February 4, 2025 • 48 mins
DODOBORNE @ GEN CON INDY 2025
Your GM, your best friend, and your storyteller Isaac Allen Burns will be running some Daggerheart tables at Gen Con Indy 2025 and everyone is welcome to come by and play! The four available games are each a standalone adventure. The other Dodos will be there so we all hope to see you there!
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The party splits up! A GM’s worst nightmare! What will I (Isaac Allen Burns) do? Stay tuned as one group goes and consoles a depressed friend while the other starts accusing everyone of being IN on SOMETHING. If we’re not careful, we’ll be mummified in red strings and sharpie notes.
Kapi goes full pepe silvia. Crank handles other people’s big emotions. Pistachio is scandalized.
DodoBorne is a comedy storytelling actual play podcast where four friends dive into the world of Daggerheart, a brand-new tabletop roleplaying game by Darrington Press.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Isaac Allen Burns (00:32):
It was a whole thing. I tell you, my
Saturday was crazy, you guys.Wait. What's this? We're
recording.
Hey. Hey. It's a podcast,everybody. Thank you for coming
to my DodoBorne Talk. In thisdiscussion, we'll be going over
what the people are gonna do inour adventure.
(00:53):
And who are these people, youask? Well, sitting 45 degrees
clockwise is, Rowan Collins.
Rowan Collins (01:01):
Squawk in a 45 degree angle.
Isaac Allen Burns (01:04):
Next to them, approximately a 35 degrees is
Joe Diametti. Squawk squared.Oh, and then tangentially
related to the circle is AnnieHawthorne.
Annie Hawthorne (01:17):
Squawk to the power of
Isaac Allen Burns (01:18):
squawk? Squawk. Oh, no. It's squaw
ception. Wow, my little doggos.
Why don't we start at the bestplace to start, which is at the
beginning? Except we can'tbecause we've been in a couple
episodes. We're not gonna startat the very beginning, but we
are gonna start. Now for those,to recap last time on Dodo born
(02:47):
pod, as our players arrived, orshould I say as our heroes
arrived, in the midst of acrisis, that crisis was big, as
tall as a horse, and as mean asa bug, and that bug was an acid
burrower, and was currentlyharanguing the droop family.
(03:09):
Bringing it down and crushing itunder a barrage of blows from
fists and vines, they were ableto subdue the beast, but not
before poor Wally was, bukkakeed by some acid that set him
down pretty badly.
Meanwhile, the party brought thewounded individuals inside the
(03:29):
house tending to their wounds.The priest came by with poor
Hazel Droop who saw the state ofthe family rather hurt, by
everything that had happened.Pistachio and Hazel had a tough
convo, a bit of a heart toheart, that left both of them a
little upset. Nevertheless, asHazel went out to tend the
fields, now the party decidedthat it was time to perhaps take
(03:53):
a rest, take a sleep. It waslate after all, and past 10:00.
And as they bedded down into asleepover, all of them in the
same room, Kapi noticeably notgoing over to, see Pistachio's
mother, as the three of you aredown, you've all gone to sleep,
or in Cranks case, deactivated.You all have a dream. In this
(04:20):
dream, the three of you are onceagain fighting this acid
burrower, except it's a littletaller, it's a little meaner,
and standing in front of it,Kapi, you are looking at this,
you have a soft of rope in yourhands. And Kapi, as you look at
this thing, there's somethingterrifying about it. What does
Kapi see, Joe, that terrifieshimself?
Joe Diametti (04:43):
I think Kapi sees the acid burrower's face, kind
of furrow its brow and morphinto into Cyrus's face. And I
think it starts scolding him fornever being able to get it
(05:04):
together.
Isaac Allen Burns (05:05):
Oh, familiar verbal blows strike against you,
Kapi, as you your arms arefruitlessly trying to swing this
softer rope around to tie up thenow simile like bug legs. Again
and again, you hear the samewords Cyrus has always said, get
it together, kid. You're notgonna amount like this, kid.
(05:28):
You're never gonna leave thistown like this, kid. Continually
attacking.
The three of you, this dream,this is dream logic. We're in a
dream. We're floating. We'reephemeral. We're ethereal right
now.
You see a tree grow up beforeyou out of the back of Cyrus.
It's an apple tree. You seefruit blossom, and an apple
falls from the ground and rollsaway. It rolls away, and it
(05:49):
starts to decay, and it startsto fall into pieces, and a seed
hits the ground, and it digsdeeper into the ground, and then
it germinates, and it becomes atree again, And the cycle
repeats itself, and you see thisapple tree do this again and
again. The three of you are nowon a beach.
You're walking across the beach,and as you look back, you see
there are four sets offootprints. And as you look to
your right, you see the acidburrower's back with Cyrus' face
(06:12):
walking along the beach, and youall look at each other for a
moment. A scene in the sky, yousee in the stars of the beachy
sky is another scene. You see aman standing there. The man is
looking at you, Crank, and yousee that to the left of the man
is a wolf with horns, and to theright of the man is a wolf with
a halo.
And the man is looking at youwith a piece of meat, and the
(06:33):
man looks somewhat familiar.Crank, who's in front of you
right now? Who's looking at you?I think it's myself. Crank, you
are looking at yourself, andCrank is holding the meat.
And it's clear that this Crankdoesn't know who to feed. What
do you do, Crank?
Annie Hawthorne (06:52):
I just, like, stare up at myself.
Isaac Allen Burns (06:55):
Yeah.
Annie Hawthorne (06:55):
And I think myself in the sky, my eyes turn
red while it's looking down atme. And it slowly says, why did
you leave me? And it turns into
Isaac Allen Burns (07:07):
Adrian? Oh, Adrian Toulouse?
Annie Hawthorne (07:10):
Yes. It turns into my old mentor, and it just
keeps repeating, like, with theeyes red. Why did you leave me?
Why did you leave me? And thenit throws the mate to the one
with
Isaac Allen Burns (07:18):
the horns. Throws meat to the one with the
horns. The halo wolf reveals itsteeth. It has really sharp
teeth. It was actually the badwolf.
It leaps forward and tries tograb the meat, and the one with
the horns grabs it too. And nextthing you know, they've dropped
the meat and they're kissing.The wolves are gay now. You see
it Wow. A new scene.
There's a blackberry bush.Thorns grow out of the
blackberries, and then out ofthe blackberries grow thorns
(07:41):
again. And then the thornsbecome another bush and become
blackberries and become thornsagain. And it just goes like a
fractal of blackberries andthorns. Pistachio, you find
yourself standing next to thesefractal berries, and you see
that directly in front of you isa nut plant.
And Hazel is standing there, andshe's looking at you, and she's
holding, what looks like alittle machete, and she hands
(08:06):
you the machete. What do you do?
Rowan Collins (08:09):
I feel like she hands me the machete, and, it
because she touched it and herhand had also touched the plant,
my hand erupts into a rash as Itry and cut down the mutt nut
plant and the blackberry plant,and they, like, twine itself all
around my arm, and pistachioscreams as they look, like,
covered in twines and also rash.
Isaac Allen Burns (08:33):
You'd be good to get rashy. Your dream self
doesn't feel any of this, butyou feel as though you're
sinking into the ground. You seeyour skin bubbling up with hives
and rashes, not too dissimilarfrom the fractal blackberries as
Hazel simply watches as you sinkdeeper and deeper and looks at
you with eyes that suggest manyemotions. You stand on the beach
(08:54):
once again, and you look back,and you see that on the beach
that sometimes there areactually three pairs of
footprints. As you look up atthe sky, the moments where it
was three sets of footprintsinstead of four sets of
footprints correspond to thescariest parts of your dream,
nightmares, if you will.
And as you look over at the acidborrower, who has the face of
(09:15):
Cyrus, you feel a voice kind ofringing that says, acid
borrower, Cyrus, why is it thatwe've walked with you for so
long on this beach? And yet, inthe moments at which we needed
you most, in the saddest, mostnightmarish parts of our sky
time, of our sky dream, you seemto have left us. I don't
(09:36):
understand. And the CyrusAsabroer looks down on you and
opens his mouth to respond, andyou hear, and then the three of
you wake up.
Rowan Collins (09:48):
Oh, god. Oh. Oh.
Annie Hawthorne (09:53):
I just set up, built upright, and I'm like, I
saw I saw things. I wassomewhere else. What happened?
What was that?
Rowan Collins (09:58):
Oh, you saw athletes?
Annie Hawthorne (09:59):
I saw things. Like like, I was there, but I I
don't I was was I here the wholetime?
Rowan Collins (10:04):
What did you I
Annie Hawthorne (10:05):
don't understand what's happening.
Rowan Collins (10:06):
Was it electric sheep?
Annie Hawthorne (10:08):
I I didn't see any sheep of any kind.
Rowan Collins (10:10):
Oh, I just I
Annie Hawthorne (10:12):
saw images. I saw myself in the sky and I
Rowan Collins (10:16):
Well, I was it a dream?
Annie Hawthorne (10:20):
What what's a dream? I don't know. I don't
think we're about to dream.
Rowan Collins (10:23):
Do you
Annie Hawthorne (10:24):
think that was magic?
Isaac Allen Burns (10:26):
I think
Annie Hawthorne (10:27):
that magic has taken a hold of me and I can
only do it subconsciously in mysleep?
Rowan Collins (10:32):
That is a good theory. I don't know.
Annie Hawthorne (10:36):
I get up and I I run down the stairs.
Isaac Allen Burns (10:38):
Before you can even get outside, you run to
the door, and you try thehandle, and the handle turns
into a snake and falls to theground. You look over, there's a
top spinning on top of Kapi. Yourealize you're still in the
dream. You look outside, there'sa golden light that is
flickering somewhere deep in theforest, deep in the woods. You
see a golden path that lightsthe way as flickers of starlight
seem to shine from within it.
(11:00):
You see a vision of a manstanding in the middle of a
large temple on a rounded dais,a green robe covering most of
its features and holding agleaming glittering staff
encrusted with jades. It speakswith authority, and the people
listen. You see these figureswho stand there and suddenly
disappear one by one. The templecrumbles to ash, but yet you
(11:22):
still see it, that dais, and itseems to beckon to you. And as
it seems to beckon, suddenlythere's an eruption from the
ground, and the three of youwake up again.
Rowan Collins (11:32):
Oh. Oh, god. Oh, god. Oh.
Annie Hawthorne (11:37):
I don't think I like this.
Rowan Collins (11:38):
Wait. Hold on. Hold on. Pistachio will, like,
pinch themself real quick.
Isaac Allen Burns (11:43):
It hurts.
Rowan Collins (11:44):
Ow. Okay. All right. Okay. I think we're
awake.
I think we're good. Wait. Wait.Maybe, maybe I'm wrong. I'm
gonna try and pinch Kathy.
Isaac Allen Burns (11:53):
Ah, what? Okay.
Rowan Collins (11:54):
Okay. All right. I don't think I can pitch you
Craig.
Annie Hawthorne (11:59):
That was terrifying. Craig? I I've never
had a dream before. Is that whatthey feel like all the time?
That's that feels terrible.
Rowan Collins (12:08):
No. I think that was nightmare.
Joe Diametti (12:11):
Listen. We all had a rough day yesterday.
Rowan Collins (12:15):
What did you dream about? Did you dream about
like, I dreamed about, like, abunch of things, like an
asinboroer and my sister, like,giving me a knife. There was an
acid burrower that looked likeCyrus, and he told you that you
were a disappointment, andthat's not real.
Annie Hawthorne (12:32):
Yeah, actually,
Joe Diametti (12:32):
I need to go.
Isaac Allen Burns (12:33):
Oh, oh.
Joe Diametti (12:33):
And, Kapi leaves and tries to grab his jacket
from downstairs, which ishopefully fixed, and make his
way into town.
Isaac Allen Burns (12:41):
Yeah. You go downstairs. The jacket is fixed.
You see Pistachio's mom, in,like, a robe has fully fallen
asleep at the table.
Joe Diametti (12:48):
Yeah. I actually don't do anything except grab
the jacket and leave.
Isaac Allen Burns (12:53):
You leave you leave out the front door. Oh.
Annie Hawthorne (12:56):
Oh. I'm just, like, moving my hat back and
forth to see if I can hearanything clattering and if
anything is loose. I think Ineed to see a machinist.
Rowan Collins (13:05):
Yeah. I didn't think that, a that clicks could
have dreams.
Annie Hawthorne (13:10):
I I've never had a dream before. That's I
think something might be wrong.
Rowan Collins (13:16):
Well, you know, there's not really a machinist
in the town, I don't think.We've got the guy that fixized
our tractor, but,
Annie Hawthorne (13:25):
I really wish I hadn't lost the owner's manual.
Rowan Collins (13:29):
We should go get Kathy, I think. Maybe-
Annie Hawthorne (13:31):
Do you think Kathy's okay?
Rowan Collins (13:32):
Well, if we find him hitting all my mob, the
answer is yes. If he's not, theanswer is no.
Annie Hawthorne (13:40):
What do we do if he's not okay?
Rowan Collins (13:44):
Bring him an apple fritter?
Annie Hawthorne (13:46):
Oh, he does like apple fritters, that's
true.
Rowan Collins (13:48):
Yeah, yeah, we'll bring him an apple fritter and
maybe, maybe we'll see if we canget Tarlet to say hi to him
again.
Annie Hawthorne (13:55):
That sounds like a good idea.
Rowan Collins (13:57):
Oh gosh, okay.
Annie Hawthorne (13:58):
I guess we should go.
Rowan Collins (13:59):
Yeah, here, sometimes when I have bad
dreams, I like to carry aroundand Pistachio will go into
their, like, closet and bringout like a little stuffed rabbit
that's about like yay big. Andit's got a little like sword in
its hand and it's got like,little glasses and it, Pistachio
(14:24):
will go in there and like pullthe rabbit out and then pull out
a little hat for it to like giveit like a matching wizard's hat.
And Pistachio will go, Well, sosometimes when I have really bad
dreams, my mom gave this to mewhen I was younger. Senor flip
flop will guard you from anyother bad dreams. All you have
to do is when you're going tosleep again or I don't know how
(14:48):
cranks really sleep, you justimagine Senor flip flop there
and he will guard you for therest of your nightmare.
Annie Hawthorne (14:59):
Well, thank you, Pistachio. I will I will do
that.
Joe Diametti (15:05):
You made that more adorable. Like every I was like,
oh, it can't get more adorable.And then it kept getting
Isaac Allen Burns (15:11):
Senor flip flop.
Rowan Collins (15:12):
Senor flip flop. Senor flip flop. Alright.
Annie Hawthorne (15:14):
I'll just carry around Senor flip flop. I
imagine that he's like I Iclosed my hand and his ears poke
out.
Isaac Allen Burns (15:22):
Yep. He's got some cold in some ears. The two
of you leave, and as you do so,your eyes look off into the
fields, the droop nut fields,and you see sort of in the
distance having made a lot ofprogress in the morning's
harvest is Hazel still hoeingdown those fields.
Rowan Collins (15:42):
Man.
Isaac Allen Burns (15:43):
Further It
Rowan Collins (15:45):
was so good on those droopy nuts. She's very
Annie Hawthorne (15:47):
good at hoeing.
Rowan Collins (15:49):
She is. She's the best hoeer in the entire family.
Isaac Allen Burns (15:54):
Kathy, you run out earlier and you also
noticed the same thing.Something that catches Kathy's
eye though is a little pastHazel, closer to the forest. You
swear you can see a glitter ofstarlight there, But it's only
for a moment, and then you blinkand it seems to be gone. Mhmm.
(16:16):
Kathy, where are you going?
What are you doing?
Joe Diametti (16:18):
I'm going to the adventures guild.
Isaac Allen Burns (16:21):
Kathy goes to the adventuring guild. You know
that you probably do need tocheck-in. Anyways, it is the
morning to see the jobs, and youbeeline straight there. Do you
stop anywhere else on your wayin?
Joe Diametti (16:33):
No. I pass the bakery.
Isaac Allen Burns (16:36):
You pass the bakery. You pass the bakery. You
head to the adventures guild.You step on in, and you see that
Cyrus is actually there.Surprisingly, Cyrus is actually
awake.
Not only is he awake, he'sactually doing something. You
see in the back corner that he,has the phone in his hand. He's
currently talking to somebody.As you come in, he kinda nods to
(16:58):
you, and then goes back tolistening to the person on the
other side. What does Kapi do?
Joe Diametti (17:05):
I I imagine that Kapi came in pretty hot. And
then he, like, pounds throughthe door and he's like, all
right, old man, let's do, and hesees that he's on the phone and
kind of that, discipline kicksin and he's, like, kinda just
quiets down and he's waiting forhim to get off the
Isaac Allen Burns (17:24):
phone. Cyrus, kinda nods to you and says,
yeah. Mhmm. Yeah. I'll let youknow.
Mayor's call at the end of theday, but, yeah, just be a
threat. Alright. Alright.Alright. Good talking to you,
Michelle.
Alright. Bye. And he closes thedoor. He turns over, kinda rubs
(17:46):
his eyes, and says, morning,kid.
Joe Diametti (17:49):
Was that the capital?
Isaac Allen Burns (17:51):
Yep. That was the capital calling about some
business.
Joe Diametti (17:54):
Yeah?
Isaac Allen Burns (17:55):
Yep.
Joe Diametti (17:56):
Curious if you are aware of anything going on in
this town.
Isaac Allen Burns (18:02):
You see that his mouth is flat and his eyes
are kind of looking at you inthat kind of expectant way.
Like, Cyrus has a very goodpoker face in that he doesn't
really emote very well. But whenyou can tell that his gears are
turning, he gets the same kindof look, and he says, depends on
(18:23):
what you mean.
Joe Diametti (18:24):
Depends on what I okay. And, Kapi starts, like,
pacing back and forth. He's,like, scratching his hair. He
doesn't really know how to goabout this conversation, and it
feels like there's probably fiveconversations he's trying to
have at one time. Yeah.
Alright. Old man, just just inthe last twenty four hours,
(18:44):
there's been Enforcer scum showup. There's been a break in of
the town. There's been, some guythat tried to poison us in this
adventure's guild. You werethere for some of that.
There's been an acid burrower bythe way, there are no acid
burrows in Bracken Road tryingto destroy a farm. We fought it.
(19:07):
It sprayed acid on it. There'sanother stranger who's importing
illegal medicines into the areathat nobody seems to have seen
before. The priest is wiggingout.
I have a huge list of peoplethat I suspect, and I'm just
curious how the manager,secretary, owner of this
(19:28):
building of the AdventurersGuild doesn't seem to be filling
us in on anything. Also, whyhave I been here eight years and
am not past a rookie? But mainlythe other stuff. Fuck. Okay.
Isaac Allen Burns (19:49):
Well, for starters, we have a broken
window in the building. Sothat's been the first thing I
noticed.
Joe Diametti (19:58):
A broken window?
Isaac Allen Burns (19:59):
Yeah. In the office break room. Kid. There's
a lot of people who come throughthe guilt. They're all trying to
do something.
Some of them wanna protectsomething important to them.
Some of them just wannachallenge themselves and get
(20:21):
stronger.
Joe Diametti (20:22):
And I'm just another person?
Isaac Allen Burns (20:25):
Kapi, I don't know what you're here for.
If I were to give you a recommendation today,
I'm not fully convinced you'djust still stay in town doing
the same thing you've beendoing.
What do you wanna do, Kapi?
Joe Diametti (20:45):
I don't I don't I don't know. I don't how am I
supposed to know? I, I know Idon't want to be bad.
Isaac Allen Burns (21:04):
Bad. What does bad mean to you, Kapi?
Doing bad things?
Joe Diametti (21:10):
Stealing? Lying? Murdering? Murdering.
Isaac Allen Burns (21:22):
It's a tough world out there, Kapi. Not
everything is good and bad.Yeah. But the reason you're
still here, I think, because youdon't have a goal. You don't
have a purpose.
You don't really know what youwanna do. You came in all
(21:48):
curious about the building. Youstaked this place out for a good
week before you broke in andtried to steal stuff. That took
planning. That took foresight.
That took having a goal.
I don't know quite what happened, Kathy,
(22:09):
but I just don't see that in you.
Joe Diametti (22:17):
Understood.
Isaac Allen Burns (22:21):
But to answer some of your other questions,
got a guy coming to fix thebroken window in the break room,
which as far as I understandhappened because you let a perp
get away.
Joe Diametti (22:35):
Are you kidding me? The only reason it was a
distraction, Cyrus. You were atthe war. I know you know about
this stuff. Why are you nothelping?
Isaac Allen Burns (22:50):
He kinda limps out from behind the bar.
She's still holding that cane.Kid, my fighting days are mostly
done. I tend to the front here.We have adventurers for this.
Joe Diametti (23:13):
Right. Well, there's something going on in
this town. I'm going to figureout what it is. You know, you
talk a lot about me not havingany goals left in me. I haven't
seen any goal from you thatdidn't live in the bottom of a
bottle.
And he's gonna turn around andleave.
Isaac Allen Burns (23:35):
Kapi leaves. Cyrus stands there and watches
you go. And as the doors closebehind you, you hear the
telephone ring. We cut back tothe Droop family farm. Pistachio
and Crank, you are walking awayfrom the farm.
(23:55):
Where are you going? What areyou doing?
Rowan Collins (23:58):
Well, we didn't see Kathy there. So I think
Pistachio is gonna be like, wegotta go to the bakery. But I
think as we leave towards thebakery, there's two things on
Pistachio's mind. One, they lookover at Hazel and then like try
not to make eye contact asthey're leaving. And the other
(24:18):
thing is, they go, I can'tbelieve that my mom falls asleep
like that.
There's people in the house.Hello, there's people in the
house. Please cover up. Oh myGod, I swear.
Annie Hawthorne (24:31):
I mean, she was in a robe.
Rowan Collins (24:32):
She was in her robe.
Annie Hawthorne (24:34):
It's her house.
Rowan Collins (24:34):
Her shoulders were out.
Annie Hawthorne (24:36):
That's her house. I feel like she should be
entitled to comfort.
Rowan Collins (24:39):
That's so scandalous. I have one thing
that shows my shoulders. Onething, Crake. And that's only if
I go on a really, really nicedate and I really, really,
really want them to pay for it.But that hasn't happened yet.
Annie Hawthorne (24:54):
Do you think I should cover my shoulder?
Rowan Collins (24:57):
No. Craig, your shoulders are fine, but, like, I
mean, if you did want a sweater,I could happily make you a
sweater, but I feel like youwouldn't be able to, like, get
your hatch open then, and that'snot useful.
Annie Hawthorne (25:09):
Yeah, that's just important, yeah.
Rowan Collins (25:10):
I guess I could make you like a mini one where
it, like, just covers yourTechnically,
Annie Hawthorne (25:15):
I'm not wearing any clothes. Do you think that I
should wear clothes?
Rowan Collins (25:19):
Oh, oh, that is a point.
Isaac Allen Burns (25:24):
No. Speaking of covering, you find yourself
passing by the bakery.
Rowan Collins (25:29):
Oh, let's check-in there for Kathy. We go
in.
Isaac Allen Burns (25:33):
You go in. The first thing you notice is
that Kathy is not here.
Rowan Collins (25:39):
I look for Scarlett.
Isaac Allen Burns (25:40):
You see Scarlett is behind the counter.
So she's, like, kinda working onsomething on the back wall.
Looks like working on some food.Is it
Annie Hawthorne (25:49):
busy in here?
Rowan Collins (25:50):
Yes.
Isaac Allen Burns (25:51):
Y'all, there's really not too many
people in here. You do seeCarol, you know, an older fawn
woman who is behind the counterwho sort of gives you all the
nod. What can I get for the twoof you?
Rowan Collins (26:04):
Oh, hi, Carol. It's nice to see you. I like
your earrings today. They reallymatch your sweaters.
Isaac Allen Burns (26:11):
Oh, well, thank you, darling. That's so
kind.
Rowan Collins (26:14):
You are my favorite barista slash baker
slash person here, and I willtake two how many apple fritters
do you want?
Annie Hawthorne (26:25):
You know, I normally just get them in the
back.
Rowan Collins (26:29):
You
Annie Hawthorne (26:29):
know, I I don't I don't eat, so and I I missed
my morning errands, so I can'treally.
Isaac Allen Burns (26:35):
Carol interrupts and says, oh, you're
the one who typically comes byand takes those, are you?
Annie Hawthorne (26:42):
Yeah. I I give them to people. These people
like food.
Isaac Allen Burns (26:45):
Oh, do you still want it? We still got it.
Annie Hawthorne (26:47):
Oh, you still have some? Yeah. Yeah. I'll take
one.
Isaac Allen Burns (26:49):
Okay. Yeah. You see that she looks over, to
Scarlet, and Scarlet kinda nodsand walks into the back. And no
role necessary. Both of younotice something.
And what you notice is that asScarlet kind of walks past, she
doesn't look over towards all ofyou, but she gives a little
(27:10):
sniffle, and you can tell by theside profile of her face that
her eyes are a little puffy red.She goes to the back.
Annie Hawthorne (27:17):
I'll meet you back here.
Rowan Collins (27:19):
Okay. The crate you bite me, and Pistachio will
take out, like, a handkerchiefand goes, offer her this. Oh,
okay.
Annie Hawthorne (27:28):
This isn't food, but okay.
Rowan Collins (27:30):
Sometimes people like cloth instead of food.
People are so complicated.
Annie Hawthorne (27:35):
And I just walk out the front door and I go
around back.
Isaac Allen Burns (27:38):
You go around back, and sure enough, you see
the back door kinda opens andScarlet is holding a bag out to
you. She just hands it to youwordlessly.
Annie Hawthorne (27:49):
Thank you, Scarlet. Are you okay? Yeah.
Just Asher said you might likethis and hand her the
handkerchief.
Isaac Allen Burns (27:58):
She takes a handkerchief and just breaks
down sobbing, really loudly.
Annie Hawthorne (28:02):
Oh, okay. I'm not I'm not prepared for this
level of emotion.
Isaac Allen Burns (28:06):
She's like blowing her nose really loudly
onto the handkerchief.
Annie Hawthorne (28:10):
I just, like, tap her lightly on the back of
my massive hand.
Isaac Allen Burns (28:14):
She,
Annie Hawthorne (28:15):
and I say, bear, there.
Isaac Allen Burns (28:17):
It's just not fair. I've worked so hard. How
can they do that? Wait.
Rowan Collins (28:23):
What happened? The statue will try to, like,
finish up and, like, head
Annie Hawthorne (28:27):
it over.
Rowan Collins (28:29):
Oh my gosh. Scarlet, are
Isaac Allen Burns (28:30):
you okay?
Annie Hawthorne (28:32):
I don't think she's okay, Pistachio. I don't I
don't think she likes the cloth.
Rowan Collins (28:37):
Oh. Oh, no.
Isaac Allen Burns (28:38):
She blows her nose again really loud.
Rowan Collins (28:39):
Oh. Oh. Oh, Scarlet. Oh. Oh, can I help you?
Where does it hurt? What whathappens? I
Isaac Allen Burns (28:46):
No. It's okay. It's just give me a
second. She sort of stealsherself. And I'm sorry.
I'm sorry. Just it's been I justit's been a hard day.
Rowan Collins (28:57):
What happened? Well,
Isaac Allen Burns (29:01):
I I'm not really supposed to talk about
it. Can you promise me not totell anyone what I tell you?
Rowan Collins (29:09):
Pistachio puts both hands on either side of her
shoulders and looks her directlyin the eye and goes, Scarlet, I
have never been more serious inmy entire life. Ever tell a
soul.
Isaac Allen Burns (29:22):
Okay. I I just wanna reiterate something.
This also I you can't tellKathy. Okay? Oh.
I know you work with Kathy, butyou can't tell Yeah.
Rowan Collins (29:30):
Kathy's my boss.
Isaac Allen Burns (29:31):
Oh, okay. Well, my father came by today.
Uh-huh. And he typically nevercomes by other than, to hear the
quarterly reports and earnings.Uh-huh.
And it was early this time. So Iasked him what he was here for,
and he called me to the back.And he told me he's gonna marry
me off.
Rowan Collins (29:52):
What?
Isaac Allen Burns (29:52):
I'm getting married off to one of the of the
Balthazar family. What? You knowBalthazar Edgar Balthazar, the
viscount of this area? What? Oh.
What is apparently his hisoldest nephew?
Rowan Collins (30:06):
What? Why?
Isaac Allen Burns (30:07):
I don't he didn't explain. He said that I
have been a good asset at thisbuilding and that I've been
highly I've been highlyprofitable here and that I've
loaned through expectedearnings, but he said that I had
better potential. I just he's alot of business words.
Joe Diametti (30:27):
And it just essentially got laid off, but
yeah, into arranged marriage.
Isaac Allen Burns (30:31):
Into an arranged marriage.
Rowan Collins (30:32):
But, Scarlet, that doesn't make any sense. As
a No.
Isaac Allen Burns (30:37):
It doesn't.
Rowan Collins (30:38):
You're, like, the best, like, shop owner ever. I
thought, like, what about yourdream to own your own Apple
business?
Isaac Allen Burns (30:45):
I wanted to take I was
gonna take this really far. I have I have a
great idea. And now they'retelling me they're gonna just
after the Apple Festival, I amto be sent off to the Balthazar
Manor for a wedding.
Annie Hawthorne (30:57):
So Why don't you just say I don't?
Isaac Allen Burns (31:00):
I can't. I can't. He's gonna just take away
the business either way. He'sMaybe
Annie Hawthorne (31:05):
you should open your own business.
Isaac Allen Burns (31:07):
I'd I would have to run away from my I would
start with nothing. You know thesacrifices that I had to do to
even be here?
Rowan Collins (31:15):
Yeah. Like, did your dad make you swear sign
that, like, no dating until youhave, like, a billion dollars of
profits?
Isaac Allen Burns (31:23):
Yeah. It was a billion and 500, but yeah. I
had to I had to I've lostsomething very important to me,
and now I'm losing another veryimportant thing to me. And it
just doesn't seem fair.
Rowan Collins (31:38):
What what
Annie Hawthorne (31:39):
was the first important thing?
Isaac Allen Burns (31:41):
I I she starts sweeping again.
Rowan Collins (31:45):
Oh, Scarlet. Oh, it's okay. I promise. Get it all
out. I promise it's okay.
Isaac Allen Burns (31:49):
I was probably so mean. I was more
mean to him than I should havebeen. I'm did so many know
things? I just couldn't do it. Icouldn't I had to to make my
choice.
Rowan Collins (31:58):
What? Who were you mean to?
Joe Diametti (32:02):
Cut to Kapi. Cut to door slams open and inside
the bakery. Listen here, Carol.
Isaac Allen Burns (32:08):
Gabby, what are you
Joe Diametti (32:09):
You think I don't know so something's up? What are
you Do you think I don't knowyou're involved? Gabby Carol, I
swear, I know we've had ourdifference. If you mess up the
Apple Festival for Scarlettlisten. Weird stuff's going on
in the town.
Don't think I didn't notice youbeing weird.
Isaac Allen Burns (32:24):
Gabby, I swear I didn't find out Carol?
Till today. You did so you soyou do know? Well, yeah. We all
found out sort of at the sametime.
Carol,
Joe Diametti (32:34):
if you don't tell me right now what's going on, I
swear I will I will take thisjacket off.
Isaac Allen Burns (32:41):
I'm oh, if if you know what I know, then you
know that I can't tell you whatit is that I think you know. But
I think know what I know thatyou know that I think that you
think that I know,
Joe Diametti (32:53):
then I am not going to put I have too much
riding on this Carol. The townis in danger. The Apple Festival
is in danger. Scarlet isprobably in danger because of
the other stuff that Carol okay,Carol?
Isaac Allen Burns (33:11):
Just can we just This is really Okay.
Listen. This is really stronglanguage for what I think that
you think I think you know.
Joe Diametti (33:18):
Well, I don't know that it's you think
Isaac Allen Burns (33:20):
that I think what I think you think I know.
Kapi, let's be plain. Alright?You're upset. I can understand
that.
Joe Diametti (33:28):
No, Carol. I'm trying to get to the bottom of
the mystery that is tearing thispot town apart. What mystery?
Oh, here. Yeah.
Isaac Allen Burns (33:35):
Right. This is how the way the world works,
Kapi. These things happen.
Joe Diametti (33:39):
No. These things don't happen not here.
Isaac Allen Burns (33:42):
I mean, you are right. It hasn't happened
here in, I don't think, ever.
Joe Diametti (33:46):
So Exactly. So how are we gonna stop it? And,
Carol, if I find out you'reworking with them?
Isaac Allen Burns (33:51):
I would never. I don't like them. Just
to be very clear, I mean, Idon't know how you're gonna stop
it exactly.
Joe Diametti (33:59):
And how can I trust you? I know we've had our
differences, Carol. I mean,
Isaac Allen Burns (34:04):
Kapi, you know, you come in here a lot and
you ask for fritters every day.I love fritters. And that can't
be healthy for you.
Joe Diametti (34:16):
I work out a lot. I basically burn it off, like,
instantly. Some say mymetabolism might be better or
best ever.
Isaac Allen Burns (34:23):
Right. I wasn't exactly talking about the
fritters themselves. Oh. Gabby,you should just just take a
walk. Just go home and sleep atnight.
You know?
You can
talk about it later.
Joe Diametti (34:33):
Save the town, Carol.
Isaac Allen Burns (34:35):
You keep saying the town. I really don't
look. I'm still on the clock. Idon't have time to hash this out
with you right now.
Joe Diametti (34:42):
Alright, Carol. Just know that I'm my eyes are
on you. Okay? And then I leave,and I head directly to Alright.
Bye, darling.
I head directly to cut back.
Isaac Allen Burns (34:52):
I just look. Okay. I had to say I had to
choose between someone I really,really liked or
be able
to run this business. And I picked I picked
my career over my love life, andI think ever since I just feel
terrible. He comes in every day,and he's he's so awkward. And
it's so cute. And I don't knowwhat to do because I'm working.
(35:14):
So I'm in an awkward place. Soyou probably think I hate him,
but I just don't know what todo. And I,
oh, so
I will be. Oh, I can't even enjoy it's got
they're basically leaving afterthe first day of the owl
festival. And is it some kind ofbusiness relationship? I just
don't know.
Rowan Collins (35:31):
Oh, Scarlet. This is really hard. You should tell
about how you feel.
Annie Hawthorne (35:37):
You should, and it doesn't really seem like you
have that much to
Isaac Allen Burns (35:39):
lose anymore. I mean, but if I if my father
cuts me off, I'll have basicallynothing.
Annie Hawthorne (35:45):
You'll have us.
Rowan Collins (35:46):
You'll have us. Scarlet, look me on the eye
right now and tell me that youdon't think that if you told
Kapi how much you loved him,that he would whisk you away
from this town faster than youcould say apple.
Isaac Allen Burns (36:02):
She thinks for a second.
Joe Diametti (36:03):
Cut to. Kathy burst through the library.
Listen, librarian. Oh, hello.
Isaac Allen Burns (36:09):
Don't think that I'm here to whisk you away
and take it to fucking apple.
Joe Diametti (36:13):
There's something going on here, and you're gonna
tell me what it is. Oh. Youthink I don't know you have
secrets? You think I don't knowthat there's secrets in these
books? Just because I don't liketo read them doesn't mean I
don't know that there's secretsin these books.
Isaac Allen Burns (36:24):
Oh, well, a girl's got a lot of secrets now.
Joe Diametti (36:27):
Yes. So you're gonna You're gonna tell me what
you know.
Isaac Allen Burns (36:30):
Well, I'll tell you this much. You know,
the general of the Vol'Dain armyabout two hundred years ago, he
was quite a looker. You know, Iwas a
Joe Diametti (36:39):
soldier once. Two hundred years ago?
Isaac Allen Burns (36:41):
I'm old. Yeah. I'm really old for a fun.
You know, there was, you know,there was one of the many wars
with between Vol'Dane andArmada. I can't remember quite
how long ago it was.
You remember when, you know,those pirates started, their own
little country. It was a wholething between them. I was
actually a name. I I wasactually a Librarian?
Joe Diametti (37:00):
I could get lost in your eyes as you rattle on
about history all day. However,what is going on in this town?
Isaac Allen Burns (37:08):
Oh, like, what do you mean? Do you mean
what's going on?
Joe Diametti (37:11):
I mean I mean I mean, remember the, remember the
the the episode across thestreet
Isaac Allen Burns (37:17):
a little yesterday? That, that sort of
stranger that came in and talkedto Crank in a really, cringey
way last week. Yeah. He bustedout of a window. K.
Joe Diametti (37:27):
I missed that part. However Yeah. Yeah. He he
was setting us up. There'ssomething going on in this town.
I need I need to know what doyou know. Okay?
Isaac Allen Burns (37:38):
What I know?
Joe Diametti (37:38):
Yeah. What do you know?
Isaac Allen Burns (37:41):
Well, I do know this. Mayraisins, you know,
a lot of people have a lot ofthings to say about Mayraisins.
Joe Diametti (37:49):
Back to it.
Isaac Allen Burns (37:51):
We cut back. I don't I just where
would we even go? I don't
Annie Hawthorne (37:56):
I You could go anywhere. The world's a big
place.
Isaac Allen Burns (37:58):
I need to have a I like having a plan.
Annie Hawthorne (38:00):
You could come to Polaris with me.
Isaac Allen Burns (38:02):
Polaris is so far away. I can't do magic.
Annie Hawthorne (38:05):
Well, neither can I, but I'm learning? We can
learn together. I
Isaac Allen Burns (38:09):
Okay. I this was helpful for me and able to
get things off my chest, but Idon't I think I more just needed
someone to cry to. I don't knowif I'm in a solution oriented
mindset right now. I just okay.Alright.
I'm gonna work today. The AppleFestival is in only a few days.
Rowan Collins (38:28):
Scarlett, what can we try and talk to your dad
at least?
Isaac Allen Burns (38:33):
No. Don't do that.
Rowan Collins (38:34):
Why?
Isaac Allen Burns (38:35):
Oh, don't don't do that. He doesn't. It's
talking to my father is not agood idea unless you are here to
invest. He's tough. He's he's hedoesn't see the world as people
and communities.
He just sees, you know, profitstreams and money.
Annie Hawthorne (38:57):
This is a weird place for him to be concerned
about money.
Isaac Allen Burns (39:00):
Well, he owns all the orchards. It's been very
lucrative for him. You know,they even hired a few people to
come in and do tests on theapples to see if they could do
different strains. I mean,that's
Annie Hawthorne (39:11):
I don't really understand what it is about
apples. I wish that I couldtaste one.
Isaac Allen Burns (39:16):
Look. Thank you, you guys. I really
appreciate it. I'm gonna go backin there. I think I've gotten a
lot off my chest.
I would love to think about,since it seems I only have a few
more days here. I'm gonna do thebest I can. So have fun with the
stale pastries. I'd again, Iappreciate because they we get
(39:36):
charged for every pile of trashthat we have to throw away in
the landfill, so you reallyhelped me out by offloading a
lot of this trash. So thank I dothank you for that, Craig.
And just remember, just again,I'm being so serious. Look at
me, pistachio. I don't don'ttell Kathy anything I said.
Rowan Collins (39:54):
I would I, wouldn't dare tell Kathy.
Isaac Allen Burns (39:58):
And she nods, and she closes the door.
Rowan Collins (40:03):
How do we not tell Kathy everything?
Annie Hawthorne (40:07):
Oh, she didn't tell me not to tell Kathy.
Rowan Collins (40:09):
Oh, that's true.
Isaac Allen Burns (40:10):
That little loophole. Oh, Kathy, you are
walking down the street, and youpass by the bakery again, and
you see your two companions atthe back of the bakery.
Joe Diametti (40:23):
Craig?
Annie Hawthorne (40:24):
Oh, hi, Kapi.
Joe Diametti (40:25):
Is that true?
Annie Hawthorne (40:25):
We've been looking for you everywhere.
Rowan Collins (40:27):
I brought you your apple fritters.
Joe Diametti (40:29):
Oh, hey. Thanks, kid.
Rowan Collins (40:31):
You're welcome. They're fresh.
Joe Diametti (40:33):
Thank you. And he takes a bite and instantly
knows, but recognizes you'redoing something nice. So he's
like,
Annie Hawthorne (40:40):
Apparently, these are stale, but I don't
know what that means. Buteveryone seems to like them when
I get them to them. So
Joe Diametti (40:45):
Yeah. What are you guys doing behind the bakery?
Rowan Collins (40:48):
We were getting pastries. Yes. We were getting
the pastries. Scarlet.
Joe Diametti (40:53):
Oh. Oh. Scarlet? Yeah. So you saw Scarlet?
Annie Hawthorne (40:57):
She's very sad.
Joe Diametti (40:58):
She's sad. Why is she sad?
Annie Hawthorne (41:02):
Because she hasn't seen your face today.
Rowan Collins (41:04):
It is true. She it is true. She hasn't seen your
face today. That is a greatpoint. She has not seen your
face today, and that is whyshe's sad.
Joe Diametti (41:12):
Okay. Alright. This is you guys have weird
energy. I just wanna be clear.Weird energy.
Rowan Collins (41:19):
I was up past 10PM, so that's why.
Joe Diametti (41:21):
Got it. While while listen, I will I will
check on Scarlet later. Rightnow, we are working on something
bigger. Remember last night whenI was telling you about the
conspiracy? Yeah.
That's obviously happening inthis town, right, Craig? Because
acid burrows aren't here. Right?
Rowan Collins (41:40):
Uh-huh.
Isaac Allen Burns (41:41):
Right.
Rowan Collins (41:41):
Right.
Joe Diametti (41:42):
Right. Uh-huh. So here's what we need. I already
grilled Carol.
Rowan Collins (41:45):
Uh-huh.
Joe Diametti (41:46):
I already grilled them. I already grilled Carol,
and I already grilled thelibrarian.
Rowan Collins (41:50):
Okay.
Joe Diametti (41:51):
K?
Annie Hawthorne (41:51):
Uh-huh. You grilled my mother. Why would you
do such a thing? My mother isn'tfood.
Rowan Collins (41:55):
Not grilled as in, like, like, put heat to her,
but, like, grilled doesn't talkto her. Oh.
Joe Diametti (41:59):
Oh. That's interesting. Yeah. I questioned
her.
Rowan Collins (42:02):
I'm really proud you know that word, Kathy.
Grilled? Yeah.
Joe Diametti (42:12):
Okay. So anyways, we all need to go to the next
target, which is
Rowan Collins (42:16):
Okay.
Joe Diametti (42:17):
What was the name, Ash?
Rowan Collins (42:18):
Ash. Ash.
Joe Diametti (42:18):
Ash. We need to go see Ash.
Annie Hawthorne (42:20):
Do we know where to find Ash?
Joe Diametti (42:21):
Yes. Do I know where to find Ash?
Isaac Allen Burns (42:24):
You have no idea.
Joe Diametti (42:25):
He asks into the ether. No?
Isaac Allen Burns (42:27):
Yeah. You have no idea. You could check
one of the taverns or inns.
Rowan Collins (42:29):
Oh, yeah. For sure. I do think, though, Kathy,
you should at least say hi toScarlet Day.
Joe Diametti (42:36):
Pistachio, I, I appreciate what you're doing,
but we need to save the AppleFestival.
Rowan Collins (42:42):
IBD. Yes.
Joe Diametti (42:43):
We need this is number one priority.
Rowan Collins (42:45):
Oh, but but
Joe Diametti (42:46):
You are my cadet.
Rowan Collins (42:48):
You're right. Yes, sir.
Joe Diametti (42:50):
This is our mission. Our mission is to save
the Apple Festival, save thetown wait a minute. Save the
Scarlet, Save the AppleFestival. Save the world. Yes.
Rowan Collins (43:00):
Yes.
Joe Diametti (43:01):
Perfect. So we need to go find Ash.
Rowan Collins (43:03):
Yes. Let's go find Ash.
Joe Diametti (43:04):
Let's go check the tavern. Okay.
Isaac Allen Burns (43:06):
You go into the tavern and you see Miles,
the bartender behind the bar.Oh, hi, Miles. Hey. What's up?
What's up, everybody?
It's me, Miles.
Rowan Collins (43:16):
Hey. I would ask for my regular, but we're on a
mission.
Isaac Allen Burns (43:22):
Oh, okay. How can I He puts the milk away?
Rowan Collins (43:24):
Oh, thank you. Keep it cold for me.
Isaac Allen Burns (43:27):
You know it.
Rowan Collins (43:27):
Have you seen a blue guy?
Isaac Allen Burns (43:30):
He looks at Kapi
Rowan Collins (43:32):
With hoards.
Isaac Allen Burns (43:33):
Oh, with horns. Oh.
Rowan Collins (43:35):
Yeah. Kapi doesn't have horns.
Isaac Allen Burns (43:37):
You know, it's funny you mentioned that
actually because so remember,like, yesterday, some point
y'all were in here last, and youwere talking to those two
peacekeepers. Uh-huh. You knowwhat I mean? You know, it's I
remember this. Uh-huh.
Yeah. Kapi was really risen upone of them. And the four y'all
left and the one dude stayedhere and just kinda like nursed
(44:01):
back one of the drinks. We weretalking. He's pretty cool guy.
He's from the, you know, he'snot from Bracken Roads. He's
asking, like, what do people doaround here? And like all this
different stuff. I was tellinghim, well, people like to fish
in the stream. You know, somepeople like to run around and
kick rocks.
Rowan Collins (44:14):
That is what we call it. Yep.
Isaac Allen Burns (44:16):
So, but then eventually, like, you know, this
guy came in. He had blue hornsand all, and he started talking.
And he was really, like, gettingunder his skin. He was really
getting under his skin as I wasthe peacekeepers name. Mhmm.
And
next thing I know, like, they take it
outside. They get in a tussleand, the blue guy breaks his
leg. Like blue guy just straightup, like he broke his leg. It
(44:39):
was a real cool move. Like,Nathaniel was like, he was
doing, he was like kind ofboxing him.
He was kind of using his feetand the dude was just kind of
like dodging his blows reallyeasy. And it was, like, a flash
of movement. And next thing Iknow, the dude has got his leg
in his hands, and I hear a loudsnap as his Stathaniel, like,
goes down. He's, like, holdinghis leg and crying. That was
(45:00):
crazy.
Joe Diametti (45:01):
Stathaniel?
Isaac Allen Burns (45:02):
Yes. Nathaniel. His leg got broken.
He kinda laid in the groundcrying for a while. And then,
like, Nephena the other one,Nephena, because I know her name
because she ordered a daiquiri,came over, and was tending to
him.
And, like, I asked, like, yo, iseverything okay? And Nefanie
looked up at me. He was like,oh, he was right. And then just
started dragging Stithanielaway. And so they went to the
(45:23):
barracks.
Joe Diametti (45:23):
Wait a minute. When was this?
Isaac Allen Burns (45:26):
Hey, it's me, your GM, Isaac Allen Burns. Most
of the time, I'm here to talkabout mechanics, but here I just
wanna set a a like a recapreminder. If you recall, after
your scuffle with Sebastian, youhad, Kapi had said, oh, it's a
distraction Mhmm. To whichNephenny then left, and then
y'all went to the acidburrowing.
Joe Diametti (45:46):
Oh.
Isaac Allen Burns (45:46):
So Nefanie had left y'all. You think and
you believe, just to be clear,in case any of you had suspicion
that Miles is lying, you haveyou think that perhaps after she
left, she came back here and sawStadania with a broken leg.
That's why you haven't seeneither of them today.
Rowan Collins (46:01):
Oh, gosh. Well
Joe Diametti (46:03):
So should we go to the infirmary?
Rowan Collins (46:06):
They're at the barracks, I think.
Isaac Allen Burns (46:08):
Okay. Alright, Miles. No problem. Go.
See you tonight.
Yeah. Hey. Successful vision.
Rowan Collins (46:15):
Yeah.
Isaac Allen Burns (46:16):
Mhmm. He, goes back in. And that's where
we're gonna end our episode,everybody. So we're gonna end
this session of DodoBorne! Wompwomp. On the way to the barracks
on the yellow brick road orrather the dirty cobblestone
road because that's the kind ofroads.
(46:37):
Hey, gang. Before we go, justwanna shout out a couple of
people, both in the Daggerheartspace and in our space. First of
all, shout out to at DodoBorneunderscore fan art on Instagram
and wherever you get yoursocials. They've been
conglomerating a bunch of reallyawesome fan art of this podcast,
which is amazing.
Joe Diametti (46:58):
It's really great.
Isaac Allen Burns (46:59):
It's so great.
Rowan Collins (47:00):
And, also, told us about a fan fiction?
Joe Diametti (47:03):
Yeah. There's a fan fiction.
Isaac Allen Burns (47:04):
There's a fan fiction.
Rowan Collins (47:05):
Go check
Isaac Allen Burns (47:05):
it out.
Rowan Collins (47:06):
We can all say that it is very much in
character if you need more,DodoBorne stuff. Yes. Shout out
to that.
Isaac Allen Burns (47:13):
Shout out. Yeah. Shout out to them.
Incredible. Amazing.
Also wanna shout out the Delvewith Hope blog that you can find
online. They have a really, theyhave a lot of awesome articles
about dagger heart. My favoritecurrently is the one where they
delved into the math behind twod 12 versus one d 20. Super
awesome stuff there. Go checkthem out.
(47:35):
Also wanna shout out blade boundsaga on YouTube. They've been
really great about postingchanges to the rules and other
updates to dagger heart. So ifyou are interested in following
the development of this,definitely go check them out.
They've been super awesome.Shout out to all those people.
And once again, if you like whatyou're listening to, definitely
(47:56):
give a shout out, give us a fivestar reviews on apple podcasts,
wherever you get your podcasts.It really goes a long way to
helping us out. Thank you somuch for listening. We love it.
Tell your friends, tell yourfamily, tell your coworkers,
tell, your neighbors, tellanybody you meet on the elevator
or the bus or the subway.
Joe Diametti (48:16):
We're cutting that. Okay. We're cutting that
on that one.
Isaac Allen Burns (48:19):
Anyways, tell everybody you can. Tell your
friends. Tell everybodyword-of-mouth really goes a long
way to helping us out. Five starreviews also go a really long
way. So just tell us what youthink, if it's positive.
And that's where we will leaveoff with our DodoBornes today,
everybody. Squawk on three. One,two, three. Squawk. Hey.
(48:49):
It's a podcast.
It was a whole thing. I tell you, my
Saturday was crazy, you guys.Wait. What's this? We're
recording.
Hey. Hey. It's a podcast,everybody. Thank you for coming
to my DodoBorne Talk. In thisdiscussion, we'll be going over
what the people are gonna do inour adventure.
(00:53):
And who are these people, youask? Well, sitting 45 degrees
clockwise is, Rowan Collins.
Rowan Collins (01:01):
Squawk in a 45 degree angle.
Isaac Allen Burns (01:04):
Next to them, approximately a 35 degrees is
Joe Diametti. Squawk squared.Oh, and then tangentially
related to the circle is AnnieHawthorne.
Annie Hawthorne (01:17):
Squawk to the power of
Isaac Allen Burns (01:18):
squawk? Squawk. Oh, no. It's squaw
ception. Wow, my little doggos.
Why don't we start at the bestplace to start, which is at the
beginning? Except we can'tbecause we've been in a couple
episodes. We're not gonna startat the very beginning, but we
are gonna start. Now for those,to recap last time on Dodo born
(02:47):
pod, as our players arrived, orshould I say as our heroes
arrived, in the midst of acrisis, that crisis was big, as
tall as a horse, and as mean asa bug, and that bug was an acid
burrower, and was currentlyharanguing the droop family.
(03:09):
Bringing it down and crushing itunder a barrage of blows from
fists and vines, they were ableto subdue the beast, but not
before poor Wally was, bukkakeed by some acid that set him
down pretty badly.
Meanwhile, the party brought thewounded individuals inside the
(03:29):
house tending to their wounds.The priest came by with poor
Hazel Droop who saw the state ofthe family rather hurt, by
everything that had happened.Pistachio and Hazel had a tough
convo, a bit of a heart toheart, that left both of them a
little upset. Nevertheless, asHazel went out to tend the
fields, now the party decidedthat it was time to perhaps take
(03:53):
a rest, take a sleep. It waslate after all, and past 10:00.
And as they bedded down into asleepover, all of them in the
same room, Kapi noticeably notgoing over to, see Pistachio's
mother, as the three of you aredown, you've all gone to sleep,
or in Cranks case, deactivated.You all have a dream. In this
(04:20):
dream, the three of you are onceagain fighting this acid
burrower, except it's a littletaller, it's a little meaner,
and standing in front of it,Kapi, you are looking at this,
you have a soft of rope in yourhands. And Kapi, as you look at
this thing, there's somethingterrifying about it. What does
Kapi see, Joe, that terrifieshimself?
Joe Diametti (04:43):
I think Kapi sees the acid burrower's face, kind
of furrow its brow and morphinto into Cyrus's face. And I
think it starts scolding him fornever being able to get it
(05:04):
together.
Isaac Allen Burns (05:05):
Oh, familiar verbal blows strike against you,
Kapi, as you your arms arefruitlessly trying to swing this
softer rope around to tie up thenow simile like bug legs. Again
and again, you hear the samewords Cyrus has always said, get
it together, kid. You're notgonna amount like this, kid.
(05:28):
You're never gonna leave thistown like this, kid. Continually
attacking.
The three of you, this dream,this is dream logic. We're in a
dream. We're floating. We'reephemeral. We're ethereal right
now.
You see a tree grow up beforeyou out of the back of Cyrus.
It's an apple tree. You seefruit blossom, and an apple
falls from the ground and rollsaway. It rolls away, and it
(05:49):
starts to decay, and it startsto fall into pieces, and a seed
hits the ground, and it digsdeeper into the ground, and then
it germinates, and it becomes atree again, And the cycle
repeats itself, and you see thisapple tree do this again and
again. The three of you are nowon a beach.
You're walking across the beach,and as you look back, you see
there are four sets offootprints. And as you look to
your right, you see the acidburrower's back with Cyrus' face
(06:12):
walking along the beach, and youall look at each other for a
moment. A scene in the sky, yousee in the stars of the beachy
sky is another scene. You see aman standing there. The man is
looking at you, Crank, and yousee that to the left of the man
is a wolf with horns, and to theright of the man is a wolf with
a halo.
And the man is looking at youwith a piece of meat, and the
(06:33):
man looks somewhat familiar.Crank, who's in front of you
right now? Who's looking at you?I think it's myself. Crank, you
are looking at yourself, andCrank is holding the meat.
And it's clear that this Crankdoesn't know who to feed. What
do you do, Crank?
Annie Hawthorne (06:52):
I just, like, stare up at myself.
Isaac Allen Burns (06:55):
Yeah.
Annie Hawthorne (06:55):
And I think myself in the sky, my eyes turn
red while it's looking down atme. And it slowly says, why did
you leave me? And it turns into
Isaac Allen Burns (07:07):
Adrian? Oh, Adrian Toulouse?
Annie Hawthorne (07:10):
Yes. It turns into my old mentor, and it just
keeps repeating, like, with theeyes red. Why did you leave me?
Why did you leave me? And thenit throws the mate to the one
with
Isaac Allen Burns (07:18):
the horns. Throws meat to the one with the
horns. The halo wolf reveals itsteeth. It has really sharp
teeth. It was actually the badwolf.
It leaps forward and tries tograb the meat, and the one with
the horns grabs it too. And nextthing you know, they've dropped
the meat and they're kissing.The wolves are gay now. You see
it Wow. A new scene.
There's a blackberry bush.Thorns grow out of the
blackberries, and then out ofthe blackberries grow thorns
(07:41):
again. And then the thornsbecome another bush and become
blackberries and become thornsagain. And it just goes like a
fractal of blackberries andthorns. Pistachio, you find
yourself standing next to thesefractal berries, and you see
that directly in front of you isa nut plant.
And Hazel is standing there, andshe's looking at you, and she's
holding, what looks like alittle machete, and she hands
(08:06):
you the machete. What do you do?
Rowan Collins (08:09):
I feel like she hands me the machete, and, it
because she touched it and herhand had also touched the plant,
my hand erupts into a rash as Itry and cut down the mutt nut
plant and the blackberry plant,and they, like, twine itself all
around my arm, and pistachioscreams as they look, like,
covered in twines and also rash.
Isaac Allen Burns (08:33):
You'd be good to get rashy. Your dream self
doesn't feel any of this, butyou feel as though you're
sinking into the ground. You seeyour skin bubbling up with hives
and rashes, not too dissimilarfrom the fractal blackberries as
Hazel simply watches as you sinkdeeper and deeper and looks at
you with eyes that suggest manyemotions. You stand on the beach
(08:54):
once again, and you look back,and you see that on the beach
that sometimes there areactually three pairs of
footprints. As you look up atthe sky, the moments where it
was three sets of footprintsinstead of four sets of
footprints correspond to thescariest parts of your dream,
nightmares, if you will.
And as you look over at the acidborrower, who has the face of
(09:15):
Cyrus, you feel a voice kind ofringing that says, acid
borrower, Cyrus, why is it thatwe've walked with you for so
long on this beach? And yet, inthe moments at which we needed
you most, in the saddest, mostnightmarish parts of our sky
time, of our sky dream, you seemto have left us. I don't
(09:36):
understand. And the CyrusAsabroer looks down on you and
opens his mouth to respond, andyou hear, and then the three of
you wake up.
Rowan Collins (09:48):
Oh, god. Oh. Oh.
Annie Hawthorne (09:53):
I just set up, built upright, and I'm like, I
saw I saw things. I wassomewhere else. What happened?
What was that?
Rowan Collins (09:58):
Oh, you saw athletes?
Annie Hawthorne (09:59):
I saw things. Like like, I was there, but I I
don't I was was I here the wholetime?
Rowan Collins (10:04):
What did you I
Annie Hawthorne (10:05):
don't understand what's happening.
Rowan Collins (10:06):
Was it electric sheep?
Annie Hawthorne (10:08):
I I didn't see any sheep of any kind.
Rowan Collins (10:10):
Oh, I just I
Annie Hawthorne (10:12):
saw images. I saw myself in the sky and I
Rowan Collins (10:16):
Well, I was it a dream?
Annie Hawthorne (10:20):
What what's a dream? I don't know. I don't
think we're about to dream.
Rowan Collins (10:23):
Do you
Annie Hawthorne (10:24):
think that was magic?
Isaac Allen Burns (10:26):
I think
Annie Hawthorne (10:27):
that magic has taken a hold of me and I can
only do it subconsciously in mysleep?
Rowan Collins (10:32):
That is a good theory. I don't know.
Annie Hawthorne (10:36):
I get up and I I run down the stairs.
Isaac Allen Burns (10:38):
Before you can even get outside, you run to
the door, and you try thehandle, and the handle turns
into a snake and falls to theground. You look over, there's a
top spinning on top of Kapi. Yourealize you're still in the
dream. You look outside, there'sa golden light that is
flickering somewhere deep in theforest, deep in the woods. You
see a golden path that lightsthe way as flickers of starlight
seem to shine from within it.
(11:00):
You see a vision of a manstanding in the middle of a
large temple on a rounded dais,a green robe covering most of
its features and holding agleaming glittering staff
encrusted with jades. It speakswith authority, and the people
listen. You see these figureswho stand there and suddenly
disappear one by one. The templecrumbles to ash, but yet you
(11:22):
still see it, that dais, and itseems to beckon to you. And as
it seems to beckon, suddenlythere's an eruption from the
ground, and the three of youwake up again.
Rowan Collins (11:32):
Oh. Oh, god. Oh, god. Oh.
Annie Hawthorne (11:37):
I don't think I like this.
Rowan Collins (11:38):
Wait. Hold on. Hold on. Pistachio will, like,
pinch themself real quick.
Isaac Allen Burns (11:43):
It hurts.
Rowan Collins (11:44):
Ow. Okay. All right. Okay. I think we're
awake.
I think we're good. Wait. Wait.Maybe, maybe I'm wrong. I'm
gonna try and pinch Kathy.
Isaac Allen Burns (11:53):
Ah, what? Okay.
Rowan Collins (11:54):
Okay. All right. I don't think I can pitch you
Craig.
Annie Hawthorne (11:59):
That was terrifying. Craig? I I've never
had a dream before. Is that whatthey feel like all the time?
That's that feels terrible.
Rowan Collins (12:08):
No. I think that was nightmare.
Joe Diametti (12:11):
Listen. We all had a rough day yesterday.
Rowan Collins (12:15):
What did you dream about? Did you dream about
like, I dreamed about, like, abunch of things, like an
asinboroer and my sister, like,giving me a knife. There was an
acid burrower that looked likeCyrus, and he told you that you
were a disappointment, andthat's not real.
Annie Hawthorne (12:32):
Yeah, actually,
Joe Diametti (12:32):
I need to go.
Isaac Allen Burns (12:33):
Oh, oh.
Joe Diametti (12:33):
And, Kapi leaves and tries to grab his jacket
from downstairs, which ishopefully fixed, and make his
way into town.
Isaac Allen Burns (12:41):
Yeah. You go downstairs. The jacket is fixed.
You see Pistachio's mom, in,like, a robe has fully fallen
asleep at the table.
Joe Diametti (12:48):
Yeah. I actually don't do anything except grab
the jacket and leave.
Isaac Allen Burns (12:53):
You leave you leave out the front door. Oh.
Annie Hawthorne (12:56):
Oh. I'm just, like, moving my hat back and
forth to see if I can hearanything clattering and if
anything is loose. I think Ineed to see a machinist.
Rowan Collins (13:05):
Yeah. I didn't think that, a that clicks could
have dreams.
Annie Hawthorne (13:10):
I I've never had a dream before. That's I
think something might be wrong.
Rowan Collins (13:16):
Well, you know, there's not really a machinist
in the town, I don't think.We've got the guy that fixized
our tractor, but,
Annie Hawthorne (13:25):
I really wish I hadn't lost the owner's manual.
Rowan Collins (13:29):
We should go get Kathy, I think. Maybe-
Annie Hawthorne (13:31):
Do you think Kathy's okay?
Rowan Collins (13:32):
Well, if we find him hitting all my mob, the
answer is yes. If he's not, theanswer is no.
Annie Hawthorne (13:40):
What do we do if he's not okay?
Rowan Collins (13:44):
Bring him an apple fritter?
Annie Hawthorne (13:46):
Oh, he does like apple fritters, that's
true.
Rowan Collins (13:48):
Yeah, yeah, we'll bring him an apple fritter and
maybe, maybe we'll see if we canget Tarlet to say hi to him
again.
Annie Hawthorne (13:55):
That sounds like a good idea.
Rowan Collins (13:57):
Oh gosh, okay.
Annie Hawthorne (13:58):
I guess we should go.
Rowan Collins (13:59):
Yeah, here, sometimes when I have bad
dreams, I like to carry aroundand Pistachio will go into
their, like, closet and bringout like a little stuffed rabbit
that's about like yay big. Andit's got a little like sword in
its hand and it's got like,little glasses and it, Pistachio
(14:24):
will go in there and like pullthe rabbit out and then pull out
a little hat for it to like giveit like a matching wizard's hat.
And Pistachio will go, Well, sosometimes when I have really bad
dreams, my mom gave this to mewhen I was younger. Senor flip
flop will guard you from anyother bad dreams. All you have
to do is when you're going tosleep again or I don't know how
(14:48):
cranks really sleep, you justimagine Senor flip flop there
and he will guard you for therest of your nightmare.
Annie Hawthorne (14:59):
Well, thank you, Pistachio. I will I will do
that.
Joe Diametti (15:05):
You made that more adorable. Like every I was like,
oh, it can't get more adorable.And then it kept getting
Isaac Allen Burns (15:11):
Senor flip flop.
Rowan Collins (15:12):
Senor flip flop. Senor flip flop. Alright.
Annie Hawthorne (15:14):
I'll just carry around Senor flip flop. I
imagine that he's like I Iclosed my hand and his ears poke
out.
Isaac Allen Burns (15:22):
Yep. He's got some cold in some ears. The two
of you leave, and as you do so,your eyes look off into the
fields, the droop nut fields,and you see sort of in the
distance having made a lot ofprogress in the morning's
harvest is Hazel still hoeingdown those fields.
Rowan Collins (15:42):
Man.
Isaac Allen Burns (15:43):
Further It
Rowan Collins (15:45):
was so good on those droopy nuts. She's very
Annie Hawthorne (15:47):
good at hoeing.
Rowan Collins (15:49):
She is. She's the best hoeer in the entire family.
Isaac Allen Burns (15:54):
Kathy, you run out earlier and you also
noticed the same thing.Something that catches Kathy's
eye though is a little pastHazel, closer to the forest. You
swear you can see a glitter ofstarlight there, But it's only
for a moment, and then you blinkand it seems to be gone. Mhmm.
(16:16):
Kathy, where are you going?
What are you doing?
Joe Diametti (16:18):
I'm going to the adventures guild.
Isaac Allen Burns (16:21):
Kathy goes to the adventuring guild. You know
that you probably do need tocheck-in. Anyways, it is the
morning to see the jobs, and youbeeline straight there. Do you
stop anywhere else on your wayin?
Joe Diametti (16:33):
No. I pass the bakery.
Isaac Allen Burns (16:36):
You pass the bakery. You pass the bakery. You
head to the adventures guild.You step on in, and you see that
Cyrus is actually there.Surprisingly, Cyrus is actually
awake.
Not only is he awake, he'sactually doing something. You
see in the back corner that he,has the phone in his hand. He's
currently talking to somebody.As you come in, he kinda nods to
(16:58):
you, and then goes back tolistening to the person on the
other side. What does Kapi do?
Joe Diametti (17:05):
I I imagine that Kapi came in pretty hot. And
then he, like, pounds throughthe door and he's like, all
right, old man, let's do, and hesees that he's on the phone and
kind of that, discipline kicksin and he's, like, kinda just
quiets down and he's waiting forhim to get off the
Isaac Allen Burns (17:24):
phone. Cyrus, kinda nods to you and says,
yeah. Mhmm. Yeah. I'll let youknow.
Mayor's call at the end of theday, but, yeah, just be a
threat. Alright. Alright.Alright. Good talking to you,
Michelle.
Alright. Bye. And he closes thedoor. He turns over, kinda rubs
(17:46):
his eyes, and says, morning,kid.
Joe Diametti (17:49):
Was that the capital?
Isaac Allen Burns (17:51):
Yep. That was the capital calling about some
business.
Joe Diametti (17:54):
Yeah?
Isaac Allen Burns (17:55):
Yep.
Joe Diametti (17:56):
Curious if you are aware of anything going on in
this town.
Isaac Allen Burns (18:02):
You see that his mouth is flat and his eyes
are kind of looking at you inthat kind of expectant way.
Like, Cyrus has a very goodpoker face in that he doesn't
really emote very well. But whenyou can tell that his gears are
turning, he gets the same kindof look, and he says, depends on
(18:23):
what you mean.
Joe Diametti (18:24):
Depends on what I okay. And, Kapi starts, like,
pacing back and forth. He's,like, scratching his hair. He
doesn't really know how to goabout this conversation, and it
feels like there's probably fiveconversations he's trying to
have at one time. Yeah.
Alright. Old man, just just inthe last twenty four hours,
(18:44):
there's been Enforcer scum showup. There's been a break in of
the town. There's been, some guythat tried to poison us in this
adventure's guild. You werethere for some of that.
There's been an acid burrower bythe way, there are no acid
burrows in Bracken Road tryingto destroy a farm. We fought it.
(19:07):
It sprayed acid on it. There'sanother stranger who's importing
illegal medicines into the areathat nobody seems to have seen
before. The priest is wiggingout.
I have a huge list of peoplethat I suspect, and I'm just
curious how the manager,secretary, owner of this
(19:28):
building of the AdventurersGuild doesn't seem to be filling
us in on anything. Also, whyhave I been here eight years and
am not past a rookie? But mainlythe other stuff. Fuck. Okay.
Isaac Allen Burns (19:49):
Well, for starters, we have a broken
window in the building. Sothat's been the first thing I
noticed.
Joe Diametti (19:58):
A broken window?
Isaac Allen Burns (19:59):
Yeah. In the office break room. Kid. There's
a lot of people who come throughthe guilt. They're all trying to
do something.
Some of them wanna protectsomething important to them.
Some of them just wannachallenge themselves and get
(20:21):
stronger.
Joe Diametti (20:22):
And I'm just another person?
Isaac Allen Burns (20:25):
Kapi, I don't know what you're here for.
If I were to give you a recommendation today,
I'm not fully convinced you'djust still stay in town doing
the same thing you've beendoing.
What do you wanna do, Kapi?
Joe Diametti (20:45):
I don't I don't I don't know. I don't how am I
supposed to know? I, I know Idon't want to be bad.
Isaac Allen Burns (21:04):
Bad. What does bad mean to you, Kapi?
Doing bad things?
Joe Diametti (21:10):
Stealing? Lying? Murdering? Murdering.
Isaac Allen Burns (21:22):
It's a tough world out there, Kapi. Not
everything is good and bad.Yeah. But the reason you're
still here, I think, because youdon't have a goal. You don't
have a purpose.
You don't really know what youwanna do. You came in all
(21:48):
curious about the building. Youstaked this place out for a good
week before you broke in andtried to steal stuff. That took
planning. That took foresight.
That took having a goal.
I don't know quite what happened, Kathy,
(22:09):
but I just don't see that in you.
Joe Diametti (22:17):
Understood.
Isaac Allen Burns (22:21):
But to answer some of your other questions,
got a guy coming to fix thebroken window in the break room,
which as far as I understandhappened because you let a perp
get away.
Joe Diametti (22:35):
Are you kidding me? The only reason it was a
distraction, Cyrus. You were atthe war. I know you know about
this stuff. Why are you nothelping?
Isaac Allen Burns (22:50):
He kinda limps out from behind the bar.
She's still holding that cane.Kid, my fighting days are mostly
done. I tend to the front here.We have adventurers for this.
Joe Diametti (23:13):
Right. Well, there's something going on in
this town. I'm going to figureout what it is. You know, you
talk a lot about me not havingany goals left in me. I haven't
seen any goal from you thatdidn't live in the bottom of a
bottle.
And he's gonna turn around andleave.
Isaac Allen Burns (23:35):
Kapi leaves. Cyrus stands there and watches
you go. And as the doors closebehind you, you hear the
telephone ring. We cut back tothe Droop family farm. Pistachio
and Crank, you are walking awayfrom the farm.
(23:55):
Where are you going? What areyou doing?
Rowan Collins (23:58):
Well, we didn't see Kathy there. So I think
Pistachio is gonna be like, wegotta go to the bakery. But I
think as we leave towards thebakery, there's two things on
Pistachio's mind. One, they lookover at Hazel and then like try
not to make eye contact asthey're leaving. And the other
(24:18):
thing is, they go, I can'tbelieve that my mom falls asleep
like that.
There's people in the house.Hello, there's people in the
house. Please cover up. Oh myGod, I swear.
Annie Hawthorne (24:31):
I mean, she was in a robe.
Rowan Collins (24:32):
She was in her robe.
Annie Hawthorne (24:34):
It's her house.
Rowan Collins (24:34):
Her shoulders were out.
Annie Hawthorne (24:36):
That's her house. I feel like she should be
entitled to comfort.
Rowan Collins (24:39):
That's so scandalous. I have one thing
that shows my shoulders. Onething, Crake. And that's only if
I go on a really, really nicedate and I really, really,
really want them to pay for it.But that hasn't happened yet.
Annie Hawthorne (24:54):
Do you think I should cover my shoulder?
Rowan Collins (24:57):
No. Craig, your shoulders are fine, but, like, I
mean, if you did want a sweater,I could happily make you a
sweater, but I feel like youwouldn't be able to, like, get
your hatch open then, and that'snot useful.
Annie Hawthorne (25:09):
Yeah, that's just important, yeah.
Rowan Collins (25:10):
I guess I could make you like a mini one where
it, like, just covers yourTechnically,
Annie Hawthorne (25:15):
I'm not wearing any clothes. Do you think that I
should wear clothes?
Rowan Collins (25:19):
Oh, oh, that is a point.
Isaac Allen Burns (25:24):
No. Speaking of covering, you find yourself
passing by the bakery.
Rowan Collins (25:29):
Oh, let's check-in there for Kathy. We go
in.
Isaac Allen Burns (25:33):
You go in. The first thing you notice is
that Kathy is not here.
Rowan Collins (25:39):
I look for Scarlett.
Isaac Allen Burns (25:40):
You see Scarlett is behind the counter.
So she's, like, kinda working onsomething on the back wall.
Looks like working on some food.Is it
Annie Hawthorne (25:49):
busy in here?
Rowan Collins (25:50):
Yes.
Isaac Allen Burns (25:51):
Y'all, there's really not too many
people in here. You do seeCarol, you know, an older fawn
woman who is behind the counterwho sort of gives you all the
nod. What can I get for the twoof you?
Rowan Collins (26:04):
Oh, hi, Carol. It's nice to see you. I like
your earrings today. They reallymatch your sweaters.
Isaac Allen Burns (26:11):
Oh, well, thank you, darling. That's so
kind.
Rowan Collins (26:14):
You are my favorite barista slash baker
slash person here, and I willtake two how many apple fritters
do you want?
Annie Hawthorne (26:25):
You know, I normally just get them in the
back.
Rowan Collins (26:29):
You
Annie Hawthorne (26:29):
know, I I don't I don't eat, so and I I missed
my morning errands, so I can'treally.
Isaac Allen Burns (26:35):
Carol interrupts and says, oh, you're
the one who typically comes byand takes those, are you?
Annie Hawthorne (26:42):
Yeah. I I give them to people. These people
like food.
Isaac Allen Burns (26:45):
Oh, do you still want it? We still got it.
Annie Hawthorne (26:47):
Oh, you still have some? Yeah. Yeah. I'll take
one.
Isaac Allen Burns (26:49):
Okay. Yeah. You see that she looks over, to
Scarlet, and Scarlet kinda nodsand walks into the back. And no
role necessary. Both of younotice something.
And what you notice is that asScarlet kind of walks past, she
doesn't look over towards all ofyou, but she gives a little
(27:10):
sniffle, and you can tell by theside profile of her face that
her eyes are a little puffy red.She goes to the back.
Annie Hawthorne (27:17):
I'll meet you back here.
Rowan Collins (27:19):
Okay. The crate you bite me, and Pistachio will
take out, like, a handkerchiefand goes, offer her this. Oh,
okay.
Annie Hawthorne (27:28):
This isn't food, but okay.
Rowan Collins (27:30):
Sometimes people like cloth instead of food.
People are so complicated.
Annie Hawthorne (27:35):
And I just walk out the front door and I go
around back.
Isaac Allen Burns (27:38):
You go around back, and sure enough, you see
the back door kinda opens andScarlet is holding a bag out to
you. She just hands it to youwordlessly.
Annie Hawthorne (27:49):
Thank you, Scarlet. Are you okay? Yeah.
Just Asher said you might likethis and hand her the
handkerchief.
Isaac Allen Burns (27:58):
She takes a handkerchief and just breaks
down sobbing, really loudly.
Annie Hawthorne (28:02):
Oh, okay. I'm not I'm not prepared for this
level of emotion.
Isaac Allen Burns (28:06):
She's like blowing her nose really loudly
onto the handkerchief.
Annie Hawthorne (28:10):
I just, like, tap her lightly on the back of
my massive hand.
Isaac Allen Burns (28:14):
She,
Annie Hawthorne (28:15):
and I say, bear, there.
Isaac Allen Burns (28:17):
It's just not fair. I've worked so hard. How
can they do that? Wait.
Rowan Collins (28:23):
What happened? The statue will try to, like,
finish up and, like, head
Annie Hawthorne (28:27):
it over.
Rowan Collins (28:29):
Oh my gosh. Scarlet, are
Isaac Allen Burns (28:30):
you okay?
Annie Hawthorne (28:32):
I don't think she's okay, Pistachio. I don't I
don't think she likes the cloth.
Rowan Collins (28:37):
Oh. Oh, no.
Isaac Allen Burns (28:38):
She blows her nose again really loud.
Rowan Collins (28:39):
Oh. Oh. Oh, Scarlet. Oh. Oh, can I help you?
Where does it hurt? What whathappens? I
Isaac Allen Burns (28:46):
No. It's okay. It's just give me a
second. She sort of stealsherself. And I'm sorry.
I'm sorry. Just it's been I justit's been a hard day.
Rowan Collins (28:57):
What happened? Well,
Isaac Allen Burns (29:01):
I I'm not really supposed to talk about
it. Can you promise me not totell anyone what I tell you?
Rowan Collins (29:09):
Pistachio puts both hands on either side of her
shoulders and looks her directlyin the eye and goes, Scarlet, I
have never been more serious inmy entire life. Ever tell a
soul.
Isaac Allen Burns (29:22):
Okay. I I just wanna reiterate something.
This also I you can't tellKathy. Okay? Oh.
I know you work with Kathy, butyou can't tell Yeah.
Rowan Collins (29:30):
Kathy's my boss.
Isaac Allen Burns (29:31):
Oh, okay. Well, my father came by today.
Uh-huh. And he typically nevercomes by other than, to hear the
quarterly reports and earnings.Uh-huh.
And it was early this time. So Iasked him what he was here for,
and he called me to the back.And he told me he's gonna marry
me off.
Rowan Collins (29:52):
What?
Isaac Allen Burns (29:52):
I'm getting married off to one of the of the
Balthazar family. What? You knowBalthazar Edgar Balthazar, the
viscount of this area? What? Oh.
What is apparently his hisoldest nephew?
Rowan Collins (30:06):
What? Why?
Isaac Allen Burns (30:07):
I don't he didn't explain. He said that I
have been a good asset at thisbuilding and that I've been
highly I've been highlyprofitable here and that I've
loaned through expectedearnings, but he said that I had
better potential. I just he's alot of business words.
Joe Diametti (30:27):
And it just essentially got laid off, but
yeah, into arranged marriage.
Isaac Allen Burns (30:31):
Into an arranged marriage.
Rowan Collins (30:32):
But, Scarlet, that doesn't make any sense. As
a No.
Isaac Allen Burns (30:37):
It doesn't.
Rowan Collins (30:38):
You're, like, the best, like, shop owner ever. I
thought, like, what about yourdream to own your own Apple
business?
Isaac Allen Burns (30:45):
I wanted to take I was
gonna take this really far. I have I have a
great idea. And now they'retelling me they're gonna just
after the Apple Festival, I amto be sent off to the Balthazar
Manor for a wedding.
Annie Hawthorne (30:57):
So Why don't you just say I don't?
Isaac Allen Burns (31:00):
I can't. I can't. He's gonna just take away
the business either way. He'sMaybe
Annie Hawthorne (31:05):
you should open your own business.
Isaac Allen Burns (31:07):
I'd I would have to run away from my I would
start with nothing. You know thesacrifices that I had to do to
even be here?
Rowan Collins (31:15):
Yeah. Like, did your dad make you swear sign
that, like, no dating until youhave, like, a billion dollars of
profits?
Isaac Allen Burns (31:23):
Yeah. It was a billion and 500, but yeah. I
had to I had to I've lostsomething very important to me,
and now I'm losing another veryimportant thing to me. And it
just doesn't seem fair.
Rowan Collins (31:38):
What what
Annie Hawthorne (31:39):
was the first important thing?
Isaac Allen Burns (31:41):
I I she starts sweeping again.
Rowan Collins (31:45):
Oh, Scarlet. Oh, it's okay. I promise. Get it all
out. I promise it's okay.
Isaac Allen Burns (31:49):
I was probably so mean. I was more
mean to him than I should havebeen. I'm did so many know
things? I just couldn't do it. Icouldn't I had to to make my
choice.
Rowan Collins (31:58):
What? Who were you mean to?
Joe Diametti (32:02):
Cut to Kapi. Cut to door slams open and inside
the bakery. Listen here, Carol.
Isaac Allen Burns (32:08):
Gabby, what are you
Joe Diametti (32:09):
You think I don't know so something's up? What are
you Do you think I don't knowyou're involved? Gabby Carol, I
swear, I know we've had ourdifference. If you mess up the
Apple Festival for Scarlettlisten. Weird stuff's going on
in the town.
Don't think I didn't notice youbeing weird.
Isaac Allen Burns (32:24):
Gabby, I swear I didn't find out Carol?
Till today. You did so you soyou do know? Well, yeah. We all
found out sort of at the sametime.
Carol,
Joe Diametti (32:34):
if you don't tell me right now what's going on, I
swear I will I will take thisjacket off.
Isaac Allen Burns (32:41):
I'm oh, if if you know what I know, then you
know that I can't tell you whatit is that I think you know. But
I think know what I know thatyou know that I think that you
think that I know,
Joe Diametti (32:53):
then I am not going to put I have too much
riding on this Carol. The townis in danger. The Apple Festival
is in danger. Scarlet isprobably in danger because of
the other stuff that Carol okay,Carol?
Isaac Allen Burns (33:11):
Just can we just This is really Okay.
Listen. This is really stronglanguage for what I think that
you think I think you know.
Joe Diametti (33:18):
Well, I don't know that it's you think
Isaac Allen Burns (33:20):
that I think what I think you think I know.
Kapi, let's be plain. Alright?You're upset. I can understand
that.
Joe Diametti (33:28):
No, Carol. I'm trying to get to the bottom of
the mystery that is tearing thispot town apart. What mystery?
Oh, here. Yeah.
Isaac Allen Burns (33:35):
Right. This is how the way the world works,
Kapi. These things happen.
Joe Diametti (33:39):
No. These things don't happen not here.
Isaac Allen Burns (33:42):
I mean, you are right. It hasn't happened
here in, I don't think, ever.
Joe Diametti (33:46):
So Exactly. So how are we gonna stop it? And,
Carol, if I find out you'reworking with them?
Isaac Allen Burns (33:51):
I would never. I don't like them. Just
to be very clear, I mean, Idon't know how you're gonna stop
it exactly.
Joe Diametti (33:59):
And how can I trust you? I know we've had our
differences, Carol. I mean,
Isaac Allen Burns (34:04):
Kapi, you know, you come in here a lot and
you ask for fritters every day.I love fritters. And that can't
be healthy for you.
Joe Diametti (34:16):
I work out a lot. I basically burn it off, like,
instantly. Some say mymetabolism might be better or
best ever.
Isaac Allen Burns (34:23):
Right. I wasn't exactly talking about the
fritters themselves. Oh. Gabby,you should just just take a
walk. Just go home and sleep atnight.
You know?
You can
talk about it later.
Joe Diametti (34:33):
Save the town, Carol.
Isaac Allen Burns (34:35):
You keep saying the town. I really don't
look. I'm still on the clock. Idon't have time to hash this out
with you right now.
Joe Diametti (34:42):
Alright, Carol. Just know that I'm my eyes are
on you. Okay? And then I leave,and I head directly to Alright.
Bye, darling.
I head directly to cut back.
Isaac Allen Burns (34:52):
I just look. Okay. I had to say I had to
choose between someone I really,really liked or
be able
to run this business. And I picked I picked
my career over my love life, andI think ever since I just feel
terrible. He comes in every day,and he's he's so awkward. And
it's so cute. And I don't knowwhat to do because I'm working.
(35:14):
So I'm in an awkward place. Soyou probably think I hate him,
but I just don't know what todo. And I,
oh, so
I will be. Oh, I can't even enjoy it's got
they're basically leaving afterthe first day of the owl
festival. And is it some kind ofbusiness relationship? I just
don't know.
Rowan Collins (35:31):
Oh, Scarlet. This is really hard. You should tell
about how you feel.
Annie Hawthorne (35:37):
You should, and it doesn't really seem like you
have that much to
Isaac Allen Burns (35:39):
lose anymore. I mean, but if I if my father
cuts me off, I'll have basicallynothing.
Annie Hawthorne (35:45):
You'll have us.
Rowan Collins (35:46):
You'll have us. Scarlet, look me on the eye
right now and tell me that youdon't think that if you told
Kapi how much you loved him,that he would whisk you away
from this town faster than youcould say apple.
Isaac Allen Burns (36:02):
She thinks for a second.
Joe Diametti (36:03):
Cut to. Kathy burst through the library.
Listen, librarian. Oh, hello.
Isaac Allen Burns (36:09):
Don't think that I'm here to whisk you away
and take it to fucking apple.
Joe Diametti (36:13):
There's something going on here, and you're gonna
tell me what it is. Oh. Youthink I don't know you have
secrets? You think I don't knowthat there's secrets in these
books? Just because I don't liketo read them doesn't mean I
don't know that there's secretsin these books.
Isaac Allen Burns (36:24):
Oh, well, a girl's got a lot of secrets now.
Joe Diametti (36:27):
Yes. So you're gonna You're gonna tell me what
you know.
Isaac Allen Burns (36:30):
Well, I'll tell you this much. You know,
the general of the Vol'Dain armyabout two hundred years ago, he
was quite a looker. You know, Iwas a
Joe Diametti (36:39):
soldier once. Two hundred years ago?
Isaac Allen Burns (36:41):
I'm old. Yeah. I'm really old for a fun.
You know, there was, you know,there was one of the many wars
with between Vol'Dane andArmada. I can't remember quite
how long ago it was.
You remember when, you know,those pirates started, their own
little country. It was a wholething between them. I was
actually a name. I I wasactually a Librarian?
Joe Diametti (37:00):
I could get lost in your eyes as you rattle on
about history all day. However,what is going on in this town?
Isaac Allen Burns (37:08):
Oh, like, what do you mean? Do you mean
what's going on?
Joe Diametti (37:11):
I mean I mean I mean, remember the, remember the
the the episode across thestreet
Isaac Allen Burns (37:17):
a little yesterday? That, that sort of
stranger that came in and talkedto Crank in a really, cringey
way last week. Yeah. He bustedout of a window. K.
Joe Diametti (37:27):
I missed that part. However Yeah. Yeah. He he
was setting us up. There'ssomething going on in this town.
I need I need to know what doyou know. Okay?
Isaac Allen Burns (37:38):
What I know?
Joe Diametti (37:38):
Yeah. What do you know?
Isaac Allen Burns (37:41):
Well, I do know this. Mayraisins, you know,
a lot of people have a lot ofthings to say about Mayraisins.
Joe Diametti (37:49):
Back to it.
Isaac Allen Burns (37:51):
We cut back. I don't I just where
would we even go? I don't
Annie Hawthorne (37:56):
I You could go anywhere. The world's a big
place.
Isaac Allen Burns (37:58):
I need to have a I like having a plan.
Annie Hawthorne (38:00):
You could come to Polaris with me.
Isaac Allen Burns (38:02):
Polaris is so far away. I can't do magic.
Annie Hawthorne (38:05):
Well, neither can I, but I'm learning? We can
learn together. I
Isaac Allen Burns (38:09):
Okay. I this was helpful for me and able to
get things off my chest, but Idon't I think I more just needed
someone to cry to. I don't knowif I'm in a solution oriented
mindset right now. I just okay.Alright.
I'm gonna work today. The AppleFestival is in only a few days.
Rowan Collins (38:28):
Scarlett, what can we try and talk to your dad
at least?
Isaac Allen Burns (38:33):
No. Don't do that.
Rowan Collins (38:34):
Why?
Isaac Allen Burns (38:35):
Oh, don't don't do that. He doesn't. It's
talking to my father is not agood idea unless you are here to
invest. He's tough. He's he's hedoesn't see the world as people
and communities.
He just sees, you know, profitstreams and money.
Annie Hawthorne (38:57):
This is a weird place for him to be concerned
about money.
Isaac Allen Burns (39:00):
Well, he owns all the orchards. It's been very
lucrative for him. You know,they even hired a few people to
come in and do tests on theapples to see if they could do
different strains. I mean,that's
Annie Hawthorne (39:11):
I don't really understand what it is about
apples. I wish that I couldtaste one.
Isaac Allen Burns (39:16):
Look. Thank you, you guys. I really
appreciate it. I'm gonna go backin there. I think I've gotten a
lot off my chest.
I would love to think about,since it seems I only have a few
more days here. I'm gonna do thebest I can. So have fun with the
stale pastries. I'd again, Iappreciate because they we get
(39:36):
charged for every pile of trashthat we have to throw away in
the landfill, so you reallyhelped me out by offloading a
lot of this trash. So thank I dothank you for that, Craig.
And just remember, just again,I'm being so serious. Look at
me, pistachio. I don't don'ttell Kathy anything I said.
Rowan Collins (39:54):
I would I, wouldn't dare tell Kathy.
Isaac Allen Burns (39:58):
And she nods, and she closes the door.
Rowan Collins (40:03):
How do we not tell Kathy everything?
Annie Hawthorne (40:07):
Oh, she didn't tell me not to tell Kathy.
Rowan Collins (40:09):
Oh, that's true.
Isaac Allen Burns (40:10):
That little loophole. Oh, Kathy, you are
walking down the street, and youpass by the bakery again, and
you see your two companions atthe back of the bakery.
Joe Diametti (40:23):
Craig?
Annie Hawthorne (40:24):
Oh, hi, Kapi.
Joe Diametti (40:25):
Is that true?
Annie Hawthorne (40:25):
We've been looking for you everywhere.
Rowan Collins (40:27):
I brought you your apple fritters.
Joe Diametti (40:29):
Oh, hey. Thanks, kid.
Rowan Collins (40:31):
You're welcome. They're fresh.
Joe Diametti (40:33):
Thank you. And he takes a bite and instantly
knows, but recognizes you'redoing something nice. So he's
like,
Annie Hawthorne (40:40):
Apparently, these are stale, but I don't
know what that means. Buteveryone seems to like them when
I get them to them. So
Joe Diametti (40:45):
Yeah. What are you guys doing behind the bakery?
Rowan Collins (40:48):
We were getting pastries. Yes. We were getting
the pastries. Scarlet.
Joe Diametti (40:53):
Oh. Oh. Scarlet? Yeah. So you saw Scarlet?
Annie Hawthorne (40:57):
She's very sad.
Joe Diametti (40:58):
She's sad. Why is she sad?
Annie Hawthorne (41:02):
Because she hasn't seen your face today.
Rowan Collins (41:04):
It is true. She it is true. She hasn't seen your
face today. That is a greatpoint. She has not seen your
face today, and that is whyshe's sad.
Joe Diametti (41:12):
Okay. Alright. This is you guys have weird
energy. I just wanna be clear.Weird energy.
Rowan Collins (41:19):
I was up past 10PM, so that's why.
Joe Diametti (41:21):
Got it. While while listen, I will I will
check on Scarlet later. Rightnow, we are working on something
bigger. Remember last night whenI was telling you about the
conspiracy? Yeah.
That's obviously happening inthis town, right, Craig? Because
acid burrows aren't here. Right?
Rowan Collins (41:40):
Uh-huh.
Isaac Allen Burns (41:41):
Right.
Rowan Collins (41:41):
Right.
Joe Diametti (41:42):
Right. Uh-huh. So here's what we need. I already
grilled Carol.
Rowan Collins (41:45):
Uh-huh.
Joe Diametti (41:46):
I already grilled them. I already grilled Carol,
and I already grilled thelibrarian.
Rowan Collins (41:50):
Okay.
Joe Diametti (41:51):
K?
Annie Hawthorne (41:51):
Uh-huh. You grilled my mother. Why would you
do such a thing? My mother isn'tfood.
Rowan Collins (41:55):
Not grilled as in, like, like, put heat to her,
but, like, grilled doesn't talkto her. Oh.
Joe Diametti (41:59):
Oh. That's interesting. Yeah. I questioned
her.
Rowan Collins (42:02):
I'm really proud you know that word, Kathy.
Grilled? Yeah.
Joe Diametti (42:12):
Okay. So anyways, we all need to go to the next
target, which is
Rowan Collins (42:16):
Okay.
Joe Diametti (42:17):
What was the name, Ash?
Rowan Collins (42:18):
Ash. Ash.
Joe Diametti (42:18):
Ash. We need to go see Ash.
Annie Hawthorne (42:20):
Do we know where to find Ash?
Joe Diametti (42:21):
Yes. Do I know where to find Ash?
Isaac Allen Burns (42:24):
You have no idea.
Joe Diametti (42:25):
He asks into the ether. No?
Isaac Allen Burns (42:27):
Yeah. You have no idea. You could check
one of the taverns or inns.
Rowan Collins (42:29):
Oh, yeah. For sure. I do think, though, Kathy,
you should at least say hi toScarlet Day.
Joe Diametti (42:36):
Pistachio, I, I appreciate what you're doing,
but we need to save the AppleFestival.
Rowan Collins (42:42):
IBD. Yes.
Joe Diametti (42:43):
We need this is number one priority.
Rowan Collins (42:45):
Oh, but but
Joe Diametti (42:46):
You are my cadet.
Rowan Collins (42:48):
You're right. Yes, sir.
Joe Diametti (42:50):
This is our mission. Our mission is to save
the Apple Festival, save thetown wait a minute. Save the
Scarlet, Save the AppleFestival. Save the world. Yes.
Rowan Collins (43:00):
Yes.
Joe Diametti (43:01):
Perfect. So we need to go find Ash.
Rowan Collins (43:03):
Yes. Let's go find Ash.
Joe Diametti (43:04):
Let's go check the tavern. Okay.
Isaac Allen Burns (43:06):
You go into the tavern and you see Miles,
the bartender behind the bar.Oh, hi, Miles. Hey. What's up?
What's up, everybody?
It's me, Miles.
Rowan Collins (43:16):
Hey. I would ask for my regular, but we're on a
mission.
Isaac Allen Burns (43:22):
Oh, okay. How can I He puts the milk away?
Rowan Collins (43:24):
Oh, thank you. Keep it cold for me.
Isaac Allen Burns (43:27):
You know it.
Rowan Collins (43:27):
Have you seen a blue guy?
Isaac Allen Burns (43:30):
He looks at Kapi
Rowan Collins (43:32):
With hoards.
Isaac Allen Burns (43:33):
Oh, with horns. Oh.
Rowan Collins (43:35):
Yeah. Kapi doesn't have horns.
Isaac Allen Burns (43:37):
You know, it's funny you mentioned that
actually because so remember,like, yesterday, some point
y'all were in here last, and youwere talking to those two
peacekeepers. Uh-huh. You knowwhat I mean? You know, it's I
remember this. Uh-huh.
Yeah. Kapi was really risen upone of them. And the four y'all
left and the one dude stayedhere and just kinda like nursed
(44:01):
back one of the drinks. We weretalking. He's pretty cool guy.
He's from the, you know, he'snot from Bracken Roads. He's
asking, like, what do people doaround here? And like all this
different stuff. I was tellinghim, well, people like to fish
in the stream. You know, somepeople like to run around and
kick rocks.
Rowan Collins (44:14):
That is what we call it. Yep.
Isaac Allen Burns (44:16):
So, but then eventually, like, you know, this
guy came in. He had blue hornsand all, and he started talking.
And he was really, like, gettingunder his skin. He was really
getting under his skin as I wasthe peacekeepers name. Mhmm.
And
next thing I know, like, they take it
outside. They get in a tussleand, the blue guy breaks his
leg. Like blue guy just straightup, like he broke his leg. It
(44:39):
was a real cool move. Like,Nathaniel was like, he was
doing, he was like kind ofboxing him.
He was kind of using his feetand the dude was just kind of
like dodging his blows reallyeasy. And it was, like, a flash
of movement. And next thing Iknow, the dude has got his leg
in his hands, and I hear a loudsnap as his Stathaniel, like,
goes down. He's, like, holdinghis leg and crying. That was
(45:00):
crazy.
Joe Diametti (45:01):
Stathaniel?
Isaac Allen Burns (45:02):
Yes. Nathaniel. His leg got broken.
He kinda laid in the groundcrying for a while. And then,
like, Nephena the other one,Nephena, because I know her name
because she ordered a daiquiri,came over, and was tending to
him.
And, like, I asked, like, yo, iseverything okay? And Nefanie
looked up at me. He was like,oh, he was right. And then just
started dragging Stithanielaway. And so they went to the
(45:23):
barracks.
Joe Diametti (45:23):
Wait a minute. When was this?
Isaac Allen Burns (45:26):
Hey, it's me, your GM, Isaac Allen Burns. Most
of the time, I'm here to talkabout mechanics, but here I just
wanna set a a like a recapreminder. If you recall, after
your scuffle with Sebastian, youhad, Kapi had said, oh, it's a
distraction Mhmm. To whichNephenny then left, and then
y'all went to the acidburrowing.
Joe Diametti (45:46):
Oh.
Isaac Allen Burns (45:46):
So Nefanie had left y'all. You think and
you believe, just to be clear,in case any of you had suspicion
that Miles is lying, you haveyou think that perhaps after she
left, she came back here and sawStadania with a broken leg.
That's why you haven't seeneither of them today.
Rowan Collins (46:01):
Oh, gosh. Well
Joe Diametti (46:03):
So should we go to the infirmary?
Rowan Collins (46:06):
They're at the barracks, I think.
Isaac Allen Burns (46:08):
Okay. Alright, Miles. No problem. Go.
See you tonight.
Yeah. Hey. Successful vision.
Rowan Collins (46:15):
Yeah.
Isaac Allen Burns (46:16):
Mhmm. He, goes back in. And that's where
we're gonna end our episode,everybody. So we're gonna end
this session of DodoBorne! Wompwomp. On the way to the barracks
on the yellow brick road orrather the dirty cobblestone
road because that's the kind ofroads.
(46:37):
Hey, gang. Before we go, justwanna shout out a couple of
people, both in the Daggerheartspace and in our space. First of
all, shout out to at DodoBorneunderscore fan art on Instagram
and wherever you get yoursocials. They've been
conglomerating a bunch of reallyawesome fan art of this podcast,
which is amazing.
Joe Diametti (46:58):
It's really great.
Isaac Allen Burns (46:59):
It's so great.
Rowan Collins (47:00):
And, also, told us about a fan fiction?
Joe Diametti (47:03):
Yeah. There's a fan fiction.
Isaac Allen Burns (47:04):
There's a fan fiction.
Rowan Collins (47:05):
Go check
Isaac Allen Burns (47:05):
it out.
Rowan Collins (47:06):
We can all say that it is very much in
character if you need more,DodoBorne stuff. Yes. Shout out
to that.
Isaac Allen Burns (47:13):
Shout out. Yeah. Shout out to them.
Incredible. Amazing.
Also wanna shout out the Delvewith Hope blog that you can find
online. They have a really, theyhave a lot of awesome articles
about dagger heart. My favoritecurrently is the one where they
delved into the math behind twod 12 versus one d 20. Super
awesome stuff there. Go checkthem out.
(47:35):
Also wanna shout out blade boundsaga on YouTube. They've been
really great about postingchanges to the rules and other
updates to dagger heart. So ifyou are interested in following
the development of this,definitely go check them out.
They've been super awesome.Shout out to all those people.
And once again, if you like whatyou're listening to, definitely
(47:56):
give a shout out, give us a fivestar reviews on apple podcasts,
wherever you get your podcasts.It really goes a long way to
helping us out. Thank you somuch for listening. We love it.
Tell your friends, tell yourfamily, tell your coworkers,
tell, your neighbors, tellanybody you meet on the elevator
or the bus or the subway.
Joe Diametti (48:16):
We're cutting that. Okay. We're cutting that
on that one.
Isaac Allen Burns (48:19):
Anyways, tell everybody you can. Tell your
friends. Tell everybodyword-of-mouth really goes a long
way to helping us out. Five starreviews also go a really long
way. So just tell us what youthink, if it's positive.
And that's where we will leaveoff with our DodoBornes today,
everybody. Squawk on three. One,two, three. Squawk. Hey.
(48:49):
It's a podcast.
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