Wie wird dort (Bühnen-)Kunst produziert und wahrgenommen? Wie zugänglich, kommerziell, erfolgsorientiert wird gearbeitet? Wie entsteht Kunst im Spannungsfeld von künstlerischem Anspruch und nötigem Publikumserfolg? Und: Welche (widerständige?) Rolle kann das hierzulande oft belächelte Entertainment im Jahr 2025 in den USA spielen? Eine Interview-Reise zu Protagonist*innen und Theoretiker*innen aus Musical, Comedy, Drag und Showbiz ab April 2025 hier an dieser Stelle. See you in a bit!
Mit freundlicher Unterstützung des Thomas Mann House/Los Angeles.
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