Episode Transcript
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Speaker 1 (00:00):
You were listening to DC on screen.
Speaker 2 (00:11):
I mean I certainly heard you.
Speaker 1 (00:14):
God only knows what that's going to do to the
audio or my throat?
Speaker 2 (00:17):
Really should I start?
Speaker 1 (00:22):
I feel like that was.
Speaker 3 (00:23):
Audio of a turkey being dragged by the truck.
Speaker 2 (00:28):
Yeah, something like that. All right, it was that alien?
Was that alien? That that piece of ship?
Speaker 3 (00:38):
I did just see that. Fuck him, fuck him and everything.
Speaker 2 (00:43):
Anyway, Reppy, it didn't sound that all genuine.
Speaker 3 (00:50):
I'm just trying to calm down for you to get
the show started. I have real feelings about that alien.
Speaker 2 (00:55):
Welcome in to DC on screen.
Speaker 1 (00:58):
What it do?
Speaker 2 (00:59):
Where did do it? How long did it do it for?
I'm your host, David c. Robertson. This is my lovely
co host Jason Goss. Hello, I do think you're lovely.
Speaker 1 (01:10):
Thank you?
Speaker 2 (01:10):
He is. Well. Oh all right, this episode we're talking
about Peacemaker two oh four. Need I say door? Oh
of course?
Speaker 3 (01:23):
Yeah man, this we were just talking about that fucking alien.
Speaker 2 (01:26):
Yeah, yeah, that's that.
Speaker 1 (01:29):
Was hard to watch.
Speaker 2 (01:30):
I thought it was weasel at first.
Speaker 1 (01:32):
I did.
Speaker 3 (01:32):
I did to and we weren't alone. I did find
out we were not alone.
Speaker 2 (01:35):
Yeah. I saw some people saying that too.
Speaker 3 (01:38):
Oh on that ground now, and it's hard just with
the visual. The audio was just rough. I imagine that
was de Bradley Baker.
Speaker 2 (01:48):
Maybe, I don't know. I didn't pay attention to the.
Speaker 1 (01:50):
Credits he does eagerly.
Speaker 2 (01:53):
Maybe yeah. Then so yeah, and.
Speaker 3 (01:55):
He's he's one of those names you recognized that soon.
Speaker 2 (01:59):
But oh yeah, yeah, yeah, you know.
Speaker 3 (02:02):
Top ten working voice actors right now.
Speaker 2 (02:04):
Probably yeah. Well, I mean d has been doing stuff
since you know, god, Frank, except seventies maybe yeah, yeah, eighties.
Speaker 1 (02:15):
I don't know, he's not on there.
Speaker 3 (02:16):
I think him and Frank Welker really are Tipperary. They've
been around for as long as yeah, things have been popular.
Mm hmmm, as long as our childhoods have been childing.
Speaker 2 (02:26):
I mean, yeah, he was. He was just on what
is it? I watched uh Prodigy Star Trek Prodigy.
Speaker 1 (02:36):
As himself or as a you.
Speaker 2 (02:38):
Know, he was not he was not playing Deep Bradley Baker.
Speaker 1 (02:42):
His corpse was on the screen. It's hard thing to express.
Speaker 2 (02:46):
I don't know why. It's funny like I'm I'm wanting
to make sure that I'm accurate because I was. I'm
very very sure he was on Start. Yeah, Star Trek
he played Murph. He was a sort of a slime devil,
and he's like a He's like, that's that's fucking this
whole thing. It's just noises, like this creature God, he's
(03:11):
or or he does a lot, he's just it took
me a really long time to scroll down to Star
Trek Prodigy, which just came out. Yeah, he is Jesus
christ Man, Jesus.
Speaker 3 (03:21):
Contigus the and you know, you'll casually know him as
the goldfish on American Dad if I recall.
Speaker 2 (03:27):
Mm hmm, I'll tell you what, Like, when this motherfucker
shuffles off the Mortal Coil, we're gonna have to have
like a whole episode about all the characters he's played
in DC.
Speaker 3 (03:36):
Jesus God, I know, I know, Hey, this is like
the best we've done maybe ever at ranting at something
that was actually fucking appropriate.
Speaker 2 (03:44):
What do you mean?
Speaker 3 (03:46):
I mean, we just felt like a normal rat. But
I was like, wait, the Radley Baker's eagerly, we're good,
We're in the clear.
Speaker 1 (03:50):
This is still relevant. We're good for once.
Speaker 2 (03:53):
Yeah, so anyway, uh uh yeah, I see it. I'm
I'm seeing a lot of poo pooing this episode of
Peacemaker Online.
Speaker 1 (04:06):
Oh really, I don't know why.
Speaker 2 (04:08):
A lot of a lot of people saying it's boring,
filler episode, you know, too short, nothing happened.
Speaker 1 (04:16):
I don't feel like that was the case.
Speaker 3 (04:17):
I felt a little more interested in this one than
like one was the closest I felt to being like, okay, okay,
all right, I know you had to do that, but yeah,
I think one and two were released at the same time.
Speaker 2 (04:27):
I kind of get what they're saying. I'm still loving
the show. I just I think for the pacing of
this show this season one, a lot of people are
comparing it to season one, which I think it's it's
a very different animal, some more personal story about Christopher Smith.
Speaker 3 (04:49):
Yeah, I mean, we did all the big violent horror
show things last time.
Speaker 2 (04:53):
Mm hmmm. But I think with the pacing of this
this season, it may have been whise to release two
at a time because they do feel short.
Speaker 1 (05:05):
It's just a little that it's it.
Speaker 3 (05:07):
But I mean, I'm kind of watching the background, so
I'm gonna be curious about what scenes I come up
with here to see if I kind of agree or
disagree ultimately. But I know, like even the door transfer
that was a huge deal. We got, you know, eagerly
about to be shot. We got a very tense scene
with that.
Speaker 2 (05:23):
Well, you know, there were dramatic beats, but in the
arc of the series.
Speaker 1 (05:30):
They just mean nothing was accomplished by the.
Speaker 2 (05:32):
Yeah, I think so. I think that's what they're They're
mad that like at the end, and I get it
what they're saying here with some of these people are
saying at the end of this episode, we are exactly
in the same place we were at the end of
the last episode, whereas like, well, he's about to walk
into an ambush from Argus and Eaglely might be in danger.
Speaker 3 (05:53):
Oh well that but the door's been transferred, and I
think some stuff has really happened.
Speaker 1 (05:57):
I see the point.
Speaker 3 (05:58):
Yeah, the the closest I get to any traction without
myself probably are my thing is like cumulatively, I know,
like episode six, seven eight are supposed to just be
absolute you know bangers as far as ship moving and
all that. But the front half yeah, has been Yeah,
I mean it's been all set up. So we're very
(06:19):
much betting on five, six, seven eight here really really
pulling out the stops.
Speaker 2 (06:24):
One of the things I've seen a lot of people
talking about is like, oh, man, Ads is gonna go
with him to that other universe, and that's that's when
he's realizing, ain't right. Ain't right?
Speaker 3 (06:35):
Yeah, as they as as they were talking, I was
realizing why that'd be funny.
Speaker 1 (06:41):
For a second, I was like.
Speaker 3 (06:42):
Oh wait, you know, I mean I'm be about to
be wrong about that Earth X thing.
Speaker 1 (06:46):
But like, m we'll see.
Speaker 3 (06:49):
Yeah yeah, officially I said absolutely not.
Speaker 1 (06:52):
We'll see how it stands.
Speaker 2 (06:53):
I know that's scary. I'm scared for you.
Speaker 1 (06:57):
Hey, no, me too.
Speaker 2 (06:59):
How do you feel about life is?
Speaker 3 (07:00):
Life is more fun with gambles though, But you got
to be wrong sometimes to do that.
Speaker 2 (07:04):
Oh yeah. How do you feel about Augie finding the
technology instead of inventing the technology?
Speaker 1 (07:11):
I like it for a lot of reasons.
Speaker 2 (07:13):
It's funny.
Speaker 3 (07:15):
It's funny, and it's not going to stretch my disbelief.
They've stretched my disbelief enough with burd and bladness this season.
That's gonna max me out the whole season. I just
know that going forward, right.
Speaker 1 (07:24):
It's fine.
Speaker 3 (07:25):
But we're using all the manna on one spell here,
so that's that's what I got.
Speaker 1 (07:30):
So I don't I don't.
Speaker 3 (07:31):
I can actually dig the idea that we just found
in the backyard instead of having to sell the idea
that guy was a super genius that we didn't know
about in any of the DCU before at any stretch.
Like no, one's no, one's worried about him. He's not
one of the top five. Yeah, you know other companies
that we mentioned before.
Speaker 1 (07:45):
And hell, even I was.
Speaker 3 (07:46):
Worried about that when this, when this, when Peacemaker won,
was still even theoretically tangentially even involved in the Snyder verse.
Speaker 1 (07:54):
Mm hmm, Like, no, that guy can't be that smart.
Speaker 2 (07:56):
We know about him, maybe, but I don't know. I've
seen those arguments for it. I have seen some people
who are upset about it. I don't. I don't know
where those people are coming from. Because I felt a
wave of relief when when I was like, oh, okay,
(08:17):
I don't have to at least give this racist old
piece of ship his laurels on.
Speaker 3 (08:21):
That his props on the Nobel Prize winning science in
the backyard.
Speaker 2 (08:24):
Yeah, and I love that, Like you're dead. Didn't admit
it was like, oh, he didn't even finish high school.
What are you talking about?
Speaker 3 (08:31):
Like tenth grade or yeah, now connected to that something
from their The DC Showcase podcast, Yeah.
Speaker 1 (08:41):
I disappointed.
Speaker 3 (08:42):
Would you do with this earlier today the yeah, you
did themselves, Gun said, and I'm gonna paraphrase deeply, but
Gun said the helmets themselves. Where in that same conversation,
she's like, what about the helmets, it's a long story
something like that.
Speaker 2 (08:55):
It's complicated, something like that. I don't know.
Speaker 3 (08:58):
Gun basically confirmed, yes, and it is complicated and it
would take long. It would take a long time to
tell the story. But he pretty much said, like, it's
a good story. It does exist, it's in my head.
It just would take a while to tell and I
could not fit it into this season.
Speaker 2 (09:10):
Oh I'm so disappointed that is.
Speaker 3 (09:12):
That is rough because I was hoping we were edging
that way. But me, now, that's gonna be real funny.
If you're listening to this episode five minutes after you
just talked about how people were complaining that the episodes
weren't long enough.
Speaker 2 (09:22):
Mm hmm mm hmm.
Speaker 3 (09:25):
Yeah, you got to assume what he means is I
didn't have budget time or something to that effect.
Speaker 2 (09:31):
Budget time or you know, if.
Speaker 3 (09:33):
He time on set to even accomplish these things, you.
Speaker 2 (09:36):
Know, there's another possibility, Like in a story, to maintain
the momentum, you have to keep it at a certain pace.
You have to continue to tell your story. You can't
be going off into a really long ass fucking flashback.
Speaker 3 (09:54):
Yeah, I mean not everything can have a backstory, not
every prop, not every not even really good ones.
Speaker 2 (09:59):
So if he's got this great ass story that sounds
really complicated, he's not going to want to waste it by,
you know, throwing out a couple of one liners explains
or tries to explain this whole thing.
Speaker 1 (10:14):
You don't want to exposition exposition about it.
Speaker 2 (10:16):
You would hurt that story, and you would hurt the
current story he is trying to tell. Yeah, so yes,
I am very fucking disappointed. Uh.
Speaker 1 (10:25):
I respect the decision.
Speaker 2 (10:26):
I hope I live long enough to see the explanation.
Speaker 1 (10:32):
I do.
Speaker 3 (10:33):
I it's it's the kind of thing that like, I hope,
I hope he got close enough to the fire on
that one that like for season three or whatever venue,
he can fit it into where we get Peacemaker again.
He's like I was, I was really interested in that.
Let's make room for it this time.
Speaker 1 (10:52):
Yeah, mm hmm.
Speaker 3 (10:54):
Or build something around it. Maybe I don't know, you
don't have to, but.
Speaker 2 (10:59):
Did we adequately uh cover how you felt about that
imp or alien or whatever he was being murdered by
Algi What?
Speaker 3 (11:12):
Yes, I mean it's not gonna be an over yeah,
an over there articulable thought.
Speaker 1 (11:17):
It's just damn.
Speaker 3 (11:18):
That thing was fucking hard to watch die.
Speaker 2 (11:20):
Oh the squills, it was sad.
Speaker 1 (11:22):
Oh they performed the funk out of that.
Speaker 2 (11:25):
Mm hmm.
Speaker 3 (11:26):
It's perfectly done there. You're meant to you're meant to
be on god, what's his name? What's Keith's side? When
he's when he's yelling about like dad, stop God, his
dad's such a fucking cut man.
Speaker 2 (11:37):
Yeah, someone was like thirty five years ago. This is
what Robert Patrick looked like. And it had like a
fucking cop from T two, you know, yeah, like yeah
it's true.
Speaker 1 (11:46):
Yeah, yeah, you got me there, but like we have
a budget.
Speaker 2 (11:49):
Right.
Speaker 1 (11:53):
They did the thing though where they give him longer hair, right,
that's how you do that.
Speaker 2 (11:56):
Yeah, they made him they gave him a mullet. Yeah,
you give my wig. Yeah out there. Gun said that
there was c G I used to the agent. That's
what Gun said, okay, gun said it. I well, I
also did not believe it myself.
Speaker 3 (12:12):
I I wasn't paying attention. Is probably the real answer.
The other answers are was it on that take that
you did it? Or the other answer is Patrick looks
worse than I thought he did.
Speaker 2 (12:25):
I think that's where we were. I think that's that's
where I landed.
Speaker 1 (12:28):
Was he looks a little older than I expects.
Speaker 2 (12:32):
Oh no, sorry, I'm sorry, man. It'll come for us,
all will come.
Speaker 1 (12:40):
He's it's still still a.
Speaker 3 (12:43):
Strong old man, you know, able to wild himself. You know,
he did some of the dancing. They clearly made a
joke about how he's not doing some of the dancing
in this thing he's got. He can bend the ear
of professional wrestlers. Yeah, twisted it like a child in
his grasp.
Speaker 1 (12:59):
You know, it's still vital, like.
Speaker 2 (13:06):
A babe grabbing a sturdy finger.
Speaker 3 (13:09):
Yeah, a virile young man, that Robert Patrick. Still I'm
supposed to say it that way, right via Al's creepiest.
That's the creepiest way to say that.
Speaker 2 (13:21):
A strange, troubled young man.
Speaker 1 (13:26):
He's barely even said upon this life at this point. Yeah,
a sapling just getting started.
Speaker 2 (13:33):
A sapling tossed to and fro in the wind.
Speaker 3 (13:36):
I have a feeling that secretly he would agree with
every fucking thing we just said, like, yeah, you ain't
even kidding watch me.
Speaker 2 (13:42):
I bet ah, good lord.
Speaker 3 (13:46):
He seems like one of those guys. Yeah, get the
fuck out him away.
Speaker 2 (13:49):
You're right a little bit, a little bit.
Speaker 1 (13:54):
I'm gonna fucking go till I die, asshole. Yeah, I
gotta get your buddy.
Speaker 2 (13:58):
Yeah. So do you think that there the fact that
the control panel that opens the qu see do you
think it looks like a peacemaker helmet? I think it
kind of looks like a peacemaker helmet.
Speaker 1 (14:12):
Oh yeah, yeah, very much.
Speaker 3 (14:14):
Okay, I wonder at some point I thought it was
like a helmet printer, you know joke.
Speaker 1 (14:19):
That was one of the when he was just raying
around with it for a second.
Speaker 3 (14:21):
What does he what is that so important that have
to do with it, such as like a special helmet?
Is it like the is it the helmet from whence
all the other helmets came right? And by the way,
since this scene just came up, I wanted to ask you,
Remember he gets in the car without a bio and
there's a couple of little beats where it's.
Speaker 1 (14:39):
All right, just drive and blah blah blah. Yeah, and
she keeps joking with this drive.
Speaker 3 (14:44):
I had a weird like PTSD is type flashback to
dream logic where like nothing like you can't run as.
Speaker 1 (14:50):
Fast as you're supposed to and stuff.
Speaker 2 (14:51):
Mm hmm.
Speaker 3 (14:52):
Like it's the same thing I do that in dreams though,
where there's emergencies and like I'm trying to tell people
and and like do you have that recurring kind of
nightmare feel We're like, uh, I'm definitely not the only
one in this one where you're trying to tell people
like we have to go there's a storm or whatever
the fuck it is. Yeah, and they just act normally.
Speaker 2 (15:10):
Yeah. No, I love that.
Speaker 3 (15:12):
Yeah, that was my friend part of you want to
do Drive Out a Bio.
Speaker 2 (15:19):
I'm like, we've got to do the podcast and you're
like still telling me about some ship your daughter did. Motherfucker. No,
I'm just kissing.
Speaker 1 (15:26):
I wish I still live with this motherfucker so I
could slap him more.
Speaker 2 (15:32):
Just it was right there. I had to.
Speaker 1 (15:39):
Much like my anecdotes.
Speaker 2 (15:42):
Oh god, now as.
Speaker 3 (15:45):
We were talking, the scene progressed. I'll bring up another
one that's just fun, the ginger ginger cool spit in
the face thing.
Speaker 2 (15:52):
Yeah, yeah, I told you how to like that. Yeah,
we didn't have enough ten meadows in this episode.
Speaker 3 (15:59):
I don't think enough ten medicine meadows in the world
in general. That's it's not the percentage of ten meadows
in the universes. I believe at least a couple of
units low, you know.
Speaker 1 (16:10):
But ah, there's so much fun here.
Speaker 2 (16:12):
Man, Yeah, it's great. I love economists in this episode too, Like.
Speaker 1 (16:18):
Didn't he kill he just he just fucking he killed.
Speaker 2 (16:23):
Man knocked Red Saint Wild on that rock and he's like,
oh shit, yeah, I love the exchange, Like, yeah, I
feel like it can mean a lot of different things,
you know, And I feel like you're making a bunch
of stuff up not.
Speaker 1 (16:41):
To justify the thing you want to do, just.
Speaker 2 (16:43):
To rationalize your weird decided to no, sir.
Speaker 3 (16:50):
Oh the extended scene was rough. I hated to watch that.
I hated to watch that. The poop eating and the
really the the the scene at the end was that's rough.
It's it was funny, but that was rough for me.
But also was happy to hear because it got to me,
Gun wasn't entirely happy with the actual prop.
Speaker 1 (17:11):
For the poop. Uh huh.
Speaker 3 (17:14):
At first it was too he said, at first it
was too goofy, and then this version was like too flat.
They didn't get in between. He was like, this is
not It's as close as we're gonna get it.
Speaker 2 (17:22):
So yeah, yeah, I uh you have not hay the
way you've had that caviar whatever was that was so good.
Speaker 1 (17:33):
There's no way you know what the Luca caviar tastes like.
But like he's saying it while he's trying to throw
up or he's trying not to. It's great, great scene and.
Speaker 3 (17:42):
Uh Steve ag and and uh both those scenes.
Speaker 1 (17:46):
So him when he's redoing that with Rooker like yeah a.
Speaker 2 (17:49):
Second eagle, Yeah they're solitary birds.
Speaker 1 (17:55):
Yeah he does.
Speaker 3 (17:56):
God, he's great with that, like they there, they killed that.
But his fuck end where he gets to take take
control of the show for a second with his like yeah,
I think.
Speaker 1 (18:03):
You do explicitly get paid to deal with my ship.
Speaker 2 (18:07):
Yes, fuck me, that was great. Well, I can't remember
what he said something about in his contract saying his
dossier it has something about him having some sort of
anti social proclivities or something. It's good, though, I feel
(18:29):
like I feel like there was a lot of there
was a lot of hate for the Rooker Dance, the
Magic Dance. I loved it. I understand that there are
people who just there's a point for them where they're
just like they tune out. They just like this is stupid.
And for me, I'm like, finally, this is being as
(18:50):
stupid as DC comics is, because I mean, I've I've
read a lot of different errors of comics. Yeah, and
I get it. I get it you guys. I know
if you were reading the comics in the nineties like
I was, the late nineties when they were so desperate
(19:13):
post crisis to be super gritty, and we didn't have
Missy spit Lick, and we didn't have bat Mine, we
didn't do fucking Ace the bat Hound because that's looking lame,
and there's no crypto because oh, we don't do that
stupid baby shit anymore. That finds fine.
Speaker 1 (19:33):
Under the Kangaroo too, you assholes.
Speaker 2 (19:34):
I kind of understand why you guys have a fucking
sour cream and onion chip stuck up your ass and
why it burns every time you'll walk.
Speaker 3 (19:47):
I didn't understand the point of that metaphor until you
finished it up.
Speaker 1 (19:50):
I get I see it now.
Speaker 2 (19:52):
But motherfuckers, you must walk before you can run, and
when you can run, you will be running towards the
silver age beauty of James Gunns DCU. I didn't know
where I was going with that. I'm pretty impressed with that.
Speaker 1 (20:08):
That's so pretty good.
Speaker 3 (20:10):
It got me back to what the hell we were
talking about before, because I'd borderline forgotten somewhere.
Speaker 2 (20:14):
Yeah, you know, I've been writing a little bit more lightly,
you know, stretching that muscle again.
Speaker 1 (20:19):
Yeah, I kind of use words again.
Speaker 2 (20:22):
I'm trying.
Speaker 3 (20:23):
No, Uh, I think there's a point like at the
end of that with that dance, there's you kind of
if you're into what you're in doing. If you're not,
you're you're way out. Like it's a very divisive moment.
They think it, like just listen to him on the
on the on their podcast, like it's there. They just
thought it was hilarious. It's just Michael Rooker being seventy
years old and still doing a pretty damn good job
(20:45):
of dancing around the fire in that scene. Yeah, And
I guess they were thinking like yeah, first use of
sorcery real really like milk it maybe, but there's a
lot of value in there. But if all you're seeing
is like I don't want to watch Rick or do
silly dances around a fire half nakedly naked, frankly, you're
just kind of out real quick.
Speaker 2 (21:04):
M hm. Okay, So here's my take on it, and
I did. I asked James Gunn on Threads and he
hasn't responded, but maybe one day I felt like, I
was like, is this red Saint wild tapping into the Red?
Now you were like, yeah, but he said on the
podcast that is just sorcery. But that's the whole thing
(21:26):
is like the people who tap into the Red for
the most part, are using sorcery in the DC universe,
like fucking Vixen who has the magical ambulet. So like
that is absolutely a way to tap into the Red canonically, yeah,
and different cultures have different ways of doing it, so
it still could be the red because that that damn
that blue flame. It looks like when they tap it,
(21:50):
when like Vixen taps into like different fucking animals and shit,
m h, it absolutely does.
Speaker 3 (21:55):
Yeah, but it also looks like a lot of astral projection. Well, yeah,
visual effects that I've seen, But so does the Vixen ship.
Speaker 1 (22:03):
Yeah, similar things.
Speaker 2 (22:05):
You know, I'm just saying, you know, I imagine James
Gunn knows that. You know, there are different powers, different
sources and shit like the red and the green and
the clear, et cetera. So forth clear. Yeah, that's uh,
(22:26):
that's that's the force that connects all the ocean life.
Speaker 3 (22:30):
Oh okay, okay, yeah, I haven't heard that one, and
forever if I have ship don't know.
Speaker 1 (22:36):
If I have heard that, you think it'd be called the.
Speaker 2 (22:38):
Blue, Yeah, you would, but the red is I don't
ever see it depicted as red.
Speaker 3 (22:44):
Was clear pepsi selling at the time when they.
Speaker 2 (22:46):
Started that, I don't know when it started.
Speaker 3 (22:48):
They tried some crazy ass marketing.
Speaker 2 (22:50):
And you know, it's funny though, like everyone it's funny
where everybody's like Threshold lands. So while we're kind of
talking about it this episode where people are just like,
I'm fucking out, it's like a Rooker dance around naked.
This is stupid. You're watching a fucking comic book show man,
what are you talking about? Yeah, So it's funny because.
Speaker 3 (23:08):
Like that one, you know, it's at the end, like
you just picked up your phone a little bit earlier
if you were watching it.
Speaker 2 (23:12):
Yeah. Probably, Uh well, you know, people just communicating hyperbole
on the internet. Oh yeah, but it would be funny
and I could see it happening where I'm like, hey,
James Gunn, is this the fucking red And he's just like,
oh yeah, I never liked that green in the red stuff,
Like that's just not a thing in my universe. Like
what the fuck man, He's like, Yeah, that part's dumb.
(23:35):
I don't like it. It never made sense to me.
You know. He did not say that. He did not.
I just could see him saying it, and I will
be at once annoyed and think that's fucking hilarious if
that happens. Yeah, like what the fuck? Man? Come on, Well, he's.
Speaker 3 (23:51):
Gonna like most of the kind of interstitial spaces, like
I think he's I mean, he's already interested in the
bleed by nature of kind of having flirted with blue Beetle.
I think he'll play with those spaces a pretty good bit.
Speaker 2 (24:06):
We'll see, we'll see. I do, however, need some time
away from the still force after fucking the last couple
of seasons.
Speaker 3 (24:16):
The flash after the turtle situation, or the actual still
Force that like the the actual like god, I forget,
I forgot what they were called the children with all
those Yeah, the uber power versions of things.
Speaker 2 (24:30):
Yeah, there's like the one dude in the letterman jacket
is the still Force and he's like, oh, I don't know,
Iris is still dying from the timesickness, like a fuck you.
I hate the show man man go downhill quick.
Speaker 3 (24:43):
There's a point toward the end of that show where
I feel like a petulant thirteen year olds.
Speaker 1 (24:47):
Going shut up, dad, like I just don't. I don't, like,
I don't. I got to that point with.
Speaker 2 (24:52):
It, like stop it, just stop doing that. You're lame now,
please go put on some pants in front of my friends.
Speaker 1 (24:58):
Yeah, it was. It was a weird experience.
Speaker 2 (25:01):
And then no, do not fight with with lightning lightsabers?
Speaker 1 (25:04):
No, I forgot about that.
Speaker 2 (25:08):
Yeah, well that was kind of fun.
Speaker 1 (25:11):
Great CW right there.
Speaker 2 (25:13):
It's bad, but it is fun.
Speaker 3 (25:15):
I would if you had told this way, if you
just told me now that that was a deleted scene
instead of one that I'm like, oh, yeah, I remember
that now. If you told me now that that was
something they thought about doing, I'd be mad. So that
tells you how I really feel. What at the end
of the day, I think, mm hmmm.
Speaker 2 (25:33):
I mean, I don't have a good reason that it's dumber.
Why is dumber than anything else they fucking do in
any of these shows.
Speaker 3 (25:44):
I don't know, man, I think that's gonna be one
of those things where you just have to smile at yourself.
And it's like eating childish foods that you know are
still damn good.
Speaker 2 (25:52):
Yeah, it's like if you're just.
Speaker 1 (25:53):
Digging in some Kraft macaroni and cheese out the box.
Speaker 2 (25:56):
Like when when the lightning lightsaber fiasco occurred, people were
just so over it. They were just I can't believe
this is even a stillawn. I didn't know. I quit
now I find this is the thing that's happening, and
this is so stupid, And I'm like, but you were
on board when he was just harnessing lightning and throwing
(26:18):
it out of his fist. Yeah, Or like when he
did the little loopy loop and did like a like
a white lightning whip or something like. There were several
things that were stupid in the show. There are We're
just as stupid as the lightning thing, the lightning lightsaber.
Speaker 3 (26:37):
How I told you what's become my my least favorite
of Flash's powers.
Speaker 1 (26:42):
I mean he's really just got like it. Flash has tricks.
He's got one power, right.
Speaker 2 (26:46):
A bunch of tricks right right, Well, yeah, something like that.
Speaker 3 (26:50):
But it's the toilely arm when it's the toiler arm
thing where he makes where he like makes a giant
wind tunnel of something like that. That one visually is
just it looks it's so dorky.
Speaker 1 (27:01):
I got I got them. It's the best word for it.
I don't pull that on very often.
Speaker 2 (27:04):
Yeah, I get that. It looks, it looks dumb.
Speaker 1 (27:08):
It's it's a bit sills.
Speaker 2 (27:11):
Arm cones.
Speaker 3 (27:12):
Yeah, yeah, anyway, it's it's it's one of that's fine,
but it's it's Mealley's favorite of his gimmicks.
Speaker 2 (27:20):
Uh. I laughed heartily at captain cultural appropriation. Mm hmmm,
that was a lot of fun.
Speaker 1 (27:27):
M hmm.
Speaker 2 (27:27):
I like this line looks like a Saudi prince vomited
all over my clothes.
Speaker 1 (27:31):
I'll almost texted you that one. Yeah, it's beautiful. Yeah,
oh oh.
Speaker 3 (27:38):
The the herd of his face when she suggests they
might be his clothes yeah, he there there.
Speaker 1 (27:44):
It's there are.
Speaker 3 (27:45):
Many, many, many moments so far where and and they
rave about how much better John than Cena has gotten
as an actor. And I believe everything they're saying because
I'm watching the same show. But there's little moments like
that where like a little reaction like that where I'm like, Okay,
those are you nailed that man.
Speaker 1 (28:02):
But to be fair, those little moments where he his
comedy I think was always there.
Speaker 2 (28:07):
Mm hmmm.
Speaker 1 (28:08):
I think he always had that.
Speaker 3 (28:09):
I think he always had like the really a really
good conversational style of of like when he when he
was impressing people in those early movies.
Speaker 1 (28:15):
That's the part that was really hitting. Yep, I'm not
surprised to see him just killing him with it here.
Speaker 2 (28:21):
Yeah. Yeah, I don't know. I'm I'm excited. I feel
bad for Out of Bayo though that her magazine wasn't
a good magazine.
Speaker 3 (28:30):
I do she took it well, yeah, she's out one
hundred fifty bucks or whatever it is, and she's she's yeah,
she's doing now. They do have They have a great conversation.
They pretty much lay out the problem of the whole
season right here.
Speaker 2 (28:45):
Mm hmm.
Speaker 3 (28:46):
Like that that's this is I think the thesis statement
for the show was this episode or their conversation, or
for this season. I mean, like I to me, the
thing that stood out was like when he says, what
if you know, because every it's what is it called it?
Speaker 1 (28:59):
Everything good?
Speaker 2 (28:59):
Over there?
Speaker 1 (28:59):
Everything over here?
Speaker 2 (29:00):
Is that?
Speaker 3 (29:00):
What if it was a cosmic mistake and I'm really
just supposed to be over there and it just got
mixed up? And I think that was the thought experiment
that was this season and to see like if he
goes through that, what what it puts him through emotionally?
Speaker 2 (29:12):
Yeah?
Speaker 3 (29:13):
Oh, but a big beat that I really loved is
she kind of says, he he makes what is a
perfectly valid and yet completely invalid awful point where he's like, yeah,
it's more complicated than that, ads like because you know,
because like if I leave now, you know, it killed
me to grow up without Keith, and now if I
leave right now, then Keith won't grow up.
Speaker 1 (29:34):
He'll he'll have to move on without me.
Speaker 3 (29:36):
And she kind of says, yeah, you kind of did that,
alrighty dude, mm hmmm, Like that's the math that will
not be be able to You can't undo that math.
This season that man died in the first episode and
at some point that de pins out of that grenade. Yeah,
I'm hoping that's episode five because I think it's time
to go ahead and pull that one and let's get
that moving.
Speaker 2 (29:57):
I'ld O five is going to be the last of
the one is that the critics have seen. Yeah, so
it's depending on how you read it. Six and eight
or six, seven and eight, six through eight.
Speaker 1 (30:09):
Yeah, there's moments.
Speaker 3 (30:12):
I think my understanding just from hear and talk about it,
was that six and eight are the ones that he's
like particularly m hm astounded with, and seven he's still
very happy with.
Speaker 1 (30:21):
But it's I guess his least favorite child out of
those three.
Speaker 2 (30:24):
Yeah, I don't. I don't. I feel like there's a
ton in this episode. Like you, they reminded me why
I hate Augie for sure.
Speaker 1 (30:33):
Yeah, they did well.
Speaker 3 (30:35):
And I remembered myself saying something and like, I kinda
I kind of think. I'm like I remember when I said, like, God,
I hate Rick Flack. I like I think, mm hmm,
like it's coming to bear. It's like, no, no, I
get it, Like I like him, but yeah, I like
I this is what they're gonna do with him, and
they're gonna they're gonna put him in this well, they're
(30:55):
gonna make him put her in this position.
Speaker 2 (30:58):
I'm aggravated with him, I don't. I feel like there's
a part of me that feels like, yeah, okay, Waller
did this ship to her, but you could undo it.
Speaker 1 (31:09):
That part I kept wondering if he was gonna.
Speaker 2 (31:11):
Well, also he he's not, so he could make her
do this. Yeah, look he's dangling the carrot.
Speaker 3 (31:17):
Yeah, And that's That's what I'm gonna end up painting about.
The guy is like he's making this personal. He's gonna
end up making He's gonna end up like that's what's
gonna That's where the Villainy's gonna rest this season is
it's gonna be that he wants this done, regardless of
whether it's a good idea and regardless of the harpital calls. Definitely,
and it's clear it's gonna cause plenty. But yeah, like
he's telling her there's a way back in, but by
(31:38):
what mechanism, buddy, because I don't know. I mean, yeah,
why make her jump through this hoop?
Speaker 2 (31:45):
Because he wants Chris. That's that's where he wants peacemaker.
Speaker 3 (31:49):
And that's where we're starting to hate him, right. But
I do wonder if he'll get a redemptive thing.
Speaker 1 (31:53):
If not, I don't know.
Speaker 2 (31:54):
I mean I hope, I hope he does.
Speaker 3 (31:57):
Something that occurred to me today listening to them, almost
no chance of it, but I they hinted, like James
said something that kind of hinted it, Langston having kind
of a lot.
Speaker 1 (32:09):
No, he didn't.
Speaker 3 (32:10):
He wasn't hint He kind of said, like, there's more
arc here. Just he when apparently when he was pitching
the role to Meadows, he kind of said like, hey,
early on, it's gonna look like it's a little smallish,
but just like, hold on a second, just there's stuff
I need to show you.
Speaker 1 (32:23):
Just hang in there. There's a whole art.
Speaker 3 (32:24):
But so if it just occurred to me though, I
was like, what if, Like, how would you feel about
Tim Meadows being the weird the weirdo that James Gunn
had in mind that would tie some of the stuff together.
What do you mean, Well, you remember James Gunn said like, uh, sorry,
some one of the inniverse. After Suman he was like, hey,
there's gonna be like a character that's kind of my
(32:45):
through line, but it's not someone you expect.
Speaker 2 (32:48):
Oh you think Fleury is the through line?
Speaker 3 (32:51):
I think it would be doubtful. But he does look
like an outside card to me.
Speaker 1 (32:54):
That would be hilarious.
Speaker 2 (32:55):
Well wait, did he think that we've already met that person?
Speaker 3 (32:58):
Did he say we've already met him?
Speaker 2 (33:00):
All? He said that he might have?
Speaker 1 (33:01):
That would do it?
Speaker 2 (33:02):
Yeah, that would I think he did, though not just
said that would put the kai bash on Fleury.
Speaker 3 (33:07):
That would be he would be hilarious through line.
Speaker 2 (33:10):
Yeah yeah, oh yeah, by the way, I did. I
don't think I said it in the episode. We talked
about it, but one of the other things was we
we One of the other hints that Fleury might be
Martian Manhunter was not only Adrian saying very matter of
(33:31):
factly that Martians have one eye, which he's fucking wrong
about everything. So, but the other peacemaker accusing our peacemaker
of being a shape shifter.
Speaker 1 (33:42):
It's not like, oh, like that occurred to him.
Speaker 2 (33:46):
Well maybe, but it's not direction uh directly connected, but
it's you know, uh, foreshadowing that people are kind of
trying to goom onto and say that's what's happening much
the same way that I I've seen some people think
that Rick Flagg Junior in the alternate universe is secretly
in love with Peacemaker because out of Bayo said it
(34:08):
this episode, like, oh, Rick Flag Junior's in love with you.
Speaker 3 (34:11):
No, yeah, I assumed that was just a one of
those writer's jokes.
Speaker 1 (34:18):
Yeah, like this doesn't it's a wordplay joke. Yeah, yeah,
could have thrown it in anybody's.
Speaker 2 (34:22):
Mouth, right, Like on paper, this doesn't look like you
might want it, you really mean it.
Speaker 3 (34:27):
Yeah, yeah, but I mean it would be funny.
Speaker 1 (34:32):
Sure, there's not a lot they couldn't. That's actually a
good point.
Speaker 3 (34:35):
I've said that a couple times now. There's not a
lot they can't pull off with the flexibility that got
going on here in tone m h. And they're at
a good starting point. Like I guess that is, Like
the only thing that's getting tiresome to some people is like,
all right, we've got a lot of set up here.
But I'm I think there's a little bit feeling edged
maybe Yeah, yeah, I think that's maybe the complaint.
Speaker 2 (34:55):
Yeah, I wanted to acknowledge it, but also, like you know,
because I do kind of see where they're at. I
am frustrated because I've wanted it. I've wanted more, and
I when I'm looking at streaming and I'm like thirty
nine minutes, fuck you. Like I'm like, I don't. I'm
not one who needs lots of special effects or anything,
(35:20):
but give me a little something, Yeah, home, sitting in
at a bar, a diner or something, having a conversation. Good.
Speaker 1 (35:27):
I don't know.
Speaker 3 (35:28):
I just I think it's just not the style right now. Yeah,
the way Gun does thing think about all of it
is a little bit deflated from norm time wise for him,
and just slightly over two when when everyone and their
brother would have met you that was two and a
half out of gate.
Speaker 1 (35:43):
Just because it's you know, it's.
Speaker 2 (35:44):
Got to be right, Yeah, it's starting a universe.
Speaker 1 (35:46):
Yeah, it has to be a big deal. These are
a little bit edge down.
Speaker 3 (35:50):
I think Creature Commando's you know those were like twenty one,
twenty twos, they weren't. Yeah, we're like thirty eight minute
animateds all of a sudden.
Speaker 2 (35:57):
Yeah, it does seem to be how he's like playing
into the universe, Like how he's saying, look, we're not
gonna make these longer than they need to be. We're
gonna leave you wanting more every time.
Speaker 3 (36:10):
And maybe it's like a comic's aroundly twenty four pages
and with some ads when it comes down to it,
you know, kind of thing. Also, it doesn't fit as
like guns pacing is very hyper, you know, it's it's
very not very up there. They're much more aggressive people,
but it comes at you, and like I guess that's
part of it is it's when you when you're coming
(36:32):
out of people that fast, it shortens it. Yeah, maybe
if Scorsese did the same set of scenes, he might
have made it a three hour situation on Superman.
Speaker 2 (36:39):
But I feel like the last two episodes he's slowed
down significantly. It hasn't been been short episodes, but it
hasn't been like so in your face that like the
story definitely took a dip in pacing. Yeah, yeah, so
I take it that's what people are so they're feeling.
Speaker 3 (36:58):
Maybe I think I was actually and probably where I
probably where it worked for me as a lot of
the conversations that they were having were ones that I
but that were eventful for me, Like the big Yeah,
that conversation with him and Edabay is probably like fifteen
percent of the episode twenty. I mean, it's a chunk
m but it was everything I've been waiting for a
(37:19):
few episodes.
Speaker 1 (37:20):
So that really worked for me.
Speaker 2 (37:21):
That was everything you've been waiting for.
Speaker 3 (37:23):
Yeah, that's one of the things I've been waiting on
is them to really address like I needed him to
go tell someone mm hmm, like, oh, okay, you finally
told somebody you killed this guy. We're finally discussing one universe.
He's finally talking about this universe with somebody in ours.
Speaker 2 (37:36):
Well, he told Adrian immediately that's true.
Speaker 3 (37:38):
Yeah, he's already been He makes a joke about.
Speaker 1 (37:40):
Like, oh yeah the door old news real friends have
been there already.
Speaker 2 (37:46):
Piece of shit.
Speaker 3 (37:47):
Yeah yeah, but like a By, eventually he's not even
you can be standing there at next to that man
and he's still not part of the real world.
Speaker 1 (37:58):
By who is part of the woral world.
Speaker 2 (37:59):
Yeah.
Speaker 3 (38:00):
She actually fires back with real advice and cares about him.
Speaker 2 (38:03):
You know.
Speaker 3 (38:04):
Hell, even Elli even even throws into this is where
God put you?
Speaker 2 (38:07):
Mm hmm. Do you did you? Did you see the
news or the the on Twitter or not? Twitter fucking threads?
I think. Someone asked, Gun, do you know where Peacemaker
and Vigilanti show up next after Peacemaker season two, and
Gun said, oh yeah, nice, Oh like fuck you yeah
(38:33):
do it? He's like, yes, in this video game, they
keep advertising on the book ending every episode of Peacemaker. Yeah, no, no.
Speaker 1 (38:45):
No, I wish I could skip that motherfucker or skip
it better. You can't.
Speaker 3 (38:48):
It's you can the plus or minus ten times so
that you you still end up watching a few seconds
of that thing, no matter how you do it.
Speaker 1 (38:54):
Huh, it's annoying.
Speaker 2 (38:56):
It is Uh, well, I don't know. I don't think
I have much more uh watching John uh throw fucking
Flurry under the bus and tell uh Sasha about the wink.
She's like, you winked, you mother fucking winked, Like yeah, no,
it wasn't like that. It was like a like he
(39:18):
had you wrapped around his finger.
Speaker 1 (39:20):
That was good. Oh, speaking of no it, we're all
in this together wink.
Speaker 3 (39:27):
And yeah he pipes in with like and oh, my ears,
I've never seen it, and we're in this together, wink.
Speaker 1 (39:34):
I don't watch your points.
Speaker 2 (39:35):
He's like, I'm from Illinois. He's like, yeah, in all
the years I was in the mountains of Illinois. I
never say I love it, love it the whole.
Speaker 3 (39:43):
Oh my god, that scene one last shout out to
uh Steve ag here and an economist is our economic
economic oat a kind of goat, a kind of goat.
He man, the that's fucking stared down with like, yes, yes,
I would have you. I would have your corpse here
next to me because of a great moment. Oh, he's
(40:06):
like Junior Pastor's hot take master, like brings his family,
like his loved ones into it.
Speaker 2 (40:12):
He's like Jesus Christ man, don't do that like.
Speaker 1 (40:17):
They were great dude.
Speaker 3 (40:19):
Yeah, canty, little motherfucker hell of him.
Speaker 2 (40:25):
I see. Like I I was a little bit like, oh,
this is a slow episode, but just talking about with you,
I kind of want to go back and watch it again.
Speaker 1 (40:33):
It's it's good. I enjoyed it. I love that.
Speaker 3 (40:38):
There was a line that was funny to me that
wasn't supposed to be. It was see if any of
these doors work. I didn't know why he asked him
to go buy a bunch of doors and him just yeah,
to begin with, just go buy a bunch of tight
and then okay, yeah, I get it now. But just
something about the mumbling of us just go see if
these doors work.
Speaker 1 (40:53):
I don't know.
Speaker 2 (40:54):
Yeah, that was good. Uh. I have to admit I
saw some people bringing it up and apparently, no, it
was not the Evil Dead cabin. It looked like the
Evil Dead cabin.
Speaker 1 (41:07):
I thought it just looked like every cabin I've ever seen.
Speaker 2 (41:09):
Yeah, it it looked kind of like the Evil Dead cabin.
Thing about it, though, is like an Evil Dead cabin.
Changes looks between the three movies.
Speaker 3 (41:18):
And yeah, as they rebuild the set, because no one
in their right mind was going to keep that set
around in that.
Speaker 2 (41:23):
And also every one of those movies was from a
different fucking studio, so they had to redo the fucking
flashback and with different actors, and that's why every time
you watch it there's something different going on. But now
I will say this, Rob Tapert has said that everything
everything you've seen on screen and every evil Evil Dead
(41:46):
movie is cannon in Ash's mind at least, So motherfucker
be thinking it's shit differently all the time. Nice now,
and that first Evil Dead movie, those damn demons is
dead eyed to whatever they did. Keep rewinding the clock.
So like I think there are multiple realities going on.
Speaker 1 (42:06):
You reminded me of something?
Speaker 2 (42:07):
What's that?
Speaker 3 (42:08):
There was one more explanation on that podcast. I should
I should tell you.
Speaker 2 (42:12):
About Oh surely give me get me back into Peacemaker
instead of talking about Evil Dead, dude. I love the
funk out of Evil Dead, dude. I have so many
fucking theories, like.
Speaker 3 (42:24):
Evil had something like that. We should have we should
have beinged that one where we lived. Yeah, that was
I'm surprised.
Speaker 2 (42:31):
Oh yeah, we we still can ran out of time.
We still can, though, don't say that. They don't say it.
We like we ran out of time. Well that was
you look you then, I know, but you like call
me some nice and we like fucking talked for like
five hours something else. I can come over your house
and watch Evil Dead with you.
Speaker 3 (42:51):
There's that, Like I will put some soundproof off. I'm
up till three anyway.
Speaker 1 (42:54):
Something.
Speaker 2 (42:54):
Then then we could do a fucking Patreon you know.
Speaker 1 (42:57):
That'd be great. That'll be sir.
Speaker 3 (42:58):
We'll set up mic so we don't have to it'd
be great.
Speaker 2 (43:01):
Or actually, there's so much Evil Dead at this point
we could actually just start an Evil Dead podcast. Now
I want to do that now, all.
Speaker 3 (43:11):
Right, I'll go back to this one. We'll book in
with some actual stuff. We're supposed to be talking about
bird blindness.
Speaker 1 (43:19):
AG asks him, so, what what what what's the story
with that? The way he described it was because AG
asked him, like, is it in your head? I say,
when you're writing this in your head?
Speaker 3 (43:34):
Is it like that he sees anytime he sees a
bird he sees one type of bird, or he sees
when he sees any type of bird, he sees that
bird very wrongly, like you know, cognitively what's going on here?
Speaker 1 (43:47):
So guns answer.
Speaker 3 (43:50):
Was type three. He sees it more of like a
more like a fuzzy blur kind of situation.
Speaker 2 (43:56):
Like okay, he says.
Speaker 3 (43:57):
I think he compared it to like the like a
like an anonymous mask or some kind of crap like that,
but like it's some kind of like I fade, wasn't
any's masker it was some some reference he used that
had like a visual blur, But yeah, it was just
like a big blanket kind of fuzzy black blurry thing
over where the bird is is what he imagines that
Langston sees, uh, And he said like but He's like,
(44:20):
but but but if you're It's like, if you're really
asking me, can Flurry see like the different Like, can
he sees the size difference between like a hummingbird and
a duck? I think So when he says he really
can't tell the difference at all, I think he's a
little bit full.
Speaker 1 (44:32):
Of shit on that.
Speaker 3 (44:35):
Yeah, so that apparently is how bird blindness works a
little bit in Gun's head.
Speaker 2 (44:39):
Yeah, but also Flurry's just full of shit a lot
of times.
Speaker 3 (44:42):
Yeah, I do. It is fun to hear him talk
about some of the characters, as though they get away
from him.
Speaker 1 (44:46):
From time to time, it's a consistent story people tell
about him, though.
Speaker 3 (44:53):
They'll they'll they say he's like, you know, he'll be
in there writing and just start laughing.
Speaker 2 (44:58):
Yeah, what are you doing?
Speaker 1 (44:59):
I don't, man, I didn't expect him to say that
you're writing it?
Speaker 2 (45:05):
What do you mean?
Speaker 1 (45:06):
So I'm just kind of imagining the scene and this
is what he said, all right.
Speaker 2 (45:10):
Yeah, I can do that when I'm not writing. Yeah,
like in the shower, I'll be laughing at something some
character said in my head. But if I'm sitting there
looking at a page, I don't know what.
Speaker 3 (45:19):
The blank page wipes everything Yeah, Yeah, there's go ahead.
Speaker 2 (45:26):
The way flurry. The way Tim Meadows plays it reminds me.
The way he talks about his bird blindness reminds me
of an episode of Seinfeld where they are stuck inside
of a a parking deck and they can't find their
car and Jerry has to piss and they can't find
(45:48):
a bathroom, and they're like, just go behind one of
the cars, it'll be fine, and he goes, and as
he's zipping up, he turns around, there's a fucking cop there.
So the cop takes him in and and he's like
in the little little station there, and he's just like,
I told you I had to do what I had
to do. You don't understand I have your mysa tysis.
(46:14):
If I don't use the bathroom, I could cause some
serious problem. Why else would I would I do what
I did? And the guy's like, I don't know why
you did it, and Jerry's like, because I have your
own mysatysis that's why. Like just the I don't know,
like the way he's saying it, like it's very clearly
(46:34):
that he's full of shit and trying to like poorly affect. Yeah,
Like that's how that's how like Meadows is coming off
to me on some of this stuff for real.
Speaker 3 (46:45):
Now, So this man interest you thing not so much
how he plays it, because they didn't really talk about that,
but he did say that that was one the hiccup.
Speaker 1 (46:55):
Remember I told you last time we spoke that there
was just.
Speaker 3 (46:59):
I forget how many said how many he said, but
he said that that was the most auditions he did
was for Flurry and he couldn't get anybody.
Speaker 1 (47:05):
And then finally they were like, can we just ask
ten Meadows if he'll do it?
Speaker 3 (47:08):
And you know, he said thankfully the answer was yes
and all that and it's a fun stories about that.
But the thing they couldn't get right was the blurt
bird blindness. They the other the other auditions, apparently whatever
they were looking for they get, they couldn't sell it
the way he wanted it sold. And finally was like
Tim Modo is the only person I know that can
do this.
Speaker 2 (47:26):
Yeah, that's so funny to me. Yeah, I mean it
is a very ten Meadows thing. Like I continued to
watch the fucking Goldbergs because of ten Meadows, Like it
was not a good show anymore. Ten Meadows made it
a good show.
Speaker 1 (47:42):
Yeah, yeah, yeah, it was all that was left.
Speaker 3 (47:46):
Oh there was a good moment apparently where in the
script it just said that it a he was just
reading the script and the script apparently just says spits
on Flurry. It's like, until he got there and discovered
that there was a plan, he was like, I don't
want to spit on ten Meadows.
Speaker 2 (48:05):
Didn't actually have to write no.
Speaker 3 (48:07):
There was a machine you should cast though, because they
do a thing where he's like ages like, I just
didn't want to spit, and like in you know, Meadows
chimes in and goes in a legend's face.
Speaker 1 (48:18):
So yeah, I couldn't spit the lady man's face, the
ladies man's face.
Speaker 2 (48:21):
Oh so good.
Speaker 1 (48:22):
It was a good bit.
Speaker 2 (48:23):
Yeah. Also, Tim Meadows has like the same the same
quality that LeVar Burton has. I just want to hug him.
Speaker 1 (48:32):
Oh yeah, certainly.
Speaker 2 (48:34):
Weirdly I have that about Clancy Brown as well. But
even though Clancy Brown plays a felon in everything he does.
Speaker 3 (48:40):
But my understanding of Plantancy Brown is that he's a softy.
So I think he probably would be uh, I think
he'd be hugger.
Speaker 1 (48:47):
Yeah, I don't know why I have understanding.
Speaker 3 (48:48):
I think I ran across just some little anecdote somewhere.
How about him, maybe think he.
Speaker 2 (48:52):
Was I don't think I've ever said this out loud.
I may have never actually acknowledged it in my own mind.
But I love to have my ear against his chest
as he says something with that voice of his.
Speaker 1 (49:07):
I just want to press it to his chest and
have him as say it'll be okay.
Speaker 2 (49:11):
I want to press my ear to his chest and
say call me mercy.
Speaker 1 (49:14):
Yeah, just let just hug me, say you have to
go now, and snap my neck quickly.
Speaker 2 (49:27):
That's how I want to go.
Speaker 1 (49:29):
It's not anguish.
Speaker 2 (49:37):
I think we should stop, all right. I deeply don't
want to go into an hour territory.
Speaker 1 (49:46):
That's fair. Pull the size of this show.
Speaker 2 (49:49):
What was a thirty nine minute episode to watch? Yes, yes,
thank you guys for listening. I hope you join us
for the rest of the series. I don't know what
the news is looking like, so we might not do
one this week. I might be happy to take a
breather on that one. Yeah, but we'll definitely be back
(50:13):
for the next Piece Maker episode. It's until next time.
Keep some DC on your screen. Bye, oh man. We
hope you enjoyed this episode of DC on Screen. Please
consider supporting us at Patreon dot com slash DC on Screen.
A dollar a month gets you add free episodes, five dollars, ads,
exclusives like Marvel reviews, warm ups, comic castaways, and I
(50:37):
have also started a free weekly Substack newsletter with updates
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(50:58):
weird ass humor and updates. I think weekly, probably no
more than twice a week, but I think it's really
just gotta be weekly. I would love to see you. There.
Links are in the show notes. Now here's more. Jason
enjoying this week's Peacemaker.
Speaker 3 (51:15):
Yes, that's what's so weird, right, It's gonna only mean
one thing. The egle I was about to shoot was
the was the primate legle foretold in Yakama and Misswaukee myths?
Speaker 1 (51:25):
What the egle it rules over all the eagles. It's
just great.
Speaker 3 (51:29):
Everything in my life has led me to this moment, son,
to kill the private eagle. The soul of our country
shall be purged of all our transgressions against all the
Native and indigenous peoples of this land.
Speaker 1 (51:41):
That's what a script man.
Speaker 3 (51:42):
That's the one thing it could mean, because I, yeah,
that's the one thing it could mean, because I feel
like it can mean different things. No, the scene just
came up, so I was reading off.
Speaker 1 (51:54):
Just Jesus, this is great.
Speaker 3 (51:56):
Oh yeah, that was one of the best bits. Kind
im spressed me. I didn't remember this one. It's kind
of strangely kind of scending to nave Americans. Well, Son,
we disagree on some of the specifics, but at the
end of the day, we both agree what's most important
that so called eagerly needs to die. We don't agree
on that at all. We most certainly do.
Speaker 1 (52:13):
No, yes we do. Nope, kind of mos you just
it's Rooker's delivery too. We don't agree on the else.
Yes we do, Yes, yes we do.
Speaker 3 (52:24):
He's it's perfect, it's perfect ballots, Yes, yes we do, No, no, nope,
Beautifully pitched