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June 11, 2025 36 mins

Tony Kamel, a Grammy-nominated singer/songwriter, clawhammer banjo and guitar player, and father to a four-year-old girl, joins the show to talk about his latest album, We’re All Gonna Live, and to give us a behind-the-scenes look at the stories and real people that inspired many of his songs. Tony shares how his new-ish role as a father and his relationship with his own late father influences his music in an honest, vulnerable and inspiring interview. Listen along as the Dads commiserate with this stalwart of the bluegrass world about shared family calendars, the challenges of being a working parent, and finding hope in the stories of real people in roots and folk music.  

Show Notes

02:05: The Story Behind We’re All Gonna Live: Tony describes the creation of his latest album, how fatherhood affected the creative process, and where the theme of death and loss on the album came from.

07:18: “Fight With a Smile:” Tony tells the story of how his grandmother helped him find strength and hope during difficult times and how her wisdom influenced the album’s theme (and cover art).

10:52: Authenticity and Tradition in Storytelling and Fatherhood: Tony shares that many of the stories in his songs are about real people and real experiences. He comments on the importance of telling authentic stories in roots and folk music and of bringing authenticity to your parenting.

15:28: 90’s Alt-Rock Cover Songs: Tony talks about his viral banjo cover of “Santa Monica” by Everclear and the songwriting quality of many alt-rock songs we remember from our childhoods.

18:49: "We’re All Gonna Live:" Tony tells the true story that inspired the title track of We’re All Gonna Live.

22:24: "A Father and a Daughter:" Tony shares the inspiration behind his song "A Father and a Daughter" and how he considers it to be a gift to his daughter as she grows up.

26:08: The Dad Life Sound Check: Tony shares one of his dad’s favorite songs, George Strait’s "Love Without End, Amen." Dave talks about how Summer Dean’s “Lonely Girl’s Lament” reminds him to consider the single people in the “village” helping to raise his kids. And Donnie can’t help but choose Tony Kamel’s “The Surfer” (and he swears he’s not just sucking up to the songwriter in the room).

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