The Theatre History podcast that doesn’t take itself too seriously. Each week, Aaron Odom hosts a guest from the worldwide theatre community to talk about a bizarre, fascinating and humorous story from theatre history. One catch, the guest has no idea what they'll be discussing.
Host Aaron Odom (@TridentTheatre) and Seattle-based actor Christine Shaw discuss the events surrounding the play that resulted in the only occurrence of an actor being banned for life from Actor's Equity Association
Host Aaron Odom (@TridentTheatre) and guest Mary Jo Johnson discuss the many oddities regarding Superstitions in Western Theatre.
Host Aaron Odom (@TridentTheatre) and Film and TV producer Brand Birtwistle of The Brand Productions discuss the single on-stage partnership of doomed couple Elizabeth Taylor and Richard Burton, the 1983 production of Noel Coward's classic comedy "Private Lives."
Host Aaron Odom (@tridenttheatre) and Drama Instructor Dustin Hebert continue their discussion of the Trials of Oscar Wilde.
Host Aaron Odom (@TridentTheatre) and drama instructor Dustin Hebert discuss the events leading up to the three trials of Oscar Wilde
Host Aaron Odom (@TridentTheatre) and guest Natalie Lander (Natalie Lander on IMDb) discuss the inclusion of a certain part of the male anatomy into Ancient Greek theatre and culture. WARNING - Sexually Explicit Material! You've been warned!
Also, don't forget to download Alec Avdakov's "The Life and Times of Frederick The Great" wherever you get your podcasts! Here's one place: The Life and Times of...
Host Aaron Odom (@TridentTheatre) and Brian Michael Jones (Insta: @Brianmichaeljones, Twitter: @Brian_MJones) discuss some of the origins of theatre, and the rites associated in the festival to the God of Theatre, Dionysus
Host Aaron Odom (@TridentTheatre) and Producer Richard Jordan dissect the singular broadway outing of one of the world's most popular superheroes.
Host Aaron Odom (@TridentTheatre) and guest Jon Dryden Taylor (@jondrytay) discuss the establishment of the French Academy in the 17th century, and its first major ruling: whether Pierre Corneille's play "Le Cid" could actually be considered a play.
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