In a show packed with the best film music slotted into a 2-hour show, your host Jason Drury begins with music from Alan Silvestri’s classic for BACK TO THE FUTURE (Intrada Records), which this year is celebrating its 40th anniversary.
Jason then continues with music from recent Archive releases, including Hans Zimmer and Lisa Gerrard’s GLADIATOR (La La Land Records), celebrating the score’s 25th anniversary; the belated 40th anniversary celebration of Jerry Goldsmith’s 1983 classic score for FIRST BLOOD (Intrada Records) and then selections from John Cameron for the 1980 Agatha Christie mystery movie THE MIRROR CRACK’D.
Jason then continues the show with music from Henry Mancini’s classic score from the classic 1983 mini-series THE THORN BIRDS, which has received a deluxe edition from Varese Sarabande Records, Basil Poledouris’ 1990 Australian Western score QUIGLEY DOWN UNDER (Intrada Records) as well as selections from Jerry Goldsmith’s 1972 TV movie thriller PURSUIT (Intrada Records), which is a re-recording from a recent Kickstarter campaign initiated by Producer and Orchestrator Leigh Phillips.
Jason then rounds off the show with music from the new 2-CD set of Michael Kamen’s classic score from the 1993 Disney adaptation of THE THREE MUSKETEERS (Intrada Records).
Enjoy!
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Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp.
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