Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Isaac Allen Burns (00:31):
Hey,
everybody. Welcome to this,
another episode of DodoBorne.It's me, your GM, and your
icosahedron, Isaac Allen Burns.And joining with me today are
three other platonic solidpolyhedrons. To my left, my
tetrahedron, I have one RowanCollins.
Rowan Collins (00:51):
You're making me
do math on this episode.
Isaac Allen Burns (00:54):
And, next to
Rowan Collins is my octahedron,
one Joe Diametti
Joe Diametti (01:00):
You're making me
learn words, and that makes me
uncomfortable.
Isaac Allen Burns (01:03):
And next to
Joe, we have one dodecahedron
named Annie Hawthorne.
Annie Hawthorne (01:10):
That's 12.
Right?
Isaac Allen Burns (01:12):
Yeah. That's
right. And for those who are
listening, just so you know, aplatonic solid is a convex
regular polyhedron inthree-dimensional Euclidean
space, which is super coolbecause those are also the
shapes of all your dice. That'sright. We're here to teach you
something.
We're here to learn something.And I think without further ado,
I, your Dtwenty, youricosahedron, Isaac Allen Burns,
(01:34):
are gonna take you on a newjourney in the world of Altea.
Pause for music. Anyways, justto recap the last episode, our
(02:51):
gang went to sleep. They hadrevealing dreams perhaps that
dove into some of their greatestnightmares, or was it all just
crazy dream logic?
I guess we're gonna find out.But in any case, they woke up
with a variety of emotionsregarding what they had all
seen. Kapi left in a hurry toconfront Cyrus himself, claiming
(03:13):
that he knew stuff that hewasn't letting the people in on.
Kapi also questioning why he wasstill a rookie after eight long
years. Meanwhile, our twofriends
Rowan Collins (03:23):
Best friends.
Isaac Allen Burns (03:24):
Best friends.
Please. Frank and Pistachio went
to the bakery and talked toScarlett who revealed some
dramatic news in that she wasgetting married off to one of
the nephews of Viscount EdgarBalthazar. In shock, they asked
if she thought that Kapi wouldtake her away if he knew that
she still somewhat had feelingsfor him. Kapi, at the time, was
(03:48):
interrogating random citizens ofthe town.
Finally getting back together,our three heroes elected to go
to the barracks based on somenews that they heard from Miles,
the bartender, that Stethanelgot his leg broken by none other
than Ash. We find them now onthe way to the barracks. As you
know, this is a very small town.Wilderness is all around you.
(04:10):
And as you walk towards thebarracks, you step past the
wooden gates that sort ofsurrounds the town.
When I say gates, I'm being sogenerous. It's the kinda, like,
just gates that were put upthere just to say you have a
gate. It's not really gonnadefend anything because, you
know, Dragon Road hasn't seenthat kind of action. But you
step outside. You pass by twoolder peacekeepers.
Right? Some of the vets who'vebeen here a long time. Most of
(04:32):
what they do is just kinda sitat the gate. They nod to you as
you leave. As you head towardsthe barracks, you swear once
again in the corner of youreyes, you look out in the
forest.
There's just a twinkle, strangetwinkling, almost like a glow
beckoning you towards it. Butyou've got a mission, and you
keep walking. The barracksoutside of here were set up
(04:52):
during the civil war, so theyare very recent and very modern.
It was originally thought thatthis was going to be a sort of
headquarters for the Volhanearmy. Unfortunately, due to its
lack of tactical positioning ofBracken Road, it didn't really
surmount.
So you've got, like, a hugebarracks. It's, like, three
stories. Could probably holdabout a hundred soldiers, and,
six people are in it. So well,you head up to the front gates,
(05:15):
and you see there they are, thethe barracks. The gates are
open.
The barracks are just out ofyou.
Joe Diametti (05:20):
It's going?
Rowan Collins (05:21):
Yeah. Alright.
Isaac Allen Burns (05:22):
You head up.
You knock on the door, and they
swing open lazily because noone's guarding it. And inside,
you see one of the peacekeeperswho's there. He's on front desk
duty today, and he is fullyasleep.
Rowan Collins (05:35):
Hello? I like Try
and tap him lightly.
Isaac Allen Burns (05:43):
Attention.
Soldiers
are yeah.
Alert. You three, are you
scheduled for a meeting today?
Joe Diametti (05:52):
Are you in a place
of being able to question
Isaac Allen Burns (05:58):
my Yes. I am.
I am the front desk sergeant.
I'm not a sergeant, but I'm thefront desk person.
Joe Diametti (06:02):
Yeah. And state
your business here immediately.
Yeah. We're just looking for ablue guy with horns.
Annie Hawthorne (06:07):
We're also
looking for a Nathaniel. We
heard he broke his leg.
Isaac Allen Burns (06:10):
Those two
things are related. We heard of
a blue horned individual who washarassing one of our soldiers
and wound up attacking him. Andthough our soldier definitely
evaded his blows, he tripped ona rock and broke his leg. And
that is the story we were toldby that soldier. But you want
information on the blue hornedindividual.
(06:30):
Do you have any information forus?
Rowan Collins (06:33):
Well,
Isaac Allen Burns (06:33):
Speak with
your chest, soldier.
Rowan Collins (06:36):
Yeah. The blue
horned individual broke that
guy's leg What? In half.
Isaac Allen Burns (06:41):
That doesn't
Rowan Collins (06:42):
When is
corroborated?
Isaac Allen Burns (06:45):
That doesn't
track with the story we were
told.
Rowan Collins (06:47):
Well
Isaac Allen Burns (06:48):
One of these
must be a lie.
Rowan Collins (06:50):
Considering
Sothaniel's kind of,
embellishing a lot of theirstories, maybe it's that one.
Isaac Allen Burns (06:58):
What? Who
would accuse your fellow soldier
of hyperbole? Yes.
Rowan Collins (07:01):
Yes.
Isaac Allen Burns (07:03):
These
soldiers need more discipline.
What to do here? I'm at a loss.Well
Rowan Collins (07:08):
We could figure
it out for you if you let us
talk to Nathaniel.
Isaac Allen Burns (07:12):
This is true.
A professional should look into
this. Well, gumshoes, I'mofficially hiring you as private
investigators. Oh. So follow meto the victim, and he marches
down the hall.
Annie Hawthorne (07:24):
I march behind
him.
Rowan Collins (07:25):
I look at, Kathy
and, Craig and go, okay. So
what's the plan of this guy?Who's the good cop? Who's the
bad cop? And who's theincompetent cop?
Joe Diametti (07:35):
Guys, let's not
give into the theatrics here.
Everything these people do isjust so
Rowan Collins (07:40):
So you wanna be
the good cop?
Annie Hawthorne (07:41):
Definitely not
okay. He's not giving into the
theatrics.
Isaac Allen Burns (07:45):
Oh, yeah.
Says this as he's marching
behind the guy as as you'rewalking behind.
Joe Diametti (07:50):
Alright. I'm not
gonna play good cop with
Stutthaniel. First off, his nameis Stutthaniel. I'm not going to
I'm not gonna pretend to have agrown up conversation with a man
named Stutthaniel. Grow up.
Isaac Allen Burns (08:02):
Yeah. What a
dumb name. Yeah.
Annie Hawthorne (08:03):
I'm really sure
he picked that name.
Rowan Collins (08:06):
Yeah. I think his
parents probably picked that
name.
Joe Diametti (08:08):
Yeah. Probably
because they knew he was never
gonna grow up. Harry.
Rowan Collins (08:12):
See, he seems to
be a little better.
Annie Hawthorne (08:14):
Yeah. That was
more Kapi like, I wasn't saying.
Rowan Collins (08:16):
Alright, Kapi.
You could be the bad cop then.
Joe Diametti (08:18):
Perfect.
Rowan Collins (08:19):
As in the bad ass
cop. Yo.
Isaac Allen Burns (08:23):
Language
soldier, says the soldier in
front of you.
Rowan Collins (08:26):
I'm sorry.
Isaac Allen Burns (08:27):
Eventually,
he eventually, he leads you to a
door with a, nine pointed staron it that says infirmary.
Busting inside. Well, I saybusting. That sounds really
Annie Hawthorne (08:39):
he sorry.
Isaac Allen Burns (08:40):
Let me try
that again. Let me take that
again. Opening the door. Buy the
Joe Diametti (08:43):
barrick dinner
first.
Isaac Allen Burns (08:46):
He does not
pull a, episode 25 of Neon
Evangelion. He instead goes,that's a deep cut for
Rowan Collins (08:53):
two people. Deep
cut.
Isaac Allen Burns (08:54):
He, he walks
inside the door very calmly as a
soldier would and stands atattention. And you see inside is
a bed, a single bed. And layingon that bed is Nathaniel, his
leg in a cast and his face in afrown, and he sees the three of
you, and his eyes roll. He says,come to gloat that I broke my
leg by falling on a rock.
Annie Hawthorne (09:14):
That's not
true. You both
Isaac Allen Burns (09:16):
know it.
What? What do you know?
Joe Diametti (09:18):
Oh, I love I love
badass Craig. I I whisper to
Pistachio.
Isaac Allen Burns (09:23):
What do you
mean, robot? You don't know
anything. I know more than youthink I know. What? What's that
supposed to mean?
Expound. It
Annie Hawthorne (09:29):
means I talk to
the bartender.
Isaac Allen Burns (09:31):
Oh, shit. Hi.
Real quick.
Joe Diametti (09:32):
Where is it? Have
you seen, Nefanie? For no
reason. Just a
Isaac Allen Burns (09:36):
Nefanie's on
a patrol right now.
Joe Diametti (09:37):
Yeah. Nefanie's
okay. It was Craig. Do your
thing.
Annie Hawthorne (09:40):
So what
happened between you and Ash?
Isaac Allen Burns (09:43):
Well, I was
at the bar waiting for you
losers to go get eaten by a acidburrow or whatever. To fight? I
did not pick a fight. He camein, and he was talking to me. He
seemed cool at first, and thenhe was called me a government
dog.
Couldn't handle his one drink. II was I was not talking to
walking back
Joe Diametti (10:01):
and forth behind
Craig, like like the worst hype
man you've ever seen.
Isaac Allen Burns (10:06):
He started he
started calling me a bunch of
just a bunch of inappropriatethings that I did not
appreciate. That is probablytrue. Oh. And so I told him to
stick it where the sun don'tshine. You're kidding.
You're probably coward. And hetold me that he could he could
take me. And so I said, youcan't take a proud soldier of
Volvane. So we went outside, andbefore I could swing on him, I
(10:27):
tripped on a rock and broke myleg.
Rowan Collins (10:29):
Uh-huh.
Isaac Allen Burns (10:29):
Rock kicked
your ass?
Annie Hawthorne (10:31):
Yeah. Have you
ever seen this man before?
Isaac Allen Burns (10:34):
No. I've
never seen him before. He was
just, like, he just showed up.He was talking shit. And then
after he's after he watched mebreak my leg
Rowan Collins (10:43):
You mean broke
your leg in half?
Joe Diametti (10:45):
I wanna do a
presence check.
Isaac Allen Burns (10:47):
Yeah. Or a
Joe Diametti (10:48):
yeah. A presence.
Rowan Collins (10:49):
Oh.
Isaac Allen Burns (10:50):
Well, what
are you trying to do? Hang on.
What's Kathy trying to do?
Joe Diametti (10:52):
I wanna do an
instinct check, I lied. I wanna
perceive.
Isaac Allen Burns (10:55):
Oh, okay.
Joe Diametti (10:56):
Do it up. My
instinct is a plus zero.
Isaac Allen Burns (10:57):
Okay. Do it
up.
Joe Diametti (10:59):
That's a 10 with
hope.
Rowan Collins (11:02):
What is thinking
of that? What are you
perceiving?
Joe Diametti (11:05):
Oh, yeah. I guess
I I guess I'm just, I'm trying
to perceive if he knows anythingelse or if there's anything else
that's, like, part of the storythat he's leaving out besides
the fact that he obviously gothis ass kicked.
Isaac Allen Burns (11:15):
Yeah. So this
is definitely an instinct check.
You can tell a 10 with hopethat's pretty good that would
succeed at sussing outsomething. So as this guy's
talking, sometimes, when we tryto tell a lie, it's best to tell
half truths. This guy is We're
Joe Diametti (11:31):
here to teach you
something.
Isaac Allen Burns (11:32):
We're here to
teach you something. And so as
you are watching him talk aboutit, he is clearly lying about
his leg getting broken. Like,clearly, it was broken by this
guy. Mhmm. But the way that heis talking about this guy,
because he talks a little moreabout it.
The way that you notice he talksabout it is he almost seems
(11:53):
uncomfortable by him. Not in away of, like, oh, I'm mad that
he broke my leg. I would takehim on again. More like, I don't
wanna mess with that dude again.And it seems to go beyond just
he got overtaken in battle.
Joe Diametti (12:07):
Mhmm. Nathaniel. I
wanna, like, flip the chair
around and sit in it like a oldteacher. I feel like I've
already done this bit.
Isaac Allen Burns (12:13):
I'm just I'm
gonna do it as a captain. Yeah.
That's how Kathy talks.
Joe Diametti (12:17):
He flips the chair
around. He suspects, Nathaniel.
Listen. We all get scaredsometimes. I don't, but I could
see how someone named Stefanielswould.
Rowan Collins (12:28):
He's lying.
Frank? Shh. He's a he's a good
cop.
Joe Diametti (12:33):
Frank, not in
front of the kids. So listen.
Why don't you help us out? Okay?Just can you tell us anything
about where he went, if therewas any part of the story that
you feel you've left out besideshim obviously breaking your leg?
Was there foul play? Was theremagic? Was there anything that
(12:55):
you can give us about whathappened and or where he went?
And we'll go take care of it,big bad man.
Isaac Allen Burns (13:04):
He's
bristling at you with your
condescending tone.
Joe Diametti (13:07):
I kiss him on the
forehead.
Isaac Allen Burns (13:09):
Kinda like,
he's like, oh, don't don't touch
me. I'll get you right now. Ifmy leg hadn't been broken by
falling on a rock, I would whatI would do.
Rowan Collins (13:17):
Oh, really? Okay.
And, Pistachio will reach out to
his leg and just, like, tap itreally hard, and then they tap
it really hard. They will cureit. Three hit points.
Isaac Allen Burns (13:30):
Three hit
points. You heal the leg.
Pistachio, we flashback to aconversation that you had once
with the priest. The priest istalking to you. This is shortly
after the Quackers incident, andyou're sitting there in front of
the priest, and the priest says,look, kid, pistachio.
(13:51):
I don't know quite how to tellyou this, but, see, magic and
various connections to healingmagic is very useful for healing
various maladies and wounds anddiseases. And when we use too
much magic, there are certainside effects that can occur.
Think of it like there are partsof the body, that will grow
(14:15):
weaker as that sort of relies onmagic. Right? Another thing is
that the body sometimes healsvery slowly, and so magic is a
very fast process a lot oftimes.
And so when things heal veryquickly, it can often be a very
painful like, for instance, ifyou broke your arm and it
doesn't get set properly and youjust use magic to fix the arm,
it's gonna be a very painfulprocess of where the bones sort
(14:38):
of bend themselves, but in a waythat's a little less natural.
And even when the bones are set,if they get healed instead of,
like, having allowing time forthe body to naturally heal it,
it can be very painful. It'sreally good, in high intense
situation because whenadrenaline is pumping, you won't
even feel it. You know, yoursoul acts as a natural defense
(14:58):
mechanism. But, you know, in alot of ways, that's why people
become doctors because we needto learn ways, you know,
holistically to do it.
And, Pistachio, I really gottatell you, I know you really
wanna be a doctor, and you havereally great grades. But you
have really good grades forsomeone who is here in Bracken
Road. Right? If you wanna go toa really good medical college,
(15:20):
being from here has certainchallenges. So maybe try a year
of being in the adventuringguild, and that could probably
propel you to be able to getinto those schools where you
could be a doctor.
How does that sound to you?
Rowan Collins (15:34):
You mean, it
won't take me from here because
I'm what? We're we're bad atteaching?
Isaac Allen Burns (15:41):
No. It's not
that we're bad at teaching. It's
just that, certain individualswho want to pursue this line of
work have various resources thatwe just don't have access to
here. Some of them have tutors.Their schools are able to
provide more for them.
It's not that we're bad. It'sjust that we don't have access
to this resource.
Rowan Collins (16:00):
So when I got a
heal, like, fifteen broken legs
and, like, patch up, like,twelve different stitches and,
like, see the inside ofsomebody's skull before it'll
take me on?
Isaac Allen Burns (16:12):
Well, think
of it as experience is a great
teacher. Right? If you'resomeone who has a year of
experience in the adventuringguild where you're healing
people in high intensesituations, having to make those
snap decisions, that could gofar away, in sort of the
placement. So you can certainlystill try. I just think that,
you know, take a year just tosee what medicine can be like.
(16:32):
Because I think that if youspend that time healing people
in that way, I think you'll geta really good appreciation for
how important, like, propermedicine and proper healing is.
You know? You can't just slap abroken leg and make it bend
together just like that, and wecut forward, and you hear a
vicious grinding of bone. AndNathaniel screams really loudly
(16:54):
and grips his leg and says,okay. Okay.
Okay. Okay. Okay. Okay. Okay.
Oh, so
Rowan Collins (17:02):
that's what the
priest
Isaac Allen Burns (17:05):
meant. Okay.
Okay. I'll tell you. Okay.
Look. Okay. Yeah. He broke myleg. Okay?
He got I don't know. He moved sofast. I tried to hit him with a
round with the roundhouse kick,you know, because, you know, the
roundhouse kick's so strong. I Iget hit so hard, and yet he got
around it, got behind it, had myleg above my head, and next
thing I know, I felt a sharppain, and I was on the ground,
and he went, look. Okay.
(17:26):
He leaned down and whisperedinto my ear, and he said, soon,
this will all be dust and ash.And then he walked away, and he
walked, like, kinda northeast.Okay. And I was freaky, and
actually, you know and thenStephanie comes up and says that
all of you ran off towardssomewhere, and then I passed out
(17:48):
from the pain. Okay?
But it was really freaky. Hekinda he looked at me with eyes
of, like, he's oh, look. He'she's freaky. Okay? I didn't like
that guy.
Rowan Collins (17:57):
Hey. Thank you.
Sorry about your leg. Quick
huddle, guys. I think
Isaac Allen Burns (18:01):
I'm gonna
pass out.
Rowan Collins (18:02):
Here's some a
pistachio will grab into their
fanny pack. They will have,like, a little thing of alcohol,
and then that'll say, here yougo. I should've done that first.
Isaac Allen Burns (18:11):
He is fully
passed out. His eyes have ruined
Annie Hawthorne (18:13):
his eyes. Oh,
Rowan Collins (18:14):
I will just,
like, splash it on his face.
Isaac Allen Burns (18:17):
My eyes. Oh,
my eyes. Look out of my eyes.
Rowan Collins (18:20):
Oh, my eyes.
Isaac Allen Burns (18:22):
Holy Get out
of my room. Get out of here.
Okay? You win. Is that what youwanted to hear, you blue guy?
You win. Okay?
Joe Diametti (18:29):
Not like this.
Come on, Pistachio.
Isaac Allen Burns (18:32):
Guys burn so
bad. It
Rowan Collins (18:33):
burns so bad.
Joe Diametti (18:34):
Frank, this is
your your one job is to watch
Pistachio. Make sure that theydon't get weird.
Rowan Collins (18:41):
I was doing a cop
and a cop. Did I do it too good?
Joe Diametti (18:46):
You,
Annie Hawthorne (18:47):
it was very
convincing to me.
Joe Diametti (18:48):
Very convincing.
Let's go have the huddle.
Rowan Collins (18:51):
Okay. Okay. Okay.
Wow. I
Annie Hawthorne (18:55):
I like Neil to
be a part of the huddle.
Rowan Collins (18:59):
I like to stand
on my toes. Okay. So north
Isaac Allen Burns (19:03):
eye level
with Kathy.
Rowan Collins (19:05):
So north
northeast. Okay. Okay. This is
gonna sound really weird, butdid you see a sparkle, a glint,
a glimmer in the Northeastdirection?
Joe Diametti (19:16):
A north Northeast
what?
Rowan Collins (19:18):
Direction.
Joe Diametti (19:19):
Okay.
Rowan Collins (19:20):
What did you
think I said? Get out of here,
you sicko.
Joe Diametti (19:26):
I feel like happy
wouldn't admit if he did. Let's
you know what, kid? Let's assumeyou saw a sparkle, a glint, a
glibber in the north direction.Northeast. Northeast direction.
Rowan Collins (19:38):
Did you see it
quick? Direction.
Annie Hawthorne (19:40):
I think so. It
was like it was there or not. I
wasn't sure if I was dreamingagain.
Rowan Collins (19:44):
I think we need
to go that direction. We need to
be ready.
Joe Diametti (19:48):
Alright. Listen.
I'm I'm willing to take lead on
this, not because I sawanything. I feel like we've been
spending too much time together.Right?
You guys are talking abouthaving the same dreams and
seeing the same glibber.
Rowan Collins (19:59):
We're becoming a
real team, Kathy. We're like
brothers only closer.
Annie Hawthorne (20:07):
I was very,
Joe Diametti (20:08):
Okay.
Isaac Allen Burns (20:10):
So,
Joe Diametti (20:10):
yeah, let's go.
Rowan Collins (20:12):
Yes. That was a
Spongebob joke.
Isaac Allen Burns (20:13):
Because I
Annie Hawthorne (20:15):
looking at Kapi
while he's Uh-oh. Pretending not
to know all of this. Yeah. Do Ithink he's lying about the dream
and about the glimmer?
Isaac Allen Burns (20:24):
Oh, give me
an instinct check.
Rowan Collins (20:28):
I feel like
Pistachio trusts Kathy a %
except around their mother, sowe'll not even try.
Annie Hawthorne (20:37):
That's only a
nine with fear.
Isaac Allen Burns (20:39):
A nine with
fear. You know, this is
something small, so I'm justgonna bank that fear. I'm gonna
bank it. So I now have anotherfear. Hi.
Me, GM. Isaac Allen Burns here.I currently have quite a few
fear. I can't wait to find outhow I'll use it. Anyway, back to
the story.
You look at Kapi. Kapi is in astate. I think that's the thing
(21:01):
you can tell most. There's a lotgoing on in Kapi mind. Whether
or not he did or didn't see it,something has kind of maybe
gotten under his skin.
Maybe it's thrown him offbalance. Maybe he's off kilter.
I don't think Crank knows, butCrank can definitely tell
(21:21):
something's going on with Kapi.
Annie Hawthorne (21:24):
Well, as we're
walking towards the Northeast, I
will just be like, how are youdoing, Kapi?
Joe Diametti (21:30):
Oh, I'm I'm good,
Crank.
Annie Hawthorne (21:33):
You seem weird.
Weird? Me?
Joe Diametti (21:35):
First off, I'm the
coolest one out of this trio. I
wanna be I wanna be very clear.
Annie Hawthorne (21:40):
Yeah. That's
right. Actually, I don't emit
heat, so I don't think that'strue. Oh, wait. You just seem
not yourself today.
Would you like some fabric? Ican probably find you some.
Joe Diametti (21:52):
No. I I think I've
got I think I've got all the
fabric I need, cranky.
Annie Hawthorne (21:57):
Appreciate it.
I've got more apple fritters.
Joe Diametti (22:00):
Okay. I'll take I
mean, I'll take
Annie Hawthorne (22:01):
an apple
fritter. An apple fritter.
Joe Diametti (22:03):
Yeah. I just eat
it, like, for some.
Annie Hawthorne (22:07):
You know, if
you ever wanna talk, you know,
I'm here. I don't have ears, butI do have audio receptors.
Craig.
Isaac Allen Burns (22:16):
Okay.
Joe Diametti (22:20):
Okay. Yeah. I
don't know. We I just think
we're all probably hiding stuff.Right?
Isaac Allen Burns (22:27):
Oh.
Joe Diametti (22:27):
Like, where do you
go with the red eyes? Where does
Pistachio when they're talkingabout being a doctor and also
doing magic? And Well, admireinto a dodo once an episode. I
just think
Rowan Collins (22:39):
What's an
episode?
Joe Diametti (22:42):
I just think I
just I just think that maybe
it's better for us in the longrun that we don't get too close.
Right, Craig? Because you'regonna go be a wizard. That's the
plan. Right?
Annie Hawthorne (22:54):
You're not
coming with me?
Joe Diametti (22:56):
To Polaris.
Annie Hawthorne (22:57):
A wizard?
Joe Diametti (22:57):
To Polaris.
Annie Hawthorne (22:58):
Mhmm. I invited
Scarlet too.
Joe Diametti (23:02):
No. No. Scarlet
has her life mapped out here. I
don't know
Isaac Allen Burns (23:06):
if that's
Joe Diametti (23:07):
true. It's going
to do very well.
Annie Hawthorne (23:09):
I don't know if
that's true either.
Joe Diametti (23:10):
And I also have my
life mapped out here.
Annie Hawthorne (23:13):
I don't think
that's true either. But if it
makes you feel better, I cantell you where I go and my eyes
turn red. I shrink down really,really small, and I go deep deep
inside. And all I can do is seeand hear, and I don't have
control over my actions.
Joe Diametti (23:29):
Wait
Rowan Collins (23:29):
a second. Hold
on. That doesn't sound healthy
either. Has the resident doctorin training? I think you should
see a doctor.
Annie Hawthorne (23:38):
I don't know if
what I need is a machinist. But,
anyway, I'm just I'm not tryingto hide anything.
Joe Diametti (23:45):
Okay. Well, why do
you wanna become a wizard?
Annie Hawthorne (23:48):
Well, I wanna
become a wizard because my
master was a wizard, and and hewas he was gonna do great
things. And I need to carry onhis legacy.
Joe Diametti (23:57):
He was a mentor?
Annie Hawthorne (23:59):
He was my
mentor.
Joe Diametti (24:00):
Yeah. Did he
support you?
Annie Hawthorne (24:03):
I think so. I
think we supported each other.
Joe Diametti (24:05):
Yeah.
Annie Hawthorne (24:06):
He taught me a
few things. He gave me these
fancy gauntlets. They somehowturn on. I haven't been able to
figure that out yet.
Joe Diametti (24:12):
They look cool,
Craig.
Annie Hawthorne (24:14):
Yeah. They hit
hard.
Joe Diametti (24:15):
Well, it sounds
like he set you up for success.
Annie Hawthorne (24:17):
Yeah.
Joe Diametti (24:18):
Yeah. Did
Rowan Collins (24:19):
your mentor not
set you up for success?
Joe Diametti (24:22):
Oh, god.
Rowan Collins (24:23):
Kathy, I feel
like it would help you if it got
out of your body.
Joe Diametti (24:28):
If it got out of
my body?
Rowan Collins (24:30):
Yeah. Whatever
you're not saying is stuck in
here between your shouldersright here.
Annie Hawthorne (24:36):
Yeah. I think
it comes out your eyes.
Joe Diametti (24:38):
My eyes.
Rowan Collins (24:39):
Yeah. It's
sometimes And sometimes we
Annie Hawthorne (24:41):
can get some
cloth to help.
Rowan Collins (24:44):
If it would make
you feel better, I could turn it
to an emotional support dodo.
Joe Diametti (24:48):
This is feeling
like more of an intervention.
The further we walk. Guys, Ijust wanna save the town. Don't
we all wanna save the town?
Rowan Collins (24:56):
We do.
Joe Diametti (24:56):
Save the Apple
Festival. Save the girl.
Annie Hawthorne (24:58):
Yeah. Save the
barista. Save the world.
Joe Diametti (25:00):
Save the barista.
Save the world.
Isaac Allen Burns (25:02):
Yes.
Rowan Collins (25:02):
Save the barista.
Joe Diametti (25:03):
Alright. Hands in.
Crank first because I don't want
the crushed. Alright. Hand in.
Pistachio on top.
Rowan Collins (25:10):
I am on
Joe Diametti (25:10):
top. Save the town
and stop bringing up emotional
trauma on three. One. Two,three. I refuse to make that
promise.
Rowan Collins (25:21):
I refuse to make
that promise.
Annie Hawthorne (25:24):
I mean, I I
don't know. Is it never mind.
Isaac Allen Burns (25:30):
The three of
you have been walking for a
while. And as you look up, time,has gotten almost past you guys.
The sun is beginning to sinklazily down towards the horizon.
And it's probably about lateafternoon when the three of you,
following some kind of path,it's weird. You look down at the
(25:54):
ground, you don't see a path,but your feet seem to know where
to go.
Almost something pulling youtowards it. You find yourself in
a sort of glen close to themountains up north. There are
stones and ruins overgrown withtrees and vines all around.
(26:15):
Something was here at one point,but now it's well taken over by
nature. Three of you stepfinally into this little
clearing within the glen.
Behind this clearing, you cansee almost a sheer wall, a cliff
face of the mountain, and yet infront of it, you see this large
circular dais. It seems veryfamiliar to the three of you,
(26:40):
almost like what you saw in thatdream. Three of you are standing
there. You see towards the backof this dais, the opposite side
from where you stand, so itlooks like an altar with a small
indent going across it. It isempty, but it is there.
And this is what the three ofyou see.
Annie Hawthorne (26:58):
I imagine think
I like it here.
Joe Diametti (27:01):
I imagine it's one
of those things where we were
having that conversation, and wejust look up, and all of a
sudden, we're there. But wedon't really
Isaac Allen Burns (27:07):
Yeah.
Joe Diametti (27:07):
Know how we ended
up there.
Rowan Collins (27:09):
I'll at the end
of Mulan's, like, I'll make a
man out of you when they justlook up and there's a decimated
village. That's the, like, kindof
Joe Diametti (27:16):
Yeah. Yeah. Yeah.
Isaac Allen Burns (27:17):
Yeah. You see
overgrown ruins all around you.
And yet this clearing here, nota speck of dust on the stones of
this diet. What?
Annie Hawthorne (27:26):
Is it quiet, or
do we hear the sounds of nature?
Isaac Allen Burns (27:29):
You hear the
rustling of the leaves and the
trees. You hear a distantflitter of a bird. You hear the
rustling of underbrush. Natureis very much alive here.
Rowan Collins (27:41):
Should I talk to
the grass?
Joe Diametti (27:44):
I mean, there's
birds.
Rowan Collins (27:45):
Or birds. Would
it make you more comfortable if
I talk to birds?
Joe Diametti (27:48):
I just think if
we're going off the things that
might be able to help us.
Rowan Collins (27:53):
Oh, that's true.
They are more brady. I look
around to see if there's a birdthat I could talk to.
Isaac Allen Burns (27:59):
Yeah. You
look around, Pistachio, and you
see with your eyes as you'relooking, you see a lone turn
sitting on a branch high aboveyou.
Rowan Collins (28:10):
Okeydokey. I will
try to talk to it.
Isaac Allen Burns (28:14):
Very good.
Use that ability that you have.
Rowan Collins (28:17):
I sure will. I
will ring. I'm doing an instinct
roll to see if I could I rolleda 17 with hope. So
Isaac Allen Burns (28:27):
Wow. That's
so good. That's really good.
Rowan Collins (28:30):
Will hopefully
give me the new information that
they know. So I will actually, a19 with hope. Pistachio will
turn to the bird and go, hello,turd. Are you You're not
touching. What is what is thisplace?
Isaac Allen Burns (28:46):
Tweet tweet.
What's that? What's this place?
Rowan Collins (28:49):
Yeah. What's This
is
Isaac Allen Burns (28:50):
a forest.
Don't you see the trees?
Rowan Collins (28:52):
Yeah. But what's
that? You silly.
Isaac Allen Burns (28:53):
You silly,
little goose. Uh-huh. What'd you
want? I'm not
Rowan Collins (28:57):
a goose. But From
Isaac Allen Burns (28:58):
up here, you
look like a goose. You got a big
long neck. You're walking andwaddling around. I no. I I don't
wanna know what this place is.
It's a forest, silly.
Rowan Collins (29:08):
Yeah. But what's
that dais thing?
Isaac Allen Burns (29:10):
Oh, I know I
know instinctually what it is.
It's a place of great power. Ireally like being near it. Makes
me feel good.
Rowan Collins (29:17):
It makes you feel
good?
Isaac Allen Burns (29:19):
Yeah. Being
near it makes me feel good. Do
do
Rowan Collins (29:23):
do do do. Oh, I
it's not time for dancing turd.
Isaac Allen Burns (29:26):
It's time for
dancing, especially when there's
another bird around. You see anyother turds? I'm trying to get
some. You know what I mean?That's what I do as a bird.
Rowan Collins (29:35):
Wow. Okay. Remind
me not to be a dodo. I if I turn
to everybody else, remind me notto be a dodo in here. That turd
is very horny.
Isaac Allen Burns (29:44):
Oh, you're
turning to dodos?
Annie Hawthorne (29:46):
Doesn't look
like it has horns to me.
Rowan Collins (29:49):
Yeah.
Joe Diametti (29:49):
What's it saying,
Pistachio?
Rowan Collins (29:51):
Oh, it's saying
this is a place of great power.
Joe Diametti (29:53):
Great power.
Isaac Allen Burns (29:54):
Great.
Talking to your friends over
there?
Rowan Collins (29:55):
Yeah.
Isaac Allen Burns (29:55):
Hey.
Rowan Collins (29:55):
Do you
Isaac Allen Burns (29:56):
have any good
turds?
Rowan Collins (29:57):
I don't
Isaac Allen Burns (29:58):
know any
other fellow turds looking like
me, but different from me.
Rowan Collins (30:00):
Yeah.
Isaac Allen Burns (30:01):
I'm trying to
lay some eggs. You know what I
mean?
Rowan Collins (30:03):
Yeah. I know.
Sweet tweet. I know. You have to
further your species
Isaac Allen Burns (30:06):
in any
Rowan Collins (30:06):
way possible.
Isaac Allen Burns (30:07):
It's really
easy around here.
Joe Diametti (30:08):
Not like the dodo.
Rowan Collins (30:10):
Really easy
around here?
Isaac Allen Burns (30:11):
Yeah.
Everything's fertile around
here. Everything's fertile?Yeah. Plants grow real easy
here.
Tweet tweet.
Rowan Collins (30:16):
Like how easy?
Isaac Allen Burns (30:18):
Oh, really
easy. Look around you. Did you
know that this used to be aplace that had a bunch of, like,
big stones? Like, someone putthem there. Tweet tweet like a
nest, Or for people walkingaround on two legs.
Rowan Collins (30:28):
Oh, wow.
Joe Diametti (30:28):
Love this fucking
bird.
Isaac Allen Burns (30:29):
Yeah. And
then it, then it wasn't. At
least that's what the ancestorstell me.
Annie Hawthorne (30:34):
I have
ancestors.
Rowan Collins (30:35):
Okay. Have you,
have you touched the dais?
Isaac Allen Burns (30:39):
Oh, no. I
will I haven't done that.
Rowan Collins (30:40):
Do we do it? Why?
Isaac Allen Burns (30:42):
I'm not
supposed to.
Rowan Collins (30:43):
Why?
Isaac Allen Burns (30:44):
That's just
as instinctually. I know. I'm
not the kind of person who'ssupposed to. There are people
who are supposed to touch it,but I'm not one of them.
Rowan Collins (30:49):
Would you know
internally if you were a person
to touch the dais?
Isaac Allen Burns (30:52):
I don't know.
I don't think it works reverse.
Tweet tweet.
Rowan Collins (30:57):
Pistachio looks
towards the dais. Do they feel
like a compelling need to touchit?
Isaac Allen Burns (31:01):
The same kind
of compulsion that has pulled
the three of you continuesstill.
Annie Hawthorne (31:07):
I wanna
Joe Diametti (31:07):
let Craig touch
it.
Annie Hawthorne (31:08):
Yeah. I think,
while while, Pistachio is
talking to the bird, Craig isjust gonna, like, step up and
walk towards the altar.
Joe Diametti (31:16):
Yeah. Kapi's
watching Crank.
Isaac Allen Burns (31:18):
Craig, you
step up on the altar. You step
up on the dais. It's actually,though, the bird looks at Crank
and says,
oh, one
person touched on the dais.
Tweet tweet. Time to go.Goodbye.
The bird
flies away.
Rowan Collins (31:28):
Uh-huh. Okay.
Isaac Allen Burns (31:30):
Crank, you
stand on this dais. Nothing's
different. You're still standinghere.
Annie Hawthorne (31:35):
I won't feel
anything.
Isaac Allen Burns (31:37):
No. You
really don't.
Annie Hawthorne (31:38):
I'm gonna walk
forward, and I'm gonna put my
hand on the altar.
Isaac Allen Burns (31:41):
You put your
hand on the altar, and you feel
a deep emptiness. There'ssomething missing.
Annie Hawthorne (31:51):
In me or in the
altar?
Isaac Allen Burns (31:53):
In this
place.
Annie Hawthorne (31:54):
In this place.
Something's missing. Something's
missing.
Joe Diametti (31:59):
What do you mean?
Annie Hawthorne (32:01):
Something's
missing.
Joe Diametti (32:02):
K.
Annie Hawthorne (32:03):
I feel it.
Joe Diametti (32:04):
Okay. Alright.
Come on, Pistachio.
Rowan Collins (32:07):
Okay.
Joe Diametti (32:07):
We also walk up.
Isaac Allen Burns (32:09):
Three of you
walk up, all stepping onto the
dais. There's a beat wherenothing happens. Suddenly
bursting out of the bushes is asmall gnome. He's got a big,
bright, cheery face. He's got abeard that goes down to his
navel.
It's like a white beard. He'sgot a red cone conical hat. He's
wearing, like, a green tunic,and he looks at all three of you
(32:30):
and says, well, look at here.Looks like we got some people on
my dais.
Annie Hawthorne (32:35):
Are you what's
missing?
Isaac Allen Burns (32:37):
Oh, I've been
here a long time. I'd know I'm
missing if I couldn't findmyself. What are the three of
you doing here?
Rowan Collins (32:44):
Standing on a
dais. Yeah.
Isaac Allen Burns (32:45):
Standing on
my dais.
Joe Diametti (32:47):
Okay. And what,
what we'll get off do you want
us off the dais?
Isaac Allen Burns (32:51):
Oh, you can
stay on the dais if you want.
Joe Diametti (32:53):
I'm the one
supposed
Isaac Allen Burns (32:53):
to clean it.
I gotta clean it now anyways.
Joe Diametti (32:55):
Oh, it's a nice
dais. Thank you. I had
Isaac Allen Burns (32:58):
worked very
hard on it. Hey.
Annie Hawthorne (32:59):
What exactly is
it?
Isaac Allen Burns (33:01):
It's a
diocese.
Annie Hawthorne (33:02):
For what
purpose?
Isaac Allen Burns (33:04):
Wait a
minute. You don't know what this
place is?
Annie Hawthorne (33:06):
No. No.
Isaac Allen Burns (33:06):
What are you
doing here then? Why are you
here?
Annie Hawthorne (33:08):
We found it.
Isaac Allen Burns (33:09):
You found it?
You're just walking around and
you stumbled upon it?
Annie Hawthorne (33:12):
Yeah. Exactly.
Isaac Allen Burns (33:13):
You tripped
on a rock, hit your head, and
found yourself here inwonderland.
Annie Hawthorne (33:16):
It didn't hit
my head, I don't think.
Isaac Allen Burns (33:18):
Oh, you don't
think?
Annie Hawthorne (33:19):
I do think I
have a screw loose, though, if
you know a good machinist.
Isaac Allen Burns (33:23):
Well, though,
we all have a couple screws
loose as well, I haven't checkedmy old ticker in a while, but I
don't think a machinist is gonnahelp you get out of here.
Annie Hawthorne (33:31):
What do you
mean get out of here?
Isaac Allen Burns (33:32):
Well, you
came here randomly. According to
the three of you, you told meyou just stumbled upon this
place randomly.
Rowan Collins (33:39):
We were drawn to
it.
Isaac Allen Burns (33:40):
Oh, you were
drawn here. Wait. Wait. Wait.
That changes the story.
He kinda hops up on the altarand stands up really tall and
says, so the three of you weredrawn here. Tell me about it.
You had an experience. Did youhave a dream?
Rowan Collins (33:54):
I looked at
Kathy. I'd
Joe Diametti (33:56):
okay. Yes. I had
the dream.
Isaac Allen Burns (33:58):
You had a
dream, did you? Suddenly,
there's a spiral like a tornado,and this guy is sitting on,
like, a therapist's chair. Hehas, like, his little legs
crossed. He's got a littleclipboard. The three of you are
now laying down on, like,therapy pictures.
And he says, so you had a dream,did you? Why don't you tell me
about this dream you had? Andtell me how it made you feel.
Joe Diametti (34:17):
Well, I guess it
all started when I was a kid. I
think that anyways, no. I so,there was a asset borrower. We
fought an asset borrower
Isaac Allen Burns (34:26):
Okay.
Joe Diametti (34:26):
Alright. Recently
in real life, not the dream.
Isaac Allen Burns (34:28):
Oh, this
isn't the dream. This isn't the
dream.
Joe Diametti (34:30):
The real life
makes sense for the dream. I'm
getting there.
Isaac Allen Burns (34:34):
Okay. Okay.
No.
Rowan Collins (34:35):
Yeah. It's his
first time.
Annie Hawthorne (34:37):
He has a
process. Yes.
Isaac Allen Burns (34:38):
Of course.
Joe Diametti (34:39):
We would we bought
an acid borrower in real life.
Isaac Allen Burns (34:42):
Okay.
Joe Diametti (34:42):
And then the acid
borrower showed up in my dream.
Your dream?
Annie Hawthorne (34:45):
My dream dream.
Your dream?
Rowan Collins (34:46):
My dream dream.
Joe Diametti (34:47):
Wow. Showed up in
our dream, and, it turned into
the leader or the secretary,owner of the building adventure
guild back in town. Are youfamiliar with Breckenridge?
Isaac Allen Burns (35:00):
Well, I can't
say I am. Is that a kind of
fruit?
Joe Diametti (35:02):
It can't be that
far. How long were we walking?
Okay. Then we were in theclouds, and Crank fed wolves
that started making
Rowan Collins (35:12):
out. Oh, yeah.
Now they did start making out.
Joe Diametti (35:15):
Then there was
bushes
Isaac Allen Burns (35:17):
Alright.
Joe Diametti (35:18):
With blackberries,
I think, and or thorns.
Rowan Collins (35:21):
Both. Yeah.
Joe Diametti (35:22):
Yeah. And what
happened with your thing again?
Rowan Collins (35:25):
Oh, I Oh,
Joe Diametti (35:26):
you were getting a
rash.
Annie Hawthorne (35:27):
Cut it down
with a machete Yeah. That gave
them a rash.
Rowan Collins (35:31):
There were four
sets of prints. Right?
Joe Diametti (35:34):
Yeah. There was
four sets of prints.
Annie Hawthorne (35:35):
Well, sometimes
there were three.
Joe Diametti (35:37):
Sometimes there
were three.
Rowan Collins (35:38):
But why were
there four?
Joe Diametti (35:41):
I thought the acid
burrower.
Isaac Allen Burns (35:43):
Those were
the times that you carried it.
Annie Hawthorne (35:45):
Oh. You carried
the acid burrow. Why would we do
that?
Isaac Allen Burns (35:47):
Seems so.
Well, as you know, dreams are
very important. This is a worldof myths and magic, and so
dreams should be takenincredibly seriously. I've never
had a dream before. Really?
You haven't had a dream before?No. We don't really dream. Must
be pretty light up there.Titanium, more like aluminum.
Am I right?
Rowan Collins (36:04):
I don't get it.
Annie Hawthorne (36:05):
I don't get it
either.
Isaac Allen Burns (36:06):
Well, you
know, that's an old one. That's
an old joke. You just wouldn'tunderstand it. You're too young.
Joe Diametti (36:10):
Then we saw the
sparkle.
Rowan Collins (36:12):
Oh, yeah.
Isaac Allen Burns (36:12):
You saw
sparkle? The hot sparkle in G.
Annie Hawthorne (36:15):
Oh. Also,
Kapi's been lying to all of us,
and I think that there's adeeper meaning with that, but we
can make an address that later.
Rowan Collins (36:21):
Oh, Kapi's Lying?
Annie Hawthorne (36:23):
Well, he said
he didn't see the sparkle, and
he didn't have the dream, andnow he did.
Rowan Collins (36:27):
I feel so
betrayed.
Isaac Allen Burns (36:29):
Are you lying
to your friends there, blue
cowboy?
Joe Diametti (36:32):
Alright. Friends,
I you
Isaac Allen Burns (36:35):
walk around
with three people in the woods
and you stumble upon a dice froma dream you all shared and
you're confused if you'refriends or not?
Joe Diametti (36:41):
I'm in charge of
protecting them.
Isaac Allen Burns (36:43):
There you
are. Sure you are, you big bag
of beans.
Joe Diametti (36:47):
It's important to
me that they are protected
because that is my job as thesenior member at the Adventurers
Guild.
Isaac Allen Burns (36:53):
Okay. Well,
those words don't mean much to
me, but they seem to mean a lotto you. So I'll let you keep
those in your heart and yourmind.
Joe Diametti (36:59):
Okay. What what is
what what what Well,
Isaac Allen Burns (37:04):
it seems like
we're having a discussion of
what our dreams are, but itseems like there's something
else going on here. It seemslike you, three have a lot of
things that you're trying towork out right now, and I'm here
to help. I'm just here tolisten.
Annie Hawthorne (37:13):
A lot of
things, but I think, number one,
we need to really understandwhat this place is because it
drew us here. It was like amagnet.
Isaac Allen Burns (37:20):
Okay. Well, I
see. You know, these things
happen these ways, so I can letthis slide. So the three of you
have stumbled upon here. Okay.
So let me talk a little bitabout myself then as most
conversations are good to startwith. So I am the caretaker of
this place. This is the Sage'sGrove.
Joe Diametti (37:39):
What's your name?
Isaac Allen Burns (37:40):
My name is
Percival Anachronisms, and I'm
the caretaker of this hereSage's Grove. This is a place of
power. You see, back long ago,back in the day when I was but a
young sprout was walking around,it was a old time ago when the
gods walked among us. That'sright. You've probably heard of
the nine gods.
It used to be they'd walk aroundjust like any of us, toddling
(38:02):
around, saying things. Sagewould often come here and preach
on wisdom, say things like, weneed to live a balanced life, or
we need to take care of natureas it takes care of us, or beer
before liquor, never sicker. Youknow, things like that. It's a
wisdom that, it's good to have.And, well, as you know, as the
history tends to go, the godseventually left.
(38:25):
But this place remained.Remained for a long time. Used
to be a temple here, but, youknow, once Sage's relic was
taken, it, sort of crumbleddown. I'm just the caretaker,
you see. I'm not here to defendit.
I take care of it. You know? Idust off the dust. I leaf off
the leaves. I bug the bugs away,and I stick the sticks up my ass
so that they aren't litteringall over the dais.
You understand? Does that makesense to all of you? Yeah.
(38:48):
Alright. Percival.
Yeah. That's my name.
Joe Diametti (38:50):
Great. I love what
you've done with the place.
Isaac Allen Burns (38:52):
Of course. Do
Joe Diametti (38:53):
a great job of it.
Who is Sage?
Isaac Allen Burns (38:55):
I'm sorry.
Wait a minute.
Annie Hawthorne (38:57):
Hang on. Think
Sage is one of the nine gods. Do
you not know who the nine godsunderstood.
Isaac Allen Burns (39:02):
Thank you,
tall, dark, and titanium.
Joe Diametti (39:05):
I remember, like,
roughly in, like, primary school
with
Isaac Allen Burns (39:07):
sage. My.
Rowan Collins (39:08):
Yeah. Sage is one
of the died gods, Kathy.
Isaac Allen Burns (39:11):
Yeah. Well,
you'll tell one of these kids
you're telling me they don'tteach you about the gods. I'm
guessing they don't what?
Annie Hawthorne (39:19):
I didn't go to
school. I don't know. You didn't
have the rest of the books.
Rowan Collins (39:22):
They did, but it
was one of the classes that is
easily skippable.
Isaac Allen Burns (39:26):
Next thing
you're gonna tell me is they
didn't even teach you about thegreat seep.
Rowan Collins (39:29):
The what? The
what? You don't
Isaac Allen Burns (39:31):
know about
the great seep? Oh, Well, I'm
certainly not going to tell you.You need to do a bit of your own
investigative research, itseems. Put a little gum on your
shoes and walk around and tryand figure out your own
questions. Why don't you?
Gracious. By the night, bysage's ballsack. This is
terrible. You three havedisappointed me greatly. Oh, no.
Annie Hawthorne (39:50):
Well, have you
happened to be disappointed by a
blue man with horns lately?
Isaac Allen Burns (39:54):
Blue man with
horns? I can't say well, I've
met a lot of people in my day.
Annie Hawthorne (39:58):
Have you met
anyone in the past two days?
Isaac Allen Burns (40:01):
Well, see,
that's the problem. The time
doesn't really mean much to meanymore because I've been here
for so long that, you know, tome, this has been so fast. This
has been a whirlwind. Not a lothappens. You see?
I don't really know what timewhat a year feels like anymore.
So tough. But I'm sure sometimein my history, I have seen a man
(40:21):
with horns who is also blue.However, I cannot, for any
certainty, say I've seen onerecently.
Rowan Collins (40:27):
Wait. Is this a
trap too? Is this a time loop
that we are stuck in?
Isaac Allen Burns (40:32):
You're right.
This is a time loop. He spins
around, and you're standing onthe edge of the dias, and he's
standing on the altar and says,what are you three doing here?
How'd you get here?
Rowan Collins (40:41):
Oh. What? Oh, no.
Oh. Oh, crap.
Isaac Allen Burns (40:45):
I'm just
kidding. It's not a time loop.
I'm just messing up.
Rowan Collins (40:47):
Oh, no.
Isaac Allen Burns (40:49):
Don't worry,
goat hands. It's fine.
Annie Hawthorne (40:51):
Goat hands. She
has very sensitive. You really
have to be careful with
Rowan Collins (40:54):
them. Goat hands?
Isaac Allen Burns (40:56):
Yeah. You got
goat hands.
Rowan Collins (40:57):
I don't have goat
hands. I
Isaac Allen Burns (40:59):
have fun
hands. Sure. You do. Haven't you
seen a goat? You know what itshands look like?
I do. That's what your feet looklike. You got goat hands to
feet.
Rowan Collins (41:06):
Those are my
feet. No. My hands.
Isaac Allen Burns (41:08):
Yeah. They
look like goat hands.
Rowan Collins (41:10):
Oh, god.
Isaac Allen Burns (41:10):
Don't you
worry a little bean about it.
Rowan Collins (41:12):
I'm worrying more
than a bean about it. Well
Isaac Allen Burns (41:16):
Alright.
Annie Hawthorne (41:17):
Help us or not.
Isaac Allen Burns (41:19):
Well
Annie Hawthorne (41:20):
This is
starting to seem like a dead
end, Kathy.
Rowan Collins (41:22):
I I think it's a
trap.
Isaac Allen Burns (41:24):
Oh, you can't
have a little fun these days
with the uneducated types. Soyou three don't know the name of
the nine gods, and you don'tknow what the great seep is.
Alright. Well, I guess I'm gonnafor
Annie Hawthorne (41:33):
a blue man with
horns. That's the only reason
we're here.
Isaac Allen Burns (41:36):
With horns.
But listen. If you're here, that
means very specifically thatdestiny has concentrated itself
around the threads of fate thatsurround your being. Alright?
That was
Annie Hawthorne (41:47):
a lot of
prepositions, and I don't know
if I'm following.
Isaac Allen Burns (41:50):
Listen. Oh,
well, maybe if you spoke less
and listened more, you know, thegods gave you two ears and one
now.
Annie Hawthorne (41:56):
Actually, I
have auditory sensors. I don't
know.
Isaac Allen Burns (41:59):
Oh my
goodness. You know what audio
sensors are, but you don't knowwhat the great seep is. I swear.
Next thing is you're gonna tellme that you understand the laws
of momentum.
Annie Hawthorne (42:08):
I do understand
the laws of momentum.
Isaac Allen Burns (42:10):
Oh, do you
now? Mhmm.
Annie Hawthorne (42:11):
And I will pick
up
Isaac Allen Burns (42:13):
I'll pick up
the gnome Oh. And I'll say
applying a force to
Annie Hawthorne (42:16):
an object
creates momentum, and I'll just
toss him.
Isaac Allen Burns (42:19):
He, hits a
tree, and he Ah. Spread eagle on
it and then falls down. Oh. Andthen a branch falls from the
tree and lands on it.
Rowan Collins (42:27):
Oh, no.
Isaac Allen Burns (42:28):
And it's a
big oof. Wow. That was fun. Oh.
So alright.
He brushes himself off and sitsback on a diocese. Alright. All
of that to say is that there arecertain individuals during times
of crisis let me let me put itin words. So you know how
sometimes the monsters get alittle worse around here,
animals seem vital, people startgetting blood hungry, wars
(42:49):
happen, people kill each other.You know, that happens every so
often.
Well, during these times ofcrisis, certain individuals are,
you know, I've come to not likethe word chosen, so I'm not
gonna say chosen because it'sreally not chosen. Because some
people don't even know what'shappened. But I'm going to say
that certain individuals arebound by the laws of fate
(43:11):
together due to the, we'll say,lingering deific powers that
still exist within the worldtoday. Alright? None so more so
than the great relics of thenine.
Right? So, you know, theseindividuals that seem to be such
as yourselves have a couplebenefits with this. They often
(43:32):
find themselves in the middle ofthing crazy things happening.
Right? First and foremost, youknow, you tend to grow up more
powerful at a quicker rate.
You know? You know? If I was touse a word for it, perhaps
leveling up happens a littlequicker for them than normal
people. Perhaps they can surviveworse or blows. You know?
But, you know, what it all stemsfrom, really, a lot of people
don't know this, but, you know,I'm here to teach you something.
(43:53):
And what I'm gonna teach you isthis, that, back when the gods
were walking around, theyactually had servants that would
follow them around. They wouldact as their confidantes, their
silly rabbits, their muses,their steeds, and, they were
known as dodos, the very dodosthemselves.
Rowan Collins (44:11):
Wait. Really?
Isaac Allen Burns (44:13):
Yes. Dodos?
Yes. Dodos. They were very
brave.
A lot of people don't know this.The issue is, though, they were
very populous back in the day,especially up north. However,
once the gods left, you know,the dodos' whole purpose kinda
left with them. So they justsort of began existing instead
of living. And so, you know,eventually they sort of just
(44:34):
went extinct because whatpurpose did they have?
But their spirit does live on,you know, like I said, certain
individuals find the tides offate, grow strong around them.
And, you know, thoseindividuals, we often call them
dodo born. Booyah. Cue themusic. Hit the music button.
That's right. Cue the music.There we go. That's right. You
(44:57):
all thought that there would bemade up words that didn't mean
anything, that we were justsitting around, and we just came
up with this word out ofnowhere.
But, no, there was a plan thewhole time, you people. Don't
ever doubt the power of stories.That's right. It's me. It's me.
It's me. It's me. It's me. It'sme. It's me.
It's me. It's me. It's me. It'sme. It's me.
It's me. It's me. It's me. It'sme. It's me.
It's me. It's me. It's me. It'sme. It five steps ahead of you.
Rowan Collins (45:28):
Oh my god.
Isaac Allen Burns (45:30):
I actually
can't fucking believe that you
made I I don't I never saw acomedy. I truly, like
Rowan Collins (45:36):
Yeah. I'm sorry,
Kai. I
Isaac Allen Burns (45:37):
didn't think
Joe Diametti (45:37):
that there
Isaac Allen Burns (45:38):
was ever
gonna be a real meeting out.
That was actually incredible.Absolutely. Now we're gonna
yeah. I'm glad.
Yes. And I think that's whereit's a good place to end our
session today, everybody. Thankyou so much for tuning in to
(46:01):
DodoBorne! You know, before wego, I just wanna thank
Darrington Press for being sowonderful in creating this game.
We love it so much.
And, you know, as they say inVoldain, squawk you later.
Squawk. Squawk. Hey, It's apodcast.