Ever wonder what happens when you mix innovative design with a pinch of architectural genius?
Joe Walker's conversation with Amy Donohue on Design for an Agile World offers a refreshing glimpse into the future of spaces where everyone belongs. Amy isn't just any architect; she's a trailblazer who has crafted concepts with Richard Meyer and Partners and sparked innovation at Nike, and now, she's infusing creativity into spaces at Bora Architecture and Interiors.
They shine a spotlight on the 717-seat Van Cliburn Concert Hall at Texas Christian University’s School of Music and how a shift in design philosophy elevated the level of student performance and led to a significant increase in admissions.
Amy's on a mission to change how we experience opera and symphony, making these arts not just accessible but irresistible to a variety of audiences. She's all about dialing down the distractions and opening the doors wide, especially for those with disabilities. Joe and Amy also peek into the future at the next wave of performance spaces, where justice in design isn't just a nice-to-have but a must-do.
Key Takeaway 1: Inclusive Spaces for Performing Arts: Discover how Amy advocates for traditional performing arts spaces to attract and include diverse audiences – a shift towards more open, accessible, and engaging experiences.
Key Takeaway 2: People-Centric Design: Amy shares insights on how an agile design methodology that focuses on understanding the unique needs of users can create spaces that significantly improve engagement and learning outcomes.
Key Takeaway 3: Accessibility and Technology: Learn about the seamless integration of design strategies in educational settings that address the needs of individuals with physical disabilities, bringing equity to the learning experience with the aid of technology and thoughtful spatial planning.
Follow Amy Donohue, AIA, LFA, NOMA, Principal, Bora Architecture & Interiors:
Amy is a respected design principal with the ability to create dynamic, engaging spaces for higher education, collaborative workplaces, and performing arts venues. Her expertise is informed by a deep understanding of interdisciplinary and synergistic 21st-century environments, resulting in a sophisticated body of work enabling people to learn and thrive together. Adept at working closely with clients to establish a design vision, she is a highly sought-after national presenter of innovative design for today’s academic spaces.
Amy’s design leadership has been influential to projects such as the University of Washington/Tsinghua University Global Innovation Exchange, the Oregon State University Learning Innovation Center, the University of Wisconsin-Madison Levy Hall, and a new campus for De La Salle North Catholic High School in Portland. She has also led numerous workplace projects for Google, Microsoft and Nike. Amy passionately champions equity in the industry and has been a tireless national advocate for paid family leave policy.
LinkedIn: https://www.linkedin.com/in/amydonohuepdx
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The Burden
The Burden is a documentary series that takes listeners into the hidden places where justice is done (and undone). It dives deep into the lives of heroes and villains. And it focuses a spotlight on those who triumph even when the odds are against them. Season 5 - The Burden: Death & Deceit in Alliance On April Fools Day 1999, 26-year-old Yvonne Layne was found murdered in her Alliance, Ohio home. David Thorne, her ex-boyfriend and father of one of her children, was instantly a suspect. Another young man admitted to the murder, and David breathed a sigh of relief, until the confessed murderer fingered David; “He paid me to do it.” David was sentenced to life without parole. Two decades later, Pulitzer winner and podcast host, Maggie Freleng (Bone Valley Season 3: Graves County, Wrongful Conviction, Suave) launched a “live” investigation into David's conviction alongside Jason Baldwin (himself wrongfully convicted as a member of the West Memphis Three). Maggie had come to believe that the entire investigation of David was botched by the tiny local police department, or worse, covered up the real killer. Was Maggie correct? Was David’s claim of innocence credible? In Death and Deceit in Alliance, Maggie recounts the case that launched her career, and ultimately, “broke” her.” The results will shock the listener and reduce Maggie to tears and self-doubt. This is not your typical wrongful conviction story. In fact, it turns the genre on its head. It asks the question: What if our champions are foolish? Season 4 - The Burden: Get the Money and Run “Trying to murder my father, this was the thing that put me on the path.” That’s Joe Loya and that path was bank robbery. Bank, bank, bank, bank, bank. In season 4 of The Burden: Get the Money and Run, we hear from Joe who was once the most prolific bank robber in Southern California, and beyond. He used disguises, body doubles, proxies. He leaped over counters, grabbed the money and ran. Even as the FBI was closing in. It was a showdown between a daring bank robber, and a patient FBI agent. Joe was no ordinary bank robber. He was bright, articulate, charismatic, and driven by a dark rage that he summoned up at will. In seven episodes, Joe tells all: the what, the how… and the why. Including why he tried to murder his father. Season 3 - The Burden: Avenger Miriam Lewin is one of Argentina’s leading journalists today. At 19 years old, she was kidnapped off the streets of Buenos Aires for her political activism and thrown into a concentration camp. Thousands of her fellow inmates were executed, tossed alive from a cargo plane into the ocean. Miriam, along with a handful of others, will survive the camp. Then as a journalist, she will wage a decades long campaign to bring her tormentors to justice. Avenger is about one woman’s triumphant battle against unbelievable odds to survive torture, claim justice for the crimes done against her and others like her, and change the future of her country. Season 2 - The Burden: Empire on Blood Empire on Blood is set in the Bronx, NY, in the early 90s, when two young drug dealers ruled an intersection known as “The Corner on Blood.” The boss, Calvin Buari, lived large. He and a protege swore they would build an empire on blood. Then the relationship frayed and the protege accused Calvin of a double homicide which he claimed he didn’t do. But did he? Award-winning journalist Steve Fishman spent seven years to answer that question. This is the story of one man’s last chance to overturn his life sentence. He may prevail, but someone’s gotta pay. The Burden: Empire on Blood is the director’s cut of the true crime classic which reached #1 on the charts when it was first released half a dozen years ago. Season 1 - The Burden In the 1990s, Detective Louis N. Scarcella was legendary. In a city overrun by violent crime, he cracked the toughest cases and put away the worst criminals. “The Hulk” was his nickname. Then the story changed. Scarcella ran into a group of convicted murderers who all say they are innocent. They turned themselves into jailhouse-lawyers and in prison founded a lway firm. When they realized Scarcella helped put many of them away, they set their sights on taking him down. And with the help of a NY Times reporter they have a chance. For years, Scarcella insisted he did nothing wrong. But that’s all he’d say. Until we tracked Scarcella to a sauna in a Russian bathhouse, where he started to talk..and talk and talk. “The guilty have gone free,” he whispered. And then agreed to take us into the belly of the beast. Welcome to The Burden.