Bloodlines: The Unstoppable Chain of Final Destination review/ Campfire edition story: 3 Siblings confront witches in Mexico

Episode Transcript
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Laura (00:29):
The Hello listeners.
I'm Laura and I'm Esme, and weare Chicas Cucuy.
Thank you for tuning in to ourpodcast.

Esme (00:38):
This is a podcast dedicated to horror movies and
real life cucuys.
We take a deep dive into thehorror film world and bring you
the latest and greatest andsometimes the not so great.
We will give you our cinematicreviews and insights to what
makes them so terrifyingly good.
And please beware of spoilers.

Laura (00:53):
We want you to be happy hearing us, not mad at us for
telling you what happens, andafter each session we'll feature
a real life scary story.
If you have one to share, we'dlove to hear about it and, hey,
it may even end up in one of ourepisodes.

Esme (01:09):
Tune in if you dare.
Hello everyone, welcome back.
Hey, I know there was a largegap.
We're gonna get back to doingit at least twice a month.
If you're lucky, maybe more.
I know we started off slow, butthankfully the season is up to

(01:30):
a good start.
So, as we said last time, we'regoing to be reviewing

Laura (01:34):
Bloodlines the most anticipated film for
all the what generations, Gen.
Everybody knows FinalDestination movies.
They've either traumatize youand you hate them, or you love
them Because they're fun.
Yeah, I feel like it was themost anticipated film of the
year.
It was because when did?

Esme (01:51):
they first start 2009 or no 2000.
The first one was in 2000.

Laura (01:55):
That's crazy.
That's when I was born.

Esme (01:59):
That's crazy.
Time flies 25 years later.
Woo, that's crazy.
Okay so, and I'm almost 25.
I know we have a birthdaycoming up soon, so everybody
send Laura sushi.
Money.

Laura (02:13):
Yeah, sushi money for a spicy tuna roll.

Esme (02:16):
Okay, so, anyways, let's get to it.
So this is a really fun movie,as we said, because these movies
generally are fun, but this onedid have a different twist than
all the other ones.
So let's just go over thelittle overview.
I sounded kind of like Grease.
No, before the commencement ofthe commencement, we're going to
overview the overview.
Okay, so, anyways, plagued by aviolent and recurring nightmare

(02:39):
, a college student heads hometo track down the one person who
might be able to break thecycle of death and save her
family from the grisly demisethat inevitably awaits them all
I think it was a really cleverapproach that they took to this
movie, because the storyline forevery final destination usually
is always that someone isliving life and they experience

(03:01):
a premonition.

Laura (03:02):
So then, since they are the ones that intersect and
avoid, like all these deaths totake place because of it, like
they, basically save everybody'slife yeah, they have like a
freak out of some sort.
Then that's when the charactersget knocked off one by one
because death takes revenge.
But in this movie there wasactually I mean, there was a
premonition that took place.
But the main protagonists, themain characters of the movie,

(03:25):
they themselves never had apremonition, and that was
something that I rememberthinking like, oh, that's cool,
because I was waiting for it tohappen.
But then it clicked.
I'm like no, it's not going tohappen with them.
And I thought it was reallycreative on their part, because
in this movie what it, what itreally boils down to, is that
they are the descendants ofsomeone who had that freak out

(03:46):
slash premonition.
So since they were saved, andbecause all these other people
were saved, I guess it took avery long time for death to get
rid of them in chronologicalorder like it normally does like
it literally took 60 yearsbecause supposedly, whenever
this premonition happened theoriginal one that you're talking
about it was in the 60s.

Esme (04:08):
It was like 1960.
I'm not gonna say 65 exactly,but it was in the 60s okay so
yeah.

Laura (04:14):
So then now they're just like living their life, normal
people, and they're just comingto terms with the fact that they
were never supposed to exist,because in their bloodline hence
the title of the movie uh, youknow, like it basically their
bloodline continued and extendedand you know, like a family
tree, like it kept branching off, it kept growing but that whole
thing, like that whole familytree was never supposed to be

(04:37):
continued.
It was supposed to be cut acertain point in the 60s, so it
was a really, really creativeapproach.
If I was in the writer's room,I think I would have been, like,
really excited for, for, like,the production, yeah, like for
like to see it come to life,because I think it's a cool
storyline.
Like I'm really geeking outabout that,
yeah because I do like the fact,like I mean all the other final

(04:57):
destinations, I mean they'vehad their own twist, I mean, so
they were never boring, eventhough you already know, okay,
everybody like is going to seeand then everybody's going to
follow and listen to them or notlisten to them.
And of course it started withthat one plane crash, right, and
the crazy part is that even inthis movie, at some point they
show them that number.
What is it?
The 180?

(05:18):
181 or something?
We should be more prepared.
Flight 180, I don't know.
187.
Yeah, more prepared.
Flight 180, I don't know.
187.
Yeah, whatever it is, thosenumbers still appear, even in
this movie.
So, like they still went allthe way around to connect
everything.
And I'm wondering, because Idon't remember this, but like
all those other people that hadpremonitions, were they part of
that?
Like all the other final like,were they trying to insinuate

(05:40):
that some of those had somethingto do with that?
Because supposedly that's whendead started having to chase
people around, that they wanteddead because they weren't
supposed to be alive.
So do you think there was thatunderlying plan that for death
to start affecting people allthe way down to that blight?
Oh, I never, yes, remember thegrandma.
Well, I mean, again I'm jumpingahead and I and I don't have a

(06:01):
lot of memory of a lot of stuff,but I do remember this.
There is a part of the moviethat she has like a scrapbook of
things and this is a grandmathat they think is crazy, which
actually is the young girl inthe 60s that they all come from.
They had the premonition, butshe kept track of everybody and
everybody's life and howeverybody ended up dying and in
that scrapbook I remember therebeing something about that

(06:24):
flight.
Really yes.
I remember seeing a plane, butI thought it's that one.
It never said no title ornumber of it.

Esme (06:32):
I think it did Because she had articles and stuff.

Laura (06:35):
Oh, then that's an Easter egg that I did not catch, okay.

Esme (06:37):
Well, what do you guys think?
Did you guys watch it?
Do you guys remember that part?
I think we should re-watch soon, yeah, just for the sake of
that.
Okay, so let's get anythingelse that we should discuss
before we get to the story yes,definitely.

Laura (06:51):
There is a shout out that we want to do to tony todd,
because he's now with deathhimself rest in peace.

Esme (06:58):
Tony Todd, and he came out in so many great movies.
Uh, the first one that Iremember seeing him in is candy
man.
That's the first movie that Iwas like super young.
Let me see, when did that comeout?
1992, wow, and that's how Iremember him first and I thought
he was creepy back then.
But then he came out in like,uh, final destination, the 2001

(07:18):
on the first one and then theother ones too.
And he also came out in likenight of the living dead,
transformers, the crow, 1994,which that's crazy.
I don't remember him in thatwish master.
That's like a old scary movieto 1997 hellfest, hatchet, two
tales from the hood, three thatone came out in 2020.
A lot of movies, but a lot ofthem are horror.

(07:39):
He's like super, super cool.

Laura (07:41):
he was really sick during filming and if you watch the
movie you can see that he'ssunken in.
He's very fragile looking.
So it was.
It was a moving scene, justbecause you're able to see him
withering away as you watch itand then just knowing that in
real time, like he's no longerhere.
Um, the best part of this movie, I think, was that they gave
him the opportunity to say likehis last words from the heart.

(08:05):
It wasn't scripted and this iswhat he said.
I intend to enjoy the time Ihave left and I suggest you do
the same, because I justremembered something.
I'll tell you guys right now.
Okay, I'm like, why is thatfunny?
Oh my God.
Then he says life is precious.
Enjoy every single second, younever know when.

(08:25):
Good luck.
And it's like he knew he wasgoing to die soon.

Esme (08:29):
He knew he was sick.
It was so moving.
It was because that's going tostay like his little signature
sign off.
What are you laughing at?

Laura (08:36):
Because I was telling my sister while we were watching
this movie that he was going tohave this like scene where he
says things that were unscriptedand that it's from the heart.
I was literally preparing herwith what I just said right now
on the podcast.
But before he says that he'stalking, he said I don't know if
he said like, like, don't fuckwith death or something.

(08:58):
But she looks at me like wasthat it?
like I hyped it up so much,saying like it's gonna be like
heartfelt like like it's, it'scool, like it's a heartfelt yeah
thing that he, that he does atat the end, like when he's
leaving, but she didn't knowwhen.
You know it was exactly.
But he said something likefunny, like something that she
was over here looking at me likewas it that?

(09:19):
Like was that the?
Was that the message that hewanted to leave behind?
Don't fuck with this.
I'm like no, I just startedlaughing because I remembered
that oh my god, yeah, that'sfunny.

Esme (09:30):
And, for the record, she's 12 years old, so, yeah, so that
makes it funnier, right?
Yeah, and did you know that hewas in marvel spider-man 2?
He was the voice of venom, oh,no, I didn't know that.

Laura (09:41):
I love venom.
Yeah, that's pretty cool.
So let's get into the openingscene.
Yes, I especially loved thatit's catered to my fears,
because I'm scared of height,I'm scared of everything, I'm
scared of life.
No, most importantly, I'm scaredof heights and like I'm not
crazy with elevators, but likeit always crosses my mind, like

(10:03):
if I'm going too high in theelevator, like, like, have you
ever been in a in a tallbuilding a year, like?
Or the medical office, andthey're like, oh, go to, like
the 12th floor.
Have you ever stayed at a hotelwhere it's like, oh, I'm
staying on the 30th floor.
I'm like, uh, I don't want tobe all the way up there I know
like how was the elevator?
yeah, I don't like it and you'relike it's happened where I stay
in a room and I know I'melevated and I'm trying to go to

(10:24):
sleep and I'm like, oh my god,I'm still high up, like you're
very aware.
Yeah, so our first charactersare iris and paul, so they're a
couple in the 60s that are goingon a very special date to a
skyscraper thing restaurantcalled the sky view.
It's like the newest thing,which is to like have dinner and
, yeah, have a good time up inthe air dancing and it was like

(10:44):
a fancy thing, but it's like areally high building, like it's
supposed to be, like.
I guess that's part of theexperience to see the whole city
, or like beautiful views, but Idon't know.
I would not want to be there soanyways, yeah, because it looks
like a cylinder, right like acylinder, and then like, yeah,
it looks like in sea worldthere's a few amusement parks
that have that like regularelevator that goes up and then
it goes down but it's like anobservatory almost, yeah, like

(11:06):
it's slow, um, but that one, itwas an elevator that shot you up
to like this regular base, thatwas a restaurant bar and and it
was finished like eight to fivemonths ahead of schedule, which
was like the first red flag,like should that have happened?
Question mark, like what?

Esme (11:22):
did you guys?
What did you guys make youmouth?
What did you guys not put inhere, like, what did you guys
skip over?

Laura (11:26):
so they were on their way to a really nice date that our
boy, paul, had put togetherbecause he was gonna propose to
her.
We realized that and then wealso find out that she's
pregnant.
It's a secret.
So it was like a really nice uhmoment and time at first
because you see, like oh, it's ayoung couple and like they
actually probably could make it,like they actually seem to be
like really in love, and isn'tthat like the best case scenario

(11:48):
?
Like oh, I'm pregnant.

Jorge (11:49):
And then he's asking me to get married and he's asking
me to get married.

Laura (11:51):
Yeah, like it was, like a cool couple Like they look,
like they were meant to betogether forever, but I.

Esme (12:00):
You can plan a pretty picnic, but you can't predict
the weather, yeah, yeah,basically.

Laura (12:05):
So I mean, there's a lot of details that arise and like
are they important?

Esme (12:09):
Yes, they are important but, as we know, Only because,
like, they start reoccurringlater.

Laura (12:14):
So that's how you catch on.
Like, oh, death is around,because he has like a way of
like playing the same song foryou.

Esme (12:30):
Or like giving giving you warnings or something like you
just know that he's around,uh-huh.
So was that one song that wasplaying um it's the one that you
always make me wanna shout?

Laura (12:32):
no, let me shout.
Yeah, that's when they werestomping and they almost I'm not
there yet, oh, I'm talkingabout, like in the radio, when
they were putting up the radio,oh, oh, ring of fire.
So ring of fire is like astaple, like a motif in this
film, because they keepreplaying it.
Um, but the one, yeah, but theone that you're talking about by
the icy brothers, right, yeah?

Esme (12:47):
okay, but no, but this was the the johnny cash one.

Laura (12:49):
Yeah, we're talking about the johnny cash song right now,
but I'm saying, the one youmentioned was izzy brothers yeah
, which was when they wereactually in the building.
So yeah they.
They pull up like in a red car.
Is it an impala?

Esme (12:59):
yeah, is it an impala right, it's a red I don't know
what year I couldn't make it outI don't remember I remember
saying what year it was.

Laura (13:05):
That'll be your homework tell us what year it is.
But I wouldn't show the logonever because of the way it was
feeling.

Esme (13:11):
I'm like I think it's an impala what I can tell me the
front like no, yeah, it lookedjust like it.

Laura (13:15):
But I was like, would they really rent one for this
movie?
Oh yeah, okay.
So they pulled up in an impalathe valet's playing ring of fire
.
They're getting off, enteringthe building and it looks like
they were already.
Like that was a pivotal momentin time where, like they could
either stay to catch the next umelevator or they could try to
squeeze in and the elevatoroperator was like, no, come in,

(13:37):
come in.
And they're like no, we'll waitfor the next one.
But he was very insistent.
But already that's the firstred flag because the capacity it
was over capacity and theelevator operator was like,
completely disregarding it,they're all bunched up in there
and she gets trapped with thislittle boy guest.

Esme (13:50):
That's like so obnoxious and a little jerk boy, you know
the asshole kids.

Laura (13:54):
He was one of those.
Yeah, like he was first takingout pennies from the fountain
and that's also a reoccurringmotif, the penny in in this
movie and didn't someone tellhim that it's bad luck to do
that?
Yeah, so I argue, maybe it washim that started it.
But whatever they go up, andshe's already starting to feel,
I think, like the height, likethe altitude that she's like

(14:14):
increasing because she gets alittle nervous and stuff, and
then, once they're up there,unfortunately, like the worst
case scenario happens where,like you're, you're there for
your reservation and they're not, it's not booked, they're like
it's overbooked there, they'renot attending you yeah, and then
, like it's the guy I guess he'slike oh, can I speak to, like,
because I guess he had a friendthat worked there.

Esme (14:32):
Oh, he doesn't work there anymore, right, they're like, we
fired him this morning, yeah,so basically he can't even.
He's like oh, you know so, andthen someone gonna be asked out
and then someone important camein and they sat them down.

Laura (14:43):
So it looked like I wouldn't say racism because they
were all the same race.
Ageism, ageism, yeah, like Idon't even know what that was,
but he was a big old hater.
It was like a viejo yeah, aviejo hostess, yeah, he was just
jealous of those young peoplewho had it like that yeah.
But that's another sign too,like maybe they should have, but

(15:05):
I get it.
Like they were, he was tryingto make them boast of it.
Like they literally lingered,like they had like a few drinks.

Esme (15:11):
Or they tried getting drinks and I think um also like
with like her, she didn't wantto make him feel bad, so like
she's like oh no, no, it's okay,look, let's go sit at the bar
and let's go.

Laura (15:19):
You know, we can still be here like being everywhere that
they were at and yeah, and likeit looks like when they were
outside in the view.

Esme (15:34):
That's when paul proposes to iris and that's what she
tells him about, like her beingpregnant, right?

Laura (15:36):
yeah, I think so but that little boy's there like
throwing the penny and it getsstuck in like some vent.
And you know how these moviesare like one little thing
connects to another and it justmakes like a domino effect.
And she had like kind of had anencounter with the singer.
That was part of that screamand shout performance, and she

(15:56):
had a little boy, like herlittle son was there.
So that's important becauseright when, like, she starts
having a premonition and allthat, like she remembers him
because they both died together.
It was at that point, whenthey're outdoors, that she
started with her premonition.
She was there outside when theydecided to go inside to dance
and as they're dancing, that'swhen that song is going on,

(16:18):
shout by the izzy brothers, andeveryone's just probably drunk
or like on good vibes, sothey're like stomping, like
really like getting into thesong.
Hey, hey, yeah.
And the performers were alsotelling them like, oh, like get
a little quiet now or something.
Yeah, but then he's okay, likeshout now.
Like he was like on, the singerand the girl were like hyping

(16:40):
up the crowd, so then they wouldstart again like making a lot
of impact on the glass floor.
That's, that's what I was gonnasay that.

Esme (16:47):
What a coincidence and terrible thing that, like they
had a see-through glass floor,basically one of those things
that I think people would bescared.
I know I would be scared toeven walk on those things
because I know some places theyhave that they have glass floors
that you could walk and youcould see under.
You're like miles and milesaway from the floor.
It was that.

Laura (17:08):
Has anyone been to the LA slide?
There's like a slide, one ofthe highest towers in los
angeles.
I don't know if it's still open, but my aunt slid down like in
a little potato sack.
But it's clear.
Like you, know oh my god, yeah,I wouldn't do that.
I would.
You just said that you'rescared.
No, the stepping.

Esme (17:26):
If I think a slide, I would oh my god, worse.

Laura (17:29):
Your whole body weight's.
Like You're going fast, youmight make it, you might.
So, yeah, like there's allthese things that are happening,
though like to indicate thatthe floor is breaking Like the
chandelier thing, like fallsfirst to cause the initial crack
.
But then like there's like alittle fire that creates because
this guy was like cooking, yeah, like a flambé thing like and

(17:49):
that little boy who threw thatpenny somehow like stopped the
ventilation or something andlike the gas valve.
You know how I'm telling you.
You know how these movies are.
So then this fire just gets outof hand.
So not only is the floorbreaking, and since they're on
it, paul's like one of the mainones that like just falls to his
death because he's trying tohold on.

Esme (18:07):
She's trying to grab him, but he's grabbing onto like a
shard of glass what is it aboutshards of glass and people's
hands?
I always see that and that'slike the part that always gets
to me, because people are likehanging onto glass, like
stabbing their hand, trying tohold on.
Oh my god, that's like theworst thing, I think.
What other movies I know?
We've said this in other moviesand it's always that part, I
think terr terrified for sure.

Laura (18:29):
Yeah, paul's death is like really gruesome.
He slides off of his hold ofthe glass and he just hits his
head first like boom on like oneof these big metal rods, but
everyone around him is eitherfalling or they're also letting
go.
So it was just falling fromlike really yeah, I remember
they're like drowned at the skyview, like the newest highest
tallest building.

(18:49):
So iris is on the side, likeshe was able to move, so she
didn't fall through the glass,but now, like we mentioned,
there's a fire breaking out.

Esme (18:57):
So it's just it's chaotic and everybody inside that didn't
fall out is like running andtrying to like stuff themselves
in the elevator.

Laura (19:04):
Oh yeah, including that viejo, which he had a good death
coming to him because he pushedher out the way like she.
She was gonna get in theelevator first and he threw her
out the way like to save himself.
But something happened with theelevator and, as they say, like
don't ride elevators whenthere's like a fire, so it just
like crushed or something likethe, I think like the tubes or

(19:26):
whatever like just they, yeah, Idon't know, they just let go or
something.
And he was crushed, like he waslike midway in the elevator and
halfway out, so he was like itwas bad but he deserved it and
then the stupid little boy liketakes the stairs so he survived,
he like lives temporarily.
So now the chaos continuesbecause everyone is dying and if

(19:50):
it's not because they fell,it's because they're burning up
and the sky view, since it's inthe circular shape, it starts
tilting and like breaking inhalf.
I guess because of like, justall of the damage that's being
done to it, like unbalancesitself.
So that's where iris also istrying to like find her balance.
Well, yeah, like her survivalskills kick in and she's trying

(20:12):
to see, like where should I runto?
And yeah, like you just have towatch it.
There's a part where people aresliding like not voluntarily,
like just gravity doing itsthing.
They're sliding down to likewhat was once the wall of the
sky view, which is like a clearwindow, but now, since it's
tilted and bent and hanging off,like there's, no, there's

(20:34):
getting caught by that window.
but it's like what happens whenall that weight hits glass is
going to break.
And there was this one scenewhere, like the freaking pet,
like a penny falls on the piano,and that was, that's what
causes it to just like rock.

Esme (20:47):
And isn't it that same stupid penny?

Laura (20:48):
that's what causes it to just like rock, and isn't it
that same stupid penny that'straveling?
That's what I'm saying.
It's like a reoccurring thing,that penny.
So, aside from paul's likereally messed up death where he
hits his head, I think that wasanother memorable death the
piano smashing that woman thatends up like getting I don't
know.
She died of being crushed orbecause she fell off, because it
just broke the glass and sheflew out.
Or iris's death, which was umpretty scary because she was

(21:12):
like one of the last survivorsand she ended up getting that
little boy that we mentionedearlier, like it was one of the
performers, um son little sonand he wasn't even supposed to
be there.

Esme (21:21):
We find that, yeah, they couldn't find a babysitter.

Laura (21:23):
Like the girl, the singer couldn't find a babysitter he
was like in a little metal box,like I guess, where you put like
the plates yeah because the momhad like shoves him in there
and then she burned up likeright when she like she tried to
save him and then she burned upbecause that fire had broke out
.
But she caught him she saw himcrying, I think.
So she picks him up and likethey're like the last survivors,

(21:44):
the last, and they're like on,like this peak of what's left of
the sky view, like everythingbasically crumbled and fell
right.

Esme (21:51):
Yeah.

Laura (21:52):
But I think like that too , like it ends up cracking and
just they fall, like they end upfalling yeah.

Esme (21:58):
And that wedding ring.
Yeah, the wedding ring, oh, myGod, you can say it if you want.
So like there's like a nailthat her hand gets caught on but
it gets cut on her ring, likeliterally like they would have
already both fell down.
But because her finger gotcaught with that nail and it got
cut on the ring finger on theactual ring, all their weight

(22:20):
was being picked up by that ring.
So imagine her finger holdinglike their entire body weight,
you know trying to visualize.

Laura (22:29):
how did her visually?
How did I think it?

Esme (22:31):
was like pulling and it like peeled off her finger.
Oh, yeah, yeah, yeah.

Laura (22:34):
So, yeah, I guess it was like a really perfect fit or
something.
It was like really tight on her,but the way they end up dying
is that her own like skin, likebecause it's so much weight, you
know, it ends up sliding offthe nail to the point that it
rips off her skin, like theouter layer of her skin just
stays with the ring and with thenail and like her bone slips

(22:58):
out or something.
So that's how the little boyand her die, because, yeah, with
her other hand she's holdinghim and there's like picos and
stuff on the floor that are fromthe debris and all that and she
just falls.
It hits her, like like she'sopening her mouth, screaming,
and it seems like it juststabbed her right in the throat
and the little boy you know,self-explanatory he, yeah, he
fell to the death and then thatsomehow is like the reoccurring

(23:21):
dream that this random girl has.
That's where, when I was in themovie, I was like who's this?
Like?
This is like weird, like ittook a weird turn, because,
because, usually it's the personthat wakes up.

Esme (23:31):
Yeah, and this was a different person that's having.

Laura (23:33):
I was waiting for iris to be seen again and her to
realize like, oh my god, likeeverybody, like you know, just
get out of here.
Like that's usually whathappens in every final
destination movie.
But and it still does happen,but it just happens later like
they show us later.
But that usually not how ithappens.
It happens like back to back.

Esme (23:50):
So yeah, in this case I was a little bit like huh, so I
like the twist because you knowit changed what we were
expecting, because we wereexpecting how all the other ones
do.
All of a sudden, this girlwakes up.
And what's her name?
Stephanie.
So her name's stephanie lewis.
It didn't see that, didn't shehave like a spanish name?
In another thing she did, huhin a movie.

Laura (24:08):
Yeah, I don't think her name was stephanie, was it?
That's what it says right there.
Yeah, for sure it wasn'tcaitlin.
Okay, maybe it was stephanie, Ijust don't remember, but she's
the main person in this movie,so we should remember.

Esme (24:18):
I know it just doesn't sound like it doesn't ring a
bell, but it was because it'snot caitlin, and I don't know
why her name is louis, becausesupposedly her name was reyes,
because look, even her brotherit says charlie reyes, unless
she has like a long name.
Yeah, I remember when she wasin class and they said reyes,
and I told somebody I'm like, ohyeah, but she's not hispanic,
she's supposed to be filipino,remember yeah, anyways so,

(24:41):
anyways, this girl, stephanie,who knows her last name, so
she's the one that wakes up fromthe premonition and she's like
what the hell?
and who is that right?
And I don't remember shit.
Well, she's not like what?

Laura (24:52):
the hell.
She's more like, oh like.
She wakes up from thisnightmare and her roommate is
like you gotta get it togetherbecause you're not letting me
sleep.
So that shows us that it's likea normal thing so she decides to
go back home and kind of likereconnect with her grandma
because she must have seen apicture or known the story or
something for her to feel like.
I think I know this person inmy dream, but it looks like the

(25:13):
family, when they start to catchon, that she wants to like
reconnect with her grandma orfind out more.
It looks like it's like a bigno-no, like they don't even
tolerate it and it shows us thatthey don't have a relationship
with her and it's only becauseshe experienced this traumatic
thing.
That is the opening scene ofthe movie, but they did show her
a picture and she it onlyconfirmed.

(25:34):
It's only because I think thatgrandma has such a traumatic
experience and like that wholething that we just described,
like she obviously had to havelived.
So she obviously saved everyonethere because she had, you know
, her kids and they had theirother kids.
So we don't really know whathappened after that, like when
she had that premonition, but weknow that they lived.
It just kind of shows us thatthey probably don't believe her.

(25:55):
They don't like accept that shedealt with real trauma and that
she's on to something withdeath and yeah, we start seeing
later, like that they call her avery disturbed woman that she
started sending pictures of likedead bodies and articles of
like tragedies.
But then we start realizing, oh, she's just trying to get
everyone on board with likedeath exists, he's come for

(26:16):
people or whatever.

Esme (26:17):
But no one, she's crazy yeah, like no one probably.

Laura (26:20):
And yeah, like the normal person doesn't want to see like
things about death or liketragedy, but she's just doing it
because she loves them and shewants to make sure they're.
Yeah, they're like updated, butdon't they find out?
Well, eventually we find outthat she's like pretty much
hides herself well, I thinkthat's part of why they think
she's like a nut job, becausethey're like dude, she's like
abandoned over there and herhouse is.

(26:41):
We see, it's all like.
It's like a freaking fortress.

Esme (26:45):
It's a fortress and she's like super careful she doesn't
go outside, outside yeah.

Laura (26:49):
It kind of shows Stephanie too, like okay, the
more that you try to keep meaway from my grandma, it's not
helping, because it looks likethere's a lot of questions that
only she can answer, because youguys don't have a relationship
with her so she's determined togo find her and she does,
because she goes back home andthen, yeah, to her dad, her
brother, and she looks likeshe's been very alienated from

(27:11):
her family because she went tocollege and, like, started her
own life.

Esme (27:14):
Yeah, it seems like people were resenting her for that huh
some of her family members orshe probably just was like the
average college person thatthinks about only them, like no,
that's true, but I'm sayinglike it seemed like they, the
majority of them, were likeresenting her, like like acting
like that's like.

Laura (27:28):
Oh, you just left the like all like dramatic, you know
oh yeah, I don't think theyresented her for going to
college.
My point of view is that sheprobably really did just get
away from them and it's like, oh, all of a sudden now, because
you're having nightmares and youneed something, um, from like
family, you're all up in thebusiness trying to get answers.
Yeah, because it was like anight and day that she it looked

(27:49):
like she never really hadproblems or nightmares or dreams
, but out of out of nowhere,like for three months straight,
she's saying that she's havingthese nightmares, so what ends
up happening is that she gets atip from, like her uncle's wife
and she's able to go to thatgrandma's house and yeah, it's
like a fortress, like wementioned with a camera that you

(28:10):
can't even like access theproperty unless you like video
chat with her and stuff, and sheforces her to like not take
anything down with her and shekeys her phone.
Everything has to stay in like alittle lock box or something,
and then the, the, thegranddaughter is like I'm not
dangerous.
She's like it's not you I'mafraid of once.
Once they're in that house, yousee like it's very minimalistic

(28:31):
and it's probably becausethere's so many houses, it's not
that minimalistic, thoughReally, I was surprised that she
had a bunch of stuff.

Esme (28:38):
She just has it in a very specific placement, like
organized in a harmless way.
Yeah, like to the point thatshe won't you know, hurt herself
with it.
She knows where everything isbecause remember, because she
had weird things in there too Iguess.

Laura (28:50):
So, moving forward, the whole like skyview incident gets
brought up and the grandma'slike, like you would think that
there's like a resolution orlike oh, this is why you're
having these dreams.
But the grandma's, like hell doI know, maybe it's a sign like.
She just kind of like brushesit off, like I don't know, but
I'm glad you're here, like letme fill you in.
But we don't really real likeknow why it is that she was
chosen out of everyone, or likewhy she is the one that's so

(29:14):
sensitive to like what'shappening.
Yeah, we never got thatanswered.
But the grandma startsoverwhelming her with, like the
discussion of death and like howit's coming for them and how
she has been able to like fightit off for all these years.
But she's basically saying likeI'm like the target and he's
he's always trying to get me solike if I let my guard down, and

(29:35):
she starts like talking to himin real time.
And then stephanie's like whoare you talking to?
because like, yeah, like, likeremember like there was like a
little um plant stingling intheir house with like a base,
yeah like wind moved it and likethere was like this, like gust
of of sun, a wind, and then likesunshine that hit it.
I don't know if it was in thefall, but she was just like yeah
, I think like I'm ready.

Esme (29:54):
Like a little ray of sun that came in hit glass, so then
the glass was gonna catchsomething on fire or something.
And then she's like I see whatyou're doing and she like moved
it or something.

Laura (30:03):
Yeah, like it was that that whole vibe was basically
their whole encounter.
So stephanie starts realizingoh, this is why everyone thinks
you're crazy, this is why Ishouldn't talk to you.
But the grandma's like, look,like just believe me, like I'm
already gonna get taken out bycancer.
So she's saying like my deathis almost here, you're gonna
have to stay here.
And the girl's like oh no, likeI'm not staying here with you,

(30:23):
like I'm not living with you.
So I thought it was really, isthat?

Esme (30:26):
what you give her the scrapbook and then she reads it
later, or yeah, I?

Laura (30:30):
thought it was really ironic and like fast that the
grandma decided that she wouldsacrifice herself in that moment
.
Because she says that you knowwhat seeing is believing.
You don't believe me, but I'mlike girl, you've been fighting
off death all these years.
You're gonna just like, oh, shedidn't give up, but you're just
gonna like decide that today'sthe day just because you saw
your granddaughter.
Maybe she thought like probablyno one else is gonna visit me.

(30:52):
This is my last chance to likeget something across.
That's probably what it was,because everyone was down to
never remember she followed herbecause was that she realized
that she wasn't getting nowherewith her and she realized, oh,
you're leaving because you don'tbelieve me.
So then she paused because sheknew the moment I step out of
this door, like I guess it.
Guess it's unsafe, but that'swhat I'm saying.
It's ironic and fast that shemade that decision to be like F

(31:14):
it, I'm going to go out today.
So she went outside and toldStephanie, like stand back here,
stand back.
Seeing is believing.
And then, something that wemissed Stephanie first first
walked into the property whenshe closed the door behind her
Like this, the gas, the doorbehind her, like this, I guess,
no, this like fire extinguisherfell that's what I meant to say.
I don't know why I said the gasthey're so creative like I
cannot tell you word for wordhow one thing caused the other
to happen, but that fireextinguisher, the moment it fell

(31:37):
I knew like this has to do withsomething, and the woman dies,
iris campbell dies and thedaughter, the granddaughter, is
like traumatized, full of blood,and it has to do with like
something that flew from likeher roof down to her face.
But, like we're mentioning, wethink that it has to do with the
fact that no one wanted to talkto iris ever again, like no one

(31:59):
thought that she was sane, soshe probably thought this is my
last chance to get it across tosomeone.
So stephanie was like the oneDisregard the fireworks outside.
Yes, july 4th is near.
It's canceled.
It's canceled, but it'stechnically near.

Jorge (32:18):
The farce of July?

Laura (32:18):
Yeah, I was going to say that, but I'm like I don't know
if we should stay neutral on thepodcast.

Esme (32:23):
We shouldn't, we shouldn't .
No, we can't stay neutral, evenif that statement alone says a
lot, and I think that'ssufficient.

Laura (32:30):
Yeah, even if that, that statement alone, says a lot, and
I think that's sufficient.
Yeah, but no, it's true, likewe, we have a very bad political
climate.
It's best to just face thereality and I guess, since we
have a little mini platform, wemight as well, I know, touch
base on the poor politicalclimate that we have very poor
and, um, as you know, we've saidit before we live in la, and
over here is like all hell brokeloose.

Esme (32:49):
So and we stand with everyone.
With human beings.

Laura (32:52):
With human beings.
Human rights and everyonethat's being affected and we
know we have listeners in Mexicoand in a lot of other countries
that we for sure stand with atall times.
And the US is as we know it'sbuilt up off of immigrants, so
it's kind of stupid, likeeverything that's happening, and
then I saw a post today thatshowed the camps where

(33:13):
immigrants are being detained inverse was next to the holocaust
, the concentration camps in theholocaust, and the meme said
like oh, everyone's saying thatthis is how it started.
They're like, no, we arealready a few stages into the
holocaust.
Like what, what happened inthat point at that time in
history?
Like, no, we're not in thebeginning.
Like because everyone keepssaying that, oh, this house

(33:34):
started.
And they're challenging that Iknow we're already like already
in it.

Esme (33:38):
Basically it's already happening like oh my god, that's
bad so I mean the fact thatthey they're going into people's
houses like with no warrant.
That's already a thing.

Laura (33:45):
So just so our listeners know, do something if you can.
I am organizing a peacefulprotest tomorrow in LA, and this
will be my second protest, sokeep exercising your freedom of
speech and assembly.

Esme (33:57):
That's all I got to say yes, I agree.
All right, before we get toodeep in that, let's get back to
the movie.

Laura (34:02):
So I think it would be very complicated if you and I
got into how each person died.
Maybe we could mention the top,I would say the mri one yeah
okay, which one do you thinkstood out from the many deaths
that came after this?

Esme (34:16):
I think that one was the one that I was gonna say,
because that one was crazy.
I think that was the worst one.
No, because wasn't there a partthat we were getting tricked,
and I think that that's the partthat they have like in the like
in the trailer, where they'relike having a barbecue and you
see like oh, a broken glass orwhatever.
So you think everything's aboutto happen, but then at the end
it's like who's the?

Laura (34:35):
one that dies first, like in the barbecue.

Esme (34:36):
Dad uncle, yeah there was like so many little components,
like you know.
There was like, uh, the mowinglawn, and then like the, again a
shard of freaking glass, likethe jumper thing the jumper,
like it was like, yeah, the rakewas under and the funny part is
that they were like no, no,hold on the rake and they were,
like you know, kind of beingsemi-careful or like checking,

(34:57):
but like at the end of the day.

Laura (34:58):
Still, it happened okay.
So let me just summarize itlike a hundred miles an hour,
because there's so much thatgoes into the preparation of the
plot, like before the moviereally starts.
They're like doing a lot ofsetting us up like they worked
overtime to set us up so we canunderstand, like what's about to
unravel.
So I'm gonna go through thatlike really fast, okay.

(35:18):
So stephanie is left with thislike burden now of like.
Okay, this is what my grandmatold me, this is what she gave
me.
This, this like handbook, oflike a giant scrapbook of how to
avoid death.
There's like articles in there,there's like clippings of like
just things that she's gotthere's like formulas of like
this happened, this happenedthis does this.
Yeah, like I guess, and likethey even mentioned too, like

(35:38):
there's like over a hundred waysto die in the house, like in
your house, so nowhere safe.
But she's at that point whereit's like, do I believe it?
Do I not?
Like she was crazy?
So we get introduced to herwhole family and, in regards to
the actors, like they were allnew faces for me, would you
agree?
Yeah, yeah, but all herimmediate family, like her first
cousins, like her, like uncle,and then like it looks like her

(36:01):
mom is out of the picture yeah,but she comes back in when that
grandma died because that's hermom, but she always had that
unanswered uh question.
I think her whole family wasdeeply affected by the fact that
her mom just like left yeah,like just left them.
So we start seeing like thatside, like that side plot
unraveling like yeah, we startseeing the why the why?

(36:23):
But also like how they react toit, like do they buy it?

Esme (36:26):
you know, and it has to do with the mom, obviously with
iris yeah, so the yeah, we mightas well say it now.

Laura (36:33):
Her mom, stephanie's mom, left them as children because
she was raised the way thatStephanie had just experienced
like five minutes with her, likejust bombarding her with like
ways you could die, so makingyou kind of paranoid, making you
stressed, traumatized.
So now that she had her kidswhich ends up being stephanie
and her brother she felt likethey're gonna die brother

(36:53):
charlie charlie, okay, don't youthink as the first mom, you're
more than likely paranoid andalways thinking about like, oh
my, my baby, what's gonna happen?
So imagine having thatbackground too.
Like, oh, I was raised to knowhow you could die.
Like every everything that Isee, every scenario has a way to
like end badly.
So that's her thing, sayingthat she didn't want to project

(37:13):
that onto her kids and and makethem a wreck the way that she
was internally.
So she felt that it would bebest if she just like left so
they had a normal life.
So it looks like that wassomething that she didn't think
about until they existed.
Like until her kids were thereshe realized like like oh my God
, I'm so worried about them, I'mparanoid.
She said I wouldn't even wantto let you guys go out or like

(37:34):
do normal things because I'm sotraumatized from my mom.
So that's like a side plot.
But then she starts kind of, Iguess, being curious and piecing
like a timeline that thatgrandma left behind.
There's like red tape orsomething.
Like she got like all theselike clippings of newspapers and
like notes and she made like areally long.
It looks like a family tree,like a big, long timeline branch

(37:55):
of, I guess, everyone that wasat the sky view that day.
So it's all the survivors andall of their trees yeah, not
their kids, but like theirdescendants that created and
extended.
But by the time it's at iris,because, remember, she just died
, because death got her.
It shows that everyone beforeiris, in the way that they were

(38:16):
supposed to die chronologically,they're out, they're gone,
including their families.
So it kind of just like it'slike a freaky thing.
I I would say, if I was, ifyou're stephanie, because you
realize like wait, what, like,what do you mean?
Every single person's dead,yeah, so that's why it's taken
60 years for death to reach.

Esme (38:32):
Iris To catch up.

Laura (38:33):
Because in the premonition her and that little
boy were the last ones to die,right?
So they're like the last in thetimeline and that's where, like
, the real plot starts.
So it's kind of showing youthat.

Esme (38:45):
That's the reason.
Nothing happened to them before.

Laura (38:47):
Yeah the reason nothing happened to them before.
Yeah, like stephanie, herbrother iris's kids of their own
, like they're still up becausethe mom or the grandma was still
alive, like it's inchronological order, so now that
she's gone, it's like I'm surestephanie was thinking like, do
I believe that?
Like the next person's next?

Esme (39:04):
yeah, and you know there's a possibility that maybe that's
why she was having the dream,because finally had reached that
it's their turn.
So, like, since she's one ofthe people that have to go, but
like the other family didn'tright, they didn't have those
dreams, but they still died.
Yeah, because they were like,um, the mom's brother, the uncle
and and their kids were nextand I think only one remember,
like that funny one, like that,the oldest cousin, which I

(39:24):
called it.
I knew it.
I'm like we thought he wasgonna die in the tattoo shop
that he works on all the crazythings that was gonna happen.
He was like hanging and hispiercings and all that crap was
like he was about to die.
Like, basically, what was hisname, the oldest cousin?
I forgot eric, yeah.
So he was getting all confiadoand like oh, nothing happened to
me, but then come to find outthat is because he's not
actually the uncle's son and itwas like they had to drop that

(39:47):
bomb on the family, like all thefamily secrets being dragged
out.

Laura (39:50):
That was only loophole and she was like, oh, you don't
know what problems you werehaving at that time.
Yeah, everyone starts goinglike a domino in chronological
order of age right yeah, so yeah, she's already alluding to the
first person that dies after thegrandma.
That kind of shows everyonelike this may be true, but half
of the family's like no, stopjinxing it and stop being

(40:12):
negative, like they were tellingstephanie.
Like stop with your nonsenseand your like ideas but, she's
starting to believe it?

Esme (40:17):
yeah, because, because it goes like this, so it's like, um
, the grandma, but then becausethe tío is older not like older
than her mom him and his familytree have to go first before her
mom and then her and herbrother, like, basically she
sees the cousin start believingit and they're like wait,
they're like so which one of usis next?
That's when they all go go seejb, because they found him

(41:02):
through that scrapbook and hewas a little boy that the
grandma saved, so they went togo as his advice to see what
happened or whatever.
But basically, like he didn'treally have like a solution
because he knew, like him andthe grandma they had stayed like
being best friends forever,like ever since, so they kept in
contact and he knew everythingthat she was keeping track of

(41:23):
and everything you know.
But he wasn't shying away fromdeath because I guess like it
was in his turn anyways.
So he was just like, oh, whenit comes, it comes.

Laura (41:30):
That's when he gave his heart belt last but I think it's
because he knew of someone thatskipped it.
So that's why they wereinclined to go visit that him,
because he knew someone thatskipped the chain and he
basically shared like the secretyou have to die as in your
heart has to stop, and if youget resuscitated, well then
that's different.
You got lucked out, yeah, butthat's kind of like risky and

(41:50):
that's when he's saying likedon't mess with death or don't
try to plot, because things canget messed the second loophole
is that you can kill someone andyou now absorb the time that
they have, but they're kind oflike what's that gonna do?
because you never know what timesomeone has, yeah right so they
were passing by like the littlenewborn I know they're like no

(42:10):
babies and they're like nah, wewouldn't do that.

Esme (42:13):
I know for little things so that kind of that.
That little thing kind ofreminded me of smile, because
remember in smile, the movie,how they said that if you that
you could like, oh, yeah, killsomeone, I thought that instead
of like killing yourself, andthat that trauma would go down
like the different direction ifyou killed someone in front of

(42:33):
somebody else yeah, so you couldsave yourself.
So it seems almost kind of likethat, like okay, in order to
save yourself, you have tosacrifice another person, you
know like also um like the ring.

Laura (42:43):
You gotta show the video yeah, I would have no problem
doing that.
I'll pass it to somebody oh mygod, and then tell them this is
what you gotta do, to pass it,the balls on your court.
Good luck, go.
Go do it.

Esme (42:55):
Like I wouldn't leave them in the dark like, okay, in the
ring, yes, I think I would tryto do that and be like super
transparent, like, look, I'mabout to show you something
that's gonna save me by showingit to you, but then it's gonna
be on you and you're gonna dothe same thing I'm doing and so
on and so on, and pass it on andthen, like I would be
transparent, but like to do that, like to kill someone else to
save me, I know no, yeah, Iguess too much pause, you would,

(43:16):
I guess.
I guess like what does that?

Laura (43:19):
pause me, laura.
Anyway I think I'm not okayduring the movie, that's all I
gotta say.
So so, like we said, we're notgonna go down the line of every
gruesome death, because they'reall unique in their own way and
fun to watch.
But this one in particular hasto do with eric, the one that's
not biologically related to thefamily.
So it's like why does he die?

(43:40):
Well, because he was messingwith death.
That's what jb tried to warn.
Yeah, he said, if you comemessing with death it can get
messy.
So I guess you know death wasoffended and it's like you're
going out too like you're goingdown foe just for being part of
this.

Esme (43:54):
Yeah, against me yeah.

Laura (43:55):
So even though he's not biologically related to that
brother, he still cares abouthim a lot and he knows that he
has a peanut allergy and he'sthe next one to go.
So they have this plot.
Like you know what?
We're in the hospital.
This is like the best casescenario, because you're gonna
get saved.
You're in the hospital likeeveryone's gonna help you.
He's like eat, eat somethingwith peanuts.
And it was funny because theywere gonna get it like an
unsalted thing from the vendingmachine.

(44:16):
And he's like no, like get mesomething good like a reese's
pieces, if I'm gonna go out, youknow.
And then or they take it out ofthe vending machine, but that
vending machine has like aglitch and that already kind of
shows you to like does that?
have to do with something thathappens later, because that's
how these movies are.
Yep, and side note, I asked mynurse friend if this could
actually happen and he said yes.

(44:37):
I don't know to that dramaticextent, but he says yes, like
it's a very serious thing.
You cannot be in the mrivicinity with magnets or metal
or anything, no with metalbecause it acts like a magnet.
So, oh, that's scary when theywere in the mri room, like it
was, they weren't even awarethat they walked into that room.
They were just more like okay,let's plan this here where
there's no one.
He got him a wheelchair.

(44:57):
Which metal the guys full ofpiercings, metal like there's so
many things that are wrong.
And I think when they close thedoor at one point, like a
clipboard falls and like turnson the mri machine and makes it
to like the highest levelpossible, what are the odds.

Esme (45:13):
So what kind of like the tiny machine in the other final
definition that it gives likethe worst case scenario.

Laura (45:17):
Yeah, so it sucks because the guy, like their plan,
starts working like he gets hisepi pen and has it like at hand.
He kind of wanted him to die,like you know, and like inject
him right when he's like yeahbut when you get like I, that's
severe of an allergic reactionlike you, you can't even
function, you can't move, solike he starts being like unable
to to walk or like like he'schoking, basically.
So that's why they had thatwheelchair like to put him into.

(45:39):
They could roll him out, likethey thought it through,
supposedly.

Esme (45:42):
But what ends up happening is that the other guy yeah, the
other guy full of piercings andmetal yeah, he's the one that
starts getting all affected bythe mri machine because of
course he's full of metal, allthese piercings all over his
damn body, and little by littlewe start seeing like things fly
to the mri machine that aremetal also, like, I guess at
some point the brother.

(46:03):
He's like, okay, I need my pen,I need my pen.
And the brother takes it likeno, no, not yet, you have to die
whatever.
But he has it in his possession.
So when he starts like beingaffected and being pulled into
like by a like giant radiation,magnetic force that now is being
created with the MRI machineand all the metal he's being
pulled away so there's no waythat he could attend to his

(46:24):
brother.
That is like literally dying ofhis peanut infection I mean
peanut allergy and Likeliterally dying of his peanut
infection, I mean peanut allergyand all these things from the
outside rooms.

Laura (46:32):
Well, the wheelchairs were sent him to the hole of the
.

Esme (46:35):
MRI machine so like your body's, like contortioning.

Jorge (46:39):
Like backwards.

Laura (46:39):
Like the way you sit down to use the toilet, like you
bend one way, he's like bendingthe opposite way, like his whole
body's like doing a freakingreversing yeah, look.

Esme (46:48):
So basically he's being folded into the little hole of
the mri where your body goes,because the wheelchair like
pushes him, because thewheelchair is being pushed, so
his body is in between thewheelchair and the mri machine
and everything is being suckedinto it like a black hole,
including his body with his armsand legs.
You know he's like spread out,but like the spine is like

(47:08):
bending backwards, if you knowwhat I mean.
Like he's like bending theopposite direction.

Laura (47:12):
I think that's the only way we could describe it right
yeah, and you all will see thatthere's a lot of metal in that
room, which is why this one islike the death that we decided
to share out of all of them,like they're all bad, but this
is the most memorable and theone that we wanted to dive into
so that doesn't the vendingmachine, even like that's what I

(47:32):
was saying like you kind ofhave a sense that the vending
machine has something to do withit, but like right when they
open the door like his, becausehis family, like they snuck off,
so the rest of the family'slike trying to locate them
because they know like they'reup to something, right when they
find them and open the freakingdoor door, that vending machine
swirly thing, like the thingthat kind of pushes your item.

Esme (47:49):
It like flew, it was like a corkscrew.

Laura (47:51):
Yeah, like it flew towards the freaking MRI machine
because now the door is openand then that brother with the
peanut allergy that could havestill been saved is over there
like getting screwed in his head, like it's still spinning
because of the gravity.

Esme (48:06):
Yeah, that's a little.
So it was like they both diedand Tragic spinning because of
the gravity, yeah, so it waslike they both died and tragic
in a tragic way, but it'll bevery fun to watch.

Laura (48:14):
Yeah, we promise you even though it's so graphic.
And then, yeah, I don't know howelse to put it they all go down
like a domino.
Yeah, they all go down likedominoes.
It's crazy.
So at this point, stephanie andthe brother, like they're the
remaining ones, so they onlythey know that.
All right, this is a realitybecause everyone has been dying
around us.
So they're forced to believeStephanie and by this point also

(48:37):
, like they kind of alreadystarted believing her, like the
other people who are now gone.
At this point they were tryingto be saved because they already
started buying into her story.
And now it's like her mom thatshe doesn't really have a close
relationship with the brotherand then herself.
I like that the mom had like agood idea, and like a selfless
one at that, because I feel likeit could have worked.
But they just, you know, deathwas like hunting them.

(48:59):
But she said, like you knowwhat, if my mom, which is iris,
the grandma, was able to fightoff death for all these years in
that cabin, like it must, shemust be onto something like it
must be really fortified.
Yeah, so she said, I'm gonna gothere and until I die, you guys
continue living like a goodlife, you know like forget
everything.
I thought that was like a reallycool plan and, considering that
the mom was absent from theirlives, I felt like you know

(49:21):
right, like as well she could do.
She's already been gone, so nowshe could actually be of help.
Uh, because I remember the thisthe brother, the younger
brother that was like a teenager, was like, oh, we have to be
there forever, and she's like Ido not, you guys, yeah.
But on their way there, thatproperty ended up becoming like
a battle zone for them, likethere was like the electricity
wires were out, like there waslike a flood, like a little

(49:44):
river, like a pool, that waslike gathering with water, so
like someone could drown and itwas a bunch of.

Esme (49:50):
There was a storm.

Laura (49:50):
I think that didn't help.
So the mom, like before she,she was right there about to
enter that cabin but she didn'tmake it and it was a funny way
that she went because she was inmid sentence.
Like I will be like veryconfident, like I'll keep like
until I'm gone, or I don't knowwhat she was saying, but
something very confident andboom, she dies.

Esme (50:10):
I'm like, oh, I know and then yeah oh great, now they do
have to stay in there forever.

Laura (50:16):
Yeah so now it would be the girl and then the little
brother.
So they knew the order theyknew.
On side note, the penny doeshave another feature, like
there's like a little lady inthe hospital that we're like
going like a like a few scenesback.
She's like when they wereasking for something for the
vending machine, like a moneyfor the vending machine.
She's like you know a penny orsomething.
And then when they already diedand now that and they're

(50:38):
leaving the hospital to go tothat cabin, she like sees a
penny and picks it up.

Esme (50:42):
Yeah, I'm like, oh, this penny, the stupid penny, penny,
I think that's real.
And then they say and they say,see a penny, pick it up and you
have good luck.

Laura (50:54):
So I don't know, no, well , the lady had a good luck, not
them.
Yeah, at this point there waslike some form of explosion that
caused stephanie and hervehicle to like get into that
pool of water that I'm saying.
So she was like about to drownbecause her sepa, of course, is
not working.
So she, yeah, she can't undo it, so predictable.
And then the brother's like, oh, my god, let me go save my
sister, because he knows like Ihave to help her, so I can help

(51:15):
myself.
And then, yeah, so it ends upbeing like by some miracle that
she passes out.
She's like she basically startsdrowning, right, yeah, but I'm
saying like she actually likedies, like past drowns, you
could say like passes out.
That's what I'm trying to say.
Like what they try to achieveintentionally with the other two
brothers actually happened tothem.

(51:36):
Her heart stopped, seemingly,and then the brother
resuscitated her, like did thatcpr thing where, like, the water
pops out of her mouth orwhatever that scene?
so they're like, oh, like yousaved me, and like we basically
cut the chain, like we're likethe last, they were so happy and
they were like like they werefinally, like, I think, calm,
because for days they were justwith that concern and like those

(52:00):
sleepless nights, like theywere just on high stress, like
once they knew like it was real.
I don't think they got a break,so I think they had like some
brush of relief, but I thinkdeath was clever to wait so long
to let them believe that theyhad won.
Yeah, because a plot twisthappens at the end Right and all
the motifs from the movie allmake an appearance.

(52:22):
A red Impala, like passes by atrain track.
A freaking penny falls out of awallet, starts going down these
steps.
There's girls wearing the samedress that Iris wore at the
Skyview.
Like all these things.
A freaking penny falls out of awallet, starts going down these
steps.
Um, this girl's wearing thesame dress that iris wore at the
sky view.
Like all these things.
The ring of fire song startsplaying.
All these weird things starthappening if you remember what
the doctor said.

Esme (52:39):
Yeah so who was it that made the comment like, oh yeah,
I saved her, like she was dead.
And was it the brother?
Yeah, so the brother's going toprom and his date her dad's a
doctor, so when they're gonna go, I mean obviously town, and
everybody heard their story ofhow you know everything that
happened, so somehow, I guesslike yeah, their accident.

(53:00):
So then the dad went oh, I'veheard so much about you,
stephanie, blah, blah, blah.
But then, uh, she goes.
Oh, yeah, my brother like youknow, he saved my life.
And then the doctor well, himbeing a doctor, he does give
that comment like well, yeah,but he kind of saying like ah,
okay, like, if you want to sayit that way, and they're kind of
like wait, what you know?
He's like well, you know, likethere's no coming back from

(53:22):
drowning, right, basically.
So like that means that youdidn't flatline, but you didn't
flatline, yeah, so she was justunconscious.
So basically, that tells usimmediately that what they
thought of her beingresuscitated was not true, and
that's what laura's talkingabout how like death was being

(53:42):
sneaky and like smart by lettingthem think everything was okay,
but in reality death was justbiding time Because he was going
for the kill Literally Boom.

Laura (53:54):
So there's like this chain track that we saw and we
saw that like something happenedwith the railing, there was
something that moved and I guess, right away when that comment
hit, she went on like survivalmode and started like I don't
know, rethinking everything thatshe learned from that book.
And she's looking around at thesame time, like they heard,

(54:15):
like the, the horn of the train,the train.
And then like, because it'sbecause they started looking
around, like what, what is it?

Esme (54:18):
what's gonna, yeah, what possibly could it be?

Laura (54:21):
and I guess it like I don't know like it went out of
the rail or something and it wasgoing like straight towards
like the residential houses.
So they're just starting tobook it because they know like
why even focus on like oh, is mydad?
Okay, did they get hit?
They know it's for them, sothey're just like we gotta run
so they don't even care aboutlike anybody else they book it.
and, mind you, she already kindof started seeing too, like the

(54:42):
signs of like the dream, likeshe was kind of like she had
like a vibe, but like thatconfirmed it because, like I
said, like there was a the dressand she had the premonition
dream, so she knew, like thatthese things existed, like these
little signs, right.
So the train was carrying likelong wood, like tree trunks.
It looked like.

Esme (54:58):
Doesn't that remind you of one of the Final Destinations
Like, was it?

Laura (55:00):
part two or three.
I think it was part two.
It was like a trailer, yeah,with a bunch of wood on it and
it lost control.
Yeah, let's control.
It killed like everybody on thehighway, so yeah.
So it kind of like circled backbecause we've seen this before.
Yeah, and those things thatwere in the train, they just
fell out, like the impact, thefact that it was the high speed,
yeah, like everything it washitting stuff, so like it was a

(55:21):
battle.
I reached them like literally,the cement was crumbling like
right at their heels like theywere booking it, but it was
those bottles that like justsmushed them I.
I know it was so terrible andthat's how it ended.
No one survived death.
I kind of like that ending Metoo, you know what?

Esme (55:36):
The movie's not realistic, but it's realistic as in like,
okay, you can outrun everything,but you cannot outrun death.
You can try, but good luck,yeah.
Yeah, that was a good ending itwas.
I fell down, down, down, theflames got higher and it burns,
burns, burns.

(55:56):
The ring of fire, the ring offire.
Good job.
In conclusion, death.

Laura (56:09):
Literally Friends, literally, friends, literally,
I'd say my favorite part of themovie was the storyline.
I think that I'm going to sayit again it was a clever way of
making the fifth.
I don't know why I was going tosay blood in, blood out, the
fifth Bloodlines, finalDestination movie, still

(56:30):
interesting.
Interesting because at thispoint, yeah, it could be like,
oh, very predictable.
We already knew what wouldhappen that's how all of them
have been.
They're still good, yeah, butthis one had like a way to keep
you intrigued and to make youfeel like you know what it was
worth the wait, like we hadsomething new yeah, it was a new
twist to our screen.

Esme (56:46):
It was a new twist and I think I love the fact that they
took it all the way back to the60s.
I like the fact that this waslike oh, this is how long death
had patience, but even though ittook forever to get every last
little loose end, it still didit.
You know, definitely it was,and it makes you think like in
real life, maybe all theaccidental deaths are an

(57:08):
accident.
They were never meant to be.
That's a good theory.
That's scary, but I like tothink it, I want, I like to
think it now.

Laura (57:14):
Oh, and then I had a lot of negativity, a lot of a lot of
backlash with the cgi.
But I'm like what do you?

Esme (57:20):
well, they all have cgi, and this is this is one of the
better cgi, because all theother ones look really crappy,
right, because in actuality thecgi is not bad.
I think it's exaggerated, likeobviously, those deaths are like
really exaggerated.
So that's probably what peopleare saying.

Laura (57:33):
Oh the cgi but really the cgi is not bad.
Cgi was terrible in part threeI don't know.

Esme (57:38):
Yeah, I'm talking about this one wait, was it three or
four?

Laura (57:41):
I forgot which one, but there was a movie, the one with
the race cars.
Yeah, they down, they like wentdownhill.
I don't know why, I don't knowwho.

Esme (57:47):
Probably because it was such a part.
Whatever they were like, peopleare just gonna watch this as
like only the loyal peoplethey're not gonna care, maybe,
but no, this was good.

Laura (57:56):
I mean, I don't.
The storylines are still good.
I don't have an eye for that.
Maybe I should, but dji likewell, duh, unless you really
wanted to die, kill real people,I know no, but this is.

Esme (58:05):
I mean.
I don't think the cgi was bad.
On this, I think like, ofcourse, like every other Final
Destination, the deaths wereobviously exaggerated, but I
don't think it was as bad as theother ones.
I think it was actually prettygood.
What do you?

Laura (58:15):
think I didn't mind it.
So I was surprised to see allthe commentary about it.
But you know, everyone alwayshas like something to say and a
higher standard for something.

Esme (58:23):
But I mean, people that watch final destination, they
already know how crappy the cgiis.
Like this was better quality,uh cgi, because there's more
things now they could do.

Laura (58:32):
I would recommend that everyone go on tiktok or youtube
shorts, whatever you have andsearch up the final destination
bloodlines behind the scenes,because I've come across them
and they're really cool andentertaining to watch because it
just shows you the other sideof like how much work is put
into these scenes.
So CGI, if anything just like,helps elevate it.
But a lot of the specialeffects and stuff like they

(58:55):
still did it, like the MRImachine in particular, that was
not CGI.
So it's cool.
What do you mean?

Esme (59:02):
Like Did they really activate the magnetism on it?

Laura (59:05):
Like they had someone's body bent how it's supposed to
be normal, like in the hole, andthen they're controlling like
the top half of the body, likethe arms and the neck, so it
looks like you're getting in,but they're actually sitting
like their legs are in themachine and then there's another
person under with their legdown.
But backwards, like on theirtummy.
So then they're controlling thebottom legs to make it look

(59:28):
like it's folded.

Esme (59:29):
Yeah, it's getting sucked in.
Oh my god, that's cool.
So that is the work.

Laura (59:33):
That's not CGI.

Esme (59:34):
Yeah, that's creative, because then the CGI is minimal.
They don't have to create awhole fake body.
Yeah, and even the, or a model,or something we didn't mention
the trash Compactor.

Laura (59:43):
We didn't touch base on the Trash truck.
Tr garbage, garbage truck, that.
But that was also a cool thingto see a behind the scenes on,
because they made something thatallows a person to get stuck
there, but it doesn't squish youlike, it makes the illusion of
so I recommend how scary it isif that girl really had to film
it in there being semi-squishedyeah, but it was.

(01:00:04):
It was like once you see how itworks, you feel like confident.
Okay, I could, I would do itbecause you know it's like all
fake.
Yeah, but yeah, I recommend, ifanyone has time, look at it
because I like, I like seeingthat yeah so that's interesting
for sure what would you ratethis movie?

Esme (01:00:18):
I rate it like let me see, I actually I mean, I hate to
say this uh, my expectationswere not that high just because
I thought, okay, this is gonnabe a fun movie, but I already
know these final destinationmovies are like basically all
the same.
So, honestly, I was pleasantlysurprised that they upped their
game and the whole twist on itand, like that, they changed.

(01:00:38):
You know, they made it more, um, different idea and stuff.
So I'm gonna say I give it aeight, a strong eight, okay, and
that's still good in my rating.
Eight is still super good.
So and what about you?
What do you rate it?
I rate it.

Laura (01:00:51):
I want to say an eight with you.
Yeah, eight.
But the scare factor, which wealways mention in every podcast,
I would say, would be like,like, is it crazy to say like
two or three?
Yes, that's really.

Esme (01:01:04):
Because it's not scary, it's like Thriller.
Thriller, not scary, it's likethriller.
I mean, I felt like scared forall those people falling up,
like if anything.

Laura (01:01:11):
My whole time, my whole, my whole like body language in
the movie was that I'm like withmy teeth very like clenched,
but I have a smile and I'm liketense from my shoulders.
Yeah, chills and thrills likewhat's gonna happen, how they're
gonna die or how how far arethey gonna take it, but I'm not
scared like right.
Oh, my God, I can't sleep.

Esme (01:01:31):
Because this is more like a thrill movie.
I want to say thriller movie,because it's not a category.

Laura (01:01:36):
So you know what?
Maybe I'm too low, but I say2.5 scare factor because it's
not scary.
I don't even know what.
I would say is scary, it's notscary, it's not, no, I just
think it's like a thriller, likeit thrills you.
Yeah, all right.
So thank you for listening toour bloodlines podcast.
We really recommend this movieand hope you've already watched
it because you should, becauseit's been out since last month.

Esme (01:01:59):
We just hadn't gotten around our podcast because we've
had so many ups and downs andall this chaotic mess.
But all right, everybody.
So stay tuned for a scary story.
Okay, everyone.

(01:02:23):
So now we are going to come toour true horror story.

Laura (01:02:28):
So today we have three special guests.
This is a never before seen inour podcast.
We usually have one person, butwe have a trio of siblings, so
it's Adriana, jorge and Claudia.
Today, they are actually myvery direct relatives these are
my tias and my dad and they willbe taking a trip to the past,

(01:02:49):
recalling an encounter that theyhad as children, which is wild,
even scarier.

Esme (01:02:53):
Okay, perfect.
So let's start off telling uswhen did this take place,

(01:02:59):
adriana?

Claudia (01:03:00):
When?

Adriana (01:03:01):
I was probably maybe like 12, 13.
Because you, george, you werelike 16?

(01:03:07):
16, 15.
yeah.
.
.
Quinceañero.
.

Jorge (01:03:09):
Yeah,

Adriana (01:03:09):
so we're, all four years apart, so George was maybe
16, I was 12, so Claudia was

Claudia (01:03:17):
just a baby.
.
.
, so we're in our it's supposed to be scary George,

Esme (01:03:19):
all right.
So what year did this happen?
Oh, I'm sorry.

Adriana (01:03:32):
So 80, no, no, no, 90, I'm going to say 90, 92, like
early 90s.
Okay, early 90s,

Jorge (01:03:38):
our first trip to Mexico, right

Claudia (01:03:39):
, no, maybe yours, mine , maybe his

Adriana (01:03:42):
Maybe, maybe it was our first or second.
It was like very early on, okay,when we first started going.

Esme (01:03:46):
And who?
Where was?
Where was this exactly

(01:03:48):
Se llamaba Cinco de Mayo El Rancho yeah.
And that was the first time.
I milked a goat,

Esme (01:03:55):
a boy goat?

(01:03:56):
yeah a boy goat.

Laura (01:03:57):
Okay, is that serious?

Esme (01:04:05):
This is supposed to be scary.
Thank you for joining us.
Goodbye, of course.
Oh my God,

Laura (01:04:13):
thats a horse

(01:04:14):
.
at my God .
Oh my God, go ahead, bang, or.
Donkeys

Claudia (01:04:20):
it was Cinco de.

Esme (01:04:22):
It ,was a donkey and it was in TJ

(01:04:25):
Okay, the ranch was called Cinco de Mayo.
What state?
Monterrey
No?
It was in Tamaulipas where mydad's from, because Tamaulipas
is where my dad was born andraised.
In a small ranchito, likegeorge said, named Cinco de Mayo
, which is where we would stayhalf.
Of the time in Tamaulipas, andthen we would sometimes stay the

(01:04:46):
other half in monterrey, nuevoleon okay the other city

Esme (01:04:49):
and who lived in cinco de mayo

(01:04:52):
my grandma, which was his mom, okay, and some uncles, cousins,
cousins.
They all lived there,
okay
.

Esme (01:05:02):
So how did this start?

Jorge (01:05:03):
I remember we were got there like in the afternoon,
yeah, yeah, right during theday, during the day

Esme (01:05:05):
this happened, the day you arrived.
Yeah, right during the day,during the day.
This happened the day youarrived

Jorge (01:05:09):
, the second night,

(01:05:10):
very cold, very cold

Adriana (01:05:11):
so, mind you this, this was around the time, and then,
rancho, there was no electricityno running water like nothing.
Everything was like so

Laura (01:05:19):
why, would you get

Adriana (01:05:20):
very like.
We used to go to the bathroomlike in a hole in the ground,

Esme (01:05:25):
outhouse

Adriana (01:05:26):
, outhouse, yes.
So when we arrived, like peoplesay maybe it was the first or
second time, you know a lot ofit was just kind of like
adjusting to that life or thatexperience.
And you know, we kind of tookit like, oh, we're camping,
we're just, you know, here

Esme (01:05:42):
roughing it.

Adriana (01:05:43):
We're roughing it, but we were there sometimes for like
a whole week, so it was morethan just you know, a few days.
It was traumatic haha, you know, and I think my grandma and my
uncles and my cousins, you knowwe obviously enjoyed our time
there.
But so, yeah, it was like once

Esme (01:06:01):
A culture shock?

Adriana (01:06:01):
.
We were trying to get thereearly usually, because once
nightfall would hit it was pitchblack.
There was no lights.
The only thing you might see islike

Claudia (01:06:12):
the fire,

Adriana (01:06:13):
lenya, burning

Laura (01:06:13):
Like a lantern?

Adriana (01:06:15):
yeah, like a light.
There was nothing.

Claudia (01:06:17):
The porch light, just a porch light.
That's pretty creepy already asit is.

(01:06:24):
The stars.

Adriana (01:06:25):
And so my dad started telling us about his upbringing.
Like you know, he startedtalking about like his stories
and like the things he did whenhe was a kid and like even when
he was a little boy, and likethe scary things he actually saw
.
So one story was about himseeing these señoras.

Esme (01:06:43):
Okay

Adriana (01:06:44):
, because there was a cemetery like five, ten minutes
from where my grandma lived,like it was like the rancho
cemetery,

Esme (01:06:50):
Ten minutes walking,

Laura (01:06:51):
walking.
Okay,
closer Probably

Adriana (01:06:54):
yeah, it was like, very like we don't even know.

(01:06:56):
It was like a backyard.
It was like a backyard, it wasright there.

Adriana (01:06:58):
It was like a block or two away

Esme (01:06:59):
Down the street, down the block, yeah.
Yeah, because down the roadlike there's no actual.

Adriana (01:07:05):
Yeah, there's no actual like sidewalk or anything like
that.
Like no, it's just yes all dirtroad and me, my brother, my,
sister were like
I guess don't need us, they

Claudia (01:07:13):
us she's telling her side

Adriana (01:07:16):
, and then you're, because my dad starts telling us
this and we're all freaking out.
And then that's when you said,well, where is it?
Where's the cemetery?
I remember we went alreadyduring the day.

(01:07:30):
We had gone there, we had gone during the day.

Esme (01:07:31):
Who took you guys guys?

Claudia (01:07:32):
I don't know what, my dad or something and then we
went I don't know who we went togo visit my dad knew somebody
that was buried there.
So then, in anoche I rememberNada was there, like some of our
cousins from the city came withus and show with us, I guess I
don't know how many nights.
And then I remember this oneright here, george Grand plan,

(01:07:54):
because I guess he was theoldest one.
One of the oldest ones.
Okay, he was like I don't knowwho, I don't know what we were
doing.
I guess we were like we wereplaying all day and it started
getting dark.
So we're like oh, like what dowe do now?
Like it's dark now.
So then I think George was likewell, let's go to the cemetery.

(01:08:12):
Well, yeah, well, the reason I said that was because remember
that we heard noises when it wasgoing down the night before and
my abuelita was saying oh, sonlas brujas, son brujas.

Esme (01:08:21):
Oh what kind of noises.

Claudia (01:08:31):
Hee, you heard noises, yes, he looks around.
I'm like you my grandma wastelling me to go inside the
house because the witches weregoing to come and get me.
This was like the night beforeand I was outside by myself, I
don't know why.
And then she's like get in.
What were you doing outside?
I?

Jorge (01:08:49):
don't know, she goes no, come inside.

Claudia (01:08:53):
And I was like no, ahorita.
And then my grandma, she wasreally strict, so she's like no,
come inside.
And then she got close to me.
She goes do you see out there?
And in my head, because I livein the city, when she pointed
out to the mountains, I saw aball of fire like this and I
thought in my head I was likeit's the freeway, it's the cars

(01:09:15):
oh yeah, because I'm like, I'mused to the city yeah, and I
just see like, and they kept ongoing back and forth the balls
like the ball of fire.

Jorge (01:09:22):
It was my ball

Esme (01:09:23):
you know what I've heard before.
Other people say that like that, when they see balls of fire in
a distance, that they say, oh,those are witches I've heard
that like soccer like justkicking it like world like world
play soccer?

Laura (01:09:37):
no, like fireball.
And I heard it later on and asmaybe a little bit older.
I did hear another story,that's on ball of Fires.
That's crazy.

(01:09:49):
Great Balls of Fires.
They were my balls actually.
.
.

Jorge (01:09:52):
They were on fire.

Claudia (01:09:54):
And then she pointed and she goes look

Laura (01:09:55):
, and you saw it with your naked eye.

Claudia (01:09:56):
Yeah, and at that time I thought it was just cars.
Yeah, yeah, yeah,
and you saw, that before wewent to the cemetery?
the night before Damn,
you saw four?
.
No, the night before.

Laura (01:10:06):
Oh hey,

Esme (01:10:06):
I can only edit, I can't edit when you guys are
overlapping

Jorge (01:10:08):
Four.
I thought it was three, it wouldbe four.

Laura (01:10:10):
Okay, so that's scary.
Did you tell your siblings?

Claudia (01:10:12):
No, no because I just went in, I was like, oh, she was
telling me, like you know, likeI was like okay, I just went in
and she's like she's all right,hurry up, and I did get scared.
I don't know if I did tell.
I think I told my dad and whathe's saying and my dad goes you

(01:10:33):
know like don't, but I think hedid it because I was the
youngest and he probably didn'twant me to get scared like for
real and be up all night like ohmy god, the brujas are gonna
come, so yeah so the brujas willsay that he'll come pick up the
kids and chop them up and eatthem.

Laura (01:10:48):
Whoa,

Jorge (01:10:48):
whoa, dude Cowabunga!

Adriana (01:10:51):
That night my dad was telling us the story of these
Eran hermanas, I think.
Like eran hermanas, so theywere sisters and even when he
was there, like when he waslittle, he would see them and so
he was like you know.

Laura (01:11:04):
So they're not real.
They're like ghosts like demonsthat don't age.

Esme (01:11:07):
No, I mean, they could have just been old at that time
they were ghosts.
They could have just lived in alife where he was little, he
told us they were ghosts.

Laura (01:11:12):
So they were not humans?

Adriana (01:11:14):
No, no no, no, Okay, okay okay.

Esme (01:11:33):
He goes.

Adriana (01:11:34):
They were like he told you, yeah and I was, and the
thing is that it was like a goodamount of us.
It was like a good like what?
Six?

Jorge (01:11:40):
nine cousins like a bunch .

Adriana (01:11:41):
But yeah, george was the oldest, everybody else was
little

Esme (01:11:44):
so he was the 12 year old,

Adriana (01:11:46):
he was the leader,

Esme (01:11:47):
and then everybody else was younger

Adriana (01:11:49):
.
Yes, yeah my sister and, I think, nana right, you guys are about
the same age.

Claudia (01:11:53):
But I remember george was like let's go to the
cemetery and she goes.
You're not gonna go, you won'tgo right and I was.
I'm looking at her like go.

Adriana (01:12:02):
Yeah.
My dad's like bye and bye andmy mom's like lalo, like why are
you telling my dad's I'm likenothing's gonna happen to them,
like they'll be fine, they'lljust see the witches and they'll
come back, right?

Esme (01:12:09):
They'll see the witches and come back.
It's fine they're in a group.
Nothing will happen to them,but you have to go before or by
midnight.

Adriana (01:12:23):
Again, pitch black it must have been a full moon

Esme (01:12:27):
, so you guys were walking in the dark.

Laura (01:12:28):
Yeah, absolutely In the branches, With no light, no
street, no street light, nothing.

Jorge (01:12:33):
And I was the leader, was it?

Esme (01:12:35):
a full moon, could you see anything?
You could.

Adriana (01:12:38):
It probably was a full moon or something.
You know how, when you gocamping, te ajustas.

Esme (01:12:43):
Yeah,

Adriana (01:12:44):
even when pustas.
Yeah, like even when you firstget there you're like, oh shit,
it's dark, but then you're,you're, yeah, your eyesight,
your brain.
Yeah, it doesn't just to likeyeah, it's dark but you can
still see, like the trees andlike you know the contrast.

Jorge (01:12:56):
Yeah, and all I heard about that say if you go by
before, like you said, 10, 11,12 the witches are gonna come,
they're gonna suck you up.
I go, let's go I was likethat's wrong, let's go.
I was like okay, I go, let's go.

Adriana (01:13:09):
And I'm like okay, yeah , because I think we were still
like let's go, my dad's justsaying that to like scare us.
He's just, you know, he's justbeing a dad, like he's not,

Esme (01:13:18):
yeah, a prank

Adriana (01:13:19):
.

Jorge (01:13:19):
We got there, we got there, we were there for like
what?

Adriana (01:13:22):
Maybe five ten minutes?

Jorge (01:13:23):
Ten five ten minutes ten minutes in the cemetery,
literally the cemetery

Esme (01:13:26):
and you guys were walking around exploring.

Jorge (01:13:29):
I was looking for the witches.

Adriana (01:13:30):
We were looking.
We were ay van a estar like ,you know, like waiting for us or
something so this cemetery, isit like?
It's like a park it's like apark in the middle of the rancho
which is like wooden costumes

Esme (01:13:41):
so it's not like it's not a graveyard it's a cemetery,
it's like a established.
.
.

Adriana (01:13:44):
, it's a different.

Esme (01:13:46):
Graveyards are more like they're no longer like burying
people there and they're likereally old, like they have the
little thing, and they're justkind of like fenced off.
A cemetery is when they'restill like running, like they're
still like with maintenance andwhatever
I mean there was some old asstombstones.

Laura (01:14:08):
Tombstone's place.
They're going to bury people,so it was still functional,
isn't it?
But yes, there was, because Ithink they were buried there,
the witches.

Esme (01:14:12):
Oh the witches were buried there.

Laura (01:14:13):
My dad was telling this story from his childhood.
And they had already been dead,okay, so it had been like 40,
50, 60 years since they had died, and I don't even know how long
before that.
Okay.

Jorge (01:14:28):
That story was okay.
See, that's relevant.
So while we were walking,almost half of our cousins
ranked out.
They walked back like, nah, weain't going.
So it was only being us three.

Claudia (01:14:33):
No, no, no, nara was there too, nara.

Jorge (01:14:36):
Nara was there.

Adriana (01:14:43):
Yeah, some of us.
And they were like no, no, I'mNadia, my dad's, just you know
making up whatever.
And then someone turned around.

Jorge (01:14:50):
I turned around.

Adriana (01:14:51):
Yeah, I turned around he turned around first, and what
did you?

Jorge (01:14:54):
see I turned around first .
It was pitch black.
What I saw was two ladies.
They were holding hands andthey were floating in the air.
That's what I saw.

Esme (01:15:02):
Where were they at?
Like how far away from you

Jorge (01:15:05):
, Like from here to Arlington, no, From here to yeah
, From here to Arlington, yeah,Okay, and they were

Adriana (01:15:10):
so like five, six houses away.

Claudia (01:15:11):
I felt like it was closer to me.

Jorge (01:15:13):
Like I remember seeing them and they started getting
closer, Uh-huh but fast.

Claudia (01:15:18):
They were walking towards us.

Jorge (01:15:19):
Yes.

Adriana (01:15:28):
Like they were walking away from us, yes, but one of
them turned around and looked atus and smiled, because then
George was like, look, look,look.

Esme (01:15:33):
So they were close enough that you could see their face?

Adriana (01:15:35):
Oh, yeah, yeah, yeah.

Jorge (01:15:35):
She smiled when she saw my pants half down, she smiled.

Mario (01:15:38):
She was laughing at you.

Adriana (01:15:39):
She went.
No.
After George went, look, look,look, or, mira, mira, mira and
my brother said look, we allturned around, obviously because
we're walking away, going backhome, we're like, okay, nothing
to see here.
And then that's what I saw.
They obviously saw somethingdifferent.

(01:15:59):
What I saw was two women, allwhite, no feet.
They were like floating, maybelike a good two, even three feet
feet above the ground.
Floating away and, like you know, like kind of like in the movie
.
It's like see-through-y, Liketransparent you know, Pero se
veían como este

Esme (01:16:14):
Gowns?

Adriana (01:16:15):
Like gowns, you know like you know, in

Jorge (01:16:18):
the movie With Skeleton, he gets married remember?

Adriana (01:16:20):
oh uh-huh.
he Corpse Bride?
,
like that, like that

Esme (01:16:24):
, like that, like gown like white,

Adriana (01:16:26):
yeah, like that, but I remember the back of them and
they were floating away, yeah,and then one of them turned
around and smiled at us andthat's when we all screamed and
ran back to my grandma's house.
That's how I remember, but Ithink okay and

Esme (01:16:41):
how do you guys remember it

Claudia (01:16:43):
me.
I had a whole different memoryof it.
But now that she's saying itthat way, then it's like you
don't want to relive it.
I don't remember even sayingmuch.
I was just saying like, okay,let me just go with my brother
and my sister Just going.
And.
I remember being scared and Iwas just like, okay, I don't
want to miss out or I don't wantto be home just because I'm

(01:17:04):
scared.
And I don't remember going tothe cemetery.
I think that just erasedcompletely, yeah, and I just
remember george said look, andthen nada was like and like she,
like I remember her, like let'sgo, let's go, let's go, like.
And I remember seeing them andI just remember her, george,
grabbing me and taking me, likeI remember just him holding my

(01:17:24):
hand, he just took me.
But I do remember like theirshadow and I remember the reason
why we did see them, that theypassed through like somebody's
porch, like a light.
Yeah, it could be right,because it was pitch black.
So I remember seeing thatbecause you could only see porch
lights and not everybody had aporch light either,

Laura (01:17:41):
and it was like fire, like a lantern right.

Claudia (01:17:43):
No, it was like a night , like

Adriana (01:17:45):
.
I think.
Some people maybe hadgenerators.
Like they had some sort of likenight.
What is it an electrical youknow source, but very like
minimal.

Claudia (01:17:54):
Yeah, like it's like one house and then another five
houses.

Jorge (01:17:56):
So we went back, we told my abuelita Espranza, that was
her name, rest in peace.
And she said oh, they'reeverywhere, they're going to be
everywhere tonight, so just stayand put.
I put her to sleep at thatnight, you don't know.

Laura (01:18:05):
Outside.
No, you said you were notsleeping outside.

Jorge (01:18:07):
So I step on my mom.
Where's my mom at?
She remembers it was me and mymom in a tent In what they call
their everywhere.

Esme (01:18:13):
In a tent.

Jorge (01:18:14):
In a tent.
It was a little tent.

Esme (01:18:15):
Outside.

Jorge (01:18:16):
Yeah.
And they turn into things

Esme (01:18:23):
That's scary! Like shape-shifting?

Jorge (01:18:24):
,
like it's like that you don'teven know what you're looking at
.
So I remember I was laying down and roaches landed
in my face during the night.
Boom, big-ass, roaches,

Esme (01:18:32):
what the hell.

Jorge (01:18:33):
So my mom gets up and she starts screaming.
I mean, I'm talking aboutthousands of tadpoles started
coming in the tent.

Laura (01:18:39):
aren't tadpoles in water?
Frogs.

Adriana (01:18:41):
no man.
.
..

Jorge (01:18:42):
No, they were frogs.

Adriana (01:18:44):
Yeah, yeah, no, it's okay.

Claudia (01:18:45):
There were frogs everywhere.
Everywhere
they were like they stepped on them.

Jorge (01:18:48):
And we were stepping on them trying to get away, and
then we had to get to thewitches.

Esme (01:18:51):
So you guys got up out the tent to leave.

Jorge (01:18:54):
To go to the In the house yeah, I remember, and in the
trees you could see the witches,you could see the shadows and
the noises they were making, allduring the night.
And then take a shit, my momgoes, you're gonna have to go
through the, go straight, andthere's a big hole and I'm like

Esme (01:19:08):
in the backyard?

Jorge (01:19:08):
, in the backyard.
So I was walking there

Esme (01:19:10):
by yourself?

Jorge (01:19:11):
, by myself.
Nah, I don't know.
I saw.
All I remember was seeing apig's eye.
I don't know where it's a pig'seye like

Esme (01:19:17):
where did you see it?

Jorge (01:19:20):
in the night I was walking.
I just saw a pig's eye like oh,

Esme (01:19:22):
in front of you

Jorge (01:19:23):
in front of me,

Esme (01:19:23):
with nothing else attached

Jorge (01:19:25):
no, I just saw a pig's eye, because it was pitch black,
I think he meant like yeah,like you suddenly became in
sight, Like it was a pig infront of him, but he barely saw
it once he got close enough.
Yeah, so I went back home to find out that pig was a pig
actually, and it was like it wasjust walking around that night.
but fuck,

Esme (01:19:44):
so it was a real pig?

Adriana (01:19:45):
Okay, it's not a real pig.
It's not a real pig.

Jorge (01:19:47):
Okay, it was dope, it was dope, it was a good experience.

Esme (01:19:50):
That's scary, Sooo.
Okay, so the next day in thelight did you guys talk to your,

Jorge (01:19:55):
it looks different.
It looks different in themorning, it looks different, of
course.

Esme (01:19:59):
It looks different, but I'm saying now that the night
before, and did you like thinkwe?

Jorge (01:20:05):
were kids.
You knew it happened, thoughlike it wasn't like a dream,
yeah, but we were kids.

Esme (01:20:08):
We were like hell yeah, and then did you tell your other
cousins that missed out, thatdidn't go.

Jorge (01:20:12):
They already knew.
They already knew, they livedthere so they were like yeah,

Esme (01:20:15):
but remember the ones that ranked out well I mean, that's
why they seen them before and Ithink, and I think worse shit

Laura (01:20:21):
thats scary

Jorge (01:20:24):
yeah, it was

Laura (01:20:24):
because I feel like they knew that you were watching them
like they kinda like tauntedyou guys, and now you want to
find out.
We're gonna be right here toshow you guys,

Adriana (01:20:31):
you know, and it wasn't like, oh, just one of us, or
you know, like saw it, like allat the same time,

Laura (01:20:37):
but that's weird like that you say, like they were
transparent and they werefloating.

Claudia (01:20:41):
I remember they were floating

Esme (01:20:43):
and you remember them, how they how they describe them too
?
had no teeth, only gums.
For ?

Jorge (01:20:50):
.
.
.
.

Adriana (01:20:50):
Oh, he's stupid, we have had other.
.
.
When Claudia came, a lot ofweird things started happening

Esme (01:20:57):
She brought something

Adriana (01:20:58):
.
Some things Claudia remembered,but one of the things that me
and George.
I must have been about six orseven.
George was around 10, 12.
So this was like no mid 80s andwe still lived in the house in
Imperial?
South of here, este.
.
.

Jorge (01:21:16):
South Central

Adriana (01:21:17):
and so my dad.
He would always show up aroundlike 12, 1 o'clock in the
morning.
He would always show up really,really late from work, so we me
, George and my grandma.
We share a bedroom.
And that bedroom faced thebackyard, so the backyard was
the backyard, but the backyardand the driveway were parallel
to each other.
But my dad, if he were to bringin his car, it was rare if he

(01:21:40):
would bring it all the way tothe back part of the driveway.

Jorge (01:21:43):
And it was a big backyard too.
It was a huge backyard, that'sit.
I don't remember.
Yeah, you could fit likefucking like 10 cars in.
It was a big backyard too.
It was a huge backyard.
That's it, I don't remember.
Yeah, it was a huge.
You could fit, like fucking,like 10 cars in there.

Adriana (01:21:52):
Yeah, it was a huge backyard, but my dad's the
driveway was to the side, itwasn't directly like in front of
our bedroom window.
So that's important, becauseour bedroom window is important.
So, every night my dad wouldcome home, me and george my
grama was like knocked out,snoring me, and george were
maybe, you know, fall asleep orsomething,

Jorge (01:22:11):
bunk beds,

Adriana (01:22:11):
you know

Jorge (01:22:16):
you're in the bottom and I'm on top

Adriana (01:22:17):
I was.
I was sleeping on the bottom,george on top.
I was sometimes waiting for mydad because I knew he would.
When he would come home, he'dcome into our room and give us a
kiss.
Good night,
not me.
.
.
he would give us a kiss good night and that was like
the timing right, like okay,around this time we were kids so
we didn't have like watches oranything like that, we just knew

(01:22:38):
it was around that time.
So one night I remember this bigold bang, this big old like
flash of light coming straightinto our bedroom big ass lights,
because the first thing Ithought was like it must be my
dad's car, like, for whateverreason, this big old like flash
of light coming straight intoour bedroom,
big ass lights.
se me hizo raro, because thefirst thing I thought was like
it must be my dad's car, likefor whatever reason, he got off
the driveway and flashed.
The light is facing our bedroomwindow which was again that's

(01:23:00):
that it would take a.
He would have literally had todrive off the driveway and gone
into, like the grass area, andit just didn't make sense.
But as a kid, kid you're like,okay, that's the only thing that
can make sense.

Jorge (01:23:08):
I saw bright lights too.

Adriana (01:23:09):
But the thing is that the light never turned off right
.
They stayed on, like justflashing into our bedroom and
then I had.

Laura (01:23:16):
I'm feeling like

Adriana (01:23:20):
It was like a beam.

Jorge (01:23:21):
Yeah, like beams.
Yeah, Straight to a room.

Adriana (01:23:23):
So I had my back to like the wall.
Well, no, I was facing the wallso I couldn't see behind If my
dad was coming in, I couldn'tsee him or anything like that.
Again, I just assumed it washim.
But I did feel somebody walkinto the bedroom and then
usually he would just like leanover, kiss me on the cheek and
then leave.
But this time he sat down likeon my bed, like on the side of

(01:23:45):
the bed, and he, he sat downlike on my bed like on the side
of the bed and he just sat thereand I just remember thinking
like okay are you gonna give mea kiss goodnight ?
like like well, that's weird.
He's just sitting there, hedidn't lean over, he didn't kiss
me, and then, like a fewseconds later, the lights went
off and that was that.
And I was like that's weird.
Like five minutes later, my dadcomes in and does everything he

(01:24:10):
does so yo me quedé with thewhat the fuck was the?
first thing is person then, yeah, like what was that right?
So I don't know if me andgeorge ever really talked about
it.
I don't know we talked about itthe next day.
Do you remember we talked aboutit like how long before we both
realized?
Like wait, no, this actuallylike we both had the same

(01:24:31):
experience
it wasn't the same night though
no, no, no.
It must have been days, weeks,years later.
But george tells me hey fool,do you remember that?
one night, yeah that the and Ilooked at him and I said,
because you know, when you'relittle like memories are kind of
weird

Esme (01:24:45):
yeah memories, but you don't really know what they are
and you're like

Adriana (01:24:47):
, okay maybe me imagine cosas and you just move on with
your life.

Claudia (01:24:51):
And because george didn't mention it, like that
moment or the next day, you'relike okay, I'm just tripping

Adriana (01:24:55):
yeah like you know.

Esme (01:24:56):
So what do you?
What did you say?
Like what?
did you tell her

Jorge (01:24:59):
like what she said?
I remember the light

Claudia (01:25:00):
describe everything

Adriana (01:25:01):
george started telling me hey, remember that one night,
because I think we were talkinglike this.
We were talking about like scarythings or aliens or things like
that and it was

Laura (01:25:10):
like it is giving alien abduction vibes

Adriana (01:25:13):
so when he started talking and describing it, I was
like george.
I said wait, this whole time,I'm already thinking it was
because, you know, we're halfasleep, we're kind of in and out
of like consciousness at thatpoint.
So it's like I thought I hadfucking dreamt that.
And he was like no, no, he'slike it happened.
And I said do you remembersomeone coming?
He goes, yes, he goes.
Did you see them?
Or did you also have your back?

Jorge (01:25:33):
No I heard him sitting on your bed, because you know how
it's squeaky yeah.

Adriana (01:25:37):
Yeah, so he described everything I also experienced.
So that's when we both realizedlike, ok, this happened.
From where do you think thisthing went in?
How did it go in?
Through the front door?
Through the door door, like ourbedroom door?
I don't know how it got intothe house.
But I think it was like very,

Esme (01:25:53):
because at first you thought it was your dad, so it
looked like he just walked in

Adriana (01:25:56):
it sounded like the door opened.

Jorge (01:25:57):
Yeah.

Adriana (01:25:58):
You know, walked in, sat on the edge of my bed.

Laura (01:26:02):
The footsteps did you get like a glimpse?
I mean, did you get like alittle?
were you able to hear thefootsteps and it sounded like
someone else?

Adriana (01:26:09):
It felt weird.
Yes, it didn't sound like mydad.
It sounded like a much biggerperson Because, you know, my
dad's not that tall but I'mlittle, so my dad's still big
compared to me and then theweight of someone sitting on my
bed felt like heavy.
A much bigger person, creature

Laura (01:26:27):
so you think like you kept your eyes closed because
you didn't think much of it?

Adriana (01:26:30):
No, I didn't close my eyes.

Jorge (01:26:31):
It was my grandma's Sancho foo.
.
.

Adriana (01:26:32):
I was facing the wall.
I was facing the wall and mygrandma snoring.
Like she had like no awarenessor didn't feel anything or
didn't even think that it wasAgain, a lo mejor, ella también
pensó que era lo mismo.
My dad, you know,

Claudia (01:26:47):
Did you feel scared?

Adriana (01:26:49):
I did.
I remember going like the morelike that scenario unfolded, I
was like this doesn't feel likemy dad, Like I felt like this is
something else.
Yeah, I think.
I was like confused, and thenafterwards, when I realized like
wait, my dad my dad.
That wasn't my dad, because mydad came in five minutes later.
That's when I was like what thefuck was that?

Laura (01:27:09):
And you didn't feel like telling him?

Adriana (01:27:10):
No, because I think again, since I was so little, I
was just like, oh, this musthave been a dream.

Gilbert (01:27:15):
What if he was testing to see if the lights went in the
room?

Adriana (01:27:19):
How bright can I be?

Laura (01:27:21):
Or have you told Grandpa this?
We did tell Grandpa.
We did tell grandpa and he madesure that it wasn't him.
That's what I was going to say.
It feels like alien abductionvibes.

Claudia (01:27:34):
I was in the corner like this.

Jorge (01:27:39):
I got abducted and came back with a small penis.

Adriana (01:27:43):
I think they came back to check on me.
They were like she's okay, whatdo you mean?
What do you mean?
You're saying you're an alien?
Yeah,

Claudia (01:27:52):
.
.
.
oh my God.
And then somebody was standingbehind me!

Esme (01:27:57):
No, they're going to abduct you!

Laura (01:28:04):
Do you have a filter Like right here?
Do you have a filter?
No, here.
Do you have a filter?

Claudia (01:28:09):
No, no,

Esme (01:28:10):
okay.

Claudia (01:28:10):
So Because I was like this is breaking news.
.
.
!

Esme (01:28:12):
Breaking news listeners! One of our guests just saw
something weird! Say it again,say it again.

Laura (01:28:19):
Oh my God,

Jorge (01:28:20):
Say it now she's the alien.

Claudia (01:28:22):
Well, my sister's saying that she's an alien.
I was getting bored so I openedmy phone and I opened my snap.
I showed your camera and Ishowed my camera and I saw
myself.

Esme (01:28:38):
So it's you,

Claudia (01:28:40):
but there was a female behind me.
.
.

Esme (01:28:42):
A female?

Adriana (01:28:43):
What did she look like?
Did you take a picture?

Esme (01:28:46):
Did it record what?

Laura (01:28:49):
did she look like?
And you take a picture, did itrecord.
What does she look like?

Esme (01:28:51):
and just so you know everyone, we're like outside
campfire.
Vibes for Laura's birthday.
For Laura's birthday

Jorge (01:29:00):
what house was this?
what house was this?

Esme (01:29:03):
This house is haunted.
What?

Claudia (01:29:07):
what I can't sleep on my cell.
Talk about the phone, the phone, the phone
Those stories are for next time
but by the moment.
So when I went like thisbecause I was looking at myself,
and then when I realized therewas somebody behind me, when I
looked back she had disappeared.
Oh so it was like very quick,what did it look like?

(01:29:29):
It looked like a female
Young old?

Jorge (01:29:31):
Is there a toilet paper?

Claudia (01:29:33):
Yeah, there is

Jorge (01:29:34):
no, but Mario's been there for a while.

Esme (01:29:36):
Stop bullying him.

Adriana (01:29:38):
So she was like younger ?

Claudia (01:29:39):
Yeah,
dark hair?
She had light skin,

Adriana (01:29:41):
light skin dark hair?
.
I think so,

Jorge (01:29:43):
I'ma check up on him.
.
.

Adriana (01:29:43):
.
Oh my,
If you want you can sleep in myroom

Claudia (01:29:45):
Oh, I'm sorry i interrupted here Okay, no,
that's, that's too scary.

Esme (01:29:50):
Can you talk?
I'm scared, that's scary.
She's like .
.
.
.
Hello, co-host!

Laura (01:30:01):
that's so scary.
I want I just think that firstof all, first think that first
of all, first.
Back to the first story, thewitches.
I think that that's like a rarestory I don't think a lot of
people could say firsthand thatthey've seen like a lot of
people like

Esme (01:30:14):
ghost witches

Laura (01:30:15):
ghost witches and you describe them like very I don't
want to say fake, but like very

Claudia (01:30:23):
like what we see in the movies.

Esme (01:30:24):
Yeah, very whimsical

Laura (01:30:25):
Like see through with gowns and they're floating no
feet

Esme (01:30:28):
In the cemetery

Laura (01:30:30):
.
That's crazy, that it actuallyhappened to you, the three of
you.
But I for sure know thatwhatever bad entity or devil you
guys were with, like it knewthat you guys were there for
them, so se les aparecieron.
Like they were very conscious ofyou

Esme (01:30:43):
You guys, oh you guys are
from LA
you guys are from LA.
?
You guys came down the road tolook at some witches in the
cemetery??
Well, guess what?
Here we are

Claudia (01:30:53):
and we yelled and we started running.

Laura (01:30:55):
And I wonder what would've happened if you guys
would've like?
Been more daredevils and beenlike we're staying here.

Esme (01:31:00):
Oh, no

Adriana (01:31:01):
Like ran towards them.
Yeah because they could havereally scared us, Because I
think they were just like we'rescared.

Esme (01:31:06):
Yeah, they could have done that.
They smiled at you guys?

Adriana (01:31:09):
They smiled at me.
Like my baby bruja!
They're like my fellow alien.

Esme (01:31:16):
Now we see you, girl.
Oh my God, what.
Okay, so follow question number two

Laura (01:31:22):
Grandma help Claudia vio, un ghost ahorita

Claudia (01:31:26):
and she closed the door .

Esme (01:31:27):
She's like I'm not coming out.
She locks it.

Jorge (01:31:30):
Don't let her in.

Claudia (01:31:37):
the ghost Mom.
There's a ghost down here!

Laura (01:31:39):
but she saw something Behind her.
It's Mario.
.
.
It's a ghost.
.
He's been trapped in the house?
haha He's been .

Esme (01:31:47):
She already locked him in

Jorge (01:31:48):
Let me find out more.

Laura (01:31:49):
I'm gonna find out okay, now fast forwarding to the light
story.
It does sound like atraditional story of like a ufo
falling bright ass lights on theufo, like you guys especially

Esme (01:32:01):
you guys had a big backyard, maybe you had room to
land there.

Jorge (01:32:04):
That was a big backyard.

Laura (01:32:05):
Do you feel like you were paralyzed with the light at all
like?
Did you feel you's?
what I'm saying.
That was a big backyard.
Do you feel like you wereparalyzed with the light at all?

Esme (01:32:10):
Did you feel you lost time ?

Adriana (01:32:11):
I do feel like there was a little bit of a time lapse
At that moment.
Yeah, like almost like timestopped, because that was the
time that grandpa was supposedto show up, okay, so there was a
gap, so there was like a pausein time, the matrix lapsed,

Laura (01:32:27):
oh my God,

Adriana (01:32:28):
and they showed up first to not interfere with
what's supposed to happen.
You know it's the whole likeokay, this timeline is supposed
to be,
and you were in.
Mexico again.
No, no, no, no, we were in the Imperial right here.
When we used to liveIn the other house

Laura (01:32:43):
So they be coming to the States.
.
.

Esme (01:32:46):
It ain't safe here

Adriana (01:32:48):
they come to First World countries.
.
..
That's so cute

Claudia (01:32:51):
this is the house that you had your first communion
party and my birthday partytogether.

Laura (01:32:56):
Yes, so they wanted to get a taste of LA Mexican kids.

Adriana (01:33:01):
We still gonna follow you wherever you go,

Laura (01:33:04):
So you think, if the alien/ serial killer that broke
in your house, whatever you wantto call it they could have like
taken you, you think they couldhave hurt you if they wanted to
?

Jorge (01:33:12):
Yeah.

Adriana (01:33:13):
Yes, I mean now like looking back, like every time
that we talk about it I don't Iobviously, at that moment I felt
like confused and a little bitlike yeah, scared.
But like right now, like if youask me, like I don't think it
was a bad entity,

Laura (01:33:27):
okay, what do you think it was?

Esme (01:33:37):
Her bloodline.
And with that.
.
.
now.

Jorge (01:33:42):
and that's why, she's a witch today.
.
.

Esme (01:33:49):
You missed it, Mario

Laura (01:33:49):
so you think your ancestors have like a fight
vehicle?

Adriana (01:33:53):
So now that I have an understanding about what we say,
aliens right when people talkabout oh there's aliens, we do
UFOs, blah, blah, blah.
Right Now, because of everythingI've been reading and learning
from other people, ourindigenous people, our
indigenous ancestors, havealways talked about star people.
They have, they have, they'vealways talked, and the original

(01:34:13):
like so you know how creation,like Christianity, has their
creation story of like Adam andEve and all that right.
So in many indigenous culturesthe creation story is that
someone came from the skies andit was a woman, and that's how
creation started.

Jorge (01:34:28):
That's why ! So god's a woman.
That's why we're fucked foo.

Laura (01:34:31):
So they're saying, especially during this time like
in the last you know what,maybe 40, 50 years.
A lot of people here aredescendants of those star people
.

Jorge (01:34:42):
And they're women.

Laura (01:34:43):
Like mestizos, but like of them.

Adriana (01:34:45):
Yes yes, I don't know if you're familiar with, like
indigo children or like starsseeds?

Esme (01:34:50):
yeah, yeah, I don't know

Jorge (01:34:54):
children of the corn.
.
.

Adriana (01:34:55):
so star seeds are like people that have you know
that reproduce a the starpeople?
no, that have like a connection to the original, like
story of humanity.

Laura (01:35:08):
So not everyone, though, is part of it.
If we all came from the samequestion

Adriana (01:35:12):
, there is some teaching that all of us came
from,

Claudia (01:35:15):
so they don't come in packs?
like a

Adriana (01:35:18):
no

Claudia (01:35:18):
UFO?
.

Laura (01:35:18):
Yeah, what was the bright light in the in the
in the ancestor explanation?
like.
What do you think would havebeen the light like they had,

Jorge (01:35:25):
like a?

Adriana (01:35:26):
I mean maybe it was a light to like shine to help the
person find us maybe somethingopen, because we again george
and I have had and claudiaeventually but remember the, the
ufo ship we saw in Indio, yeah,so again another situation

(01:35:47):
where we saw like yourstereotypical like ship with
like lights around it.
So I think that again our brain, our understanding of like UFOs
and stuff like that is likevery outdated, it's very like or
it's very like government andall the government like
yeah, whatever images.
And images and we're gonna seethat, like you say, like even

(01:36:09):
the brujas, we saw what we havealready probably someone else
described
yeah, something has beenembedded, like we already have
those ideas and like imagesbecause of things that we've
seen in the past
.
Yeah, so I don't know, I don'tknow.
I think that it's interesting
but you as an adult, you thinkit was like not a threat
no, no, me personally.
I'm not afraid of UFOs orwhatever.
I'm not afraid of those.

Laura (01:36:30):
He'll be like damn it.

Adriana (01:36:32):
I think it's so cool People that can see go, because
there's some people I've heard.
There's a girl at my job, she'sa librarian, she goes.
I've seen people walkingthrough here Adriana, she goes,
and that shit scares me and I'mlike damn that's so dope like
she's, like I don't want thatgift and I said well, I go too
bad.
No, like you, could you.
Could, you could say you don'twant it and you won't see it

(01:36:52):
anymore.
I said but just know thatthat's that was given to you for
a reason.
But like for her, things happenlike she sees women, she sees
beings like books fall and theyland perfectly like that doesn't
happen to anyone.
I know someone else that seesdead people and I don't think
that's a coincidence.

Esme (01:37:10):
No..

Adriana (01:37:12):
because these things have been happening to us since
we were kids.
I see them all the time, yeah.

Esme (01:37:16):
So I'm pretty sure that also like, and then these are
attracted and they're like oh,they can see us, so they're here
.

Adriana (01:37:24):
But then you have to be careful, because not every
being or entity is differentintention.

Esme (01:37:27):
We're going to go through, yeah, yeah, yeah, it's okay
you're here, but then you haveto be careful, because not every
yeah, because there's differentteams.
I don't want to see differentintentions different intentions
we're gonna go through hersnapchat, I know okay, follow up
question for her now
well, we kind of answered itwas a woman.
What a coincidence we're talkingabout, like women, creators but
she was right, here she wasstanding right here

Adriana (01:37:43):
she was like finally they've accepted me.

Laura (01:37:47):
Well, the thing is,

Esme (01:37:48):
it's the bloodline

Laura (01:37:49):
scary, right it just what's scary that no one was
behind you but, she didn't lookscary herself

Claudia (01:37:53):
because I froze, because thinking like, like, let
me

Esme (01:37:58):
process,

Claudia (01:37:58):
process the fact that there isn't nobody behind me,
like, so why am I looking thatin my phone?

Adriana (01:38:03):
That doesn't make sense .

Esme (01:38:05):
So again, listeners, we're reviewing the fact that she saw
something as we were talkingabout this on her phone camera
behind her.

Laura (01:38:14):
yeah, and it was not a filter.
We confirmed not a filter

Claudia (01:38:16):
no, it wasn't on a filter, but yeah, that's why I
was like it took me a while,like I froze, because I'm like
no, there's nobody behind me,though

Laura (01:38:24):
oh my god,
and I interrupted

Jorge (01:38:26):
you can just send her to my room next

Adriana (01:38:29):
yeah, and I think also just like culturally, like for
like mexicanos and like peopleof similar cultures like we, we
don't separate like thespiritual world from like the
non-spiritual, or like theearthly realm, but for those of
us that are, like, born andraised here, it's like oh my god
like it's such a weird thing tosee or to have these

(01:38:50):
supernatural experiences, butfor many of our grandma or the
people that live in the rancho,it's like that's what happens.

Esme (01:38:58):
That's part of life.

Adriana (01:38:59):
Yeah, and you got to be respectful.
That was also the thing of like, don't go over there, like, you
know, creating or trying tomess with people or mess with
the ghost or the brujos, andthat was the other thing too.
It's like, oh, if you mess withsomething like that, it's going
to come back to you, thatyou're not just going to go and
like, make you know,

Laura (01:39:17):
cause a ruckus.

Adriana (01:39:18):
Yeah, like, make light of it.
Right
I think here it's like, oh, like it's exciting and it's
like scary, but there's real, Ithink, consequences of like,
not like, not knowing how tomake sense of that.
You know,
yeah,

Jorge (01:39:34):
there it goes

Esme (01:39:36):
and there it is..

Adriana (01:39:36):
Good, good, good shot, good,

Laura (01:39:38):
yeah, thank you all, you three and the rest of our studio
audience because we have a lotof other people.

Esme (01:39:44):
Yeah, we do.
Thank you Everybody, everybody,yay, yay!
let's hope that Claudia sleepswell tonight.
.
.
I know, because she's in a little back room.
I'm just going to put worshipmusic all night
I want to be back.

Laura (01:40:02):
don't watch scary movies tonight,
Yeah, thank you for being here!

Esme (01:40:06):
Yes, thank you so much for your story.

Laura (01:40:08):
Give it up to the bloodline,

Esme (01:40:08):
Yeah, yeah thank you for being here.

Mario (01:40:14):
Yes, thank you so much.

Esme (01:40:15):
Okay, thank you guys.
All right, so that was ourcampfire edition scary story.
It was just like so perfectbecause we had reviewed
Bloodlines and then this had todo with three siblings.
It all just kind of woundtogether, so it was perfect.
What did you think of all this,Laura?

Laura (01:40:30):
I thought it was a really fun turnout because, I will be
honest, I have heard thesestories before, but never with
each and every one of thewitnesses side by side giving
their input at the same time.
So I think it just illustratedthe story way more.
It shows that it was obviouslytrue because they all had the
same narrative, but then theycould, all you know, give their

(01:40:52):
input on certain details thatthe other left out.
So I thought it was a reallygood fun time and I hope
everyone also, you know, had allthe laughs or laughed along
with us because it was such afunny.
Like we weren't spooked, we weremore like just super giggly the
whole time yeah,

Esme (01:41:08):
I think it's just one of those things that just becomes
like even though we're talkingabout scary stories, it was more
silly than scary, right

Laura (01:41:16):
yeah, and then of course, like, if you are like from our
culture and stuff, you canrelate to all of the humor.

Esme (01:41:22):
So yeah, that's true, that's true, so yeah.
so it's kind of cool because weended up having three stories in
one.
We thought we were just goingto get the witches from Mexico,
but we ended up kind of goingtoward like the possible alien
feel,
the starseeds or whatever.
Yeah,

Laura (01:41:39):
and then we had like a true apparition happen.

Esme (01:41:42):
I know that crazy, and yo u know what, like I'm not
surprised, especially them!You know how, like I said, oh,
it's the power of three.
They called, they made, theymanifested,

Laura (01:41:55):
and someone and someone told us later on, like after we
stopped recording, that thosebrujas must have been so
powerful and so evil thattalking about them brought them
like power?
Yeah, they brought them back and that's why se le
aparecio a Claudia,

Esme (01:42:06):
like you know what, at this point, like anything is
possible

Laura (01:42:10):
we'll hold these stories for a little later, but we'll
just say that like thingscontinued to happen that same
week to Claudia, like it stemsfrom what happened here in
person, but later little stuffkept happening in her house and
around her.
So I don't know, maybe thatperson is true, is correct, like
we literally manifestedsomething bad by accident.

Esme (01:42:28):
Yeah like you, wake up like old things

Laura (01:42:30):
which we don't, we never want to do.

Esme (01:42:31):
Yeah, I definitely don't.

Laura (01:42:32):
We just want to share, like, have a platform for people
to share their spookyencounters, but we don't want
things to keep happening toothers or, like you know, to
call on a demon

Esme (01:42:41):
and definitely not to us!

Laura (01:42:43):
Like we're not trying to call no demon no, so that's
scary.
We'll share that another time,right?

Esme (01:42:48):
Yeah, yeah definitely.
Yeah, we'll share it next time,all right?
Well, everyone, if you want toleave a message for us, if you
want to give any feedback, ifyou have a story of your own to
share, we would love to hear it.
We would definitely love tohear it.
You can send us a chicascucuy@at chicascucuy gmailcom.
And for now, thanks for joiningus till.

Laura (01:43:07):
Till next time.

Esme (01:43:07):
Bye!

Jorge (01:43:37):
Wee, wee.

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