umlaut, für immer.
Eau de Cologne.
Floh de Cologne.
Oh, that Floh de Cologne!
Blending old-time cabaret tradition and '60s radical left-wing politics, the Flohs brought biting wit and considerable musical range to bierkellers and Uni stages all across West Germany. And it wasn't long before they laid a concept album/ beat-show down to tape. That record, Ohr Records’ first release (!), was Fliessbandbabys Beat-Show.
Rock along wi...
We were overdue to check in on Krautrock's unwitting supergroup, the Cosmic Jokers. But we weren't gonna do it without first going *deep* on Rolf-Ulrich Kaiser and Gille Lettmann.
At various times visionary, provocateur, entrepreneur, programmer, pamphleteer, carnival barker, and snake oil salesman, Kaiser was an essential figure in the Krautrock project. His life-partner-in-crime, Gille, brought a Star-M...
Took a minute but we're back with a vengeance and a heaping helping of Synthy Berliner Klaus Schulze!
We gushed about Klaus's drumming in our Tangerine Dream and Ash Ra Tempel episodes. Funny thing, though: Klaus's FIFTY-PLUS-YEAR career as a solo artist was a largely drums-free endeavor. Starting with 1972's Irrlicht, which he hacked together with a wonky amp, broken organ, some delay effects a...
Today we accept a listener's invite up to Hamburg, for a visit with A.R. + Machines.
Achim Reichel grew up near the docks, listening to sea shanties. He found work at the Star-Club waiting tables, but soon enough he was on its stage playing with the Rattles—and running with Lennon & McCartney.
Come 1971 he ditched his bandmates for a tape machine. Krautrock followed. Turns out Achim was j...
In today's episode, Carla and Brad tip their caps to the ten or more young Bavarians who stood up to Mom and Dad, demanded money for a swank downtown apartment, and most assuredly drove their neighbors nuts with the ensuing band rehearsals.
Well, maybe we tip our caps more to the parents who funded this grand and glorious adventure.
Musical Münchner communards choose attitude over aptitude. D...
It's a tale as old as time. Boy meets Moog III synthesizer. Boy drops a wad of cash to buy it. Boy and Moog blissfully record two studio albums and a film soundtrack together. Boy abruptly breaks up with Moog and finds religion.
Boy is, of course, gifted and accomplished pianist Florian Fricke. His project, and at times even his alter ego, is Popol Vuh. In this episode we do some Before and After s...
Schoolyard friends Manuel Göttsching and Hartmut Enke loved the Beatles and the blues ... like everybody else in a Berlin rock band in the late '60s. But then they got hold of Blue Cheer's record and some blow-the-doors-off British amps. Soon wunderkind drummer Klaus Schulze was at their door, sniffing around the new equipment. Things were gonna get LOUD.
Ash Ra Tempel's soundquakes and s...
No figure loomed larger over Krautrock, as a genre, than legendary producer/ sound engineer Konrad "Conny" Plank ... and we've been looking for an opportunity to talk about him. Then we discovered the Rastakraut Pasta LP that he and Dieter Moebius recorded and released in 1980. Problem solved!
From behind the board in Cologne's Rhenus Studio and then his own converted farmhouse in Wolperath, Plank...
We interrupt this podcast's regularly scheduled programming for a SPECIAL REPORT:
We've made a Krautrock Playlist.
The original idea was to have a "song draft": having dug deep enough into Krautrock, we would take turns claiming songs for ourselves. We figured this way we'd learn what each of us likes in particular, and what we like best.
What happened is we came up with a li...
It's 1969. Accomplished Belgian classical/ jazz/ R&B pianist Joel Vandroogenbroeck and English rock guitarist Ron Bryer have ditched their Basel-based blue-eyed soul band and will shortly link up with lysergic femme fatale Dawn Muir.
The result? A square of light, a circle of thought, a triangle of NOTHING. It's BRAINTICKET!
Join us as we talk about Brainticket's wild and wool...
Accomplished jazz practitioners hear the siren song of psychedelic rock and find themselves a young, ripping guitarist to plug in with. Hold on: are we talking about Can again?
Not at all. It's Guru Guru today: three amazing musicians laying down the soundtrack for when the aliens arrive. Or put differently, "music that's intended to mess with the cerebellum." (h/t David Stubbs)
In the spring of 1973, guitarist Michael Rother looks in on two old acquaintances at their ramshackle farmhouse/ recording studio in Forst. Rother hopes to tour the UK with his current band, Neu!, and he *thinks* Hans-Joachim Roedelius and Dieter Moebius of Cluster might provide just the juice he needs for his live act ...
Now what was it John Lennon said about life and making other plans? The Neu! tour nev...
Today we depart from our usual programming to post a LIVE SHOW ALERT.
Turns out Brad sneaked off to London last month to catch surviving member of Neu! Michael Rother's live performance at the Clapham Grand! Joining Michael on stage were Hans Lampe (of La Düsseldorf, on drums), Franz Bargmann (of Camera, on guitar) and electronic composer and recent Rother collaborator Vittoria Maccabruni.
Spec...
With Neu! in the rear-view mirror, Klaus Dinger stepped into his white overalls and reached for fame and fortune with his second act, La Düsseldorf.
And boy oh boy did he find it.
Today we talk about LD's second LP, Viva. Notable for its space-age guitars, synth washes, and of course "Dingerbeat," Viva serves up a shimmering blend of glam, punk, and electronica. And that's not...
Eight episodes deep, and still we haven't checked in on The Most Important Band of All Time (This Side of the Beatles)? That ends today.
It's time for Carla and Brad to talk about Kra[f]t[wer]k. Kling-Klang, Ralf + Florian, "Precise and Maximum Expression." Ruckzuck, Radio-Activity, Trans-Europe Express, The Man-Machine ... AUTOBAHN.
It's 106 kilometers to Düsseldorf. We...
Well, it's back to the lab again, yo — that is, the Zodiak Free Arts Lab ... where today we find Edgar Froese, Conrad Schnitzler, and Klaus Schulze, banging out five-hour live sets in the first incarnation of Tangerine Dream.
**SUPERGROUP ALERT**
**SUPERGROUP ALERT**
Crackling raw acid rock with hammer-drop organs, shaken dried peas, and a train ticket read backward? Klaus Schulze on drums?...
Conrad Schnitzler, Brian Eno, Michael Rother, Conny Plank. All the cool kids wanted to hang with Moebius and Roedelius — so naturally we do, too.
What time is it, listeners? Is it time for the CBK bus to take a turn "im Suden?" Is it time to tap into Roe's pastoral Romanticism and Moe's sparky bleeps and blips? Time to put Eric Clapton into "the Krautrock meat grinder?" (h...
In this special double-length episode (!), modular synth guru Sean Rieger talks to Carla and Brad about the many technical and electronic sound elements that Krautrock artists applied to enrich their music.
Are you worried about losing your time? Your teeth? Well, fear no more, listeners, because Carla and Brad are here to talk about Faust. Eclectic, unyielding, forward-leaning, and fun — Faust brought their A-game to the studio, time and again. Today we focus on their manic and beautiful 1973 masterpiece, Faust IV.
Irmler! Sosna! Wüsthoff, Zappi, Peron! You're up! FAUST FREAKING IV, PEOPLE!!!
Fresh off their tour of Egypt, Greece, Turkey, and Cyprus, Carla and Brad have landed in West Berlin! In this episode we break down the synth-singed psych rock of Agitation Free's 1972 debut LP, Malesch. Come for the wax figures, pyramids, and street recordings, stay (or not) for the Hammond solos.
You might say we're doing it for "the Lüülz." In any case, we play for you today. Deal?
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
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