Our final episode recorded live at CMA Fest 2025, features a raw conversation with Parker McCollum where he reveals career insecurities that may surprise you.
In this chat, we dive into two big topics in Parker’s world right now: fatherhood and his brand-new self-titled album. He opens up about recording for seven straight days in NYC with laser focus and why this is the first time he’s ever truly loved a project.
Parker also talks about the vulnerability behind “Hope That I’m Enough,” writing “Permanent Headphones” at just 15, and teaming up with Cody Johnson for a standout cover of “Good Time Charlie’s Got the Blues.”
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