🌴 RHOM "Is it Cake...Math?

Episode Transcript
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Speaker 1 (00:05):
Drama Darling Drama Darling Drama Darling.

Speaker 2 (00:19):
Coming Back in Atcha. Darling's Talking Miami Today. Hello, Hello everybody. Hi,
Diana Diana Chang is with us. Hi.

Speaker 3 (00:29):
Welcome to myself and to you and everybody. Welcome to
your Friday, you know, thank you, Thank you very much, Darlings.

Speaker 2 (00:38):
Thank you so much again for listening. If you want
extra episodes, head on over to Patreon dot com slash
drama Darling. Lots over there now. We did the Charlie
Sheen aka Charlie Sheen documentary yesterday. The partial recap is up.
We went really long, so I cut it. If you
want to listen to the full episode, that is over

(00:59):
on patreon dot com slash Drama Darling. Also, please get
your Cabaret Me tickets now so you don't have to
worry about what you're gonna do on that Thursday night,
Friday night, Saturday night during the weekend of bravocn if
you don't have tickets to watch what Happens live so
you can head on over to the hard Rock and
see my cabaret. It's gonna be so much fun. The
bio on Meeting Me Phillips Instagram ticket link is there

(01:22):
or go onto the podcast notes. Do you guys know
how to do that? It's like where the description is
and where all the ad links are. I link it
there as well. I am gonna be going to the
orthopedic doctor again today to follow up on what's happened here.
You know, it could be a combination of like carpal

(01:42):
tunnel and arthritis because of all the editing that I do.
You know what I mean? Only time will tell. Two
o'clock this afternoon, I'll be heading in there with baby
Dwaters coming with me in tow and we're gonna see
what's up.

Speaker 3 (01:56):
And is it the same level of pain or yes,
it is the same level of right back where we were.

Speaker 2 (02:02):
When I move it. It's crazy. Yeah, it's really annoying.
Thank you, thank you for that frustration. Well, it's really debilitating,
you know what I mean? Like, yeah, well, yeah, it's
only right hand. Yeah, it's the whole thing.

Speaker 3 (02:16):
You know. It's like, well, I guess if we lost
this that would be bad too.

Speaker 2 (02:20):
But meaning your lips quest in the mouth, you know,
the hand is you know, speaking of mouth, I'd like
to welcome us both in the Real Housewives of Miami
recap and I really like last week we really landed
on Lars's butt, and this week I'd like to land
on her lips. No, no, no, I'd like to land

(02:43):
on her whole face. Because here's the thing that I discovered.

Speaker 3 (02:46):
Like it's a tougher land. But okay, okay, buckle up, baby,
we're going. Okay, let me stretch a little bit here. Yeah, okay,
it's very simple. It's just certainly it's just that her
face does not move when she's mad. And I know

(03:09):
that that's like a very generic thing to say. I mean,
people have been saying it for years about people who
get worked nder their face and stuff. But you know,
botox these days, like it's really good, so that doesn't
necessarily always freeze up so bad where you have no
movement and no expression. But between her lips that really

(03:32):
only stay in one position and the eyes do not
emote at all, the forehead doesn't move, so we're really
left with, like what a a face that has plateaued

(03:53):
with zero emotion. So when she's yelling, it almost doesn't
come off as bad because she's not making mean looks.
That's amazing. I don't know, like when she's stirring the plot,
she just really wants to get in there about Julia's cake,
Who did it?

Speaker 2 (04:13):
Who did those numbers? Who did it? Who did it?

Speaker 3 (04:16):
I mean she's stirring, yeah, sorry, sorry, Adriana's cake that
Julia had made is she keeps calling.

Speaker 2 (04:24):
It Julia's cake. Got it, so that's why I said that,
But let's call it Adriana's cake because that is confusing.
She keeps wanting to get to the bottom of who
did it, right, who it's a? Who done it? And
she can't let it go. And so when she gets
to the point where she finally Adriana finds out who

(04:44):
done it by way of like, uh, the two I
don't know, two gaggling gals over on the side, Lisa
Yes and someone else, and she's like, oh, I think
I heard that. Yeah, I heard that Kiki did it.
I Kiki did it. Kiki did it?

Speaker 3 (05:01):
He did it? Yeah, Kiki did it, And.

Speaker 2 (05:04):
Then Adrianna's like no, and then larsa, of course, she
just pumps it up so fast. She's like, yes, she
did she did it. There's no other excuse, there's nobody
else has done this before, like, and she's yelling. And
then when they try to give her the benefit of
the doubt. She goes in so hard and her voice escalates,
but her face doesn't move. And that's where I landed, Like, Wow,

(05:26):
she's like a camera with stirring it up, but it's
nowhere near as intimidating because of her face.

Speaker 3 (05:32):
What an assessment?

Speaker 2 (05:33):
Thank you?

Speaker 3 (05:34):
I really no, because it's so true and I have
with her face. You know, we don't talk about bodies
or faces, yeah, unless we do, and we are so
her face. I don't look at it directly.

Speaker 2 (05:53):
Like the sun like you wouldn't, but her butt.

Speaker 3 (05:56):
I I don't go right in on it. I look
above it, to the side. I try.

Speaker 2 (06:03):
I can't get you. Can't make eye contact.

Speaker 3 (06:05):
With it, don't make I don't drill right down the
center on it because.

Speaker 2 (06:12):
Yes, okay, I'm hearing you.

Speaker 3 (06:13):
Okay, go on, because I I don't think it that's
how it's meant to be received. You know, at this
point it's not meant for direct attacked and a straight
on gaze. That is not what the face is asking
for at this time. It's you got to take it

(06:34):
from the side a little bit or over it. I look,
I can look right over it and get what my
peripherals will receive, but I don't do it right.

Speaker 2 (06:44):
Like the sun again, back to the sunrise and sunset,
Like her face is also that, Like her button is
the sunrise and her face is the sunset. Where you
can't look directly at the ball of fire, but everything
around it looks beautiful. Poor Larson's getting it from us

(07:06):
from top to bottom, you know, and like we haven't
even touched her toes, but we'll get to her feet
because she put them out there. So I feel like
we're allowed.

Speaker 3 (07:15):
Okay, okay. The moneymakers, so many moneymakers, that's the other thing.
She's got a lot of moneymakers. Yeah, but it was funny. Yeah,
it's quite a situation. You know. She also has gone
from someone we met who was angular point you know,

(07:38):
she had right angular features, right rownded.

Speaker 2 (07:46):
It's like you go to things, you get your nails done,
and they're like, do you want do you want square?

Speaker 3 (07:52):
Square?

Speaker 2 (07:52):
Oval?

Speaker 3 (07:55):
Are they coffin now you.

Speaker 2 (07:57):
Know coffin right? Or say like do you want like
squound or like you know, or they'll be like, do
you want square with a round it edge? That's what
we'll do. Yeah, it's like, you know, that's what we
used to be more of a go to just to
but she's full round, She's full full.

Speaker 3 (08:18):
She said, take the edges off, she said, Sam, the
edges down. Now, I don't. I don't want a hard
angle to be left on this face.

Speaker 2 (08:32):
I want to see a hard angle. Yet they're gonna.

Speaker 3 (08:35):
Roll roll, just not over here and not actually they're yeah,
so take all the take all of the angles off
my body, if you don't mind, if you'd be so kind.

(08:55):
And the people said, don't mind if we do, don't
if we do, and come.

Speaker 2 (09:01):
Back for more. So here we are now as we're
talking about like the face, I do want to point
out something that is fun to watch, which is that
Larsa doesn't have those expressions that she can utilize. You know,
she's disarmed her entire face.

Speaker 3 (09:19):
Ability so so.

Speaker 2 (09:27):
And that's why we find her so disarming when she
stirs things up and gets mad because she doesn't have
like the Disney villain look like she can't get there,
like it's impossible. But Lisa, though, you know, she's had
her work done with her lips, you know, like she's
so funny that when she goes to make a word,

(09:49):
like she's always kind of doing the duck face like
when and that makes me laugh and I do enjoy that. Like,
so this is not a dig I, just like how
she works with works with her beauty and works with
what's been done. Because like when even when she's not
talking and she's about to say something, she has to
like really like, what's the word I'm looking for? Yeah,

(10:12):
she has to gear up. She has to like prepare
for that engine.

Speaker 3 (10:18):
Yeah, you know.

Speaker 2 (10:19):
That's what it is. So she's got to like put
those lips up her position before she says anything and
she's ready to go.

Speaker 1 (10:28):
She does.

Speaker 3 (10:29):
She has to get them in position position before she
begins speaking. And if now that you've heard us articulate this,
please go back and look at this episode that we
just watched in particular, because there were so many parts
at that end party or wherever they were about fighting
with the cake where she was trying to get in there,

(10:51):
and I remember her standing up and she was like
her head was bobbed the side and hair was hanging down,
and she.

Speaker 2 (10:56):
Was like she was wanting to say something and it
was ready and it was right there, and I was like,
look at her pucker up and ready to get in there,
you know.

Speaker 3 (11:06):
Well, she got she she you know, yeah, she got
herself in a nice position, and she she got the
lips sorted and ready and in place. Whether they get
used or not, it's nice to have them prepped. Positions, positions.
Everybody on your marks, Can I see it again?

Speaker 1 (11:32):
So? And then and then.

Speaker 2 (11:36):
I'd like to kind of pivot into a little more
about Lisa in this episode because I just really enjoy her.
I'm really enjoying her right now. I love when she
cracks a joke that she is completely incidental but is
really on the nose. She's done that so many times
this season.

Speaker 3 (11:52):
And almost wondering if she is funny. I am, well,
I'm starting to wonder that.

Speaker 2 (11:59):
Yeah.

Speaker 3 (12:00):
Yeah, it's so too many, too many yeah incidences. Yeah,
And honestly they come off very organic because she trips
into them, right, So that's yeah, comedian. I mean it's like,

(12:20):
you know, it's.

Speaker 2 (12:22):
Which is not the mark of a housewife in a
confessional who has good one liners. Those were dancing with
the devil of a writer. And don't tell me any different.
Don't tell me any different. Don't tell me especially now.
I mean, it's unfortunate and we don't point it out

(12:43):
but we know they're getting lines fed.

Speaker 3 (12:46):
I know this one that one and the other are
shooting them lines at you know, midnight. This has happened,
you know, it is what it is. It's like the
game is so big that they can't be left to
their own devices. You know, it's not enough.

Speaker 2 (13:04):
You know, we're not back in Orange County. We're not
like Day one. We're not in New York Day one,
where we can just take the littlest thing, you know,
and run with it. You've got to have a real zinger.

Speaker 3 (13:19):
Yeah, And like Ammary Saul, she's not using a writer.
I'd love to actually go through at some point and
just sort of figure out how to identify Yeah, spend
some time.

Speaker 2 (13:31):
Many don't use writers, absolutely, but there are some where
I'm like, this is just too and people then then
they get the credit for it, which is annoying because
it's like that's not you. You know. Of course, like
any good character that has been created by you know,
and I'm going to just say the actor only because
in this situation, these women are their own persons. So

(13:54):
for them, any great housewife created inspires the writing for them.
So it's like, yes, they are a huge part of it.
They've it's their signature. Yeah, so I give them that credit,
but uh, you have to. But Lisa is so funny
and I am honestly amazed at how good she looks.

(14:18):
Like think about her all those years ago on Miami.
She looks like exactly the same, Like her body is
exactly the same. And I'm not saying that she hasn't
gotten work done, but like if you look at her arms,
like the skin everything on her is not moving. It's
not aging. Whereas the other ladies, though they look great

(14:38):
and we know that they have work, and I'm sure
they work out too, but we can see the age
on their skin. Right, Lisa, I don't see it, not
even a little bit.

Speaker 3 (14:49):
So true, she's been like dipped in some sort of
hamaldehyde and it's just you know.

Speaker 2 (14:54):
Strange, staying staying Okay, while we're talking, Lisa, I'm really
curious to hear what your thoughts are on the scene
about she and Jody and what he said, like he
kind of brought me over to him a little bit
in this episode. I was shocked, what are your thoughts agree?

Speaker 3 (15:14):
I was cringing that we are now this is the
third or fourth episode where she's asking him point blank
for an engagement you know in my work that I
do with friends, and anyone who asks you know, I
would steer you so clear of that if you are

(15:37):
my friend. That said, he gave her some direct feedback,
actionable feedback with like with the results at the end
of the rainbow.

Speaker 2 (15:52):
It was incredible, actually.

Speaker 3 (15:55):
And she didn't deny it, She didn't push back on it.

Speaker 2 (16:01):
Did that Like a lot of scenes feel in all
of the cities feel like, Okay, they've already talked about
this off camera. Now they're going to talk about it
again to get this out there. And it doesn't necessarily
mean that it's it's still going to be emotional if
it's something serious, you know, having to talk about it
again and bring it all up again, right, But I

(16:22):
got the vibe almost that they hadn't talked about this,
did you, because yeah, that was kind of amazing. And
that's why when she started to break down, I think
it was an eye opener for her. And if it
wasn't an eye opener for her, then then it was
earlier and it still is. But like her recognizing whoa

(16:43):
like I can't like he sees so much what a
serious problem that or struggle or issues that I have
right now with anger, with obviously with everything that's gone
on in her life and with Lenny that it's so
bad that he doesn't even want to move forward to
the next step. So it's up to me to actually

(17:05):
do something about it. And so for her to start
recognizing I thought it was a good sign of life,
you know that, yes, because most would be like it
would turn into a fight and it would be like,
you know, she wouldn't. They wouldn't own it, they wouldn't
consider it. I like, I don't.

Speaker 3 (17:25):
I did too. It does to your point, I don't
think Lisa has been asked to do any self evaluation
in maybe her lifetime, So it does feel new, like
a new color for her to like have to engage with.
But and would does it feel fair to say that

(17:49):
this season we haven't okay? In my opinion, I don't
feel I've seen her very annoyed. I've seen her hurt.
I don't know that I've seen her that angry. We
haven't okay. So yeah, so it's I'm also yeah, which
is interesting.

Speaker 2 (18:04):
Which is concerning. Yeah, But I also and who knows
what he means by that? Like, is she's so angry
that and she's high, and she's pushing it down so
that it's coming out in other ways. What does he
mean by that? Because they did, you know, for them
to land on anger was wild. It did take me back.
It's interesting that we're talking about this now instead of

(18:26):
at the beer beginning, very beginning of this. So apologize,
but like that is kind of a shocker. She doesn't
seem like somebody who would have anger issues at all.

Speaker 3 (18:36):
I know, which means she is blowing her lid off
behind closed doors.

Speaker 2 (18:43):
Yeah, yeah, wow, And and we said it what happened?
I feel like she was blowing her lid off at
Lenny behind closed doors because of the horrible things that
he was doing. Maybe, and I could see that.

Speaker 3 (19:01):
She was definitely like completely unhinged with the Lenny stuff
and not not in it. It was warranted, I got it.

Speaker 2 (19:11):
You know.

Speaker 3 (19:12):
I don't know if it was last season or the
season before, but she was like consumed colt utterly consumed.
But I wouldn't file it under angry, right.

Speaker 2 (19:31):
Do you think that Jody has his emotions wrong?

Speaker 3 (19:39):
He has emotions she seems to know. Yeah, like, let's
put them up.

Speaker 2 (19:45):
You're this and I can't marry you until you're that.

Speaker 3 (19:49):
It's like when Kid's good as psychologist had you feel
all right? She seemed to understand exactly what he was saying.

Speaker 2 (19:59):
M Whether he got the right word or not, she
knew what he was saying.

Speaker 3 (20:04):
Well, I think I think we're not seeing it amy,
and I think it may have to do with also
her being smarter than she lets on. Mm hm, oh wow,
I don't know. Are we going crazy here on the front?

Speaker 2 (20:24):
We might?

Speaker 3 (20:26):
I'm going cookie.

Speaker 2 (20:27):
Is Lisa the most diabolical? No, I'm kidding. Diabolical wouldn't
be the right word.

Speaker 1 (20:33):
But uh.

Speaker 2 (20:35):
Crafty two face, I mean two faces, not like in
a gossipy way.

Speaker 3 (20:39):
Yeah, I don't see.

Speaker 2 (20:41):
I have to cough, hold on, thank you, I'm back.

Speaker 1 (20:47):
Yeah.

Speaker 2 (20:47):
She I don't know, but she's got more cards in
her hand than we thought, let's put it that way.

Speaker 3 (20:53):
Yeah, you know.

Speaker 2 (20:57):
And Jody does seem to answer the question that you know,
at least I was wondering. I'm sure all of us were,
which is that, like, why would I stay with you
through all of this madness if I didn't care for
you this much? Like, of course I want to be
with you whereas before I really just thought he was
a hanger honor, a passer buyer that just ended up

(21:19):
hanging on her. You know, that was on that was
there for the ride. Ne'ir duell. I love that when
you say that. Yeah, like what did you call them?

Speaker 3 (21:32):
Was it ne're do wells or vagrant? Vagrant? Yeah, and
ne're duell. But yes, he was categorized for us under
that vagrant label.

Speaker 2 (21:44):
And uh, I'm gonna go ahead, and I think I'm
gonna take him out. How do you feel? What do
you think? Are you ready yet to do that?

Speaker 3 (21:50):
I don't have enough information to take him the label
to delabel him at okay time, okay, but uh, he's
lucid and he's making sense. I also wonder and this
can just be a prejudice, like I don't know that
I love his look.

Speaker 2 (22:12):
Yeah, so I think I'm always with that.

Speaker 3 (22:14):
That's always informing my feelings. Yeah, better or for worse.

Speaker 2 (22:20):
Shocking, It is for worse because he's got a face
that you just can't trust. That's that's it. That's it.
So he's got to use his voice for us to
hear him. Very much so much like Larsa, I mean,
we are too, the similar, except she's more beautiful to

(22:40):
look upon, gaze upon, not directly on, not directly, and
i'd say Jodie, not directly on either.

Speaker 3 (22:46):
Never, I'm never gonna go straight in no way, no
freaking way am I gonna go look straight?

Speaker 2 (22:54):
You lock on? You do not like you know, when
you're playing a video game or you're trying to scan something,
you know, and it's the boxes, fine, trying to find
the paper edges, you know, and you let it. You
let it do that so that I can capture. Don't
don't do that. Don't lock those up, don't lock that
frame on.

Speaker 3 (23:14):
No locking.

Speaker 2 (23:15):
So yeah, I am really I think I might take
him out. I think that was enough for me. I
know I'm being light on it, but our vagrant file
is so full and I'm ready to like get it moved.
I want it to circulate a little bit. So I'm
gonna be a little more liberal than you, and I
think you should stick to your guns. Okay, So I'm
gonna flip them out and put them into you know,

(23:37):
I don't know what category gory he goes into, but
let's just put it. He's on watch okay, well.

Speaker 3 (23:44):
I mean, listen add this to the mix. I don't
think Lisa should be getting married to head to anyone.

Speaker 2 (23:50):
You know, you're absolutely right. And for her to have these,
you know, alleged anger issues, of course she does because
of the situation. And then to top it off, she
never was alone to deal with that. She immediately went
into a relationship, which is the worst thing you can

(24:10):
do most times, you know.

Speaker 3 (24:13):
And her reasoning for wanting a ring if it were me,
if I was a dude on the other side of that,
that would send me packing because it's so superficial. You
don't like the feeling of your hand not I mean,

(24:33):
it's not about him at all. Never, at one time
has she said I love you so much.

Speaker 2 (24:47):
I'm worried about this spotlight.

Speaker 3 (24:49):
Okay, well, you know she's never said we are so
incredible together. I love you so much, you know, I
can't wait to heighten what we already have and make
it official and express my love for you in front
of my friends and family like that's not.

Speaker 2 (25:10):
And hire the montage queen to do a montage. Yes,
at our wedding and our rehearsal dinner.

Speaker 3 (25:14):
Hearing that, she says, I just want someone to marry me.
Who really loves me me, and I feel naked, my
hand feels light. I don't like looking down and not
seeing a large diamond. So who's going to fix that?

Speaker 2 (25:32):
Jody could be anyone. Yes, I mean, just push him
through the revolving door, let him get out, and then
you know, push through the next guy, because that'll be
fine too.

Speaker 3 (25:46):
She doesn't can afford a ring, Yes, it will be.

Speaker 2 (25:48):
Fine, and in fact, she might want to do that
at this point because he actually seems to have standards
for a relationship.

Speaker 3 (25:57):
Yeah, I mean, i'd love him to ask the hard
hitting question why do you love me? Well, she's not
gonna say, because I love looking in your eyes, That's
what she's not gonna say.

Speaker 2 (26:10):
I can tell you that I get lost in your
eyes for the wrong reasons.

Speaker 3 (26:16):
Yeah, oh my god. People are getting taken down today,
and that is what it is.

Speaker 2 (26:27):
It's time, and I'm glad that we here's the thing.
I'm glad we have the space to do it because
like some of the other shows, like on Orange County,
honestly this week I was like, I'm just exhausted to
even turn this on, Like I don't know what we're
gonna get or where we're gonna go, but I'm tired
and so like they don't even give us the space

(26:51):
to just sit with someone for a second and take
them from.

Speaker 3 (26:55):
Head to toe.

Speaker 2 (26:58):
And sometimes, Darlings, we need to step away from the
actual drama and zoom in on what we have in
front of us. Thank you, thank you.

Speaker 3 (27:07):
Thank you, thank you. Miami.

Speaker 2 (27:10):
Yeah, but I think we can step away from that
for a second, and I would love to talk about
Art Basl and Adriana's you know, involvement in this and
Deanna had you had such a great point before we
popped on. Tell the darlings what you mentioned to me.

Speaker 3 (27:27):
Well, I was watching it and I'm thinking, God, you know,
I never had heard sadly sad for myself, but I
had never heard of Art Basil before Bravo Zone Gallery Girls, indeed,
and the same with me, right, And that was a
great I loved that show.

Speaker 2 (27:48):
Loved it. I miss it, yeah, And we can never
get something like that back. And that's such a bummer
that they canceled that, because that would have been one
that would have evolved and would have been still standing
at this point and then it would be like a summerhouse.
But if Summerhouse would have started when New York or

(28:10):
Oh See started. You know, I can't even compare it
to that, but I just mean because they're younger, that's all.

Speaker 3 (28:16):
No. And you know the new show with next Gen
Next Gen, which I was so thrown by the first
episode and then really came to enjoy truly. I guess
that's a window in together. But just being immersed in
the gallery girl world of it was really cool because

(28:38):
it's not a world I had any connection.

Speaker 2 (28:41):
To, right, so I do miss it, I agree, And
it's much like it's not a competition show, but it
is the same kind of feeling when you get into
someone else's world that you have no idea how they
do it, how they got there, what it's all about.
And you know, I just I was in love with it.
So yeah, Art Basil, that was great to see it

(29:03):
back then. Nice and Adriana has brought us there a
few times back in the day, and I love that
she calls it the super Bowl of art, of course,
and she represents these artists, remember, and I love that
flashback when she was representing Martina and those tennis ball paintings.

Speaker 3 (29:21):
That was a wild time, so wild time. I was like, well,
we've been through things, you know. Yeah, just slapping a
tennis ball against a canvas. You know, God, bless America
at the end of the day, we do have to
go bless America for yes, you know.

Speaker 2 (29:40):
But before we get back to the uh, the actual
event at art Basil, you know that Adrianna put on
Martina and Julia having this fine They finally had some
movement with the daughters and they're now coming around. But
wasn't it interesting to see Martina just call it what
it is is on camera, just she's so raw.

Speaker 3 (30:03):
She is. I feel like that's going to set us
all the way back.

Speaker 2 (30:08):
Yeah, okay, it will.

Speaker 3 (30:09):
You know, I understand the daughters, so I said that
very long eye, but I really do obsessed it.

Speaker 2 (30:19):
I can't believe you don't give that to us more often.

Speaker 3 (30:22):
But okay, you don't have control over it. But it
really did come out darling. Did you guys hear that?

Speaker 2 (30:29):
Do that thing where you go back like ten seconds
and listen to it again.

Speaker 3 (30:36):
I get where they're coming from, and it's interesting, Like
Martinez obviously hurt very and she doesn't feel supported. She
doesn't feel her and Julia are being supported, right, now
by the girls, and that they're taking something positive and
making it a negative and all of that. But and

(30:59):
I did feel like it was information to hear that
they didn't want to be a part of the process.

Speaker 2 (31:04):
Big piece of information. I wish that we would have
known that sooner. I don't know if they withheld that
on purpose of protecting them, but that made me not
feel as upset at Julie and Martina, not to take
away from me understanding where the girls are coming from,
but it did paint more of a story that they
were like, Nope, we don't want to hear about it.

(31:25):
We don't agree, no, thank you. So they were painted,
if you will, into a corner of not being able
to share anything any updates so that when these types
of things happen adoptions, like they can happen within it,
as we all know, in a second overnight and then
you have the baby or babies. So and I don't

(31:48):
think that the girls understood that, and so that was
really shocking for them, and rightfully so, like their whole
life changed overnight and they had no choice because then
it's there and so oh it's tough.

Speaker 3 (32:02):
And they probably were thinking this is gonna be years
from now. You know, they probably didn't think it was pending,
so like just gonna happen so quickly, and they might
have thought, like they're not talking about it because we
asked them not to, but maybe it's not happening. Maybe
it's they've thought.

Speaker 2 (32:19):
Yeah.

Speaker 3 (32:20):
Also, I think the girls are probably feeling and I'm
pulling this out of my ass, but like I guess
if we promised we would see our mom more, she
wouldn't have gotten additional children, you know. So it feels
like this may be punitive because the girls were like
trying to live their life a little bit and Julia

(32:42):
was being so.

Speaker 2 (32:45):
You know, yeah, she immediately like she made a move
out of dare I say, just panic and loneliness instead
of dealing with her own self, much like Lisa did
when she was getting a divorce from Lenny. It's like,
I don't I don't want to negate like the beauty
of adoption, and I'm glad that they did like that.
That has nothing to do with it, and however people

(33:08):
get there is fine. However, you can't ignore the psychological
process that had a lot to do with her feeling.
Her feeling when they left the nest if you will. So,
and I know that she has a lot of trauma
in her life when it comes to you know, kids, so,
and who's to blame her for not wanting to sit

(33:30):
with any feelings that are gonna come up, you know,
and so.

Speaker 1 (33:37):
And so.

Speaker 2 (33:37):
Then here we are.

Speaker 3 (33:39):
Yeah, and listen, Martina seems to be all to be in.
I'm gonna say all in. It seems to be in.

Speaker 2 (33:49):
Right, it's on the line, you know, in the tennis terms.

Speaker 3 (33:53):
Yeah, thank you. And the boys couldn't be cuter if
they wanted to be. And so they're gonna have a
beautiful life on that farm. Like like, it's okay that
the girls are having a negative reaction to this, because
I believe that they are having the correct reaction.

Speaker 2 (34:13):
Yes, yes, absolutely, And Julie's having the correct reaction exact Martinez.
You know, everyone's living how they live, and this is
just and that's why I mean, we love reality TV
because these types of things are relatable and then when
we watch, we're like, we get it and we can
see all the different sides. And you know, for the
two girls to be so young and to not fully

(34:34):
understand how this type of stuff works, they probably just
thought like, like you said, it's gonna happen later if
it does. And then when they found out it happened,
they didn't understand that that's how it goes. They just
thought they just like our moms, just like added to
KRT and like purchased. They didn't like despite us, they

(34:57):
didn't they just like it was in the cart, I
didn't know you were gonna buy. So they just thought
it was something that they chose to do immediately, Whereas
it's not like that, like they were going to do that.
They had it out there, and it's not it was
not in their control to decide when and when.

Speaker 3 (35:13):
You do have all the money in the world, I
think you can you know, move things along.

Speaker 2 (35:19):
Oh and that's a good point, too interesting.

Speaker 3 (35:22):
You know, yeah right, I mean I'm just saying.

Speaker 2 (35:27):
Yeah, absolutely, because there are so many people that want
kids and it's so difficult to adopt.

Speaker 3 (35:34):
You know.

Speaker 2 (35:35):
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(37:03):
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speaking of trauma. I when Kiki went to go to
her modeling gig and she brought her dad with her,
I just like, I still can't get over all this.

(41:25):
You know, first of all, her dad looks like it
could be her brother. He looks so young, and it
made me wonder like how old was he when he
had her? And was that part of why he reacted
in such an immature, you know way to be so
extreme about it.

Speaker 3 (41:47):
Well, I think we're learning even his experience of like,
oh you do have clothes on? You know, there's he's
coming from what he believes this profession to be. It
was a total like, yeah, it's I believe it's. It

(42:07):
is in the same mental arena as you know, someone
who's daughter going to be a stripper and if you
your stripper got blessed. But like, parents are gonna have
feelings about that, and so it's a cultural difference. Okay, Yeah,
I think a in a very real way that we
are gonna have a hard time because we put models

(42:28):
on a pedestal, Right, doesn't seem like that's happening over
in Haiti. Right, so he you know, I I he
his ALP. He looked crazy to have the times we've
seen him. He looks so cute. I'm like, okay, I
see where you're a player. You look so cute to right,
I got it. But you know, this is like healing, and.

Speaker 2 (42:52):
Yeah, boy, it's amazing healing.

Speaker 3 (42:54):
It's amazing.

Speaker 2 (42:56):
I just you know, she's incredible that she can can
do this and have this pushing forward. I just admire it.

Speaker 3 (43:04):
Wait to much.

Speaker 2 (43:05):
Yeah, I love it. Okay, let's talk about Larsa's new
house and and who called it a job site?

Speaker 3 (43:13):
Oh?

Speaker 2 (43:13):
It was Stephanie. She's like, this is a job site.

Speaker 3 (43:16):
I died.

Speaker 2 (43:17):
I died, Okay, you know we love Stephanie and that.
I was like, you need to stay forever because you
calling it a job And she's so used to that terminology.

Speaker 3 (43:30):
Yeah.

Speaker 2 (43:30):
All she does is like build hotels and whatever.

Speaker 3 (43:33):
She marches onto job sites and she's on one.

Speaker 2 (43:37):
You know, she's like, oh, I've got my my uh
like diamond, you know, hard hat in the car. Let
me go get it.

Speaker 3 (43:45):
Yeah. Well, I wondered, like, you know, this is the
thing about a type of person like Larsa, and there
is something to take from it amy that we may
want to learn.

Speaker 2 (43:58):
Okay, okay, really okay.

Speaker 3 (44:02):
She not one time did she say to the girls, guys,
I'm so sorry for the mess. Don't mind this. It's
going to be finished in a month. I wish you
had seen it when it was all done. She took
them to the one table with a huge Bodha sushi
and we're in our new house. Do you know what

(44:25):
I mean? There is something that is not the wrong
way to proceed in life. We don't have to shine
a spotlight on all the things we're perceiving as negative
all the time.

Speaker 2 (44:37):
And yet it's so Larsa to just ignore the reality
of the situation. And and then I could see someone
being like, this place is still under construction, and she's like, no,
it's just it's it's just those are pieces that are
going to turn into other things.

Speaker 1 (44:54):
You know.

Speaker 2 (44:54):
I could see her just negating, like the reality of
it that too, so but yeah, I agree with you.
We don't always need to be so apologetic about.

Speaker 3 (45:06):
That's true. She said, this is my dream home. Yeah
her sit down, have some sit down and actually, don't
have any sushi, but sit amongst a boat, a boat
of sushi. Yeah, that boone is not a thank you
pickup a goddamn piece of shashimi.

Speaker 2 (45:25):
I was living. I was like, if they show that
boat again, and please don't show me that boat again,
don't do it because it's it's triggering me in such
a way, like not only are they so not appreciative
of this boat, but if this doesn't get like eaten
and shared, that is going to be such a waste

(45:47):
of food and gorgeous food at that. And also it
was just not accessible, like can we get down to
reality that boat of sushi? Though I guess you go
over to it and you get stuff out of it,
and then you go back and you sit down. Okay,
so it is like a little buffet, serve yourself, But

(46:07):
like a little boat in the middle of the table
would have been a smarter choice. But isn't that sushi
boat such a representation of Larsa and that house? I mean,
I don't know about you, but I don't like airport
terminal style homes, Like it's not my vibe. But when
they were like when ALECTI was walking in, I was like,

(46:32):
we can't even see the door frame and we're on
a wide shot like this is beyond Yeah, this is
insane and how uncozy can you be? But you know what,
this is Miami and this is Larsa Pippen and go
for it.

Speaker 3 (46:48):
Yeah, they were like in this the Sapphire Lounge at LA.

Speaker 2 (46:54):
Yes, that's exactly right. It was the Delta. Yeah, I've
only been there once, but uh, you know, some almost
didn't get in, you know.

Speaker 3 (47:06):
Yeah, yeah, But and I thought it was interesting. I
didn't realize Larce's kids were being educated in a in
a different part of the country than she was, and
they're in high school. That's very strange to me.

Speaker 2 (47:20):
Oh I didn't either. Can you please tell me what's
going on? Because I thought at least her younger daughter
was with her. I'm so confused.

Speaker 3 (47:28):
I don't have the full picture, but from what I heard,
a minimum of two of her children are a minimum
A minimum are getting and they're they're high school. They're
not they're high school. They're not you know, in their twenties.
They're they're finishing their education, I guess with their dad

(47:49):
in LA and she's sitting her rear, her gorgeous rear
in Miami, and she seems to be like this. You know,
they're great. They love that. It's great for me. I
love it for me, and you know, I love my
new house. And they're like, Okay, it doesn't seem like

(48:09):
any children are there, because Alexia is like, well, who's
going to be in this house? You know, right big
for one.

Speaker 2 (48:17):
That's what I was wondering too. I was like, well,
I guess if you think about I was really trying
to you know, crunch the numbers too. I was like, well,
if she's just getting the setup so that like all
her kids can come back and stay with her and
like their kids kids like, so this is the home
where it'll all be. But you know, onlike Julia that

(48:39):
is just in despair over an empty nest, Larsa is just.

Speaker 3 (48:44):
Her nest isn't creating a large Her nest is just
being built, and those birds got pushed out to another
nest somewhere or elsewhere like that birds, and she seems
so great with it, which I found and odd, I'm
just gonna say it, well, you know what.

Speaker 2 (49:03):
I wonder Let me let me just play Devil's advocate
for my own self right now. So when she was
younger and when the kids were younger, and you know,
all she all she was doing was having kids and
raising kids and being there every second of every day. Yes,
and a lot of them. So that being said, she

(49:24):
has lived that life. So I guess I don't know.

Speaker 3 (49:30):
Yes, it's just like it's not over, you know, they're still.

Speaker 2 (49:35):
It's so she's like, you know what, this is where
I punch out. Her daughter's like, but I'm still dissing.

Speaker 3 (49:41):
They're missing our daily shit, you know what I mean.
It's not there, They're not. She didn't say, like they
come over in the weekend, Scotty has them. They go
and they love being in their school and I'm going
to leave them there. But what I heard, right, yeah,
was I want to be on the Real Housewives of

(50:01):
Miami and I am going to set up camp here
in every way, and my children were here, they didn't
love it. They preferred LA. That's where their friends are.
And I'm not willing to leave here. I'm gonna still
stay here and they can go do their school elsewhere.

Speaker 2 (50:22):
Right, she didn't make it clear or that she maybe
goes to LA you know, and has a place there,
say it.

Speaker 3 (50:30):
We didn't hear that you know, because the Alexia was startled.
You know, she was like, uh, oh, I guess you're
gonna I mean, it's odd I am judging her.

Speaker 2 (50:44):
No, I am too, trust me. And you're pointing out
Alexia's reaction. Yeah, I didn't catch that, but you're right,
she had a big reaction to it. Yeah.

Speaker 3 (50:54):
Well, she was like seeming to be surprised that the
kids are not here, right, She's like in Miami Amazon
Fulfillment Center and why are the kids? Wait? Yeah, everyone's
basically because did this just happen over the last year,

(51:15):
because we were kids with her last year.

Speaker 2 (51:17):
Now I'm wondering how long they've been gone.

Speaker 3 (51:20):
Things are blurring, but kids were there at some point.

Speaker 2 (51:24):
Yeah.

Speaker 3 (51:25):
I almost think it wasn't last season. It was the
season before. Okay, that's that's where I saw kids. I
have a feeling. And that might have been when Miami
came back, right.

Speaker 2 (51:35):
Yes, so it was the first season coming back is
where I think. Yeah, that's correct. I believe you're right.

Speaker 3 (51:40):
So she probably yanked them out of their schools in
Los Angeles and was like we live here now, and
they were like, we hated here. We want to live
with our friends and our.

Speaker 2 (51:53):
Living in oh she was living in Los Angeles.

Speaker 3 (51:55):
That's why I don't know. I'm pulling a vignette together
for myself what I think.

Speaker 2 (52:03):
Okay, yeah, yeah, I hear you. Okay, we just need
to understand where she was living before beginning the New
Real Housewives of Miami.

Speaker 3 (52:13):
But she was friends with Kim. I believe they were
in Los Angeles and.

Speaker 2 (52:17):
Then they had that big falling out. So maybe she
came back to Miami.

Speaker 3 (52:22):
Absolutely, she got she wanted. She got the call from
Bravo we're kicking Miami back up.

Speaker 2 (52:29):
Wait, was the Kim and Larsa fallout that quick before
Miami kicked off?

Speaker 3 (52:35):
I don't. I'm not Emily Dursis. I do not have
dates and figures at the ready.

Speaker 2 (52:42):
I'm asking now, we're just posing it to the darling
Stath and I'll have to do this math later.

Speaker 3 (52:48):
I feel it was. I think Amy, that we can
put some good money on the Kim fall up because
it was when things were going left with Kanye and
that feels.

Speaker 2 (53:02):
Like a few there you go, you did it. You
brought us where we needed to be. Thank you. That's
exactly right.

Speaker 3 (53:11):
Yeah, with Kim as her best friend at that time.
There's no way she's not living in Los Angeles.

Speaker 2 (53:18):
Absolutely, no, you're one hundred percent right. This is I
think we've solved it. Yeah, and then how we've Yeah,
that's amazing, and like you've gotten down just twenty seconds. Okay,
we're able to move on, all right, and a completed
stamp approved. Let's get back to Okay, so we're at
our basil, that event space with that set of stairs.

(53:44):
Miami is for young people. Miami is for young people.
Miami is for young people. Did you see those stairs?
Did you see them stairs?

Speaker 3 (53:52):
I don't know that I clopped them the way you did,
but I appreciate this assessment.

Speaker 2 (53:58):
The drone shots of these stairs. I don't know how
they got up, and I sure as hell don't know
how they got down.

Speaker 3 (54:06):
I mean, Gertie couldn't even get out of the car,
she was already down.

Speaker 2 (54:10):
She's like, I stuck the landing. That was amazing. I
did you audibly guess when that happened? I did, yes, Okay, Yeah,
we care about our ladies. That's so tough.

Speaker 3 (54:20):
We don't know that.

Speaker 2 (54:22):
So obviously Larsa is bringing up who put that on
birthday cake? Who put that?

Speaker 3 (54:28):
Math?

Speaker 2 (54:29):
She's like, there were a lot of math equations.

Speaker 3 (54:31):
God, it was dude. That shit had me rolling I
the way they were And I hate math. Guys. What
I think of as math is shocking. You know, everything
to me is math, so I can relate to that.
But to be on camera talking about that, that calculus,

(54:54):
it was like, I I'm dead. It brought me right
back to the can't read all those texts textases, Yeah.

Speaker 2 (55:05):
Can't know because that looks like math to her.

Speaker 3 (55:08):
Math equations also ps math you know. So no one
has ever or will ever read Gertie's texases. Can't it's
too much.

Speaker 2 (55:22):
So the explanation of behind this is astounding. It might
be the biggest twist we've ever seen. You don't believe it.

Speaker 3 (55:33):
I would love you to explain it to me, because
I couldn't even make heads nor tails of Kiki's explanation
as to why she did that math. Please explain it
to me.

Speaker 2 (55:42):
I okay, So I'm I'm now I'm giving her the
benefit of the doubt, okay, because it doesn't it doesn't
the math doesn't math as people say, so the actual
equation as as We'll just give it to Larsa. Okay,
the the equation did not actually work. It was not correct.

(56:03):
So thirty two plus thirty two obviously does not equal
fifty nine. It equals sixty four. Okay. Her idea and
I did like it, was that when they were talking
a week ago or however long, if you could go
back to any age, what age would it be. And

(56:24):
Adrianna said, very pointedly forty five. Okay, so it should
have been forty five plus forty five equals fifty nine
if you're going along with her idea, okay, which is
just basically like a cute way of saying, hey, your
age when you split it can really just equal your

(56:49):
dream age. Okay. That's I'm just giving it all to
her of what she was trying to do, all right, okay,
by breaking it into the smaller number of her ideal age,
and that equals who she is and who she really is,
which is her inner age is really her actual age,
and I'm showing you that through this equation. But it

(57:12):
was so wrong math wise that that didn't calculate correctly.
So not only that, but it was confusing, and not
only that, but she got the dream age wrong. Yeah,
but I do with the way she explained it. I
really believe her. She was completely believable to me, I
don't think it was shady.

Speaker 3 (57:32):
And then this was so minus or plus five?

Speaker 2 (57:36):
Oh shit, there was a minus there was a plus five. Well,
then that would make sense because if oh, there was
a minus five.

Speaker 3 (57:43):
Wait, let me, could you run some numbers?

Speaker 2 (57:45):
Okay?

Speaker 3 (57:45):
If I do.

Speaker 2 (57:46):
Sixty four minus five, oh, that does equal fifty nine.

Speaker 3 (57:51):
I didn't see the minus five. I'm so sorry you
guys sat four okay, sixty four thirty four, thirty two
plus thirty two equals sixty four five equals fifty nine
her age, So the thirty okay, So you're saying the
thirty two is her version of the forty five she misheard? Yes,
Gretchen would say I miss heard, I miss heard and misspecial. Yes, sorry,

(58:15):
Darling's okay, you're all screaming it. Okay, I'm so sorry. Okay, No, okay.
I still find that.

Speaker 2 (58:23):
Wild hard to believe or like, do you think it
was being shady because I don't think she was trying
to be intentionally shady.

Speaker 3 (58:37):
I will tell you at the end of that episode,
and it was because I didn't understand the explanation genuinely,
but I thought she was being shady.

Speaker 2 (58:47):
Okay, well I don't because of how she explained it,
and I just really it seems so sincere.

Speaker 3 (58:55):
Horrible judgment is where we're putting it.

Speaker 2 (58:58):
Yeah, just a horrible and you know what, at the
end of the day, I can't remember who said it, sorry,
but like when Adrianna is getting so upset, oh yeah,
I think it was, yeah, Julia. Adrianna was getting so
upset about the cake and because Larsa is winding her up,
and Julia's like, you got medical or her knees on

(59:21):
this shit, and it's like, yeah, she yelled over the
yacht in a public place that her knees were wrinkling
and all this stuff. And then Adriana, without missing a beat,
was like that's different. I'm like, well, it's only different

(59:41):
because Kiki's not meaning to drag you, is the way
I saw it. But there's no room for explanation if
since Larsa's gotten involved, and now it went up so bad,
and then Adriana is going up to her friend and saying,
Kiki thinks I'm racist. She's trying to get me canceled,
and oh my god, like I this went left so

(01:00:04):
fast because of a game of confusion and telephone and
bad math.

Speaker 3 (01:00:11):
Wow, so many things. We also had that, you know,
Larsa's strike in the match, They're all going in. It's
they're melting down. Larsa's like she should know. Liza like,
I didn't mean to. I didn't mean to tell her
how you say it? And Julia's doing what you just said.

(01:00:31):
And in the background we see Ricky standing looking pretty
casual with the galpals. Yeah, you know, so that was
just a funny, like, I don't there.

Speaker 2 (01:00:43):
It was cinematic greatness.

Speaker 3 (01:00:45):
It was. And then that poor I felt that Carol,
her friend, I believe her name was Carol.

Speaker 2 (01:00:52):
Oh, yes, car Yeah, okay, her friend Adriana's friend.

Speaker 3 (01:00:55):
Holy shit, has someone wanted to back out?

Speaker 2 (01:01:02):
I mean so cringe worthy. I wanted to back out.
I was like, stop, please stop.

Speaker 3 (01:01:06):
She she only co signed with Adrian. That was hard.
That was a.

Speaker 2 (01:01:12):
Disaster, horrible to put her in that position to run
up to her friend who is black and say this
to her, to make her vouch for her on camera essentially.

Speaker 3 (01:01:25):
And then trot her over to two other black women,
trot and the way Carol in my opinion, my opinion
when she when she hears Kiki and Gerty describing the ratchet,

(01:01:50):
Carol wants to melt into the ground because I don't
believe she was co signing any longer on this this shit.

Speaker 2 (01:02:01):
She was okay, but all right. I heard Adrianna say
wretched and I and I heard Carol hear wretched and say, yeah,
that's just a word we use like for anything. So
I don't I think Carol understood the word wretched. Oh
really said ratchet?

Speaker 3 (01:02:18):
She she Adriana did confirm she said ratchet. Wait, okay,
we're having two different experiences.

Speaker 2 (01:02:26):
Okay.

Speaker 3 (01:02:26):
See when she was said, I heard okay, yes, and
they do freaking sound similar. But I heard Adriana telling
Carol she said, I used the word ratchet, but I
meant it like X, Y and Z. And she was like, yeah,
we don't. We it's not racist. Everyone can use the
word ratchet. That's what I heard Carol saying, Okay, ratchet.

(01:02:49):
I heard all that except replace ratchet with wretched and
and that's what Adriana has been saying this whole time.
What she said, she said she was saying wretched. No
I know, and I thought, no, episode, No I know.
She saying wretched, and then in this episode I thought
she was saying ratchet.

Speaker 2 (01:03:10):
It really oh wow, okay, well that would be very
different than what I saw. So if that's what it is,
then well shit, I don't know why she'd all of
a sudden change her story that she said ratchet when
she's been saying I said wretched this whole time.

Speaker 3 (01:03:30):
Yeah, well, you're making great points, and I don't know
if i'm again. This is maybe why we were all
confused in the beginning, because the way she says it
sounds like ratchet.

Speaker 2 (01:03:40):
Yeah, all right, well I'm just gonna have to leave
it on this field, and you know, have the darlings
just pipe in and say what you know, straighten us out,
what's up.

Speaker 3 (01:03:52):
What I do know is that Carol stopped speaking once
she was brought into the mix with everyone. She no
longer was saying. Adriana was screaming, Carol knows, I'm not
a racist, Caroen, you know, and again no one said racist. No.

Speaker 2 (01:04:09):
That was such a weird. I think in her mind
she must have just started to go like cuckoo. She
started to think the worst case scenario. Now she's plotting
against me. Now she's trying to get me canceled. Now
she put this on my birthday cake, like I don't
know what was going on in her head, but it
went from zero to a thousand in a not good way,

(01:04:33):
Like it didn't need to go in that direction. Those
are two completely separate things, like the agism aspect and
then the potentially racist use of a word. You know,
two totally separate things, and she was now making it
into one. This was a cocktail of misinformation and misspeaking

(01:05:00):
and missmthing. Souh, All right, well, Marisol and Stephanie they
talk about why she didn't go on the plane, and
I did like that. Marisel held to her like, I
don't like that you talk about money. I don't like it.
It's rude, it's daggy, Stephane. Stephanie's like, I didn't say it.

(01:05:26):
I mean, she didn't say that it cost forty thousand
dollars to go twenty two minutes. She didn't say that.
Larsa said that. However, that aside, it doesn't matter. Those
are the those are the undertones, that's what's in between
the lines.

Speaker 3 (01:05:41):
So it's still that. Still, it's still that, Yeah, you know,
you didn't She's not that the number isn't what's bumping her.
It's the co It was the way she was dangling it.

Speaker 2 (01:05:57):
That's it, you know. But it was nice that moved on,
and Stephanie did try to stir that by bringing the
information that Alexia was like, well, Alexi said that you
use her as a mouthpiece, and I don't think she's
gonna get far with that. Like, I don't think that
you can get those two to fight too much. If

(01:06:17):
they're gonna do it, they're gonna do it off camera
and they're gonna settle it there.

Speaker 1 (01:06:21):
Yeah.

Speaker 3 (01:06:22):
Well, and I kept waiting for Marisol to want to
like pull Alexia in or get really mad. If she
never did. She she kept it. She kept it cute
as you would say.

Speaker 2 (01:06:38):
Oh boy, well Alexia is really not. She's kind of
like slowly putting into this hot slowly putting us into
this hot water that we're going to experience, which is
that Todd is back and he never left and he'll
be there and nothing has changed and nothing will change.

Speaker 3 (01:06:55):
Although we do know in real time that he's out
right because of those Instagram accounts, like what he posted
when we all watched it, and he was no longer
with her.

Speaker 2 (01:07:07):
I mean, yeah, I guess. I mean I could still
see him posting that and then them being back together
the next day. But who knows. I think that you
are probably right based on that. But yeah, well, fun episode.
Oh one last thing, Deanna, I know you must have

(01:07:29):
been triggered by Julia's confessional look with the side pieces
a la Kyle. She had gelled side piece hairs that
aren't aggressive as Kyle's because they're shorter and they're thinner. Nonetheless,
are you okay today?

Speaker 3 (01:07:47):
No, it's not a good look. It's the worst look
that she's had, and it was an ill fitting top,
so that whenever you want to soften up your your
look after you've done an updue and you feel compelled
to take two pieces and bring them down, don't do that.

Speaker 2 (01:08:09):
Why are all the glam squads doing that to these ladies.

Speaker 3 (01:08:13):
It's not a good look. It doesn't do anything nice.
It just makes us focus on the pieces, that's all
I can see.

Speaker 2 (01:08:23):
M Maybe Larsia should try that. Nope too angular? Oh snap, okay,
well Darling's Patreon Darlings, you know where to find your girl, Deanna.
Go over to our substack. How to Be less old.
Check out that podcast. It's so great. Substack is awesome.
It's so it's so good. You're such great writers, you
and Emily. I love the topics that you guys cover.

(01:08:45):
It's just so great.

Speaker 3 (01:08:46):
And I share what we have up today that's going
up in a please ooh okay, hot off the press.
So I we had found on TikTok a new and
it's old, but it's trending now. Which is ear seating?
Ever heard of it?

Speaker 2 (01:09:07):
No? Never?

Speaker 3 (01:09:08):
Okay. So it's similar to acupuncture, but you put these
metal seeds in your ear and you can You should
take it to a provider, but you can do it
for yourself, which I did. And so we talk about
all the hot things that are happening. It's a we
co write the Friday post. But I discussed my ear

(01:09:28):
seating results on today.

Speaker 2 (01:09:30):
Oh my gosh.

Speaker 3 (01:09:32):
You know, if that suits your fancy. Had to be
littled dot substack dot com.

Speaker 2 (01:09:37):
Baby Baby Baby Ding Dangs darlings. Have a great day.

Speaker 1 (01:09:45):
Bye, Drama Darling, Drama Darling

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